An Aegean War of Words: Presaging Strife for the Old Enemies of the Eastern Mediterranean?

Posted on by Bonza Rottwheeler
Inter-ethnic relations, International Relations, National politics, Political geography, Politics

Hostilities between the Greeks and the Turks go back to antiquity, at least to the Late Bronze Age if we accept Homer’s classic literary work The Iliad as evidence of an approximate historical actuality – although Homer referred to the mortal combatants in Asia Minor as Achaeans and Trojans. In the modern era the focus of tension between Greece and Turkey has centred on the Aegean Sea and the eastern Mediterranean…the violent division and disputed status of the island of Cyprus in 1974 has been the most dramatic consequence of the ongoing enmity between the two countries.

(Source: OU News)

Tensions rose again in July of this year – Turkish president Recep Erdoğan dispatched the research vessel Oruc Reis along with a formidable military escort into Greek territorial waters to do seismic surveys of the region in search of gas deposits. Greek protests against Ankara’s territorial incursions being in breach of international law was met with “bellicose rhetoric” and threats by Erdoğan, and the tiny Greek island of Kastellorizo became a hotspot for the dispute. Other incidents followed, in August a Greek frigate collided with one of the Turkish military escorts in the vicinity of Crete, and another Turkish vessel started drilling off the coast of Northern (Turkish-controlled) Cyprus [Turkey-Greece Relations: Why are the two countries locked in a dispute over drilling rights?’, (David Walsh), Euronews, 26-Aug-2020, www.euronews.com].

What accounts for all the recent turmoil and agitation in the region is the discovery a decade ago of natural gas in the eastern Mediterranean. Both Turkey and Greece are eager to exploit this lucrative source of energy and revenue. The problem for Turkey is the myriad EEZs (exclusive economic zones) relating to the numerous Greek islands in the Aegean which blocks Turkey’s scope of activity. The problem for Greece (and other onlookers within the EU) is that Turkey does not accept the legality of Greek sovereignty over the islands and their proximity to the Turkish mainland, its perennial bugbear.

Historic grievances
Old sores have been opened for Turkey and its right wing president Erdoğan, who cite the unjust treaties (as they view it) of Sèvres and Lausanne following WWI as retarding Turkeys’s capacity to explore and access natural resources of the eastern Mediterranean. Ankara maintains that the treaties left Turkey “landlocked despite (having) 8,000km of coastline”, that the maritime rights handed the Greek islands in the Aegean by the 1923 treaty box in Turkey from accessing large areas of sea, which it maintains it has a de jure right to❋. Erdoğan, imbued with the “spirit of the Ottoman sultanate”, has threatened to “tear up the immoral maps and documents” in disregard of the International Court of Justice.  [‘How a rush for Mediterranean gas threatens to push Greece and Turkey into war’, (Patrick Wintour), The Guardian, 11-Sep-2020, www.theguardian.com; ‘Tiny island Kastellorizo at centre of growing confrontation between Greece and Turkey’, (Benjamin Brook), News, 14-Sep-2020, www.new.com.au].

Turkey’s “Blue Homeland adventurism” and ‘maximalist’ v ‘minimalist’ island continental shelves
Railing loudly against the ‘invasion’ of Greece of its ‘sacred’ islands has been a long-standing article of faith for Turkish politicians…Turkish expansionist propaganda has characterised the Greek island-dotted Aegean as its “Blue Homeland” (a doctrine known the Turks as Mavi vatan) in defiance of the Lausanne Treaty [‘Blue Homeland: The Heated Politics Behind Turkey’s New Maritime Strategy’, (Ryan Gingeras), War On The Rocks, 02-Jun-2020, www.warontherocks.com]. Turkey’s counter-argument to Greece’s is that “Greek islands far from the mainland and closer to Turkey cannot have a continental shelf” (continental shelves equate with national mainlands). It also notes that Greek islands such as Meis and Kastellorizo lie a mere two kilometres from the Turkish mainland but many hundreds of kilometres from the Greek coastline— making a nonsense, they argue, of Greece’s “maximalist continental shelf claims”◰ [‘Turkey-Greek tensions escalate over Turkish Mediterranean drilling plans’, BBC News, 25-Aug-2020, www.bbc.com; ‘Turkey ignores Greece’s dispute, moves on with Mediterranean seismic surveys’, (Onur Ant), World Oil, 22-Jul-2020, www.worldoil.com; Walsh]. The question of whether the maritime areas (the continental shelves) of islands should be equal to that of mainlands (Greece’s position) or not is a thorny international one, only resolvable by complex ICJ arbitration – something Ankara would be reluctant to undertake (Wintour).

