As part of the Denazification process (German: Entnazifizierung) after the Second World War and to facilitate the Nuremberg war crimes trial proceedings, the German people were classified into five discrete groups:
• Major offenders (Germ: Hauptschuldige)
• Offenders: activists, militants, or profiteers (Germ: Belastete)
• Lesser offenders (Germ: Minderbelastete)
• Followers (Germ: Mitläufer)
• Exonerated persons (Germ: Entlastete)
Of the five categories, Mitläufer is the most contentious…it absolves the person concerned from having committed any formal Nazi criminal activity but acknowledges that he or she participated in some form of loosely defined, indirect support of Nazi crimes, which might be as minimalist as passively sympathising with Nazi aims and goals [‘Mitläufer’, Wikipedia, en.m.wikipedia.org]. The extent of the offence actually perpetrated however didn’t always equate with the category description – as will clear from the examples below.
Nazi defendants at the International Military Tribunal (Nov. 1945) (source: National Archives and Records Administration)
The German term Mitläufer (fem: Mitläuferin)—literally meaning “with-walker” or “one walking with”—can be defined as “follower” or possibly a “passive follower”. Mitläufereffekt is derived from it, also called the Bandwagon-Effekt (effect), which refers to the effect a perceived success exerts on the willingness of individuals to join the expected success. A characteristic of the Mitläufer is he is not convinced by the ideology of the group followed but merely offers no resistance, such as for lack of courage or for opportunism (ie, giving in to peer pressure) (‘Mitläufer’).
Some observers make a further (slight) distinction from the Mitläufer typology, to allow for the Nazi Mitläufer, a fellow-traveller” (Mitreisende) who sympathised with the Nazis but only indirectly participated in Nazi atrocities such as genocide.
Martin Heidegger: one of the 20th century’s greatest philosophers for his pioneering work on existentialism and phenomenology, all of which has been overshadowed by his controversial association with the German Nazi Party. Heidegger joined the Nazi Party in 1933 – prior to this the philosopher was fundamentally apolitical. As rector of Freiburg University he delivered a number of speeches extolling the Nazi cause and publicly expressed antisemitic opinions. At the end of the world war the knives came out for Heidegger, he was forbidden to teach and lost his West German chair of philosophy (the ban was overturned just three years later). Heidegger, perhaps because of the lofty esteem he was held in as a leading intellectual, was never submitted to any harsher retribution (such as a term of incarceration). Critics have noted Heidegger’s complete failure after 1945 to “honestly reckon with the realities of Nazi Germany’s crimes, including the Holocaust, and his own role in lending support to the regime” [Jürgen Habermas in ‘Heidegger’s Downfall’, Jeffrey Herf, Quillette, 22-Feb-2023, quillette.com]. A very full account of Heidegger’s involvement with National Socialism makes it abundantly clear that he was neither a reluctant fellow-traveller nor (…) a nonpolitical scholar, a ‘child’ who got caught by the juggernaut of hideous political events [‘Heil Heidegger’, J.P. Stern, London Review of Books, Vol. 11 No.8, 20-April-1989 (Review of Martin Heidegger: Unterwegs zu seiner Biographie, by Hugo Ott), lrb.co.uk].
Heidegger, intellectual backing for the Nationalist Socialists (image: simplycharly.com)
Leni Riefenstahl: a Berlin-born actress-turned-filmmaker, one of the few German women to direct a motion picture during the Weimar period. A favourite of Hitler, Riefenstahl was an important instrument of the Nazi propaganda machine, producing highly successful propaganda documentary films like Triumph of the Will and Olympia for the Third Reich. After the war Riefenstahl was arrested and found to be a Nazi fellow-traveller, sympathetic to the Nazi movement but not a party member[ᗩ] She however avoided being charged with any crime. Riefenstahl claimed she was an “apolitical naïf” and denied any knowledge of Nazi racial policies or the Holocaust, describing a concentration camp she had visited where the Roma and Sinti were detained as “a relief and welfare camp”[ᗷ] [‘Burying Leni Riefenstahl: one woman’s lifelong crusade against Hitler’s favourite film-maker’, Kate Connolly, The Guardian, 09-Dec-2021, amp.the guardian.com].
Leni: “My favourite dictator”
Wilhelm Stuckart: to the casual observer Wilhelm Stuckart’s steady progress up the Nazi hierarchy corresponds with that of the classic career Nazi. The Nazi lawyer and senior Interior Ministry official’s fingerprints were on some of the most nefarious Nazi concoctions against humanity (eg, co-author of the Nuremberg Laws, involved in the planning of the Final Solution). For someone involved fundamentally in the framing of genocidal policies Stuckart was absurdly classified as category IV (follower), copping a sentence of just three years from the tribunal. The leniency shown to Stuckart and other accomplices, Gruner attributes to the sophisticated defence strategies employed by former Nazis and their lawyers. Only a short time after Stuckart regained his freedom he was back drafting provincial German laws, one of which ended Denazification in Lower Saxony [Gruner, Wolf. The Journal of Modern History, vol. 86, no. 3, 2014, pp. 727–29. JSTOR, https://doi.org/10.1086/676745. Accessed 10 July 2024].
Wilhelm Stuckart on his SS uniform. (source: Yad Vershem)
Footnote: As illustrated above, classifying someone as Mitlaüer was a good way of allowing them to avoid the more serious categories and their consequences. Some high-profile unofficial servants of the Nazi regime managed to avoid being categorised as a Mitlaüer altogther. One was famous Austrian conductor Karl Böhm. Böhm was never a member of the NSDAP and never brought before the Denazification tribunal. However, as the historian Oliver Rathkolb has remarked, he was the artist who “had presumably been the most active (non-party) member to provide propaganda for the (Nazis)” and was lavishly rewarded with plumb conducting positions, culminating in his appointment as director of the Vienna State Opera [‘Karl Böhm – Salzburg Festival’,salzburgerfestspiele.at].
[ᗩ] Nazi party membership of itself didn’t necessarily result in a more serious classification than Mitläufer…in the case of the celebrated Austrian conductor Herbert von Karajan joined the NSDAP twice (membership nos. 1607525 and 3430914), he was exonerated of illegal activity during the Nazi period at his Denazification tribunal hearing and classified as a Mitläufer
[ᗷ] trenchant critics in the West take an unflinching and unforgiving view of her role, labelling her an “unindicted co-conspirator” (Simon Wiesenthal Center), “a Nazi by association” (Sandra Smith) and “the glib voice of ‘how could we have known?’ defence” (Bach, Steven. “The Puzzle of Leni Riefenstahl.” The Wilson Quarterly (1976—), vol. 26, no. 4, 2002, pp. 43–46. JSTOR, http://www.jstor.org/stable/40260668. Accessed 11 July 2024)
SUCH is the fixation in the West with everything Adolph Hitler and the Nazis, the story of the Third Reich’s dramatic rise and fall is just so familiar to everyone that it seems like we all have our own little piece of the megalomaniacal German dictator. Hitler is the most talked about/written about public figure of the 20th century. The obsession with Hitler and the Nazis since the end of the Second World War, now into its eighth decade—in cinema, in television dramas and documentaries, in popular literature, in scholarly dissertations and books from academe, in popular culture, in social media—is not only not abating but on the upsurge if anything🄰.
Hitler the demagogue in full flight (Source: Correo.com)
It seems as if every aspect, every scintilla, of the Nazi regime and every chapter of Hitler’s life, before and after attaining power, has been turned over, sifted through and scrutinised diagnostically to the nth degree. One explanation for the blanket coverage is the sheer volume of available material on the subject. We might not have the personal letters exchanged between the Führer and his mistress Eva Braun and we know that the existence of the Hitler Diaries was an outrageous sham fiction, but the Nazis, unlike other mass misery-inflicting, totalitarian regimes, left behind a plethora of filmic, photographic and written documentary evidence, to enable a compelling picture of the nature of the Third Reich to be pieced together [‘Why are we still fascinated by Hitler?’, John Jewell, Journalism, Media and Culture, 11-Sep-2013, www.jomec.co.uk].
Pages from the fake Hitler Diaries (Source: Times of Israel): though palpably bogus it’s “discovery” only fuelled the Nazi mania
Why does Hitler and Nazism continue to exercise this central role in the thinking of so many people? This question has continued to exercise the minds of international scholars, historians, political scientists, not to mention the average punter, ever since the 1940s.
The fact that the Third Reich remains relevant to our contemporary society—illustrated in a number of ways and forms—is a factor that keeps Hitler and his extreme right cronies in the forefront of peoples’ consciousness. There is the moral objectionableness of the Nazi regime per se. The nature of the regime was horrifically egregious to a degree that is sui generis, and the catastrophic consequence of its rise as a world power, total global war and mass destruction, stands as a lesson and a reminder for all nations of what happens when a hitherto cultured and advanced, democratic nation loses its moral compass and goes madly off the rails .
Source: Times of Israel
Hitler and the Nazis were not your ordinary garden variety mass murderers…when you weigh up the mega-scale and severity of the Nazis’ atrocities its hard to escape the conclusion that Hitler personified absolute evil. He and his vilified movement represent a moral abyss. Moreover, Hitler and by association German Nazism is the yardstick by which we measure the very essence of evil! Whenever someone or some institution acts in a brutal manner which we find anathema we tend to reach by reflex for the Nazi card (it might be prompted by something as everyday basic as an encounter with overbearing officialdom or a neighbourhood bully). As Roger Moorhouse put it, these “simple stereotypes (have made the term ‘Nazi’) part of the cultural furniture” [‘Why is the Public so Obsessed with the Nazis?’, Roger Moorhouse, History Today, Vol. 1, Issue 3 (Mar 2020), www.historytoday.com].
Der Führer launching the VW, 1938 (Photo: AP)
We are reminded of the magnitude of the Nazis’ criminality whenever the media outs some elderly individual who is accused of having been a Nazi functionary or collaborator and is (sometimes) brought to trial – the most recent, nonagenarian Oskar Groening, “the bookkeeper of Auschwitz” in 2015. At such times Nazism is thrust back into the spotlight once again (assuming it has ever left it)🄱. Then there’s the raft of large corporations who were associated with and in many instances benefitted from the dominance of the Nazi Party in the Thirties and Forties—household names from the business world such as Hugo Boss, Volkswagen, Porsche, Bayer and Siemens—all still operating profitably today.
Although the German state capitulated in May 1945 and the Nazi empire was completely dismantled, the spirit of Nazism didn’t end with WWII. The postwar era has seen a rebirth of the movement in the form of neo-Nazi groups which sprang up across Europe and beyond🄲. Many of these far-right organisations still operate, espousing racist, antisemitic and anti-immigrant views, including in democratic Germany itself (Alternative for Germany – AfG), their continued existence a reminder that the ashes of an abhorrent past are not entirely extinguished.
Neo-Nazi protest march, US (Photo: The Guardian)
Endnote: “The Nazi cinematic universe” Hollywood and European cinema in the postwar era has been awash with Nazi war movies, by far the biggest contributor to the war genre movie. Moviegoers have been assailed with a constant bombardment of films with various Nazi themes and stories…victims of the Holocaust; Allied POWs escaping from Nazi prisons; the Nazis invading Britain, France, Norway, etc; and so – a veritable avalanche of wartime action capers, many borrowing freely from popular fiction to embellish the history with fanciful tales of supposed Nazi plots.
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🄰 a good example pertaining to social media of the Nazi fixation is Godwin’s Law (AKA Godwin’s Rule of Analogies) – it states that the longer an internet discussion goes on, the more likely it is that someone will bring up the subject of Hitler or the Nazis
🄱 this aspect of the Nazi memory does of course have a tangible end-date, given every active participant in WWII war crimes still alive would today need to be nearly 100-years-old or older
🄲 including in Allied countries who had fought against the Third Reich such as US, UK, Australia and France
❝History stopped in 1936 – after that, there was only propaganda❞
~ George Orwell
❝We want to spread disruptive and disturbing news among the Germans which will induce them to distrust their government and disobey it❞
~ Sefton Delmer
⨳⨳⨳⨳⨳⨳
Previous blogs on this site talked about how the Nazis used expat Britons and Americans to launch a blast of psychological warfare against the Allies with the objective of undermining their forces’ morale in WWII, the means utilised, the ‘weapon’ of powerful radio transmission (voiced by role-playing figureheads, in particular the so-called “Lord Haw-Haw” and “Axis Sally”). It wasn’t long into the World War before Britain decided it too would infiltrate the enemy airwaves in a counter-attempt to try to mess with German military minds.
