The ‘Fascism Minimum’ Hypothesis and the Case of Thai Politics in the Second World War Years

Comparative politics, Inter-ethnic relations, International Relations, Politics, Regional History

Authoritarian regimes modelled on Italian Fascism and German Nazism in the interwar period were conspicuous in Europe, but by no means confined to that continent. Asia had its share of emerging political movements and regimes that were attracted to the clarion call of Euro-fascism and the German Nazi phenomena in particular. The nationalist Kuomintang in China had its New Life Movement and the Blue Shirt Society. There was the militaristic, ultranationalist Shōwa Statism associated with the Empire of Japan. In Syria the Syrian Social Nationalist Party, formed with the aim of restoring Syrian independence from its colonial master France, borrowed its ideas and symbols from Nazi ideology.

Another Asian country in the 1930s that was inspired by the Euro-fascist movement to venture down the right-wing authoritarian path was Thailand. Army officer Plaek Phibunsongkhram, better known as Phibun (or alternately transliterated, Pibul), rode to power on the back of his domination of the military faction of the People’s Party (Khana Ratsadon), becoming prime minister of Siam in 1938. Phibun, one of the most controversial figures in Thailand’s turbulent, coup-prone political history, consolidated his power by establishing a de facto dictatorship during the Second World War. Whether Phibun or his regime was fascist has been a topic of debate by scholars. But before we look at whether the fascist tag sticks to the Thai kingdom in the period of the Phibun ascendancy (1938–1944), we need to hit on a working definition as to what is meant when we refer to a political organisation or movement as “fascist”.

Thailand, WWII

This is far from a straightforward task given the complexity of the concept of fascism, one not helped by the fact that “fascist” is a catch-all word in everyday speech for spontaneously describing in a pejorative fashion any individual or organisation which vexes us even for a fleeting moment. The term is so loaded and problematic that a universally acceptable definition remains elusive…as historian and political theorist Roger Griffin notes, “with the possible exception of ‘ideology’, there can be no term in the human sciences which has generated more conflicting theories about its basic definition than ‘fascism’” [Roger Griffin, ‘Staging the Nation’s Rebirth. The Politics and Aesthetics of Performance in the Context of Fascist Studies’, Library of Social Sciences, (1996), www.libraryofsocialsciences.com]. A broad and simple answer might be that fascism is a totalitarian entity – defining “totalitarianism” as an extreme form of authoritarian rule where the state has complete control over its citizens, using coercion to suppress individual freedoms𝟙. The problem with “totalitarianism” is that it can be applied equally to either extremity of the political spectrum – the far right, fascist regimes like the Nazis and the Italian Fascists, and to systems on the far left, ie, to the Marxist communist regimes of the Soviet Union and Red China, and to contemporary North Korea under the Kim dynasty.

The Third Reich propagandising a supposed führer and Nazi connexion to a heroic Teutonic medieval imperial past

Reductionist heuristics: A short search through the pages of Google will quickly confirm the nigh-on impossible challenge of pinning down a broad consensus as to an acceptable definition of this hyper-complex term. So perhaps enumerating the essential elements or characteristics that constitute fascism might prove a more fruitful exercise? I am somewhat taken by Griffin’s approach to the definition conundrum, seeking to identify “what all permutations of fascism have in common – what he terms the “fascist minimum”, reducing the slippery concept to its bare essentials. Griffin actually condenses his take on “fascism” to a single basic sentence, viz. “a genus of political ideology whose mythical core in its various permutations is a palingenetic form of populist ultra-nationalism” (‘Staging the Nation’s Rebirth’). This brief statement requires some fleshing out. Griffin identifies three elements that are central to the ideology of fascism: the first is the idea of palingenesis (national revival) which all genuine fascist movements carry in their baggage. This entails the perpetuation of a utopian urban myth which exalts “the regenerative national community which is destined to rise up from the ashes of a decadent society”𝟚. Through emphasising the societal decadence of the status quo (the second idea), the fascist can isolate and vilify the supposed enemies of society (eg, Jews, communists, Gypsies). The evoking of this palingenetic myth allowed fascist movements to attract large masses of voters who have lost faith in traditional parties and religion with their glittering promises. The third element, populist ultra-nationalism, “arises from seeing modern nation-states as living organisms which are directly akin to physical people because they can decay, grow, and die, and additionally, they can experience rebirth” [‘Ultranationalism’, Wikipedia, http://en.m.wikipedia.org]. This palingenetic– ultranationalism fusion is what distinguishes Griffin’s “true fascism” from para-fascism and other authoritarian, nationalist ideologies [Roger Griffin, The Nature of Fascism (1991)].