A ”Pax Mediterranea“ excluding Turkey
Athens responded to Ankara’s aggressive steps predictably by calling it tantamount to “illegal gunboat diplomacy”. Greece has actively pursued cooperation initiatives with other eastern Mediterranean rim countries including Egypt to jointly exploit gas reserves which by-passes Turkey (eg, the Eastern Mediterranean Gas Forum). Athens’ efforts to exclude and isolate Turkey have secured the willing participation of France. The EU, at the urgings of France’s president, Emmanuel Macron, imposed a sanction on Turkey for its aggressive behaviour in the Aegean. Ankara’s response to the attempted snooker has been to broker an agreement with the Libyan Government of National Accord to establish its own EEZ in the Mediterranean between the two countries. The EU have condemned the arrangement as infringing the maritime rights of Greece and Cyprus, and not complying with the Law of the Sea ◰. Turkey’s initiative is “a clear signal to other coastal states in the region that the gas game will not be played without Ankara’s consent” [‘Why did Turkey sign a maritime deal with Libya?’, TRT, 10-Dec-2019, www.trtworld.com].

Kastellorizo 🔻

For the time being tensions over the Kastellorizo hotspot in the Dodecanese islands have eased, President Erdoğan has pulled back its seismic survey vessels to the Turkish mainland. But with Erdoğan defiantly vowing to assert Turkey’s rights in the sea and Greece unwilling to make concessions to its traditional foe, the chance remains that an isolated incident may escalate into something more serious in the foreseeable future◘ [Turkish President Erdogan blinks first in eastern Mediterranean standoff’, (Menekse Tekyak), Arab News, 13-Sep-2020, www.arabnews.com].

🔺 Erdoğan visiting Hagia Sophia in July

(Photo: Turkish Presidential press office via Agence France–Presse — Getty Images)

Postscript: Ankara’s intransigent view of the ‘foreign’ Greek islands within the “Blue Homeland” remains the central stumbling block to security in the region. There are other recent developments in Turkey that have added to the tense trans-Aegean climate. President Erdoğan, always keen to show his Islamist credentials, in July restored Hagia Sophia—until 1453 a symbol of Christian Orthodoxy—to its former status as a functioning mosque, drawing criticism from many quarters including Greece, the Vatican, other international ecclesiastical councils and UNESCO. A second, current source of tension with its neighbour to the west derives from Erdoğan recently deciding to allow large numbers of refugees and migrants to flood into Europe via the Evros River border and Greece (BBC News).

⥽ ⥼⥼⥽⥽⥼ ⥽ ⥼ ⥽ ⥼ ⥽ ⥼ ⥽ ⥼ ⥽ ⥼ ⥽ ⥼⥼⥽⥽⥼ ⥽ ⥼ ⥽ ⥼ ⥽ ⥼ ⥽ ⥼ ⥽ ⥼ ⥽ ⥽ ⥼⥼⥽⥽⥼ ⥽ ⥼⥼⥽⥽⥼ ⥽ ⥼ ⥽ ⥼⥽ ⥽

❋   Erdoğan and the Turks argue that the 1923 Lausanne Treaty allowed Greece and Cyprus to steal Turkey’s continental shelf (Brook). The letter of the law supports Greece, however Turkey’s frustrations are understandable given that such a large swath of its coastline is punctuated with a multitude of Greek EEZs

◰ which Turkey continues to refuse to ratify

◘  most observers feel that despite Erdoğan’s bellicosity, Turkey is unlikely to declare war any time soon, given it is militarily overextended in Syria and Libya and the current state of the Turkish economy [‘Turkish-Greek relations tense amid fears of military showdown’, Arab News, 13-Jun-2020, www.arabnews.com]

Wonder Woman’s Oscillating History in Comics

Posted on by funambulator@live.com
Cinema, Creative Writing, Gender wars, Memorabilia, Popular Culture, Society & Culture

After Wonder Woman’s creator Bill Marston dies in 1947, Robert Kanigher takes over the writing duties, the first of many subsequent writers to take on pop culture’s most famous female superhero. DC Comics wastes little time in ringing the changes with Wonder Woman, both to her physical appearance and to her abilities, disposition and purpose.