𝔓𝔯𝔬𝔭𝔞𝔤𝔞𝔫𝔡𝔞𝔴𝔞𝔯–𝔣𝔦𝔢𝔩𝔡, 𝔚𝔚ℑℑ (ℭ𝔯𝔢𝔡𝔦𝔱: 𝔉𝔩𝔦𝔠𝔨𝔯)
∘
Es spricht der Chef To undertake the task the Political Warfare Executive (PWE) was formed with the brief of disseminating ”black propaganda”⦑a⦒ against the enemy.The idea involved setting up a number of fake German radio stations—the first called Gustav Siegfried Eins (shortened to GS1) using shortwave frequency, harder for the Nazis to jam—as the propaganda vehicle for deceiving the Fatherland. From May 1941⦑b⦒ every day at 1648 hours a broadcaster purporting to be an old school Prussian officer known as der Chef would come on the air on German radio and, predictably, denounce the enemy, the ‘Brits’, the ‘Ruskies’ and the Jews, but then launch into a full-blown rant castigating Nazi officialdom too…in “profanity-laced tirades” the Chief would lambast Nazi officials’ “buffoonery, sexual perversity and malfeasance…condemning their incompetence and their indifference to the deprivations” suffered by the German volk⦑c⦒. Because he sounded ‘legit’ the impression many listeners got from the disillusioned Chief’s on-air ‘sprays’ was that there must be a rift within the German high command (‘The Fake British Radio Show That Helped Defeat the Nazis’, Marc Wortman, Smithsonian Magazine,28-Feb-2017, www.smithsonianmag.com).
𝔓𝔥𝔬𝔱𝔬: 𝔞𝔪𝔞𝔷𝔬𝔫.𝔠𝔬𝔪
∘
Other little parcels of poison delivered by “the Chief” via the radio waves included insinuations that the supposedly ‘Ayran’ army of the Third Reich was being contaminated by the influx of foreign troops in its ranks. He also alleged that injured German soldiers were receiving infusions of “syphilis-tainted blood” of captured Slavs. Another unsubtle avenue pursued by the Chief was to play on German officers’ fears of spouse infidelity at home.
In truth, the voice they heard belonged not to a disaffected Prussian army veteran but to Peter Seckelmann, a refugee from Nazi Germany acting out the role of der Chef. The panicked Nazi commanders combed the Reich to try to locate what they thought must be a maverick German general on the loose, all the time Seckelmann was secretly housed in England, in a small radio studio tucked away in quiet Bedfordshire.
Sefton Delmer at the helm The mastermind behind Britain’s black propaganda campaign was Denis Sefton Delmer, born in Berlin of Australian parents. Recruited by PWE in 1940 because of his fluency in German and familiarity with the Nazi leaders⦑d⦒, Delmer had a thing for colourful descriptions of what his black propaganda unit did…”psychological judo” and “propaganda by pornography”⦑e⦒. The former German-based Daily Express journalist moulded PWE “special operations” into a “veritable fake news mill”, assembling an efficient team of artists, writers and printers who worked tirelessly to create thousands of phoney German newspapers and leaflets (not to neglect the role of American bombers who dropped two million units of the bogus literature every day over enemy territory)⦑f⦒. Gathering information from various sources (British intelligence, German POW interrogations, resistance operatives, bomber debriefings), PWE deceived and bewildered the Axis enemy through a carefully measured mix of lies and fact (Wortman). The tactics of ‘black’ radio were “short-term, rumour-filled⦑g⦒ and deceptive” (Nicholas Rankin, Churchill’s Wizards: The British Genius for Deception 1914-1945 (2008)).
The fake news networkSoddatensender Calais (G9) was another, British-run, faux Nazi radio station. ‘Aspidistra’, a medium wave radio transmitter located in Crowborough, East Sussex, conveyed the Sefton Delmer blend of music, innocuous information (appealing to German servicemen) together with the manipulated, ‘black’ kind of information (‘Fake News is Nothing New: 5 ‘Black Propaganda’ Operations From the 1930s and 1940s’, Jeanette Lamb, History Collection, 24-Mar-2017, www.historycollection.com).
𝔅𝔯𝔦𝔱𝔞𝔦𝔫’𝔰𝔭𝔰𝔢𝔲𝔡𝔬–𝔊𝔢𝔯𝔪𝔞𝔫𝔫𝔢𝔴𝔰𝔭𝔞𝔭𝔢𝔯∘
Getting back to “the Chief”, Seckelmann under the direction of Sefton Delmer made in all 700 broadcasts to the German population. The Nazis tried to jam the broadcasts coming through the GS1 station but to no avail. Delmer, having decided to close down GS1, orchestrated a dramatic denouement for der Chef charade, having him ‘assassinated’ on-air in the final episode in 1943 (transforming “the Chief” into a kind of martyred loyalist to the Führer⦑h⦒).
Backlash to Delmer’s black propaganda approach Not everyone in Britain including those within government were on board with Delmer’s black radio activities. There were critics inside Churchill’s war cabinet, like Richard Stafford Cripps, who condemned PWE for taking the moral low ground … serving up a cocktail of outrageous lies and dirty tricks – from inventing military sex orgies to discredit the SS⦑i⦒ to fake news of American ‘miracle’ weapons like the new, non-existent ”phosphorus shells” to abrade the morale of German listeners [‘Black Propaganda in WW2’, The History Room, YouTube video, 2014). Delmer himself was a forthright, controversial and sometimes polarising figure, he had no compunction about exploiting sex in its most extreme manifestations including ”beastly pornography” and even pederasty, fabricating atrocities including the rape of German soldiers’ wives and sisters. Delmer was eyed with suspicion by both sides, some Germans thought he was a British spy and some Britons thought he was a Nazi spy (Rankin).
How effective were PWE’s black propaganda broadcasts?PWE’s sheer weight of rumours, lies, half-truths and disinformation from PWE certainly no doubt took some toll on a already sagging German morale in the latter stages of the conflict, but did Delmer’s ”psychological judo” “disrupt the enemy’s will and power to fight on”? (‘Propaganda – A Weapon of War’, NLS, www.digital.nls.uk). It is not possible to definitely answer this question in the affirmative or negative. At the end of the war PWE was disbanded and all its records and documents were shredded. The deficit of data precludes any firm idea of how big and widespread the Germany wartime audience for the phoney radio transmissions was. Praise for PWE’s work however came from on high in the enemy camp, Minister of Propaganda Goebbels no less who conceded that Britain’s black Soldatensender had accomplished a “very clever job of propaganda” (Goebbels’ 1943 diary entry).
Footnote: ‘Black’ v ‘white’ propaganda Black propaganda is distinguished from the more common type ‘white’ propaganda. The ’White’ kind is propaganda that does not hide its origins or nature, that emanates from bodies from government international information services (eg, BBC, The Voice of America). A third variant, ‘grey’ propaganda, straddles the other two – the origin of the information and messages is concealed so it can’t be discerned, eg, during the Cold War the CIA beamed grey propaganda into the Eastern Bloc through the intermediary of radio stations like Radio Free Europe/Radio Liberty (’Grey Propaganda’, www.powerbase.info).
ლ–ლ–ლ–ლ–ლ–ლ–ლ–ლ–ლ–ლ–ლ–ლ–ლ–ლ–ლ–
⦑a⦒ a form of propaganda (used by both sides in the war) which “is presented by the propagandizer as coming from a source inside the propagandised” (Becker, H. (1949). ‘The Nature and Consequences of Black Propaganda.’ American Sociological Review, 14(2), 221–235. https://doi.org/10.2307/2086855) , ie, by those it is supposed to discredit (Wikipedia)
⦑b⦒ the onset of Der Chef’s broadcasts coincided with the defection of the Nazi deputy leader Rudolf Hess to Britain
⦑c⦒ the Chief’s main target for ”character assassination” were ”lower-level Nazi functionaries” and their presumed corruption, ‘His Majesty’s Director of Pornography’, Stephen Budiansky, HistoryNet, www.historynet.com)
⦑d⦒ Delmer met Hitler himself while inspecting the Reichstag fire in Berlin
⦑e⦒ he even referred to himself irreverently as “HMG’s Director of Pornography”
⦑f⦒ producing “agitprop masquerading as inside dirt” (‘Fighting the Nazis With Fake News’, Matthew Shaer, Smithsonian Magazine, April 2017, www.smithsonianmag.com)
⦑g⦒ one baseless rumour spread by the bogus German stations that led the Gestapo on a wild goose chase concerned a resistance group of anti-Nazis supposedly inside the Reich called “Red Circle” ‘Undermining Hitler (Part One of Three)’, Providentia, 07-Feb-2016, http://drvitelli.typepad.com)
⦑h⦒Seckelmann‘s dissident officer in his radio diatribes had been careful to exclude Hitler himself from any blame, suggesting that it was the subordinates who had betrayed the Führer
⦑i⦒ the PWE artists’ role in the Brits’ deception was to skilfully forge documents which falsely incriminated Nazi personnel in the SS and other arms of the forces
In the wake of the catastrophic Allied defeat in the Battle of France in 1940, Britain made the decision not to defend the strategically-unadvantageous but sovereign Channel Islands lying just eight miles from the French coastline, giving up the oldest possession of the Crown “without firing a single shot” (Hazel R. Knowles Smith, The changing face of the Channel Islands Occupation, 2007)⚀. The islands were demilitarised, giving the German Wehrmacht a saloon passage into them in June 1940. There was no resistance to the German invasion…in addition to the British government withdrawing all troops, the locals were instructed not to resist the German invaders. Unfortunately no one told Berlin about the demilitarisation and German bombers raided Guernsey and Jersey, resulting in the death of 44 civilians✦.
Resistance by the islanders was pretty much out of the question due to geography as well as the numerical strength of the German military commitment (some 21,000 troops and a ratio of two Germans to one civilian in some areas). The islands’ terrain, being very small, flat and easy to search, made it “very difficult for a potential resistance to hide and organise” [‘Life under Nazi rule: the occupation of the Channel Islands’, (Rachel Dinning), History Extra, 25-Nov-2020, www.historyextra.com].
🔺(Photo: World Travel Guide)
A so-called “Model occupation?”
Compared to the harshness of the Nazis’ subjection of Eastern European peoples, the occupying German military exerted a softer, lighter touch in its handling of the residents of the Channel Islands. The occupation has been described as “a gentler and kinder one with a correspondingly civil ladies and gentlemen’s resistance” MCGETCHIN, D. (2017). Journal of World History, 28(1), 154-161. Retrieved July 3, 2021, fromhttp://www.jstor.org/stable/44631517]. Even the attorney general of Guernsey depicted it as a “model occupation”. Hitler clearly saw an opportunity for an exercise in public relations (Dinning). The greater lenience given to the islands’ Britons also can probably be attributed to the Nazis’ perception of the occupied people as “racially elevated”, similar to how the Germans treated the Danes and Dutch, in contrast to the much harsher treatment meted out during the war to Russians and Poles for example (McGetchin).
While relations for the most part were cordial with the majority of islanders accordingly willing to peacefully co-exist with the German presence, the “softer approach” of the Germans shouldn’t be overstated—islanders were not free to speak their minds, they were subjected to curfews, 2% of the population were convicted and some imprisoned, two persons were executed, over 2,000 were deported including some Jews—certainly not a Sunday school picnic and things got tougher over time as the inhabitants faced critical food shortages which progressed into the very real reality of starvation.
🔺 Seigneur of Sark (Dame Sibyl Hathaway) visited by Wehrmacht officers at her fiefdom (Source: Twitter)
Pockets of non-militarised resistance
A lack of overt resistance didn’t mean there was no resistance at all. Among the islanders there was episodes of defiance of a non-violent kind – Britain’s BBC encouraged people to chalk the ‘V’ (for Victory) sign on buildings, ‘V’ jewellery was made, some civilians and local policemen as well raided German stores and supplies, others engaged in intelligence gathering, arson and graffiti-writing (Dinning). Act of sabotage on a small scale occurred and many islanders fed and even hid especially Russian POWs in their properties. On the other side of the coin there were varying forms of collaboration with the invaders, including paid informants who turned in their own people to the Nazis. The most vilified collaborators were women—derisively labelled ‘Jerrybags’ by townsfolk—who had sexual liaisons with the soldiers stationed on the islands (‘Defending Jerrybags’, (Colin Smith), Prospect, 20-Apr-1997, www.prospectmagazine.co.uk).
A Nazi island fortress
With the British civilian inhabitants largely under wraps, the Nazi Führer embarked on his plans to “battle-proof” the Channel Islands. The Nazis transported massive amounts of steel and concrete for the grandiose-scale building scheme, tower forts, 45m-high gun stations, casements, anti-tank walls, air-raid shelters, bunkers and tunnels§. Beaches were mined and barbed wire laid around the coastlines. Hitler has plans for the heavily fortified islands in the post-war Third Reich as well, to serve as a haven for Axis soldiers [‘Did you know about Hitler’s insane “war-proof” islands?’, (Jeremy Caspar), SBS, 17-Mar-2017, www.sbs.com.au]. The value of the Channels’ coastal defence network to Hitler as propaganda against enemy Britain accounts for Berlin’s out of proportion material commitment to the Channels, constituting 10% of the Nazis’ Atlantic Wall resources⋔ (‘Occupation of the Channel Islands by Nazi Germany’, New World Encyclopedia).