A fascist or para-fascist checklist?: There are other characteristics evident in the praxis of fascist organisations and movements, including an opposition to or emasculation of parliamentary democracy; the leader’s cult of personality𝟛; (a revolutionary movement with a) belief in a natural hierarchical social order; an inordinately dominant or influential role played by the military in the state’s governance and in society as a whole; victimhood, suppression of targeted minorities in society (be it ethnic or religious); anti-communism; the all-powerful, all-seeing party as the vanguard of the fascist movement; a “cult of action for action’s sake” (Umberto Eco)…the square peg here is that these characteristics are not the exclusive domain of fascism or fascist politics as they feature in far-right authoritarian rulerships and sometimes in communist ones as well𝟜.

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Pridi (left) and Phibun (source: warfarehistorynetwork.com)

If we turn now to look at Thailand at the end of the 1930s we see that Phibun consolidated his position as prime minister before embarking on the road to dictatorship. Moving quickly to neutralise political opponents, he had his chief army rival Phraya Song’s supporters eliminated and Phraya himself exiled, while curtailing the already restricted royal power. Parliament was reduced to a rubber stamp chamber, press censorship was rigorously imposed. With other parties outlawed, the principal opposition Phibun faced came from within his ruling People’s Party in the form of Pridi Phanomyong (Banomyong) who headed up the civilian faction of the party. Phibun expressed admiration for the major right-extremist powers, Nazi German, Fascist Italy and the Empire of Japan. Militarisation of Thai society was a major focus for Phibun, borrowing extensively from the fascist template he copied the Nazi Jugend (Hitler Youth) with his Thai youth organisations, Yuwachon for boys and Yuwanari for girls. Phibun also relied on propagandist techniques through his right-hand man Wichit Wathakan who acted as party ideologue and propagandist to the extent that he was known in some circles as the “Pocket Goebbels” [REYNOLDS, E. B. (2004). PHIBUN SONGKHRAM AND THAI NATIONALISM IN THE FASCIST ERA. European Journal of East Asian Studies3(1), 99–134. http://www.jstor.org/stable/23615170].

Phibunsongkhram: Phibun’s eponymous province

Phibun in power projected the image of a “charismatic national savour”, presenting himself as the Thai people’s one great hope to lift the country out of the straitjacket of its weak and subordinate global position and achieve modernisation and a strong national position. And he built a form of personality cult for himself…pictures of himself were ubiquitous; awarding himself a raft of high offices and titles (including field marshal of the army). Another manifestation of this was how the Thai people celebrated Phibun’s birthday as the nation’s phunam (leader), venerated his auspicious birth-colour (green) and his birth sign, etc (Reynolds). Phibun even named a province after himself, comprising Cambodian territory wrestled from the French.

Prime Minister Phibun in 1948 (photo: Jack Birns/Life Photo Collection)

”Thaification”, Phibun’s territorial expansion ambitions: Was Griffin’s core “palingenetic myth” an element of Phibun’s political ideology for Thailand? Phibun and those other Thais who espoused nationalist sentiments subscribed to a genuine belief in Thai exceptionalism which derived from the pride of Siam having been the only state in Southeast Asia to have retained its independence in the wave of European colonisation of the region, an exceptionalism which Thais presented as a heroic tale in promoting nationalism. The Thai situation seems however to lack a homegrown urban myth in which the phoenix of national revival arises out of a state of decadence, instead the prevailing ideology had an irredentist component which has been called Pan-Thaiism. [‘Thaification: from ethnicity to nationality”, Marcus Tao Mox Lim, Identity Hunters, 05-Dec-2020, www.identityhunters.org].

Name changing ceremony Bangkok, 1939: Affixing of the royal seal by the crown prince (source: Life)

Ditching “Siam” for “Thailand”: Phibun pursued an expansionist foreign policy by which he hoped to reunite ethnically-related peoples under a “greater Thai race-based nation” (Tao Mox Lim). The name change from Siam to Thailand in 1939 had a dual function for Phibun – an intent to modernise the country and the creation of a new national identity𝟝. The name “Thailand” (Prathet Thai) symbolised a departure from the multi-ethnic identity of Siam, a device to assimilate other ethnic minorities (including the Chinese, a very significant minority in Siam𝟞) into a new construct, a national (homogenised) Thai identity – what Tao Mox Lim calls a “reimagining of a ‘Thai race’”. This was all a precondition to Phibun’s irredentist aspirations, allowing him to stake a claim on lost territories, mainly in French Indochina (Reynolds).  