There are several reasons for the change. One motive is simply commercial, Wonder Woman like her male superhero counterparts, experiences a fall-off in popularity after the war. Another relates to expectations of gender roles in America. So much of America’s manhood is away during the world war on the front line engaging the enemy. Born of necessity, American women move into the work force, invading traditional male domains of employment as never before. With the war’s end, men return to their jobs relegating thousands of women back to unpaid work in the home. There is a re-solidifying of the traditional gender roles. A casualty of this is Wonder Woman herself. In Marston’s hands she reflects empowerment, ie, freedom from male domination. The feminist overtones she embodies are a challenge as the US attempts to re-establish the status quo ante order [‘The Fitful Evolution of Wonder Woman’s Look’, (Diana Martinez), The Atlantic, 07-Jun-2017, www.theatlantic.com].

Superhero Nazi hunters
Wonder Woman’s superhuman exertions and physicality—as with everyone else in the superhero comic universe—have an aptness during WWII. The superheroes in the comics spearhead the fight against the Nazis, promoting a patriotic agenda and helping to boost morale. When the war is won, this agenda loses its relevance for the American readership [‘Women of Comics: Objectified, Sexualize and Disempowered’, (Nia Aiysha), Wild Black Orchids, 07-May-2016, www.wildblackorchids.wordpress.com].

Making the iconic feminist warrior a bit less super
In wanting to rein in Wonder Woman’s powerful persona DC Comics are responding to prevailing (male) society’s anxieties about women’s independence. By 1950, the toning down is well underway, WW’s crime-fighting exploits are taking second fiddle – in Sensation Comics #97 she is the editor of a newspaper lonely hearts column❋. During the decade WW becomes a reluctant superheroine, love-struck and longing to settle down with her beau Steve Trevor [‘Publication history of Wonder Woman’, Wikipedia, http://en.m.wikipedia.org; Wonder Woman Unbound: The Curious History of the World’s Most Famous Heroine, Tim Hanley (2014)].

Wonder Woman is not just a feminist, she’s also a sexy feminist! Accordingly, there is a lot of scrutiny on her salacious attire as well by the “morally self-appointed” in society. Eventually, the raunchy bathing suit and sexually-confident red boots will be traded in for a more demure look. Psychologist Fredric Wertham’s full-on crusade against the deleterious effects of comics on children in the early 1950s includes WW in its cross-hairs. WW’s sexually provocative bondage fetish (involving herself or other females) leads Wertham to ‘blacklist’ the depicted character as a promoter of lesbianism (which he took as evidence of misandry)(Martinez), pressuring DC Comics to remove Marston’s message of WW as a harbinger of matriarchy (Hanley).

The Amazonian princess returns to ‘civies’ – “Emma Peeled”
In the 1960s other comic book action heroines come forward such as secret agent Modesty Blaise. Reflecting the early rumblings of what would evolve into the second wave feminism of the Seventies, Blaise exhibits Wonder Woman-like “badass fighting capabilities” to triumph in a male world. At this time however WW loses that same original verve✪, getting a Sixties ‘mod’ makeover which transforms her into an Emma Peel clone (from the cult British TV series The Avengers), complete with martial arts moves, jumpsuits and Carnaby Street attire〥 [‘Four-Colour Yesteryears: Wonder Woman – the Emma Peel Years’, (Rob N), Paradox Comics Group, 22-Aug-2009, www.paradoxcomicsgroup.com; Hanley].