Forced labourers building island fortifications 🔻
(Photo: Priaulx Library & Occupation Archives)
The fortresses were built by Organisation Todt (OT – the Nazi civil and military engineering group) employing forced labour mainly from Eastern Europe (French and Spanish prisoners were also forced into service on the mega-building project). The effectively enslaved workers (Ostarbeiter) were treated appallingly badly (with a resulting large loss of life) by the Wehrmacht soldiers who looked on them as Untermenschen (“sub-human”) (Dinning)✪. The Nazis built four labour camps on Alderney Island, two for ‘volunteer’ labourers (Hilfswillige) and the other two were concentration camps.
(Source: tvtime.com)
Hitler’s fortresses, or the remnants of them, remain highly visible to this day – especially on Alderney the most northern of the Channel Islands. Alderney was the most heavily fortified of the islands (nicknamed “Adolf Island”), after virtually all of its inhabitants were evacuated [‘The Nazi Occupation of the Islands of Guernsey‘, (Stephanie Gordon), Historic UK (nd), www.historic-uk.com].
Footnote: How did the Channel Islands first become English?
Traditionally belonging to the Duchy of Normandy, the collection of small islands became English when Norman noble William the Conqueror was victorious at Hastings and succeeded to the English throne in 1066.
Postscript: the return of evacuees to the Channel Islands from mainland Britain after liberation in 1945 led to a difficult period of reintegration for all. A schism within the communities developed and sustained for a long time, some of those who stayed thought the evacuees cowardly for leaving, whereas the latter retorted that it was they who had gone through the real war facing the Blitz while the “safe-at-home” ‘stayers’ cosied up to the Germans (Barrett).
❖~¤~❖~¤~❖~¤~❖~¤~❖❖~¤~❖~¤~❖~¤~❖~¤~❖
⚀ Britain prime minister, Churchill, in his ‘bulldogged’ forthright fashion still wanted to defend the Channel Islands on a matter of principle, however the stark realities disclosed by the naval high command—the islands were situated too far from mainland Britain, too close to enemy bases in France, the martial materials required to do so would have left Britain vulnerable to defending itself—made the decision a “no-brainer” [Duncan Barrett, Hitler’s British Isles, 2018]
✦ there was token resistance to the raids from a solitary ground gun on the Isle of Sark
§ in both Guernsey and Jersey 200-250 strongpoints were constructed by OT
⋔ the Atlantikwall was an extensive Nazi coastal defence system built along western continental Europe andScandinavia
✪ around 16,000 forced/slave workers were sent to Jersey alone [‘World War Two: Forced labourer who made Jersey his home, BBC, 10-May-2020, www.bbc.com]
Hitler-Tagebücher, the discovery of diaries, hitherto unknown, claimed to be written by Adolf Hitler, the most talked about man of the 20th century, who wouldn’t want to find out more about a scoop with such history revising ramifications?
The news, when it surfaced in the early 1980s, certainly caused quite a sensation internationally. After eminent historian Hugh Trevor-Roper (Lord Dacre) declared the diaries legit on a first sighting (though later he walked that back a bit), newspaper editors in Germany and the UK unhesitatingly bought the ruse. Rupert Murdoch, after forking out £250,000 to buy the serialisation rights from Der Stern magazine for the diaries, ordered their immediate serialisation in the Sunday Times.
Trevor-Roper: his damaged academic reputation never really recovered from the humiliating affair
With everyone so enthusiastically “gung-ho” about them, the spoiler was that the diaries were fakes, the work of one Konrad Kujau, an East German petty crim and recidivist forger. Kujau’s “Hitler Diaries” were acquired by a ‘Naziphile’ journalist with a bent for Third Reich memorabilia, Gerd Heidemann❶, who was the go-between in selling the diary rights to Stern for somewhere in the region of $2–$3 M. In the transaction Heidemann purloined something considerably north of a tidy sum for himself.
Gerd Heidemann, subsequently jailed for fraud for his part in theforgeries ▼
An incredible lack of credibility
On the face of it the Hitler forgeries had the hole-ridden texture of Swiss cheese. The German Federal Archives eventually pronounces them “clumsy fakes” after two weeks of commotion, described as a “14-day historical mystery-thriller, in which experts changed their minds, Jewish leaders were horrified at an apparent attempt to whitewash Hitler”❷ (Schwarz and van der Vat). There was a “thoroughly incomplete vetting of the diaries” (McGrane). In the flurry of activity as interested parties competed for the diaries, no one thought to test the ink, paper and string of the supposed ‘personal’ seals of the Führer (when three volumes in the form of small notebooks were eventually examined it was shown that they dated from after WWII – Kujau used modern paper which he stained with tea to give it an aged appearance!). Nor did they think to scrutinise the text of the diaries more closely – if they did they would have detected the plagiarism, Kujau copied (word for word) large chunks of a book on Hitler’s proclamations and speeches by Max Domarcus (McGrane).
▲ Some of Kujau’s handiwork (Photo: AFP/Getty Images)
Then there’s the handwriting which didn’t match, an oversight not immediately picked up on. Initially Kujau produced some 27 volumes of the ‘lost’ diaries…the sort of money these fetched was irresistibly tempting, suddenly Kujau ‘discovered’ a whole new vein of Hitler writings, a further 35 diaries and a third volume of Mein Kampf, alarm bells still didn’t ring❸.
Likewise, the simple fact that there had been absolutely no previous record of the diaries’ existence, in an area of historical research which has been so inexhaustibly and copiously trawled for decades, somehow escaped all of those with their eyes on the prize. Another clue missed was Kujau’s careless labelling of each volume ‘FH’ in Gothic letters rather than ‘AH’. The editors of Stern fatally failed to press Heidemann to divulge his source for the diaries, the employee only giving up the name of the known fraudster when the jig was virtually up. The catch-up forensics, when they came, quickly verified the bogus nature of the ‘documents’.
Konrad Kujau (got four-and-a-half years jail for his crime) ▼
Clarity comes with hindsight
Self-recrimination for such egregiously bad judgement followed. With hindsight Lord Dacre reproached himself for being seduced by the find of such a historical treasure…”I should have refused to give an opinion so soon” (Schwarz and van den Vat). 30 years on, Felix Schmidt, one of the three editors-in-chief at Stern❹, reflected that the very thought that Hitler kept diaries triggered “a kind of collective insanity in the upper echelons Stern’s editorial offices”, adding that “delusional secrecy” and “illegitimate mystification” about the affair prevailed.
(Source: Business Insider)
There was in such an intoxicating atmosphere “simply too much money at stake for anyone to come to their senses”.(McGrane). Clearly the newspapers were blindsided by the dollar (and Deutschmark) signs dangling before their eyes, hence their inordinate haste to rush in where cooler and wiser heads would have proceeded with great caution❺.
Postwar German generation
A persuasive argument for why the participants wereso easily duped comes from Die Zeit editor Giovanni di Lorenzo, who attributes their ready acceptance of the flimsy evidencefor the diaries‘ authenticitytogenerational fixation with Hitler of those who lived through the Nazi era.This fascination, Lorenzoconcludes, would have been unimaginable to later German generations (McGrane).
PostScript: Hitler Diaries on the celluloid screen
The celebrated hoax has been translated twice to the screen, the first a 1991 British mini-series based on Robert Harris’ book Selling Hitler with the same title (Alexei Sayle is a comfortable fit as the cheerful and uncomplicated ‘Conny’ Kujau). The second, a satirical German-made film, Schtonk!, released in 1992.
▲ Dictator diarists, courtesy of their ghostwriters
⌯⌯⌯ ⌯⌯⌯ ⌯⌯⌯ ⌯⌯⌯ ⌯⌯⌯ ⌯⌯⌯ ⌯⌯⌯ ⌯⌯⌯
❶ Heidemann’s devotion to Nazi memorabilia extended to purchasing the late Field Marshal Göring’s yacht
❷ in the diaries Hitler is incredulously depicted as being almost blissfully unaware of the atrocities committed against Jews
❸ Kujau sold his first faux Hitler diary to a collector in 1978
❹ all three summarily sacked for their failings
❺ the Sunday Times especially should have been treading warily given it had been scammed before in 1968 when it spent $250,000 trying to get its hands on the equally fraudulent “Mussolini Diaries”
୭ ˚୭ ˚୭ ˚
Bibliography:
‘Diary of the Hitler Diary Hoax’, Sally McGrane, The New Yorker, 25-Apr-2013, www.thenewyorker.com
‘Hitler Diaries proved to be forged — archive’, Walter Schwarz and Dan van den Vat, The Guardian, 07-May-1983, www.theguadian.com
‘The Hitler Diaries: How hoax documents became the most infamous fake news ever’, Adam Lusher, Independent, 05-May-2018, www.independent.co.uk
In 1937 the Nazi regime organised two art exhibitions in Munich concurrently, separated only by a park and a few hundred metres. One was intended to hammer home to the German volk the inequity of the type of art that the führer Adolf Hitler found abhorrent, ie, anything in art that even hinted of modernity. The other representing all that Hitler found good in art was the complete antithesis of this – a paean to traditional, realistic painting and sculpture and art that conformed to classical themes and forms.
⇧ A Hitler, landscape (Source: Widewalls)
Hitler’s early experiences and his perceived emotional pattern suggest a motive of personal revenge contributing to the Nazis’ fanatical war on the modern and the avant-garde in art. As a young man Hitler dreamed of a career as an artist but a double rejection by the Vienna art academy saw those aspirations dashed. His paintings were summarily dismissed as passe by the art establishment in favour of abstract and modern styles (Burns), leaving the future Reich leader with a bitter aftertaste and a grudge①.
In Mein Kampf Hitler avers that “Cubism and Dadaism are symptoms of biological degradation threatening the German people”, Werckmeister, O. K. “Hitler the Artist.” Critical Inquiry, vol. 23, no. 2, 1997, pp. 270–297. JSTORwww.jstor.org/stable/1343984. Accessed 2 March 2021.
The purging of so-called “degenerate art”
The Degenerate Art Exhibition (Entartete Kunst) in 1937 was the culmination of a concerted campaign waged by the Nazis to root out all manifestations of avant-garde art in Germany. The first efforts by Hitler’s henchmen were a reaction to the preceding liberal and permissive Weimar era which had embraced the modern style in art and especially Expressionism. In 1933 the Nazis held their first art exhibit of the supposed “degenerate art” in Dresden. Allied to this, the systematic confiscation of modern artworks from museum across Germany took place. Hundreds of thousands of the plundered art pieces including works by modern masters were sold by the Third Reich (some of the proceeds were siphoned off into armament production)②. Much of the minor, less marketable art works were ultimately burnt.
⇧ Beckmann: ‘The Night’
The “wrong type” of art
Hitler rejected the avant-garde and modernity in part for aesthetic reasons. Hitler like many of his Nazi followers had an innate conservative aesthetic taste in art. Politics and ideology also played a part, the führer associated modernism with Jews and communism, and by extension, with democracy and pacifism. Jewish influences, Hitler held, had contaminated the classical art styles so beloved by him. At the same time he denounced what he called “cultural Bolshevism” for weakening German society. Modern art, the Nazis believed was an evil plot against the German people, a “dangerous lie” which would poison German minds. In chilling words given the Nazis’ later unbridled lethal use of eugenics Hitler stated that “anyone who paints a green sky and fields blue ought to be sterilised”.
⇧ Kokoschka: ’Portrait of a Degenerate Artist’
“Sick art” and culture as a propaganda tool
Hitler and the Nazis believed that art played a critical role in defining society’s values. Expressionism③ and the group Die Brücke (“The Bridge”) and artists like Oscar Kokoschka and Ernst Kirchner got singled out for extra repressive measures. The Nazis depicted avant-garde art as the lowest of the low—”impure and subversive”, it’s artists ‘diseased’ specimens corrupted by mental, physical and moral decay—conversely they elevated classical Greek and Roman art to a sublime place, the highest of cultural planes.
⇧ Hitler viewing the ‘Degenerates’
The Degenerate Art Exhibition
The Nazis’ 1937 exhibition was carefully stage-managed as a propaganda vehicle to mock and deride the modern art Hitler so detested. The exhibition comprised Expressionist, Dada, Cubism, Abstract (allocated its own room designated the “Insanity Room”) and New Objectivity artworks. Paintings were hung in a careless, haphazard fashion, with graffiti scrawled on the walls which defamed the artists. Actors were hired to prowl through the gallery loudly denouncing the “Modernist madness”. Adolf Ziegler, the Reich”s top arts bureaucrat and Hitler’s favourite artist, declared the displayed works “monstrosities of insanity, insolence, incompetence and degeneration”. And to ram home the degeneracy point, the vilified artworks were juxtaposed alongside paintings by the enfeebled and the disabled, by psychotic patients and the like. According to the Nazis, degenerate art was the product of Jews and Bolsheviks, but interestingly only six of the 112 artists whose work was displayed in the exhibition were Jewish. The 650 paintings, prints and sculptures included works by Grosz, Dix, Klee, Beckmann, Nolde, Chagall, Picasso, Wandinsky, Marc and Mondrian.
