One of the iconic historic associations with the hills of Appalachia is the fateful conflict in the last quarter of the 19th century between two mountain-dwelling families – the Hatfields and the McCoys. The feud between the two “warring clans” has tended to be wrapped in the veneer of legend, obscured by the myth-making of popular culture over the decades. The McCoy-Hatfield feud has featured in a raft of US books, songs, comic strips, feature movies and television shows (with both animated and human content)✱. These overwhelmingly fictionalised narratives of the Hatfields and the McCoys have vouchsafed a place for them in the annals of American folklore and at the same time contributed to the caricatured impression of ‘hillbillies’ in the popular consciousness.
Tug Fork Valley and the family patriarchs
In the 19th century the McCoys lived (as they do today) on the Kentucky side of Tug Fork (a tributary of the Big Sandy River), with the Hatfields residing on the other side of the river (in West Virginia). The Hatfield patriarch was William Anderson Hatfield, widely known as ‘Devil Anse’, while the patriarch of the McCoys was Randolph McCoy (sometimes identified as ‘Randall’ McCoy). Of the two families the Hatfields were appreciably more affluent than the McCoys (Devil Anse’s profitable timber business employed many men including some McCoys).
Patriarch of the Hatfield family, ‘Devil Anse’ ⬇
Background to the feud
The earliest incident between the two families seemed to have occurred during the Civil War…in 1865 Asa Harmon McCoy, who fought with the Union during the war, was ambushed and killed by members of a local Confederate militia connected to the Hatfield family. Some have identified the feud’s genesis in the murder, but Harmon McCoy’s siding with the North (while almost all of the McCoys and the Hatfields gave their allegiances to the Confederacy) made him unpopular with both families. His death did not trigger a reprisal and most historians have concluded that the incident was a stand-alone event [‘The Hatfield & McCoy Feud’, History, www.history.com].
A porcine pretext for feuding
Some thirteen years after the shooting of Randall McCoy’s brother, a new incident was the catalyst for a downward decline in relations between the McCoys and the Hatfields. The trigger was a dispute over the ownership of a razorback hog in 1878. The McCoy clan claimed that the Hatfields had stolen one of their pigs. A subsequent legal case (known as the “Hog Trial”) was brought before the local Justice of the Peace (who happened to be a Hatfield), who predictably dismissed the charge…the McCoys responded by killing one of the allies of the Hatfields.
Makings of a vendetta: “Tit-for-tat” acts of vengeance
Over the next ten to twelve years a pattern emerged of accusations, recriminations, acts of violence and retaliations – with excesses on both sides. Both clans used their connexions with the law in ‘home’ jurisdiction (either Kentucky or West Virginia) to try to exact retribution against the other. In separate incidents, the McCoy boys ‘arrested’ Johnse (pronounced “John-see”) Hatfield after he entered into a romantic liaison with Roseanna McCoy✦, followed in turn by Hatfield constables apprehending and extraditing three of Roseanna’s brothers for the killing of Devil Anse Hatfield’s brother Ellison.
Escalation and denouement of the feud
By now “bad blood” was endemic between the families. In the years after 1882 the conflict escalated dramatically…killings met with counter-killings (more than 12 members or associates of the two families died during the decade). A Hatfield raid on the McCoy patriarch’s farm in 1888 – known as the ‘New Year Night’s Massacre’ – resulted in the murder of two of Randolph McCoy’s children. The subsequent Battle of the Grapevine Creek, an attempt by the Hatfields to take out the McCoys once and for all, resulted in an ambush gone wrong…the tables were turned on the Hatfield raiders and the bulk of their number were arrested. Over the next few years they were tried and all given jail sentences (except one, possibly a ‘scapegoat’, who was executed). The ill feelings slowly dissipated with the conclusion of the trials and the conflict receded from memory – in 1890 the New York Times reported that the feud was at an end (there was in fact still the odd simmering flare-up such as in the mid 1890s but the potentially explosive incidents were effectively over) [‘A Long Feud Ended’, NYT, 06-Sep-1890, www.rarenewspapers.com].
⇧ Hatfield clan 1890sScope of the feud: a media “beat-up”?
While the McCoy-Hatfield feud played out in the Appalachians, the Eastern Seaboard press whetted the public’s imagination with its well-received accounts of the conflict. The press coverage tended to be negative, especially towards the wealthier Hatfields, who it portrayed as “violent backwoods hillbillies” roaming the mountains wreaking violence. As the shootings continued, what had been a local story of isolated homicides got national traction and was sensationalised by the newspapers.[‘History’, loc.cit.]. Some historians, in particular Altina Waller, have argued that the myth-making surrounding the ‘feud’ has obscured the realities and significance of the event. Waller’s contention is that the feud lasted only twelve years – from the hog episode to the sentencing of the Hatfields. [AL Waller, Feuds, Hatfields, McCoys and Social Change in Appalachia,1860-1900, (1988)].