1970s, the women’s movement and empowerment
Gloria Steinem and the burgeoning women’s movement comes into the story at this time. Steinem, dismayed at DC Comics’ relegation of Wonder Woman to a “powerless 1950s car hop”, lobbies DC to restore WW’s superheroine stature. Steinem puts WW on the cover of the first edition of Ms. magazine in 1972, tagging it “Wonder Woman for President”. [‘How Gloria Steinem Saved Wonder Woman’, (Yohana Desta), Vanity Fair, 10-Oct-2017, www.vanityfair.com]. WW in Ms. becomes a kind of masthead to promote sisterhood and equality among women (the magazine depicts WW confronting store owners who deny their female employees equal pay and defending abortion clinics against male thugs [‘How A Magazine Cover From The 1970s Helped Wonder Woman Win Over Feminists’, (Katie Kilkenny), Pacific Standard, 21-Jun-2017, www.psmag.com]. Steinem and Ms.’ agitation on behalf of WW forces DC to restore her special powers including the “Lasso of Truth” and re-draw her in her original voluptuous form.

With the critical spotlight turned on DC’s portrayal of Wonder Woman, DC made further concessions to the comic. Diversity was introduced —a nod to the Black Power Movement in the US and perhaps belated recognition of a lack of ethnic diversity in its comics—with the inclusion of Nubia, WW’s African half-sister (Martinez). The perception of Wonder Woman as a feminist icon is given a further boost along by the cult success of the 1975-79 television series. WW, played by Lynda Carter, embodies the qualities of strength, fearlessness, wisdom and determination, restored in the comics post-1972✧.

PostScript: The Wonder Woman comic books over the past 40 years has seen the WW character and image undergo sundry transitions, a procession of “conflicting and seemingly incompatible versions” of WW – alternating between ramped-up raunchiness and less overt sexuality, between a muscular Amazonian physicality and a “heroin chic” fashion model (Martinez).

◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘

❋ in other Fifties comics Wonder Woman or her alter ego Diana Prince appears as a model and a film star

〥 WW becomes younger and thinner too. She also gets labelled as a “female James Bond” during this period

✪ DC Comics’s hegemony in the superhero comic popularity stakes in the late Sixties is seriously being challenged by Marvel Comics, a factor in the decision to revamp WW along with the entire ‘stable’ (Rob N)

✧ subsequent interpretations of Wonder Woman on the screen follow, the most recent in 2017 (with a sequel slated for release this year) sees WW reconnect with her Amazonian roots

Pinball in the Drain: The Peoples’ Arcade Game On Tilt for Three Decades

Posted on by Sloane Snodgrasse
Leisure activities, Local history, Memorabilia, Popular Culture, Social History, Society & Culture

The United States over the years has had a mania about banning lots of things—there’s been an unspoken exemption granted to bad taste—but one of the more curious  prohibitions in the 20th century was that on the seemingly innocuous pinball machine. 

ED7F8E21-E72E-4A54-AAD2-BF8F5ADC2844

In the early 1930s the Gottlieb Company of Chicago introduced the first coin-operated, machines, the “Baffle Ball”. The timing was right, the Great Depression had hit, playing pinball was a cheap and accessible form of entertainment for the financially impoverished masses, and the machines caught on. A few years later machines became electromechanical and automatic score counters were added, making games more appealing [“The History of Pinball Machines and Pintables”, BMI Gaming, www.bmigaming.com/].

The moral legislators
By the time of America’s entry into WWII pinball’s popularity had grown exponentially. Not all sectors of American society however were enthusiastic about the game. Churches and school boards harboured a perception of pinball as corrupting the morals of American youth, asserting that children would steal coins and skip school to play❋. Lawmakers too viewed pinball negatively because they saw it a game of chance and thus was a form of gambling. They shared the view that it “a time and dime-waster for impressionable youth”. Legislators were also suspicious that it may be a “mafia-run racket” because of Chicago’s centrality in pinball machine manufacturing, a “hotbed of organised crime” [“That Time America Outlawed Pinball”, (Christopher Klein), History, upd. 22-Aug-2018, www.history.com ; “11 Things You Didn’t Know About Pinball History”, (Seth Porges), Popular Mechanics, 01-Sep-2009, www.popularmechanics.com].