Under Phibun’s heavy authoritarian hand democratic rights and freedoms were restricted and the populace subjected to a series of cultural mandates dictating the modes of dress and behaviour to be adopted. The earlier pluralism of Thai society was squashed but the degree of coercive control over aspects of citizens’ lives never got close to the Orwellian “big brother” levels in totalitarian regimes in Nazi Germany and in some Cold War Eastern Block countries. Phibun did not secure a totalitarian hold over the Thai population during his six-year long regime𝟟 and Thailand didn’t experience the ideological journey of national destruction/rebirth process as prescribed by Griffin.

Thailand, the most coup-prone sovereign state in the world (photo: Agence France-Press via Getty Images)

The unravelling of a SE Asian dictator: As autocratic as Phibun was in running the country, the elephant in the room was his wartime relationship with Japan. Having steered Thailand to a neutral stance in the world war, he switched positions, committing to an alliance with the Japanese under the Greater East Asian Co-prosperity Sphere in the hope of realising his long-held goal of Thai territorial expansion. Unfortunately, the alliance proved to be very unequal and heavily in Japan’s favour. The Japanese with its occupying forces in Thailand wouldn’t allow the Thai army to participate in its invasion of Burma and the Thais were forced to hand back the limited territorial concessions it received from France at the war’s end. By 1944 Phibun—with Japan’s military fortunes on the slide and seen as its increasingly unpopular collaborator—was forced out of the prime ministership in which some describe as a parliamentary coup masterminded by his rival Pridi [‘The Fall of the Phibun Government, 1944’, Benjamin A. Batson, www.thesiamsociety.org].

𝟙 as Mussolini summed up the function of totalitario…”all within the state, none outside the state, none against the state“

𝟚 having sold the masses on the notion of the regenerative national community utopia, the masses convinced of its efficacy must (unquestioningly) follow its creator, the (fascist) leader, sowing the seeds for the leadership cult to develop

𝟛 ample examples exist of leaders who were not fascists who cultivated a personality cult, eg, authoritarian populist Juan Peron and communist supremo Stalin

𝟜 it’s quite plausible for authoritarian regimes to practice even extreme fascist tactics, but this of itself doesn’t necessarily make the political system a fascist one

𝟝 the word “Thai” means “free” in the Tai tongue (thus “land of the free”) which resonates with the idea of the country never having been colonised

𝟞 Phibun’s imposition of the Central Thai language on all citizens promoted Thai ethnocentricity after 1939, which together with the introduction of harsh laws had the outcome of lessening the inordinate economic impact of the Chinese community (Reynolds)

𝟟 Phibun in his second stint as PM (1948–57) was preoccupied with “trying to reinvent himself as a democrat” (Reynolds) and surviving several coup attempts before his ultimate removal and exile to Japan

The Fiume Enterprise and d’Annunzio: A Peculiar but Prophetic Prelude to the Italian Fascist State

Biographical, International Relations, Political geography, Regional History

In the aftermath of the Great War, among the numerous issues facing the post-world war peacemakers was what to do about the status of Fiume, which had been part of the  (dissolved) Austro-Hungarian Empire. Both the newly established Kingdom of the Serbs, Croats and Slovenes (KSCS), and Italy, laid claims to the city whose population included significant numbers of Italians as well as Croats and Slovenes. While the Paris Peace Conference deliberated over Fiume’s fate, an Italian poet-adventurer named Gabriele d’Annunzio took advantage of the city’s state of flux to invade with a small private force in the name of Italian irredentism.

The “Poet-Warrior”
D’Annunzio was an international celebrity in his time, an unconventional, physically small but larger-than-life, multi-faceted character, an Italian man of letters who also saw himself as un uomo d’azione (‘a man of action’). Having seized the disputed Adriatic port of Fiume, d’Annunzio offered his prize to the Italian government who not wanting to endorse d’Annunzio’s dubious coup, rejected the offer [‘An Irishman’s Diary on Gabriele d’Annunzio — the “John the Baptist of Fascism” and would-be IRA quartermaster’, (Mark Phelan), The Irish Times, 07-Mar-2018, www.irishtimes.com]. Spurned, d’Annunzio reacted by declaring Fiume’s independence as the “Italian Regency of Carnaro”, AKA Impresa di Fiume (‘Endeavour (or Enterprise) of Fiume’).


Progressive reforms and a repudiation of the Versailles Treaty
The constitution (la carta del Carnaro) of d’Annunzio’s unrecognised enclave contained an idiosyncratic “grab-bag” of ideas, including elements from both the Left and Right. The charter included many progressive articles – calling for the full equality of women in society, tolerance for both religion and atheism, a social security system, medical insurance and age pensions[Michael A Leeden, The First Duce: D’Annunzio at Fiume, (1977)]. D’Annunzio’s regime was the first to recognise the Soviet Union and pitched the idea of a kind of “anti-league of nations” for (select) oppressed peoples of the world—which in d’Annunzio’s thinking was those countries which fared badly in the post-WWI territory carve-up and were holding a grudge—including offering assistance in the form of arms to the IRA in its struggle to free itself from British colonialism (🔺photo: d’Annunzio and some of his supporters in Fiume).