⇧ Führer taking in the “good art”
Exhalting in the “pure Aryan art”
To provide Germans with a favourable point of comparison, the Nazis simultaneously held the Great German Art Exhibition in the same Munich neighbourhood. This displayed ‘Ayran’ art➃, the type of art Hitler approved of. Often gargantuan in scale⑤ – statuesque blond nudes, idealised heroic and duty-bound soldiers and imagined pastorals and idyllic landscapes (reflecting Hitler’s predilection for realistic paintings of outdoor rustic settings). Characteristically the favoured Nazis’ male figures in art represented the concept of the Übermensch (an idealised ‘superman’). Hitler’s intention was that the Groß deutsche Kunstausstellung propaganda would help mobile the German people behind the Nazis’ values.
Footnote: The outcome of the dual 1937 exhibitions was not anticipated by Hitler and the Nazis: Entartete Kunst proved wildly popular, attracting more than two million visitors, whereas Groß Kunstausstellung only managed less than a third of this number. The “Degenerate Art” show was such a hit that it was toured on display throughout the German Reich after the Munich premiere closed.
☬☬☬
Postscript: German artists deemed ‘degenerate’ understandably were more at risk of persecution from the Nazis from those outside the country. Special attention was given to artists like George Grosz and Oscar Dix who were openly critical of the totalitarian regime. Grosz mocked Hitler on canvaswhile Dix earned the enmity of the Nazis for his excruciating depictions of the horrors of war. As one writer put it, “the Nazis labeled Dix a ‘degenerate,’ but the term is better applied to the society he depicted—cannibalizing itself and hurtling toward destruction” (Alina Cohen).
Dix’s ‘Seven Deadly Sins’ (1933)
•◣______________________________◢•
① Hitler’s own preference for subject matter as an artist was for painting buildings and largely unpopulated pastoral landscapes (the future “world leader” had no talent for capturing the human form)
② Hitler and the National-Socialists’ notion of modern art as being the product of entartung (degeneracy) can be traced to a Jewish Austro-Hungarian social critic Max Nordau who decried the new art and literature in 1890s Europe as being the work of diseased minds
③ the focus on Expressionism as a target for the Nazi “culture police” proved a particular problem for Joseph Goebbels. The propaganda minister had early on championed the Expressionist movement and had to backtrack swiftly on this to avoid the führer’s opprobrium
➃ Ayran art uniformly infuses a celebration of youth, optimism, power and eternal triumph
⑤ the Nazi taste for mega-scale art reached its apogee in architecture, massive structures like ‘Germania’. “Monumentality and solidity (exuding power), simplicity and timeless eternity” were the bywords of Nazi architecture
𓇬 𓇬 𓇬
Bibliography
‘Degenerate art: Why Hitler hated modernism’, (Lucy Burns), BBC News, 06-Nov-2013, www.bbc.com
‘Degenerate Art: The Attack on Modern Art in Nazi Germany, 1937’, (Jason Farago), The Guardian, 13-Mar-2014, www.theguardian.com
There’s nothing like unearthing a hitherto unsuspected and improbable sounding historical connexion to give a boost to a city’s tourist industry. In the case of Liverpool, UK—the city that the Beatles, the Mop-Top “Fab Four”, launched onto centre-stage on the world’s pop culture map—that nexus may not be an altogether welcome one if it connects it to the most reviled political figure of the 20th century.
Liverpool, L8 (Image: www.lonelyplanet.com)
One story that has been quietly doing the rounds of England since the early 1970s is that Adolf Hitler—long before his elevation to German führer and his failed shot at world domination in the 1930s and 40s—visited Liverpool and spent several months in the city during his formative years. The myth of Hitler’s visit has sustained itself over the years and even found favour with some Liverpudlians despite the complete paucity of proof to support any such claim.
Alois Hitler ⇧
What we do know with some certaintyAdolf’s elder half-brother Alois Hitler visits Dublin in the early 1900s where he meets a young Irish woman, Bridget Dowling. They elope to London, marry and move to the Merseyside city in search of work. Alois lives in Liverpool between 1911 and 1914. A son is born in Liverpool (William Patrick Hitler, 1911). The evidence for this primarily comes from the city census of 2011, Alois Hitler is listed on the residential register – although the register records his first name as ‘Anton’. The Hitlers live at 102 Upper Stanhope Street, Toxteth, L8 1UN (a suburb of Liverpool). One degree of separation to AH, definitely, but so far nothing that places the Nazi mass-murderer in person in the city of Liverpool.
(Source: www.dailymail.co.uk)
Adolf gets Merseyside?It is Hitler’s sister-in-law that draws the dots between Adolf in Upper Austria and the family in Liverpool. In the late Thirties, Bridget Hitler, long-parted from Alois and no longer domiciled in Liverpool, writes her (unpublished) memoirs which recounts a stay by young Aldolf with her family in the Upper Stanhope Street home⌖ (supposedly between November 1912 and April 1913). Bridget’s revelation was the first time anyone had an inkling that Hitler had ever been to Liverpool or England. There was nothing on the public record and no one else has ever corroborated Bridget’s claim [‘Adolf Hitler Liverpool links discussed again in new TV documentary’, LiverpoolEcho, 08-May-2003. www.liverpoolecho.co.uk].
Hitler’s alleged Liverpool holiday only comes to light and reaches a wider audience after historian Robert Payne discovers Bridget’s unfinished manuscript in the New York Public Library while researching his own book on Hitler in the early 1970s. The claim gets taken up by Liverpool’s daily papers…in particular editor Mike Unger runs the story hard, in 1979 he edits Bridget’s book and publishes it as The Memoirs of Bridget Hitler [‘Hitler, 23, fled to Liverpool to avoid service in Austrian army’, (JohnThomas Didymus), Digital Journal, 26-Nov-2011, www.digitaljournal.com]
Draft-dodger führer?In her memoirs Bridget explains Adolf’s reason for coming to Liverpool as an attempt to avoid being conscripted into the Austrian army (unsurprisingly Bridget’s portrayal of her brother-in-law is not a flattering one)◘. Another theory for the unexpected visit is that Hitler, a “wanna-be” artist, is on the rebound—having been rejected from art schools in Austria—and travels to Liverpool as its a city known for its artists and art schools [‘Hitler Living in Liverpool’, The History of Liverpool, www.historyofliverpool.com].
Hitler, Liverpool man-about-townLots of wild and occasional wacky tales have been told about Hitler’s time in Liverpool. People come out of the woodwork with anecdotes about supposed Merseyside encounters their great-grandparents had with the future German reichkánzler. The myths abound, Hitler is ‘remembered’ drinking at Peter Kavanagh’s Egerton Street pub and barracking for “his team” Everton at Goodisall Park, or alternately some have depicted him as a ‘Kopite’ (a fan of rival Liverpool FC); he gets banned from the Walker Art Gallery; the Liverpool ice rink at Wavertree keeps a pair of his skating boots on display, etc [‘Did Hitler ever visit Liverpool, and if so, why?’ (Notes and Queries), The Guardian, www.theguardian.com]. As Prof Frank McDonough observes, for many Liverpudlians it seems “the fiction is much more interesting” (‘Hitler Liverpool links’).
Adolph in-law Bridget Hitler
(Source: www.irishcentral.com)
Fanciful rather than factualThough the Liverpool Echo is sympathetic to Frau Hitler’s account, most serious scholars reject the claims about her brother-in-law’s Liverpool sojourn as pure fabrication, flimsily-written and without foundation. Others attribute Bridget’s motives to an opportunist scheme by her and her son to cash in on the Hitler phenomenon (see also Endnote) [‘Brigid and Willy Hitler: The Nazi dictator’s Irish family who tried to make money off his rise to power, (Rachael O’Connor), The Irish Post, 05-Sep-2019, www.irishpost.com]. Refuting Bridget’s tenuous claims that Adolf spend 1912-13 (Hitler’s so-called “lost year”) in Liverpool, Third Reich historian Ian Kershaw places Hitler instead in a Viennese men’s hostel during the same time period [‘Your Story: Adolf Hitler – did he visit Liverpool during 1912-13?’, Legacies – Liverpool, (M W Royden), www.bbc.com].
⇩ Bridget and William
Endnote: Hitler’s scouser nephewWhether or not Hitler ever made it to Liverpool, we do know that he had significant interactions with his nephew (more precisely half-nephew) in Nazi Germany. William travelled there after Hitler’s acquisition of power hoping (as his mother did before him) to exploit the family name and his connexions to his advantage in the Third Reich. The relationship between führer and scouser nephew however is a tempestuous one. William is unhappy with the cushy job Hitler arranges for him and the latter in turn becomes disaffected with his “loathsome nephew”. In the late 1930s William returns to England where he does an about-face, denouncing uncle Adolf. Next, William moves to the US where accompanied by his mother he tours the country giving ‘insider’ lectures about his “madman uncle”. When America enters the world war William enlists in the navy and serves in the fight against Nazism. After the war mother and son change tack once again…changing their name to “Stuart-Houston” they turn their back on a life of publicity-seeking and disappear without trace into Long Island (NY) suburbia [‘Hitler’s Irish Nephew’, Dublin City Council, 19-Jun-2020, www.dublincity.ie].⇧ Hitler and his ‘renegade’ enemy nephew
PostScript: The fake Hitler jottingsThe “Hitler in Liverpool” saga is a little reminiscent of a later, much more famousdeception also purporting to shed new light on Hitler, the Hitler Diaries controversy of the early 1980s. The ‘discovery’ of hitherto unknown diaries of the führer was ultimately exposed as a hoax (perpetrated by a small-time, recidivist “con man” from East Germany)⊠, but only after West Germany’s Stern magazine and Murdoch’s The Sunday Times both got badly burned in their avaricious haste to try to capitalise big-time on the story scoop. The diary forgeries claimed a further victim in Hitler expert Prof Hugh Trevor-Roper whose reputation gets irreparably impaired by him prematurely authenticating the diaries as being the genuine Hitler article before a proper analysis of the documents is carried out.
◰◱◲◳◰◱◲◳◰◱◲◳◰◱◲◳
⌖ ironically the Hitler house gets flattened in a German bombing raid during WWII
◘Bridget takes the credit in her memoirs for suggesting to Hitler that he trim his moustache to the iconic style he is famous for, and for fostering his interest in astrology
◍ the circulation of fake photos showing Adolf Hitler standing in front of well-known Liverpool landmarks are part of the myth-making
⊠ described by handwriting expert Kenneth W Rendell as “bad forgeries but a great hoax”
AdolfHitler was born in the small Upper Austrian town Braunau am Inn on the border with the German state of Bavaria. The future Germanführer’s association with Braunau am Inn was only a fleeting one…after Adolf’s birth in the three-story yellow corner house—agasthaus(guesthouse) which later was agasthof (ale house)—the Hitler family only stayed in Braunau am Inn until 1892, when Hitler’s father’s work as a customs official took them to Passau, further down the Inn River border but on the German side.
(Archival image: Stadtverein Braunau)
When the Nazis annexed the Austrian state in 1938 the street of Hitler’s birth Salzburger Vorstadt was renamed Adolf-Hitler-Straße, in time for the führer’s one and only return to the town of his birth since he left at aged three – passing swiftly through Braunau am Inn on the way to Vienna to celebrate the Anschluß. From this time Hitler’s birthplace became a cult centre attracting hordes of fawning devotes to Hitler, creating a pilgrimage site for the Nazi “true-believers”. At the end of WWII the town surrendered to the US Army and No 15 as part of the historic city centre was eventually granted heritage status➀. Rented since the Fifties by the Austrian republic, the building had provided makeshift premises for a public library, a bank, technical high school classes, a day centre for people with learning difficulties.
(Photo: The Guardian)
During the last decade the Austrian government, still renting Salzburger Vorstadt 15 from its original family owner (Gerlinde Pommer), has kept it unoccupied, fearful that it was in danger of becoming a shrine for Neo-Nazi sympathisers (and their regular visits were also bringing anti-fascist protestors to the site as well) [‘Austria wants to appropriate Hitler’s birth house to stop it from becoming neo-Nazi shrine’, Daily Sabah, 09-Apr-2016, www.dailysabah.com]. The building has no identifiable signage on it but a concentration camp stone memorial dedicated to the victims of Nazism stands in front (Hitler is not mentioned in the inscription).
Braunauers, saddled with the legacy of their quiet, backwater town being forever associated with the Nazi führer, have long held divided opinions over what to do with the property locals refer to as the “Hitler-haus”. Some wanted to demolish all trace of it, to replace it with a new purpose-built building (a refugee centre, a museum dedicated to the Austrian liberation from Nazi rule, etc), or to leave it as an empty, amorphous space (an option extensively criticised because it could infer that Austria was trying to bury a part of its dark past). With such heat generated over the controversial site, its not surprising that the government in Vienna too has vacillated over what to do with it➁ [Adolf Hitler’s first home set to be demolished for new buildings, The Guardian, 17-Oct-2016, www.theguardian.com].