⍌ City authorities vandalising the machines
(Source: Chicago Sun-Times)

BCC4F580-635B-465B-91C8-5BEB3CF47834

New York City’s crusade against the pinball
The mayor of NYC, Fiorello LaGuardia, took these perceptions to heart, launching a very proactive approach to rid the city of these “insidious nickel-stealers” by ordering the police force to make “Prohibition-style pinball raids” on candy stores, bowling alleys, speakeasies, cigar stores, drugstores, amusement centres, etc [“The Mayor Who Took a Sledgehammer to NYC’s Pinball Machines”, (Conor Friedersdorf), The Atlantic, 18-Jan-2013, www.theatlantic.com]. Illegal pinball machines and slot machines were confiscated and some were smashed in staged, publicity-conscious showcases (Klein).

LaGuardia’s anti-pinball machine crusade took on extra zeal after Pearl Harbour, which allowed him to characterise it as a patriotic cause…the line run by the NYC mayor was that the copper, aluminium and nickel components of the outlawed machines could be better utilised in the materiel requirements of America’s war efforts (Klein). This didn’t prevent many machines ending up dumped in NYC harbour.

⍌ 1963 ‘Swing Time’ Gottlieb machine

C708CA3F-5C42-4265-B52D-DDD434E94635
Banned, but not eliminated
Other cities were quick to follow NYC’s example, Including Chicago, Milwaukee, Los Angeles and New Orleans, with pinball bans extending across the country. Other cities like Washington DC didn’t go as far but prohibited children from playing it during school hours. The inevitable consequence of banning was to drive pinball activity underground (resurfacing in places like the back rooms of ‘porno’ book shops). Thus marginalised, pinball become “part of rebel culture”⧆ (Klein).

D1103E91-9ADB-499A-ABF0-3C597751E0DA

⍓ Roger Sharpe, “calling the shot!” 
(Source: IFPA)

The long ban, ended by a ‘Sharpe’ player Remarkably, the outlawing of pinball machines persisted until the 1970s – despite the technical innovation of “flippers” (pivoted arms activated to propel the ball back up the table) introduced in Gottlieb’s 1947 “Humpty-Dumpty” machine which made the game more one of reflexes (skill) than of chance. Finally, in 1974 the Californian Supreme Court, accepting the skill component, overturned the prohibition in that state. In 1976 NYC councillors were still skeptical about pinball and it took a spectacular courtroom demonstration by one of the game’s top exponents, Roger Sharpe, to break the impasse. Sharpe won over the doubters by nominating beforehand which lane he would propel the ball through and then making the shot, demonstrating that patience, hand-eye coordination and reflexes, not luck, were the ingredients for success in the game◰ [“How One Perfect Shot Saved Pinball From Being Illegal In The US”, (Matt Blitz), Gizmodo, 19-Aug-2013, www.gizmodo.com.au].

1DF18208-5E51-440D-9AA4-10326727EEA9

⍓ An “Indiana Jones” Williams machine with revolver for plunger

With the ‘liberation’ of pinball, player interest revived in the late Seventies, but it was a short-lived triumph. The advent of video games provided compelling competition (the newer technology requiring fewer repairs and less space). By the Nineties the writing was on the wall for arcades and the coin-op industry, as home video-games and the internet were rendering them obsolete [“The First Family of Pinball: Meet the local wizards behind the game’s huge resurgence”, (Ryan Smith), Reader, 03-May-2018, www.chicagoreader.com]. In any case, the repealing of the prohibition wasn’t uniformly implemented…Chicago city authorities resisted, still associating pinball machines with “nests of gangs and drugs” for juveniles [“Chicago once waged a 40-year war on Pinball”, (Ryan Smith), The Bleader, 03-May-2018, www.chicagoreader.com]. Prohibition in Kokomo, Indiana, was not ended till 2016✦ [“Pinball—once a source of vice and immorality—now, legal in Kokomo, Ind., after 61-year ban”, (Ben Guarino), Washington Post, 15-Dec-2016, www.washingtonpost.com].

1D1CC61F-17A6-4F95-ABE9-ACF8AB04D909

PostScript: Surviving if not exactly thriving
Today, the Stern Pinball Co (Chicago) is the only manufacturer of machines left in the business in America. If not played by casual gamers in anything like its numbers in the “Baby Boomer” era (except in video game mode), it has experienced a resurgence of sorts – as an annual series of professional tournaments (Stern Pro Circuit)  (among its internationally ranked seeds are Roger Sharpe’s two sons).