Culture, ‘counterculture’, plus proto-fascism
La carta del Carnaro made music a key principle of the state, the arts flourished with daily public poetry readings and concerts. Impresa di Fiume established a corporatist state along anarcho-syndalicalist lines. The Adriatic city exuded a veritable bohemian buzz, becoming, as Hughes-Halley notes, a “political laboratory” for all manner of political persuasion including anarchists, syndicalists, socialists and ultimately, fascists. It wasn’t all politics either…all manner of perceived ‘subversives’ and outliers, including the socially marginalised, the unorthodox and the disenfranchised, flocked to d’Annunzio’s enclave – fugitives, drug dealers (and takers), prostitutes, discontented idealists, ‘pirates’, dandies, homosexuals, artistic “drop-outs”, runaways, and so on⊞ [Lucy Hughes-Halley, The Pike: Gabriele D’Annunzio, Poet, Seducer and Preacher of War, (2013)].

Although the Fiuman duce wasn’t a fully-fledged fascist himself, his political ideas and his aesthetics in inspired an imitator in Benito Mussolini and informed the blueprint for the future Italian corporatist-fascist state – d’Annunzio’s legacy which prompted many to see him as a kind of “godfather of Italian Fascism” includes the staging of mass rallies, demagogic speechifying, black-shirted vigilantism and Roman salutes (Phelan). Moreover, d’Annunzio’s adventurism in the Regency of Carnaro contributed to a weakening of Italian democracy and paved the way for the Fascist takeover and consolidation of the corporatist state (Hughes-Hallett).

D’Annunzio’s exile and defenestration
Under a deal between Italy and KSCS (Treaty of Rapallo, 1920), the enclave’s name was changed to the Free State of Fiume. D’Annunzio refused to acknowledge the agreement and having failed to reach a modus vivendi with the Italian government, impetuously and unwisely declared war on Italy – with predictable, disastrous results. Fiume was bombarded and d’Annunzio was forced to flee—relocating in exile to Lake Garda in the eastern Lombard region—leaving his Reggenza and his schemes for a new world order in tatters. A later agreement (Treaty of Rome, 1924) sealed Fiume’s full annexation by Italy. Injuries sustained by the still popular d’Annunzio in 1922 when he mysteriously fell from a window (possibly an assassination attempt) worked to Mussolini’s favour, whether he was implicated or not. D’Annunzio withdrew from politics and Mussolini secured his continued inactivity through the payment of inducements. D’Annunzio however characteristically did not remain entirely mute, proffering advice to Mussolini whenever he felt the inclination, such as his warning, unheeded, in the 1930s to Il Duce not to enter into an axis pact with Hitler.

Topnymic end-note: Flume, Fiume, Rijeka
Fiume today is the city of Rijeka (‘River’ in Croatian) within the Republic of Croatia (post-Yugoslavia space)… roughly, a bit over twice the size of Fiume in d’Annunzio’s day, it comprises the most important deep-water port on the Croatian coast.

 


the Allies’ (and US president, Wilson’s) preference had been to make Fiume into a buffer state, a prime candidate for the headquarters of the soon-to-be created League of Nations

d’Annunzio was many more things as well — decadent artist and musician, aesthete, war-monger and war-hero, necromancer, pioneering aeronautist, serial debt-defaulter, libertine and cad, above all perhaps, an indefatigable self-publicist (Hughes-Halley)

progressive platform aside, Comandante d’Annunzio retained an elitist perception of his own role in national affairs, inspired by Nietzsche, that of the Übermensch or superuomo (the “superior man” who rises above society’s mediocrity)

it would be interesting to know if the Fiume Enterprise had any influence on the creation of contemporary Užupis, the bohemian “independent republic” of artists ensconced within the city of Vilnius, Lithuania 🇱🇹 – see blog Vilnius I, Senamiestis & Užupis: From Old Town to Artistocrazy? (06-November 2015)

Mussolini and d’Annunzio exchange some 578 letters and telegrams until the latter’s death in 1938 [Peterson, Thomas E. “Schismogenesis and national character: the D’Annunzio-Mussolini correspondence.” Italica, vol. 81, no. 1, 2004, p. 44+. Gale Academic OneFile, Accessed 21 Sept. 2020].