(Artist’s impression of the renovation)
In 2016, the Austrian government, frustrated at the owner’s refusal to renovate the property to make it suitable to desirable tenants, or to negotiate the building’s future, indicated its intent to demolish it and rebuild anew. In 2017 after a court ruling in the government’s favour the building was expropriated…this year Vienna has flipped the 2016 decision, now deciding that the existing structure will stay in place but will undergo significant change to its outward appearance and be given a new life. The change of plan will see the renovated building becoming a police station for Braunau and the district (slated for completion at end 2022 at a cost of €2 million) [‘Adolf Hitler’s birthhouse to be remodeled by architects’, DW, 05-Jul-2020, www.dw.com]. Repurposing Salzburger Vorstadt 15 as a police station with a (1750 townhouse style) design that predates the period of Hitler’s residence, according to the authorities, has the intention to deter Neo-Nazis from congregating at the site in the future and trying to turn it into a shrine to the head Nazi [‘Adolf Hitler’s Birthplace Will be Transformed Into a Police Station to ‘Neutralize’ Its Appeal as a Pilgrimage Site for Neo-Fascists’, (Kate Brown), Artnet News, 03-Jun-2020, www.artnet.com].
Postscript: The decision to radically makeover the four centuries-old building that was Hitler’s birthplace won’t please the cultural and heritage groups in Upper Austria, but that the building has not been obliterated leaving only a blank, anonymous space has been welcomed by others. As one architecture professor notes, the creation of ”a void into which any kind of meaning can be projected” does not necessarily solve the dilemma, witness the aftermath of the 1952 dynamiting of Berghof (Hitler’s Bavarian mountain hideaway). Despite there being nothing to see any more, tourists kept coming in droves, as did Neo-Nazis who left their calling cards [‘The house where Hitler was born could be demolished soon. Here’s why it should stay standing’, (Despina Stratigakos), Quartz, 31-Oct-2016, www.quartz.com].
(Photo: The Guardian)
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➀ in the decades following the war, along with curious tourists, Austrian and German veterans, especially on Hitler’s birthday, made the trek to the house [‘Hitler’s Birth Home in Austria to Become a Police Station’, (Melissa Eddy), New York Times, 20-Nov-2019, www.nytimes.com]
➁the Ministry of the Interior in Vienna was also under flack from the media and the public for the extravagance of paying Frau Pommer nearly €5,000 every month to rent a space it was putting to no practical use [‘Why the Austrian government won’t tear down Adolf Hitler’s birth home’, (Bianca Bharti), National Post, 05-Sep-2019, www.nationalpost.com]
Few places in Germany and Berlin have experienced the journey of change and transition that Tempelhof Airport (Flughafen Berlin-Tempelhof) has. The Nazis commenced the construction of its colossal showcase airport in 1936 on the site of a pre-existing (Weimar Republic-built) airport. Even in its pre-airport days, it’s land use had a nexus with aviation – from 1887 it was home to a balloon detachment of the Prussian Army.
⇡der Berliner Garnison
Prior to it becoming an airport in the 1920s Tempelhof Field was used primarily as a military parade ground, and in addition it played an early role in the development of Berlin football (the pioneering BFC Fortuna club). It’s next brush with aeronautical endeavour came in 1909 when US aviator Orville Wright took the brothers’ bi-plane, the ‘Wright Flyer’, for a spin around the field.
A mega-scale marvel of civil engineering
Built on a scale❋to be in synch with the values of strength and power projected by the rest of Hitler’s Germania building ‘Fantasia’^^, Tempelhof—the name derives from it having originally been land occupied by the medieval Order of Knights Templars—was an “icon of Nazi architecture: (with a complex of) huge austere buildings in totalitarian style (in the shape of a quadrant up to 1.2 km in length), replete with imposing imperial eagles made from stone” [‘Berlin: A historic airport reinvents itself’, (Eric Johnson), Julius Bär, 28-May-2019, www.juliusbar.com]. Designed for the Führer by Ernst Sagebiel, the out of all proportion complex boasted 9,000 rooms, multiple entrance doors, reliefs and sculptures including a giant aluminium eagle head◰.
Located just four kilometres south of Berlin’s central Tiergarten, the Nazi airport was notably innovative in its day – eg, separate levels for passengers and luggage; windows spanning the floor-to-ceiling to convey as much light as possible inside the terminal [‘The story of Berlin’s WWII Tempelhof Airport which is now Germany’s largest refugee shelter’, (Sam Shead), The Independent, 20-Jun-2017, www.independent.co.uk].
⇡ The vast and cavernous main hall
(Tempelhof Projekt GmbH,www.thf-Berlin.de)
Tempelhof Airport was only ever 80% completed (constructed halted in 1939 with the outbreak of war), and ironically, never used by the Nazis as an airport (they continued to use the original terminal for flights). Instead, the regime used it for armament production and storage, and during the war it served as a prison and a forced-labour plane assembly factory [‘A brief history of Tempelhofer Feld’, (Ian Farrell), Slow Travel Berlin,www.slowtravelberlin.com].
Cold War Tempelhof
After WWII the airport was placed under the jurisdiction of the occupying American forces (under the term of the Potsdam Agreement which formally divided Berlin into four distinct occupation sectors). The airport played a key role in the Berlin Airlift (1948/49) and throughout the Cold War was the main terminal used by the US military to enter West Berlin. To increase Tempelhof’s civil aviation capacity US engineers constructed new runways. With the fall of the Berlin Wall in 1989 and German reunification, the American military presence in Berlin wound up (formally deactivated in 1994). Tempelhof continued to be used as a commercial airport but increasingly it was being used primarily for small commuter flights to and from regional destinations [‘Berlin Tempelhof Airport’, Wikipedia, http://en.m.wikipedia.org].
(Photo: www.urban75.org/)
A post-aviation future spaceIn 2008 Tempelhof, partly derelict, was discontinued as an airport. Berliners were polled about its future with the majority wanting to keep it free from redevelopment, a free space for the community. Accordingly, the land was given over to public use. Once a symbol of Nazi brutalist architecture, today its grounds are open to the citizenry as an expression of their freedom. The place is regularly a hive of multi-purpose activity, Berliners engaging in a range of leisure, exercise and cultural pursuits – jogging, cycling, roller-blading, skateboarding, kite-flying, picnicking, trade and art fairs, musical events, etc…the former airport has also been used as film locations (eg, The Bourne Supremacy, Hunger Games) and even as the venue for Formula E motor-racing⧆.
⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅⑅❇ see the previous post, ‘Germania: Mega-City Stillborn: Hitler’s Utopian Architectural Dream’
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❋ the terminal is 300,000 square metres including hangar space, with an inner, 306- hectare airfield (Tempelhofer Feld)
◰ “the mother of all modern airports” (British architect Norman Foster)
⧆ at other times it has been a shelter for refugees
In Robert Harris’ speculative novel Fatherland—a “what if”/alternative view of postwar European history set in 1964—Adolf Hitler is very much alive, having won the Second World War. Through his “Greater German Reich” the Führer rules an empire stretching from “the Low Countries to the Urals” with Britain reduced to a not-very-significant client state. In the novel’s counterfactual narrative Hitler’s architect Albert Speer has completed part of Hitler’s grand building project for Berlin – including the 120m high “Triumphal Arch” and the “Great Hall of the Reich” (the “largest building in the world”). We know that none of the above scenario came to fruition, but we do know from history that part of Hitler’s plans post-victory (if he won) was to radically transform the shape and appearance of his capital city Berlin.
Weltreich or Europareich?
Under a future German empire, Berlin, to be known as Germania※, would be the showcase capital. Historians are divided over whether the Nazis’ ultimate goal was global dominance (Weltherrschaft)—in which case Germania would be Hitler’s Welthauptstadt (‘world capital’)—or was more limited in its objective, intent on creating a European-wide reich only (as posited by AJP Taylor et al). Either way, Hitler’s imperial capital was to be built on a monumental scale and grandeur which reflected the “1,000-Year Reich” and its stellar story of military conquests and expansion – in effect a theatrical showcase for the regime [‘Story of cities #22: how Hitler’s plans for Germania would have torn Berlin apart’, (Kate Connolly), The Guardian, 14-Apr-2016, www.theguardian.com].
Nazi utopia Showing off Germania to the world for the Führer was all about one-upping the capitalist West. Immense buildings symbolising the strength and power of Nazism convey a message of intimidation, a declaration that Hitler’s Germany could match and exceed the great metropolises like New York, Paris and London. Accordingly, the Hamburg suspension bridge had to be on a grander scale than its model in San Francisco, the constructed East-West Axis in Berlin had to outdo the massive Avenida 9 de Julio in Buenos Aires [Thies, Jochen, ‘Hitler’s European Building Programme’, Journal of Contemporary History, July 1, 1978, http://doi.org/10.1177/002200947801300301].
Hitler & Speer: (Source: www.mirror.co.uk)
The architect/dictator Hitler put Speer in charge of the massive project but always fancying himself as having the sensibility of an architect, Hitler retained a deep interest in its progress✪. Rejecting all forms of modernism▣Hitler’s architectural preferences were rooted in the past – “Rome was his historical model and neoclassical architecture was his guiding aesthetic” [Meng, M. (2013). Central European History. 46 (3), 672-674. Retrieved October 24, 2020, from http://www.jstor.org/stable/43280636]. The Germania building projects writ on a gargantuan scale, were an unmistakable statement, a means for the dictatorship “to secure (its) place in history and immortalise (itself) and (its) ideas through (its) architecture [Colin Philpott, Relics of the Reich: The Buildings the Nazis Left Behind, (2016)].
On the Germania drawing board
Taking pride of place, the architectural centrepieceof the Germania blueprint, was the Volkshalle (‘People’s Hall)✦, a staggeringly large edifice inspired by the Pantheon in Rome—a dome 290m high and 250m in diameter—which had it been completed would have been the largest enclosed space on Earth, capable of holding up to 180,000 people. Linking with the Volkshalle via an underground passageway similar to a Roman cryptoporticus was to be the palace of Hitler (Führerpalast). The monolithic domed People’s Hall would have dwarfed and obscured the close-by, existing structures, the Reichstag and the Brandenburg Gate.
Among a host of other uncompleted buildings in Germania was the Triumphal Arch (Trumpfbogen)…at over 100m high three times the size of the iconic arch in Paris it was modelled on. Hitler’s utopian Berlin metropolis was scheduled for completion in 1950, the onset of war however delayed construction which then ceased for good after the Wehrmacht suffered serious setbacks on the Russian Front in 1943 [‘Hitler’s World: The Post War Plan’, (Documentary, UKTV/SBS, 2020]. The Nazis planned thousands of kilometres of networks of motorways spanning the expanding empire (linking Germania with the Kremlin, Calais to Warsaw, Klagenfurt to Trondheim, etc). These too remained unrealised under the Third Reich (Thies). Another project reduced to a pipe dream was the Prachtallee (Avenue of Splendours), a north-south boulevard which was intended to bisect the East-West Axis.
Model of ‘Germania’
Costing Germania
The projected cost of all the regime’s building projects has been estimated at in excess of 100 billion Reichsmarks (Thies). But for the Nazis, how to bankroll a building venture of such Brobdingnagian proportions, was not a major concern. Their reasoning was that once victory was attained, the conquered nations would provide all of the labour and materials necessary for the construction projects (Connolly).
A slave-built GermaniaGerman historian Jochen Thies’ pioneering study, Hitler’s Plans for World Domination: Nazi Architecture and Ultimate War Aims’ (English translation 2012), argues that as well as reintroducing the architectural solutions ofantiquity for its mega-city, the Nazi elite sought to replicate “the society and economy of that time, i.e. a slave-owning society”, as the basis for Hitler’s “fantasy world capital” (Thies). For a venture of such scale the program firstly needed ein großer Raum (a large space), requiring thousands of ordinary Germans, both Jews and Gentile, to be forcibly evicted from their homes which were then bulldozed✮. Concentration camps were established deliberately close to granite and marble quarries to facilitate the building projects…in proximity to Berlin, the Nazis used Jewish prisoners at Sachsenhausen concentration camp (Oranienburg) for the slave and forced labour force⌖ [‘Inside Germania: Hitler’s massive Nazi utopia that never came to be’, Urban Planning’, (Chris Weller), Business Insider, 24-Dec-2015, www.businessinsider.com].
Germania – a Nazi utopia to see but a nightmarish dystopia to live in
The plan if it had been realised would have seen huge swathes of the city torn down to make way for the mega-construction mania. With a multiplicity of ring-roads, tunnels and autobahns, Germania would have been pedestrian-unfriendly, lacking in amenities for city-dwellers, sterile, not green (outside of the grand stadium there was no parks or major transit lines)…a city almost completely bereft of human dimension – what was once an attractive living space would have disappeared under the Third Reich’s urban planning imperatives (Roger Moorhouse in Weller).
Nuremberg: Macht des dritten Reiches (Source: The Art Newspaper)
Of course Berlin wasn’t the only city in the German Reich singled out to get an extreme physical makeover. Four other cities were also awarded special Führer City Status and earmarked for the same grandiose Nazi treatment – Linz (where Hitler grew up), Hamburg, Munich and Nuremberg. The last city, made famous for holding the mass Nuremberg party rallies, its Zeppelin Field Grandstand, now a racetrack, had a capacity for up to 150,000 party faithfuls.