884E37D6-F374-4473-A562-882A4DE68EF8

⍓ Roger Daltry (Tommy “Pinball Wizard”) at the controls 

❋ Seth Porges identifies something quasi-religious in the anti-pinball position, a “temperance-fuelled” belief that the activity was “a tool from the devil” corrupting young people (Friedersdorf)

◰ the councillors were also persuaded to overturn the ban by the eloquent testimony mounted by Sharpe, who went on to be a pinball star witness in subsequent, successful hearings in other states. Another factor in the outcome may have been revenue-raising, eg, Mayor Daley in Chicago wanted to lift the ban so as to tax individual machines and licensing operators (Smith, “Chicago once waged”)

⧆ the rebel image remained into the late 1960s and ‘70s with the anti-establishment tone of The Who’s rock opera about a “pinball wizard”, Tommy

✦ it was a similar story in Nashville, TN, for anyone under 18, and in some places and times it is still illegal – such as on Sundays in Ocean City, N.J. (Porges)

Wondrous Origins of Wonder Woman

Posted on by funambulator@live.com
Biographical, Creative Writing, Gender wars, Leisure activities, Literary & Linguistics, Media & Communications, Popular Culture

In a way the Wonder Woman story starts in Medford, Massachusetts, at Tufts University, in the 1920s. William M Marston, a young progressive and unorthodox psychology professor, teaches his own DISC theory＊ to his students. One particular female student takes a shine to Marston’s DISC ideas and to the professor himself. Next thing we know Marston immerses himself in a ménage a trios with the student (Olive Bryant) and his (initially quite reluctant) wife Elizabeth. The polyamorous relationship◵ allows Bill to explore a latent interest in BSDM and arrive at the conclusion that women are the “love leaders” of society, predicting that women would “take over the rule of the country, politically and economically, within the next hundered years” [Tim Hanley, Wonder Woman Unbound: The Curious History of the World’s Most Famous Heroine, (2014)].

77A36E3D-14F0-4440-B414-94E14F750EF7
(Source: www.money.org/)

44052FA3-EEF3-4E01-BE82-C3F2CD1619A0

⍋ 1st sighting of  the pioneering super-heroine: Marston uses the pseudonym “Charles Moulton” for the Wonder Woman comic books

Marston over the years tries his hand at many things in addition to psychology —inventing a systolic blood pressure test (which contributes to the development of the polygraph); writing screenplays for early silent films; authoring self-help books—without ever really attaining a measure of lasting success in any. Marston’s venture into creating comic books in 1940 turns that trend around. Always looking for a new business opportunity, especially after finding himself on the outer in academe, Marston finds a new way to champion his faith in female superiority by creating Wonder Woman, the first super-heroine in comics.

⍒ Wonder Woman on the lie detector

926D94F4-A08A-47C1-B807-CC9D82E9CAD7

 

Marston’s ‘superwoman’
Having successfully pitched the idea to DC Comics boss Max Gaines, Marston’s Wonder Woman debuts in 1941 in All Star Comics #8, with cartoonist HG Peter supplying the pencilling which have a touch of art nouveau about it. Marston embodies WW with all the attributes and values that added up to his idea of perfect femininity (based seemingly on an amalgam of the brace of women in his life, Elizabeth and Olive). The make-up of WW’s character reflects Marston’s fascination with Greek mythology. She is depicted as an Amazonian princess◘ , as “strong as Hercules”, “wise as Athena” and “beautiful as Aphrodite”. Garbed in a sexy but patriotic suit of star-spangled red, white and blue, her accoutrements are distinctively martially potent – including the “Lasso of Truth”, a device to compel people to tell the truth (an idea germinating from Marston’s lie detector prototype). WW wears indestructible bracelets which deflect bullets, a golden tiara which doubles as a projectile and an ‘invisible’ jet to whisk herself away from danger [Wonder Woman Psychology: Lassoing the Truth, edited by Travis Langley & Mara Wood (2018)].

