(Image: Aprendiz de Viajante)
Beach on the Seine
A must-visit in Paris for the literary and artistic set or even the mildly book-curious is the iconic “Shakespeare and Company” bookstore situated near the Latin Quarter and across from Notre Dame. It’s address is 37 rue de la Bûcherie 75005, V, but it wasn’t always there. Shakespeare & Co founder, American expat Sylvia Beach, started the legendary Left Bank bookshop at 8 rue Dupuytren in 1919. Within three years Beach moved the shop to the 6th Arrondissement at 12 rue de l’Odéan, across the street from La Masion des Amis des Livres owned by Beach’s future ‘bestie’ and amour Adrienne Monnier. This bookshop was the template Beach used for her own serious literature bookshop-cum-lending library.
𐅉 Ulysses – Joyce and Beach at Shakespeare & Co
Beach’s lifeline for Joyce’s untouchable manuscript
Beach is probably best remembered for giving James Joyce his big breakthrough in the literary world, publishing Ulysses in
1922 when nobody else would touch it…the abstruse, controversial novel went on to become a masterpiece of modern literature. Over time Shakespeare and Company acquired a more lasting fame as the hub of Anglo-American literary culture and modernism in Paris. Aspiring British, Irish and American writers, prompted by a post-WWI favourable pound and dollar exchange rate against the French franc, flocked to the creative milieu of Paris where they discovered the unique appeal of Beach’s Anglophone bookshop🄱 (The Most Dangerous Book: The Battle for James Joyce’s Ulysses, Kevin Birmingham, 2014).
“The Lost Generation”
In the interwar years Beach’s bookshop became a haven for the Anglophone literati…habitués included the likes of TS Eliot and Ezra Pound, and the “Lost Generation” of American intellectuals, modernist writers and artists including Ernest Hemingway, F Scott Fitzgerald, Gertrude Stein, Djuna Barnes, Ford Maddox Ford, Man Ray, etc. Hemingway and other illustrious names belonged to the store’s lending library, borrowing books when they couldn’t afford to buy them. At the same time French intellectual writers such as Gidé and de Beauvoir also benefitted from Sylvia’s efforts to get their work better known in the US. The bookseller also gave crucial assistance to various avant-garde ‘little magazines’ in getting their publications off the ground by distributing their editions (Shakespeare and Co: The world’s most famous bookshop at 100‘, Cath Pound, BBC, 19-Nov-2019, www.bbc.com).
Shakespeare and Company redux
In 1941 with occupied Paris under the Nazi swastika, the shop was closed down and Beach interned for a period after Sylvia refused to sell the last copy of Finnegan’s Wake to a German officer. The closure was permanent but the phoenix of Beach’s bookstore did rise again, reinvented by another American expat a decade later. In 1951 WWII veteran George Whitman opened a new, independent English-language bookshop – effectively “Shakespeare and Company Mach II“, though originally called Le Mistral. Later Sylvia Beach apparently anointed Whitman’s bookshop as the true and worthy successor to her original Shakespeare and Company (after Beach’s death in 1962 Whitman renamed the bookshop “Shakespeare and Company”) (‘Bookshop Shakespeare and Company. Paris’, by Els, www.flickr.com).
“The Beat Generation”
Within a short time Whitman’s Mistral bookshop was fulfilling the same service to Paris-based Bohemians as Beach’s had for the Lost Generation of writers. Le Mistral, the second coming of “Shakespeare and Co”, became a mecca for a new literary generation in the Fifties, the ’Beat’ Generation and its writers including Allen Ginsberg, William S Burroughs and Greg Corso. Other English-language expats to frequent the bookshop at this time include Henry Miller, Anaïs Nin, Lawrence Durrell and Ray Bradbury (‘Shakespeare and a Company (Bookshop), Wikipedia, http://en.m.wikipedia.org).
Tumbleweed Hotel‘s quirky tariff
George Whitman maintained Sylvia Beach’s tradition of putting aspiring young writers up for the night (or several nights)…in return for a very basic cot or even a bench, the guests were required to work in the store, read a book and write a one-page autobiography🄲 (‘A Brief History of Shakespeare and Company, Paris’ Legendary Bookstore’, Alex Ledsom, Culture Trip, 26-Feb-2018, www.theculturetrip.com.
Generation-and-a-half change
George Whitman died in 2011 at 98…the last 10 years of his life was a struggle of wills as the increasingly wildly eccentric George sought to push back against the attempts of his daughter Sylvia Beach Whitman🄳 to modernise the bookshop🄴. Since becoming sole proprietor, Sylvia has moved Shakespeare and Company forward with the times—web-based online transactions, modern accounting practices, the addition of a café, etc—but she still runs a lending library and a second-hand book section, hosts book launches and regular author readings by Zadie Smith, Martin Amis, etc in the shop (‘In a bookstore in Paris’, Bruce Handy, Vanity Fair, 21-Oct-2014, www.vanityfair.com).
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Some takes by visitors on the physical layout of Whitman’s bookshop:
° “a Tardis – modest enough on the outside, a labyrinth on the inside” ~ Jeanette Winterson
° “Shakespeare and Company has the rambling lucidity of an unkempt boudoir” ~ Penny Watson, ‘A tale of two bookshops’ [SMH, Dec 1-2, 2007]
° “a literary octopus with an insatiable appetite for print, taking over the beat-up building … room by room, floor by floor, a veritable nest of books” ~ Lawrence Ferlinghetti
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𐅉 Sylvia Beach (Source: ricorso.net)
Footnote: for the literary expatriates who frequented Shakespeare and Company, the bookshop served a number of purposes. It functioned as a sort of support network club where the expat writers could meet other members, could draw inspiration from its environs, they could read a wide range of quality literature including books banned in the US and UK, and they could write in its rooms🄵.The bookshop was a “sanctuary for progressive writers and a hub for innovative publishing” (Pound). Some of the expat artists and writers even used Beach’s bookshop as their postal box for receiving mail in Paris (Birmingham).
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🄰 Joyce ‘repaid’ Beach by later defecting to a new publisher at a time the bookseller was in a financial jam
🄱 Beach couldn’t however replicate the triumph of getting Ulysses into print with DH Lawrence’s controversial Lady Chatterley’s Lover
🄲 the senior Whitman described these blow-in visitors as ’Tumbleweeds’, estimated to number around 30,000 since 1951
🄳 named in honour of the original Sylvia Beach
🄴 George was resistant to changing even one iota of the seemingly chaotic structure of the shop; he didn’t believe in phones or credit cards or computers (Handy)
🄵 Whitman gave the store’s rooms whimsical names like “Old Smoky Reading Room” and “Blue Oyster Tearoom”
Dalí practicing his mesmeric pose, with fellow Surrealist, Man Ray, 1934 ⤴
Hybrid Dalí, ‘L’elephant–giraffe’ (1965) ⤴