Endnote: A neo-German city on the Vistula
The newly acquired lands of the empire were also subjected to the NSDAP urban transformation template. Warsaw was to be rebuilt as a new German city (the Pabst Plan⊞) – a living space for a select number of ‘Ayran’ Germans, while its more numerous, “non-Ayran” Polish residents were to be shepherded into a camp across the River Vistula, a separate but handily located slave labour force for the ‘renewal’ (i.e. rebuild) of Warsaw…had the Pabst Plan proceeded historic Polish culture in the city would have been obliterated in the upheaval (‘Hitler’s World: The Post War Plan’).
※ ‘Germania’ was the name ascribed to the lands of the Germanic peoples in Ancient Roman times
✪Hitler had always been intrinsically interested in architecture, back in his Linz days the failed artist had been advised to take up architecture instead
▣ the same applies to art, Hitler rejected the modern movements like Cubism, Surrealism and Dada, labelling them “degenerate art”
✦ also known as the Große Halle, the ‘great hall’
✮leading to a housing crisis in Berlin, aggravated by some over-zealous officials who destroyed houses prematurely and unnecessarily, simply in the hope of earning the Führer’s approval (Thies)
⌖ as demands for labour intensified, the Nazis widened the pool of forced labour to include PoWs and anyone deemed deviant by the state, ie, beggars, itinerants, Gypsies, leftists, homosexuals(Connolly)
Hugo Boss … luxury watches, fragrances, men’s suits and fashion wear and accessories, Nazi uniforms. Wait! Run that last one past me again? Yes, it’s true. Hugo Boss AG＊, that doyen of international fashion houses with annual revenue exceeding €2.7 billion (2018) and over 1,100 stores worldwide, provided the German Nazi Party, with their uniforms during (and prior to) the Third Reich. Although you wouldn’t know so from a perusal of the Hugo Boss website which keeps a firm lid on the company’s unsavoury past❂.
The clothing company was started in Metzingen (southern Germany) in 1924 by the eponymous Hugo (Ferdinand) Boss…it commenced supplying the NSDAP (National-Socialist Workers Party) with their brown military uniforms, according to the company’s own claim, in 1924 (the year in which Hugo Boss was founded)∅. Initially Boss designed and provided the standard Nazi brown-shirted outfits including Stürmabteilung (SA) uniforms, Nazi workwear, and Hitler Youth uniforms. In the Depression Boss’s company was like many, many businesses severely hit and Boss was forced into bankruptcy in 1931. That year was momentous for another reason, HF Boss joined the Nazi Party, an event that was to turn his fortunes round dramatically. At the same time the failed businessman also joined the SS (Schutzstaffel) as a “sponsoring member”.
By appointment to the Führer
Membership of the party meant more contracts for Hugo Boss as a favoured supplier of Hitler. Under the Nazi dictatorship Boss’ sales grew from 38,260 RM in 1932 to 3,300,000 RM in 1941 (Timm). Boss’ motives for joining have been attributed to “economic opportunism” and its clear that he saw the business advantages of tying his colours to the Nazi flagship, but there’s equal little doubt that his commitment to the Nazi cause was heartfelt (a photo of him with the Führer was said to to be one of the tailor’s most prized possessions)❊ [‘Hugo Boss’ Secret Nazi History’, (Fashion and War), M2M, (video, YouTube)].
🔻A Boss ad placed in the SS newspaper
Nazi fashionistas
From 1937 on, the relationship acquired an exclusivity, Hugo Boss made clothing only for the Nazis, including the black uniforms worn by the elite Nazi force, the SS (Boss didn’t design the uniforms worn by Himmler’s SS Corps, two party members unconnected to the company designed them). Boss continued to heavily advertise his fashions in the SS newspaper, Das Schwarze Korps, and fashionably chic the uniforms were! One of the pillars of the Nazis’ ideology was the pseudo-scientific belief in Aryan superiority, this involved showing the world what the “new man” looks like. There was no finer exemplar of this than the Wehrmacht military man, and this is where Boss provided the finishing touches. The firm’s stylish, sharply cut uniforms conveyed the desired outer appearance, the SS corporate identity that Hitler and the Nazis wanted to project to the world (Fashion and War).
HB as slave-labour drivers
From 1940 Boss used slave labour at it’s Metzingen textile factory, predominantly comprising women and later supplemented by the infusion of Polish and French POWs. The company (sans it’s founder), after decades of dodging accusations, finally came clean about it’s shameful Nazi collaboration, after being pressured into issuing a mea culpa in 1997 for the gross mistreatment of the workers. Later the corporation commissioned a book on it’s dark past association❏ [‘“Hitler’s Tailor” Hugo Boss apologises for using slave labour to make Nazi uniforms’, (Lauren Paxman), Daily Mail, 24-Sep-2011, www.dailymail.co.uk].
(Source: www.militaryuniforms.net/Pinterest)
A discounted form of justice
After the war Boss was tried along with other German collaborators by a regional Denazification tribunal. The man known as “Hitler’s Tailor” claimed in his defence that he only joined the Nazi Party to save his firm. The court found Boss to have been a “beneficiary of the system” and fined him 100,000 RM, made him sever all connexions with his own firm and stripped him of the right to vote, join a political party or professional organisation. However, on appeal, the fine was reduced by 75%, the other restrictions were lightened and his culpability was downgraded to ‘follower’ of the regime. Before the findings could be ratified by the French Military Government and the punishments imposed, Boss died in 1948 (Timm).
Endnote: Supping with the 卐 devil
Hugo Boss AG was far from the only company to profitably cohabitate with Hitler and the NSDAP. The list of big corporations doing mutually advantageous business was extensive, both within Germany and outside – including Volkswagen, Bayer, Coca-Cola, Nestlé, Kodak, Ford, General Motors, IBM, Siemens, Chase National Bank and Associated Press [‘Companies with Ties to Nazi Germany’, (Debra Kelly), Grunge, (Upd.17-Dec-2019), www.grunge.com].
┷┷┷┷┷┷┷┷┷┷┷┷┷┷┷┷┷┷┷
＊ Aktiengesellschaft (German limited company)
❂ either that or trying to conceal or gloss over the inconvenient truth of the corporation’s history, eg, “in the 1930s it produced uniforms for various(sic) parties around the time of the world war”, www.bangandstrike.com
∅ the firm’s advertising in the 1930s stated that it was a “supplier of National Socialist uniforms since 1924”, however research suggest that this overstates by four years the length of Boss’ association with Hitler and the Nazis [Elisabeth Timm, ‘Hugo Ferdinand Boss (1885-1948) und die Firma Hugo Boss: Eine Dokumentation’, (Metzingen Zwangsarbeit – Forced Labour), MA Thesis, 1999]
❊ it was a ‘reunion’ of the two humble German corporals from World War I
❏ author Roman Koester wrote: “it’s clear that (Boss) did not just join the party out of economic calculation…he was a convinced Nazi” (Hugo Boss, 1924-1945. A Clothing Factory During the Weimar Republic and Third Reich)
At the onset of world war in 1939 the principal adversaries of Nazi Germany and Adolf Hitler were clearly seen to be the United Kingdom and (initially at first) France. So, why did the Third Reich focus so much on Norway in the global conflict?
War strategy was part of the answer. German military planning ante bellum had pinpointed Norway’s geo-strategic importance. It was also aware of the danger of a blockade of Germany’s sea-lanes posed by the British Navy. By controlling Norway’s long (16,000 mi) coastline, Germany could control the North Sea, providing the optimal maritime attack route for an assault on Britain. It would also ease the passage of Germany’s warships and submarines into the Atlantic Ocean. As far back as 1929 German Vice-Admiral Wegener outlined in a book the advantages of seizing Norway in a future war to expedite German naval traffic [C N Trueman, “The Invasion Of Norway 1940”, www.historylearningsite.co.uk . The History Learning Site, 20 Apr 2015. 5 Feb 2020]. The Nazis believed that Norway’s strategic ports were the key to control of the Atlantic and to the overall success of Germany in the war (‘Nazi Megastructures’).
Norway’s proximity to Sweden was another factor in Germany’s focus on the Scandinavian country, arguably the main consideration in Hitler’s and the Nazis’ calculations. Buried in the north of Sweden—mainly at the Kiruna and Gällivare mines—were vast quantity of high-grade iron-ore. In 1939 Germany imported ten million tons of the mineral from Sweden, all but one million of it from these mines [‘The Nazi Invasion of Norway – Hitler Tests the West’, (Andrew Knighton), War History Online, 01-Oct-2018, www.warhistoryonline]. This raw material provided the steel for the German war machine – its armaments and equipment (weaponry, tanks) and aircraft.
Kiruna mine 🔼
As Sweden was (like Norway up to April 1940) a neutral country in war-time and was freely selling iron-ore to the Germans, why did Hitler need Norway? The problem was the port of Luleå on the Gulf of Bothnia in Sweden, from where the Nazis transported the precious loads of ore…in winter it would freeze over. To meet the exigencies of “total war” the Nazis needed to keep the production lines rolling, the war schedule couldn’t afford long delays in the delivery of the iron-ore. The solution lay in Norway – the northern port at Narvik by contrast didn’t freeze over and was accessible all year round. Logistically, the Germans could easily re-route the Swedish iron ore via the Norwegian coast (Trueman). What made this more pressing for the Germans was that Britain spurred on by Winston Churchill was planning to mount a expeditionary force to capture the Swedish iron-ore mines to deprive their enemies of it [Tony Griffiths, Scandinavia: At War with Trolls, (2004)].
In April 1940 Germany, concerned that Britain was trying to engineer Norway into the war, implemented Operation Weserübung, invading both Denmark and Norway at the same time. Neighbouring Denmark for Germany was a staging post and base for its Norway operations. Denmark capitulated virtually immediately but Norway, with some limited and not very effective help from the British, French and Polish, held out against the massively superior might of the Nazi Heer, Kriegsmarine and Luftwaffe for over two months.
🔼 Quisling inspecting the Germanske SS Norge troops in Oslo
The Norwegian surrender came, inevitably, after the Allies withdrew their support. The German Wehrmacht stayed in occupation of the country for five years guarding the precious iron-ore route. Hitler, wanting to project a veneer of legitimacy, installed a pro-German Norwegian puppet regime under Vidkun Quisling, a fascist collaborator and leader of Norway’s Nasjonal Samling party✱. Quisling, evoking an ancient Viking concept, the hird✧, formed his own paramilitary organisation [Tony Griffiths, Scandinavia: At War with Trolls, (2004)], however real power lay with the Hitler-appointed Reichskommissar Josef Terboven.
Hitler had another, ideological motive for extending the scope of his Third Reich empire to Norway. The Nazi Führer was an ardent admirer of Viking and Norse culture. Nazi ideology rested on a belief in so-called “Aryan superiority” which elevated Nordic people such as the Norwegians. This ideology was reflected in SS recruitment posters circulated in Norway (and Denmark) during the German occupation…propaganda aimed at an historic appeal to Norwegian manhood, conflating of the Wehrmacht soldier spirit with the valour and exploits of Viking warrior culture [‘Vikings: Warriors of No Nation’, (Eleanor Barraclough, History Today, 68(4), April 2019, www.historytoday.com].
The Nazis’ program of Lebensborn –intended to create “racially pure” offspring was practiced in Norway, resulting in somewhere between ten and twelve thousand babies being born to Norwegian mothers and German fathers⊚ (‘Vikings: Warriors of No Nation’).
🔼 (L) Quisling, (2nd from L) Himmler, (3rd from L)Terboven
Hitler’s preoccupation with Norway, its natural resources and its supposed Aryan virtues, was to have critical and fateful repercussions for the “big picture” war strategy of the Third Reich. The Nazis fortified Norway more heavily than any other nation it occupied during the war, several hundred thousand German soldiers (regular army, Waffen and Schutzstaffel – SS) were stationed there – a ratio of one German soldier for every eight Norwegians! [‘German occupation of Norway’, Wikipedia, http://en.m.wikipedia.org]. When the Allies launched their decisive D-Day operation in 1944, these unused, excess troops in non-combative Norway may very likely have been vital to the German efforts to stem the Allies’ major offensive at Normandy.The Nazis used ancient Viking rune symbols on their uniforms and flags, like the SS’s sig rune insignia (above)
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𖥶𖥶𖥶𖥶𖥶𖥶𖥶𖥶𖥶𖥶𖥶𖥶𖥶𖥶
✱ adding a new word, ‘quisling’, to the lexicon. The charade was maintained with Hitler declaring that occupied Denmark and Norway were under the protection(sic) of the Nazi state, Hitler‘s ScandinavianLegacy, Ed. by John Gilmour & Jill Stephenson, (Introduction) (2013)
✧ in Old Norse, originally a retinue of informal armed companions, analogous with a housecarl, a household bodyguard
⊚ the most famous of which is Frida (Anni-Frid) of the Swedish pop group ABBA
The small but strategic island that Britain gave away twice
Heligoland, is a tiny speck of land (a mere 0.67 sq mi) in the North Sea. The main island (Hauptinsel) is a formation of rock and stone cliffs frequently impacted by wind and storm – or as one observer described it, “an outcrop of sandstone and chalk” [Harry Campbell, Whatever Happened to Tanganyika? The place names that history left behind, (2007)]. It’s dominant geographical features are a200-feet high Oberland (upper land) and a Unterland (lower land)✲. Just to the main island’s east is a second, smaller island known as the Düne or Sandy Island for its collection of small beaches❅. Heligoland is 40 miles from the town of Cuxhaven in the Lower Saxony region of Germany (also close to and coming under the provincial administrative jurisdiction of Schleswig-Holstein), and some 290 to 300 miles from the nearest point on the British Isles.