1BEAC74A-880F-48C2-A248-FBA8A98E3194

Wonder Woman, a comic book gender transgressor
In the comics of the 1930s prevailing cultural norms are reinforced,  superheroes are male by gender and violent in method – the stereotypical depiction of women was commonly restricted to evil seductresses, the girlfriends of heroes (eg, Lois Lane) or their ‘helpmates’. Wonder Woman represents a radical departure from the norm, her shtick is fighting fascism in America wherever she finds it – using her brains rather than the heavy-handed brawn exhibited by Batman, Superman and co. [‘A Psychologist and A Superhero’, (Margarita Tartakovsky), Psychology Central, updated 15-Mar-2019, www.psychcentral.com].

FE67E09D-D0DF-4A36-A810-A32B4BCA78F4

Wonder Woman, “deer-hunting” ⍋

Comic bondage and a moral backlash
Marston is able to indulge one of his most cherished psychosexual beliefs through Wonder Woman, that “women enjoyed being bound”. In the comics it appears as a standard contrivance, we find WW being tied up by villains as some point or other in the story line. Sometimes WW herself ties up women, and to accentuate the kinkiness  of her character, dresses them in deer costumes for a mock cervid hunt through the forest⁌ [‘Wonder Woman (comic book)’, Wikipedia, http://en.m.wikipedia.org]. The BSDM preoccupation reflects a personal fetish of Marston’s but also can be linked back to the powerful influence the suffrage, feminist and birth control movements has on him (pioneering birth control activist Margaret Sanger was Olive Byrne’s aunt) ⌖. Wonder Wonder is an instant hit for the comic book-reading public (eventually reaching a weekly readership of five million), drawing the opprobrium of America’s moral guardians who object to the torture motif running through the stories, also considering WW’s outfit to be far too skimpy [‘The Surprising Origin Story of Wonder Woman’, (Jill Lepore), Smithsonian Magazine, October 2014, www.smithsonianmag.com].

 ⍒  Justice Society of America

76019C52-8686-4BBC-9DCF-1B378E8066CA

At DC Comics Wonder Woman is invited to join the Justice Society of America (DC’s superhero team in the “Golden Age of Comic Books” as the period was known). WW’s elevation is hardly a step forward for gender advancement however as her designated role in the JSA is that of secretary for the male superheroes, while the ‘boys’ get on with the heroics of protecting the world from the designs of global criminal masterminds [‘The Truth About Wonder Woman’, Robert Kirkman’s Secret History Of Comics, (US documentary)].

Marston doesn’t get to appreciate the success of Wonder Woman for long, he contracts a form of cancer and dies in 1947, still in his early fifties (for the last two to three years he has an assistant, Joye Hummel, who helps ghost-write the WW stories when he is too ill). With the reins of the Wonder Woman comics passing from its originator to new hands, the iconic super-heroine’s persona and fortunes would undergo a number of transformations over the decades to follow.

Initial sketch of WW by HG Peter (1941) ⍒
(Source: Smithsonian Libraries)

13F5694B-D4AC-4F9E-94D3-F3C5CE98AA1D

︵︵︵︵︵︵︵︵︵︵︵︵︵︵︵︵︵︵︵︵︵︵︵︵︵︵︵︵︵︵

＊  Marston believes that the behavioural expression of emotions could be divided into four primary types – Dominance, Inducement, Submission and Compliance [‘William Marston’, www.discprofile.com/]

◵ Elizabeth and Olive each have two children to Bill and everyone live under the same roof

◘ like Superman, Batman, etc, WW has a civilian alias – Diana Prince

⁌ such scenes may also have inspired by Byrne giving Marston a window into the activities of her sorority at Tufts University – “baby parties” where dominatrix women bind and discipline submissive sorority members [‘Curious Traditions of Times Past: Baby Parties’, (Yim Walsh), Tufts, 18-Sep-2014, www.dca.tufts.edu]

⌖ from this exposure Marston learns that the breaking of chains is “a powerful feminist symbol of emancipation” [‘A look back at Wonder Woman’s feminist (and not-so-feminist) History, (Michael Cavna), Independent, 30-May-2017, www.independent.co.uk].

♋️ ♋️ ♋️