Advocates for the Appalachian region tend to view the Hatfield-McCoy feud (as depicted by the press) as part of the widespread stereotyping of the entire mountain region [West Virginia Archives and History,, ‘Time Trail, West Virginia’ (1998), www.wvculture.org]. The negativity of the story and the focus on it by external mechanisms of popular culture is seen by many locals in Pike and Mingo counties (where the events took place) and the wider region as another example of the outside’s “Appalachia bashing”✥.
Matewan (WV) wall illustration: ⬆ depicting the Hatfield-McCoy feud
Economic underpinnings of the feud
The feud at its height was a deeply personal one for both families, however an underlying factor in the hostilities was the depressed economic situation in Appalachia at the time. Resentment of Devil Anse Hatfield’s success as a timber merchant (contrasted with the less sanguine fortunes of the McCoys) no doubt played a part in the inter-family tensions. Given the McCoys’ struggle to make a go of farming their land, the incident of the stolen hog (from their perspective) was a serious economic setback for the family. Another player and prime mover behind the conflict was McCoy cousin Perry Cline, who hated Devil Anse and the Hatfields as much as any of the McCoys. Cline was sued by Devil Anse for allegedly cutting timber on Hatfield land. Devil Anse won the judgement and was awarded as damages all of Cline’s virgin West Virginian land (5,000 acres). From that point on, Cline, a lawyer, believing he had been robbed of his rightful property, unwaveringly pursued the Hatfields using his political connections in Kentucky. Cline’s actions, spurred on by the desire to payback Devil Anse Hatfield, helped revive and prolong the feud [AL Waller, ‘Hatfield-McCoy: Economic motives fuelled feud that tarred region’s image’, Lexington Herald Leader, 30-Jul-2012, www.kentucky.com].
Footnote: Rampant flourishing commercialism
The famous feud is long-buried but not forgotten in the Tug Fork and Big Sandy River valleys. The opportunity for commercial advantage from the McCoys and Hatfields’ past remains alive…tourism of the area is well-served by the “Hatfield and McCoy Historical Site Restoration”. In the 21st century reunion festivals and marathons (“no feudin’, just runnin'”) have taken place. More crassly opportunistic was the appearance of descendants of the two families as contestants on the TV panel show ‘Family Feud’ in 1979 [‘Hatfield-McCoy feuds’, Wikipedia, http://en.m.wikipedia.org].
PostScript: The ‘Sheep Wars’
The Hatfield-McCoy feud is not the only protracted inter-clan feud in American history, just the most famous. Arizona’s version of Hatfield v. McCoy was the Pleasant Valley Feud (AKA the ‘Tonto Range War’) which pitted the Grahams’ against the Tewksburys’ in the 1880s and ’90s…the Arizona-based feud was the classic “grazing war” of cattle-men versus sheep-herders, a recurring source of conflict in much of the ‘Old West’ [‘Arizona’s Pleasant Valley War’, www.legandsofamerica.com].
Tewksbury homestead˙˙˙˚˚˚˙˙˙˚˚˚˙˚˚˚˙˙˙˚˚˚˙˙˙˚˚˚˙˙˙˚˚˚˙˙˙˚˚˚˙˙˙˚˚˚˙˙˙˚˚˚˙˙˙˚˚˚˙˙˙˚˚˚˙˙˙˚˚˚˙˙˙˚˚˚˙˙˙˚˚˚˙˙˙˚˚˚˙˙˙˚˚˚˙˙˙˚˚˚˙˙˙˚˚˚˙˙˙˚˚˚
Ya-hooo! The Ad-men milking the stereotype for all its worth…
✱ the preceding blog, ‘Ma and Pa Kettle on the Farm Again: Hillbilly Stereotypes in Film and Television’ touched on films based on the McCoy and Hatfield saga. Even in mainstream product advertising, the overly hirsute, “Moonshine-crazed”, “gun-toting” hillbilly trope permeates, eg. PepsiCo’s “Mountain Dew” soft drink
✦ the subject of a 1949 Hollywood B-movie (Roseanna McCoy) which largely fictionalised the cross-clan romance – New York Times‘ short-hand summation of the movie was “feudin’, fussin’ and lovin'”. The real Johnse later dumped Roseanna for another McCoy, her cousin Nancy who he married
✥ part of a whole litany of complaints by Appalachians about how they are portrayed in the media, in film and TV, by Democrat politicians in the big cities