The remoteness and fairly nondescript appearance of Heligoland (in German and Danish: Helgoland, presumably from Heyligeland, “Holy Land”) belies a rather colourful history of fluctuating fortunes, especially over the last two centuries. Up until 1807 the island was the property of Denmark (interrupted by one or two brief periods when it fell under the control of Hamburg). ThIs “No-Man’s Land” has traditionally served as something of a haven for mainlanders – a refuge from the severe climatic conditions of the German Bight, and also occasionally from Danish taxation officials [George Drower, Heligoland: The True Story of German Bight and the Island that Britain Betrayed (2002)].
In 1807, as the Napoleonic Wars raged in Europe, the British Navy under orders from Whitehall seized it from the Danes. Heligoland was of value to the British in the war against Napoleon as a means of circumventing the economic blockade imposed on Great Britain by the French emperor (the Continental system). Having Heligoland provided the British with a handy base to carry on (illegal) trade with Europe in defiance of Napoleon…between 1809 and 1811 alone, some £86 million worth of goods passed through the island and into the hands of German merchants. Heligoland’s economic activity flourished with most of the smuggled merchandise comprising tea, coffee, tobacco, rum and sugar from GB’s commodity-rich colonies around the globe [‘Heligoland’, (The British Empire), www.britishempire,co.uk/].
“The Gibraltar of the North Sea”
A spa was introduced to the island in 1826, luring visitors and holidayers from the nearby German mainland. Some came in search of a haven of a different kind, liberal Germans were attracted because it offered them, they believed, “a political retreat from the nationalistic fervour of their homeland” [‘Heligoland: Germany’s hidden gem in the North Sea’, (James Waterson), The Guardian, 24-Apr-2011, www.theguardian.com]. The new German-British trade ran hand-in-hand with the traditional island vocation of fishing (mainly for lobsters). The permanent population of Heligoland, despite the boost, has over the years remained pretty stable, never rising above 3,000 at any point (predominately the locals have been of German stock, speaking a North Friesian dialect)〥.
A coloniser’s swap: Heligoland for Zanzibar
The status quo on Heligoland remained intact till the late part of the century. In 1890 the change occurred that was to have seismic repercussions in the 20th century. As part of “the scramble for Africa” at the time, the British traded Heligoland to Germany in return for Zanzibar and part of Tanganyika◘, adding to GB’s “patch-quilt pattern” of GB’s ‘pink’ colonies on the world map. But the British were to discover that the true cost was the loss of a significant strategic asset in it’s 20th century foreign policy. Heligoland’s location on a ‘corner’ of the North Sea guarded the entrance to the port of Hamburg and was approximate to the estuary of the Elbe, the Kiel Canal and three other great North European rivers (Drower).
▵ Aerial view of Heligoland, between 1890 and 1900
With the European powers preoccupied with war preparations by the early 1900s, Imperial Germany strengthened the fortifications on Heligoland. When war (WWI) did come, Heligoland did not escape the conflict. It was the site of one of the earliest engagements of the war, the Battle of Heligoland Bight⊕, and involved in one of the first seaplane attacks, the Cuxhaven Raid (Christmas Day 1914)(ibid.). Whatever the fortunes of the British and German forces in Heligoland, the biggest losers were the island’s inhabitants who were summarily ejected from their homes on the island, having been given no say in the matter❂. They were given only six hours to pack and take only what could be transported by hand. The house-holders’s bedding and furniture was left behind. They were ‘reassured’ that they would be able to return after the war was won – in a few weeks! (ibid.). After the war Germany in accordance with the Versailles Treaty was required to demilitarise Heligoland, it was however allowed to retain the island – despite entreaties to Britain from the islanders (returned from their five year-plus exile) that it take back its former colony (ibid.).
▵ An artist’s impression of the Cuxhaven Raid
Island spring-time
The interwar period heralded something of an economic renaissance and the introduction of large-scale tourism for Heligoland. In the 1930s it annually drew 30,000 visitors with enhanced spending power to patronise the new fashionable drinking establishments and expensive gift shops. Adolf Hitler’s Nazi consolidation of power saw a rebuilding of the island’s fortifications. Hitler harboured other grand plans for Heligoland (an anti-aircraft fortress and a gigantic new naval base intended to rival the Royal Navy’s one) but these never came to fruition.
During the Second World War, Heligoland was the site of another early aerial/sea battle between GB and Germany and the onset of the global conflict in 1939. After the Allies gained the upper hand over Germany and it’s Axis partners, the British RAF subjected the fortified island to great devastation (over a two-day period in April 1945 7,000 bombs were dropped on the island, resulting in the flattening of the middle section of Hauptinsel).
Allied victory in the war did not mean a respite from the British destruction for the island. GB having taken interim charge of Heligoland, once again cleared the island of the local population and used it as a bomb-testing range over the next seven years. This assault included a British “Big Bang” (6,700 tonnes of explosives on one single day), thought to be the single largest non-nuclear explosions ever!) [Jan Rüger, Heligoland: Britain, Germany and the Struggle for the North Sea, (2016)].
▵ German Federal Republic stamp commemorating the 1952 hand-back
Cold War sacrifice
After the war, the devastated state of the islandproved good propaganda fodder for the new West German Federal government, allowing it to represent itself as “an emblem of German victimhood and nationalism“. In 1952, the Brits, preoccupied with the wider Western imperatives of the day (the Cold War), gave the tiny archipelago back to the West Germans as an inducement to bind them and their influential chancellor Adenauer firmly to the Western anti-Soviet camp [ibid.].
In peace, once more the rocky island reverted to a pleasant holiday destination for continental (mainly German) day-trippers. In the early 1960s Heligoland rebuilt it’s tourist industry and the island was transformed yet again into a modern holiday resort with attractive duty-free benefits and a new spa complex. The present ambience of the born-again island has been likened to “the understated charm of a classic British seaside resort, a miniature Scarborough transplanted into the middle of the German Bight”. Contemporary Heligoland and it’s harbour has also resumed its earlier role as a venue for yacht races. [Waterson, loc.cit.; Rüger, loc.cit.].
Germany’sonly Hochseeinsel⊞
For all they have suffered materially and emotionally as a consequence of British misrule, in war and in peace—the betrayals, the dismissive lack of consultation, the physical devastation—the Heligolanders seem to have buried that sorry chapter in the past. The German tourist spiel for the island depicts it as Deutschlands einzige meersinsel (“Germany’s only sea island”), projecting images of quaint and colourful fishermen’s harbourside cottages. Phrases such as “offshore oasis of relaxation”, “a unique natural setting…(and)…mild maritime climate” litter the pages of published promos(www.germany.travel/).
Footnote: Promised resort lifestyle aside, contemporary Heligoland eschews many of the trappings of modernity for a more minimalist if not entirely back-to-basics existence—no autos, no bicycles (push-scooters and hiking the prevailing modes of transport), no high-rise, no internet, no invasive smells, noises or sounds of industry—a diet of peace and tranquility and migratory bird-watching, befitting Heligoland’s curative, get-away-from-it-all role over much of it’s history.
▵ Heligoland crest
︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻︻
✲these days the island also has a crater-shaped Mittelland (middle land), thanks to the British bomb-testing program of the Forties and early Fifties
❅ severe storm action has massively altered the geology of Heligoland over the centuries…until 1720 the two islands were connected [‘Heligoland’, Wikipedia, http://en.m.wikipedia.org]
〥 today they number around 1,500-2,500
◘ Lord Salisbury, the architect of the exchange, had first had to overcome staunch internal opposition to the relinquishment of Heligoland, not least from Queen Victoria herself
⊕ three German light cruisers and one torpedo-boat was sunk
❂ this has been a recurring motif with Heligoland, GB’s disposal of the island in 1890 was likewise done without consulting the 2,000 inhabitants of Heligoland
At the commencement of the world war in 1939, Francisco Franco’s authoritarian Spain was officially a neutral state in the global conflict※, this despite the Spanish dictator’s pro-Axis leanings and his debt of gratitude to Hitler and the Axis for its invaluable contribution to the Falangists’ victory in the recently-ended civil war in Spain.
The Spanish Caudillo ⇪
Because of Franco’s neutrality path, Hitler was not able to make Spain and the Iberian Peninsula a base of war operations for the Axis side [L. Fernsworth (1953). ‘Spain in Western Defense’, Foreign Affairs, 31(4), 648-662, doi: 10.2307/20030996]. Notwithstanding this Franco’s Spain still proved a useful and even vital ‘ally’ to the Axis powers, especially to Nazi Germany, during the war. This was nowhere more evident than in the role played by a single railway which linked southern France to northern Spain.
The track through the Pyrenees
Before that story, first some background on the railway line and its remarkable ‘central’ station. The idea of a train line between France and Spain via the rugged and formidable Pyrenees mountain chain goes back to the mid-point of the 19th century. The first step to turn the dream into actuality started on the French side in 1904. World War I held things up, as did the fact that the project was an enormously hard, almost Herculean challenge to the railway engineering and building methods of the day. To complete the line, in excess of 80 bridges, 24 separate tunnels and four viaducts had to be hacked out of the rocky terrain of the middle Pyrenees, as well as a massive deforestation of the regional landscape [‘Urban Exploration: Canfranc Railway Station’, Forbidden-Places, www.forbidden-places.net/].
The enormity of the Canfranc rail line earned it the sobriquet, “The Titanic of the Mountains”. Finally, by 1928, it had become a reality. The line ran from Pau in France to the village of Canfranc not far inside the Spanish border▣.
Canfranc-Estacíon
Canfranc was the jewel in the crown of the whole international rail network. The railway station (designed by Fernando Ramírez de Dampierre), architecturally a mix of Art Nouveau and Neo-Classicism, was built on an XXL scale. Boasting some 365 windows, a linear monolith of concrete, glass, steel and marble, it had space for living quarters for both Spanish and French customs officials, an infirmary, restaurants and bars, and (later) a hotel. Effectively, the station’s “French section” functioned as a French embassy [‘3rd Reich’s Abandoned “Highway” For Stolen Gold’, George Winston, War History Online, 17-Jul-2019, www.warhistoryonline.com]. The platforms extended for over 200 metres in length! The station has been described as “perhaps the world’s most beautiful disused railway station” [‘The most beautiful abandoned train station on the planet’, The Telegraph (UK), 02-Oct-2017, www.telegraph.co.uk].
The train line’s commercialfatal flaw: the irregular Iberian gauge
Despite Canfranc’s imposing and glamorous edifice, the Pau to Canfranc line’s history is a tarnished and diminished one. Some have called it’s history jinxed. Right from the start of operation there were problems and drawbacks. The biggest structural flaw for a supposedly international railroad was that the gauges were different! Spain retained its broad-gauge rails cf. the standard-gauge in France and elsewhere on the Continent. Passengers had to change trains once inside the border, this proved even more disruptive for goods cargo…the need to move the load to another rail vehicle meant that ultimately the line was too slow (and therefore too costly) to transport goods freight. The Wall Street collapse and the Depression occurring just one year after the Canfranc line commenced didn’t help business either. And to complete the ‘cursed’ thesis, in the early years there was a devastating fire affecting the line.
Throughout its lifetime the Canfranc railway always fell short of achieving economic viability. By the early 1930’s there were as few as 50 passengers a day using the service [‘Is Europe’s ghostliest train station about to rise again?’, Chris Bockman, BBC News, 01-Oct-2017, www.bbcnews.com]. To compound matters, during the civil war Franco had the line’s tunnels sealed off to prevent arms smuggling to the Republican side from France.
The Nazi “Gold Highway”
Following upon Hitler’s conquest of Western Europe the railway got a new lease of life, albeit one inspired by less than the purest motives. Franco reopened the tunnels to the Nazis and in 1942 deals were struck between the interested parties. Hitler and the German Wehrmacht needed the “Spanish (and Portuguese) ore”, tungsten (AKA wolfram), for producing metal and steel for the Nazi war machine—as much as they could get their hands on! And after the neutralising of France, the Canfranc line became a vital conduit for its delivery. The arrangements were mutually advantageous with plundered Nazi gold from Switzerland and French grain wending it’s way in the opposite direction to Spain and Franco⊡. US documents declassified during the Clinton years reveal that Franco returned only a portion of the stolen gold in 1948 (described as a “marginal amount”)—and that only after pressure was applied by the Allies [‘Secrets of the Railways: “Nazi Gold Highway”‘, (SBS Television, aired 03-Nov-2019)].
The reopened train line was advantageous not only to the Nazis and Spain. Refugees (Jews, communists, leftist artists like Max Ernst and Marc Chagall) and allied soldiers used the train and the Somport Tunnel route into Spain (and thence to safe destinations beyond) to escape Nazism.
Spy and counterspy: Life imitating art
Despite the railway and the key Canfranc Station being in Nazi hands, the place was a hotbed of spying and smuggling activities. At parties and events held by Nazi officials stationed at the glitzy hotel, pro-Resistance railway workers gathered important intelligence and passed it on to the Allies. A figure instrumental in the espionage activities was the hotel proprietor Albert Le Lay. Le Lay had a dual role as congenial hotel host for the Nazi guests and as head of the local border control. This allowed him, in a fashion eerily reminiscent of the movie Casablanca with Le Lay the unsuspected Resistance spy resembling a real-life “Rick Blaine”, to undermine the Germans and help smuggle many Jews out of France [ibid.]. Le Lay’s dangerous game kept him one step ahead of the Gestapo, but in 1943 he too was forced to flee as the Nazi net was closing in on him.
Decline and fall…and rise again?
After the war the Canfranc railway stumbled on, still operating but never coming close to reaching the potential of its planners’ high hopes for it. An unfortunate mishap in March 1970—a train derailment on the French part of the line causing a bridge collapse—proved not just costly, but signalled the end of the road for the railway. The French authorities, despite the opprobrium heaped on them by their Spanish counterparts, flatly refused to rebuild it. The railway was discontinued, replaced by a bus service. The stock and buildings were left to be vandalised and run into the ground slowly—seemingly for good!
Recently though, a (belated) rescue plan of sorts has emerged. The Aragon municipality in Spain has signalled its wishes to resurrect the once grand Phoenix from the ashes. It has indicated it wants to open a new rail line on the location. There’s talk of a £350m restoration project to restore Canfranc to its long lost railroad glory. Encouragingly, the corresponding French provincial authority , Aquitaine, has offered to assist in the project. This life-line has prompted renewed interest in the rail relic from the public with new tourism accounting for more visitors to the train site than there had been passengers using the service in it’s heyday! [Bockman, loc.cit.; Winston, loc.cit.].
Footnote: Portugal in on the largesse
Portugal possessed the same raw material (wolfram) so prized by Hitler and Portuguese dictator Salazar was happily agreeable to a clandestine deal. Accordingly some of the stolen Nazi gold made its way to Lisbon via Canfranc and into the vaults of the Bank of Portugal. This is reflected in the figures which show a dramatic upsurge country’s gold reserves:
1939|63.4 tons|||1945|356.5 tons
[Neill Lochery, Lisbon: War in the Shadows of the City of Light, 1939-1945 (2011)]António Salazar ⇪
↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜
※ after the fall of France in June 1940 the official policy was modified to one of “non-belligerence”. Franco’s position of non-involvement was basically about not antagonising the western powers, especially the USA whose exports Spain depended on at a time its economy was still brittle after the civil war
✦ for instance Franco’s ‘neutrality’ didn’t prevent him from “green-lighting” Spanish volunteer brigades to fight for the German Nazi army (the Division Azul or Blue Division) against the Soviet forces (but not the Western Allies)
▣ from Canfranc there was a further rail link to Jaca, and eventually to Zaragoza
⊡ estimated at close to 90 tonnes of gold (Winston)
𝔓𝔯𝔬𝔭𝔞𝔤𝔞𝔫𝔡𝔞 𝔴𝔞𝔯–𝔣𝔦𝔢𝔩𝔡, 𝔚𝔚ℑℑ (ℭ𝔯𝔢𝔡𝔦𝔱: 𝔉𝔩𝔦𝔠𝔨𝔯)
𝔓𝔥𝔬𝔱𝔬: 𝔞𝔪𝔞𝔷𝔬𝔫.𝔠𝔬𝔪
𝔊𝔖1 ℜ𝔞𝔡𝔦𝔬 𝔖𝔱𝔞𝔱𝔦𝔬𝔫 𝔞𝔱 𝔐𝔦𝔩𝔱𝔬𝔫 𝔅𝔯𝔶𝔞𝔫 (𝔖𝔬𝔲𝔯𝔠𝔢: 𝔅𝔢𝔡𝔣𝔬𝔯𝔡 𝔅𝔬𝔯𝔬𝔲𝔤𝔥 ℭ𝔬𝔲𝔫𝔠𝔦𝔩)
ℭ𝔩𝔞𝔫𝔡𝔢𝔰𝔱𝔦𝔫𝔢 𝔄𝔰𝔭𝔦𝔡𝔦𝔰𝔱𝔯𝔞 𝔱𝔯𝔞𝔫𝔰𝔪𝔦𝔱𝔱𝔢𝔯 𝔞𝔱 𝔚𝔞𝔳𝔢𝔫𝔡𝔬𝔫 𝔗𝔬𝔴𝔢𝔯 (𝔖𝔬𝔲𝔯𝔠𝔢: 𝔩𝔦𝔳𝔦𝔫𝔤𝔞𝔯𝔠𝔥𝔦𝔳𝔢.𝔬𝔯𝔤.𝔲𝔨)
𝔅𝔯𝔦𝔱𝔞𝔦𝔫’𝔰 𝔭𝔰𝔢𝔲𝔡𝔬–𝔊𝔢𝔯𝔪𝔞𝔫 𝔫𝔢𝔴𝔰𝔭𝔞𝔭𝔢𝔯
(Photo: Priaulx Library & Occupation Archives)
(Source: tvtime.com)
The news, when it surfaced in the early 1980s, certainly caused quite a sensation internationally. After eminent historian Hugh Trevor-Roper (Lord Dacre) declared the diaries legit on a first sighting (though later he walked that back a bit), newspaper editors in Germany and the UK unhesitatingly bought the ruse. Rupert Murdoch, after forking out £250,000 to buy the serialisation rights from Der Stern magazine for the diaries, ordered their immediate serialisation in the Sunday Times.
Trevor-Roper: his damaged academic reputation never really recovered from the humiliating affair
▲ Some of Kujau’s handiwork (Photo: AFP/Getty Images)
(Source: Business Insider)PostScript: Hitler Diaries on the celluloid screen The celebrated hoax has been translated twice to the screen, the first a 1991 British mini-series based on Robert Harris’ book Selling Hitler with the same title (Alexei Sayle is a comfortable fit as the cheerful and uncomplicated ‘Conny’ Kujau). The second, a satirical German-made film, Schtonk!, released in 1992.
▲ Dictator diarists, courtesy of their ghostwriters 
⇧ A Hitler, landscape (Source: Widewalls)
⇧ Beckmann: ‘The Night’
Dix’s ‘Seven Deadly Sins’ (1933)
Alois Hitler ⇧
(Source: www.dailymail.co.uk)
⇧ Hitler and his ‘renegade’ enemy nephew
(Archival image: Stadtverein Braunau)
(Photo: The Guardian)
In Robert Harris’ speculative novel Fatherland—a “what if”/alternative view of postwar European history set in 1964—Adolf Hitler is very much alive, having won the Second World War. Through his “Greater German Reich” the Führer rules an empire stretching from “the Low Countries to the Urals” with Britain reduced to a not-very-significant client state. In the novel’s counterfactual narrative Hitler’s architect Albert Speer has completed part of Hitler’s grand building project for Berlin – including the 120m high “Triumphal Arch” and the “Great Hall of the Reich” (the “largest building in the world”). We know that none of the above scenario came to fruition, but we do know from history that part of Hitler’s plans post-victory (if he won) was to radically transform the shape and appearance of his capital city Berlin. 
Weltreich or Europareich?
Under a future German empire, Berlin, to be known as Germania※, would be the showcase capital. Historians are divided over whether the Nazis’ ultimate goal was global dominance (Weltherrschaft)—in which case Germania would be Hitler’s Welthauptstadt (‘world capital’)—or was more limited in its objective, intent on creating a European-wide reich only (as posited by AJP Taylor et al). Either way, Hitler’s imperial capital was to be built on a monumental scale and grandeur which reflected the “1,000-Year Reich” and its stellar story of military conquests and expansion – in effect a theatrical showcase for the regime [‘Story of cities #22: how Hitler’s plans for Germania would have torn Berlin apart’, (Kate Connolly), The Guardian, 14-Apr-2016, www.theguardian.com]. 
Endnote: A neo-German city on the Vistula The newly acquired lands of the empire were also subjected to the NSDAP urban transformation template. Warsaw was to be rebuilt as a new German city (the Pabst Plan⊞) – a living space for a select number of ‘Ayran’ Germans, while its more numerous, “non-Ayran” Polish residents were to be shepherded into a camp across the River Vistula, a separate but handily located slave labour force for the ‘renewal’ (i.e. rebuild) of Warsaw…had the Pabst Plan proceeded historic Polish culture in the city would have been obliterated in the upheaval (‘Hitler’s World: The Post War Plan’).
The clothing company was started in Metzingen (southern Germany) in 1924 by the eponymous Hugo (Ferdinand) Boss…it commenced supplying the NSDAP (National-Socialist Workers Party) with their brown military uniforms, according to the company’s own claim, in 1924 (the year in which Hugo Boss was founded)
Norway, Sweden and Denmark (www.geology.com)
Norway’s proximity to Sweden was another factor in Germany’s focus on the Scandinavian country, arguably the main consideration in Hitler’s and the Nazis’ calculations. Buried in the north of Sweden—mainly at the Kiruna and Gällivare mines—were vast quantity of high-grade iron-ore. In 1939 Germany imported ten million tons of the mineral from Sweden, all but one million of it from these mines [‘The Nazi Invasion of Norway – Hitler Tests the West’, (Andrew Knighton), War History Online, 01-Oct-2018, www.warhistoryonline]. This raw material provided the steel for the German war machine – its armaments and equipment (weaponry, tanks) and aircraft. 
Kiruna mine 🔼
In April 1940 Germany, concerned that Britain was trying to engineer Norway into the war, implemented Operation Weserübung, invading both Denmark and Norway at the same time. Neighbouring Denmark for Germany was a staging post and base for its Norway operations. Denmark capitulated virtually immediately but Norway, with some limited and not very effective help from the British, French and Polish, held out against the massively superior might of the Nazi Heer, Kriegsmarine and Luftwaffe for over two months.
Hitler had another, ideological motive for extending the scope of his Third Reich empire to Norway. The Nazi Führer was an ardent admirer of Viking and Norse culture. Nazi ideology rested on a belief in so-called “Aryan superiority” which elevated Nordic people such as the Norwegians. This ideology was reflected in SS recruitment posters circulated in Norway (and Denmark) during the German occupation…propaganda aimed at an historic appeal to Norwegian manhood, conflating of the Wehrmacht soldier spirit with the valour and exploits of Viking warrior culture [‘Vikings: Warriors of No Nation’, (Eleanor Barraclough, History Today, 68(4), April 2019, www.historytoday.com]. 
The Nazis’ program of Lebensborn –intended to create “racially pure” offspring was practiced in Norway, resulting in somewhere between ten and twelve thousand babies being born to Norwegian mothers and German fathers⊚ (‘Vikings: Warriors of No Nation’).
🔼 (L) Quisling, (2nd from L) Himmler, (3rd from L) Terboven 
The Nazis used ancient Viking rune symbols on their uniforms and flags, like the SS’s sig rune insignia (above)
The remoteness and fairly nondescript appearance of Heligoland (in German and Danish: Helgoland, presumably from Heyligeland, “Holy Land”) belies a rather colourful history of fluctuating fortunes, especially over the last two centuries. Up until 1807 the island was the property of Denmark (interrupted by one or two brief periods when it fell under the control of Hamburg). ThIs “No-Man’s Land” has traditionally served as something of a haven for mainlanders – a refuge from the severe climatic conditions of the German Bight, and also occasionally from Danish taxation officials [George Drower, Heligoland: The True Story of German Bight and the Island that Britain Betrayed (2002)]. 
In 1807, as the Napoleonic Wars raged in Europe, the British Navy under orders from Whitehall seized it from the Danes. Heligoland was of value to the British in the war against Napoleon as a means of circumventing the economic blockade imposed on Great Britain by the French emperor (the Continental system). Having Heligoland provided the British with a handy base to carry on (illegal) trade with Europe in defiance of Napoleon…between 1809 and 1811 alone, some £86 million worth of goods passed through the island and into the hands of German merchants. Heligoland’s economic activity flourished with most of the smuggled merchandise comprising tea, coffee, tobacco, rum and sugar from GB’s commodity-rich colonies around the globe [‘Heligoland’, (The British Empire), www.britishempire,co.uk/]. 
António Salazar ⇪