Wondrous Origins of Wonder Woman

Biographical, Creative Writing, Gender wars, Leisure activities, Literary & Linguistics, Media & Communications, Popular Culture

In a way the Wonder Woman story starts in Medford, Massachusetts, at Tufts University, in the 1920s. William M Marston, a young progressive and unorthodox psychology professor, teaches his own DISC theory to his students. One particular female student takes a shine to Marston’s DISC ideas and to the professor himself. Next thing we know Marston immerses himself in a ménage a trios with the student (Olive Bryant) and his (initially quite reluctant) wife Elizabeth. The polyamorous relationship allows Bill to explore a latent interest in BSDM and arrive at the conclusion that women are the “love leaders” of society, predicting that women would “take over the rule of the country, politically and economically, within the next hundered years” [Tim Hanley, Wonder Woman Unbound: The Curious History of the World’s Most Famous Heroine, (2014)].

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(Source:
www.money.org/)

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1st sighting of  the pioneering super-heroine: Marston uses the pseudonym “Charles Moulton” for the Wonder Woman comic books

Marston over the years tries his hand at many things in addition to psychology —inventing a systolic blood pressure test (which contributes to the development of the polygraph); writing screenplays for early silent films; authoring self-help books—without ever really attaining a measure of lasting success in any. Marston’s venture into creating comic books in 1940 turns that trend around. Always looking for a new business opportunity, especially after finding himself on the outer in academe, Marston finds a new way to champion his faith in female superiority by creating Wonder Woman, the first super-heroine in comics.

Wonder Woman on the lie detector

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Marston’s ‘superwoman’
Having successfully pitched the idea to DC Comics boss Max Gaines, Marston’s Wonder Woman debuts in 1941 in All Star Comics #8, with cartoonist HG Peter supplying the pencilling which have a touch of art nouveau about it. Marston embodies WW with all the attributes and values that added up to his idea of perfect femininity (based seemingly on an amalgam of the brace of women in his life, Elizabeth and Olive). The make-up of WW’s character reflects Marston’s fascination with Greek mythology. She is depicted as an Amazonian princess , as “strong as Hercules”, “wise as Athena” and “beautiful as Aphrodite”. Garbed in a sexy but patriotic suit of star-spangled red, white and blue, her accoutrements are distinctively martially potent – including the “Lasso of Truth”, a device to compel people to tell the truth (an idea germinating from Marston’s lie detector prototype). WW wears indestructible bracelets which deflect bullets, a golden tiara which doubles as a projectile and an ‘invisible’ jet to whisk herself away from danger [Wonder Woman Psychology: Lassoing the Truth, edited by Travis Langley & Mara Wood (2018)].

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Wonder Woman, a comic book gender transgressor
In the comics of the 1930s prevailing cultural norms are reinforced,  superheroes are male by gender and violent in method – the stereotypical depiction of women was commonly restricted to evil seductresses, the girlfriends of heroes (eg, Lois Lane) or their ‘helpmates’. Wonder Woman represents a radical departure from the norm, her shtick is fighting fascism in America wherever she finds it – using her brains rather than the heavy-handed brawn exhibited by Batman, Superman and co. [‘A Psychologist and A Superhero’, (Margarita Tartakovsky), Psychology Central, updated 15-Mar-2019, www.psychcentral.com].

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Wonder Woman, “deer-hunting”

Comic bondage and a moral backlash
Marston is able to indulge one of his most cherished psychosexual beliefs through Wonder Woman, that “women enjoyed being bound”. In the comics it appears as a standard contrivance, we find WW being tied up by villains as some point or other in the story line. Sometimes WW herself ties up women, and to accentuate the kinkiness  of her character, dresses them in deer costumes for a mock cervid hunt through the forest [‘Wonder Woman (comic book)’, Wikipedia, http://en.m.wikipedia.org]. The BSDM preoccupation reflects a personal fetish of Marston’s but also can be linked back to the powerful influence the suffrage, feminist and birth control movements has on him (pioneering birth control activist Margaret Sanger was Olive Byrne’s aunt) . Wonder Wonder is an instant hit for the comic book-reading public (eventually reaching a weekly readership of five million), drawing the opprobrium of America’s moral guardians who object to the torture motif running through the stories, also considering WW’s outfit to be far too skimpy [‘The Surprising Origin Story of Wonder Woman’, (Jill Lepore), Smithsonian Magazine, October 2014, www.smithsonianmag.com].

   Justice Society of America

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At DC Comics Wonder Woman is invited to join the Justice Society of America (DC’s superhero team in the “Golden Age of Comic Books” as the period was known). WW’s elevation is hardly a step forward for gender advancement however as her designated role in the JSA is that of secretary for the male superheroes, while the ‘boys’ get on with the heroics of protecting the world from the designs of global criminal masterminds [‘The Truth About Wonder Woman’, Robert Kirkman’s Secret History Of Comics, (US documentary)].

Marston doesn’t get to appreciate the success of Wonder Woman for long, he contracts a form of cancer and dies in 1947, still in his early fifties (for the last two to three years he has an assistant, Joye Hummel, who helps ghost-write the WW stories when he is too ill). With the reins of the Wonder Woman comics passing from its originator to new hands, the iconic super-heroine’s persona and fortunes would undergo a number of transformations over the decades to follow.

Initial sketch of WW by HG Peter (1941) 

(Source: Smithsonian Libraries)

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  Marston believes that the behavioural expression of emotions could be divided into four primary types – Dominance, Inducement, Submission and Compliance [‘William Marston’, www.discprofile.com/]

Elizabeth and Olive each have two children to Bill and everyone live under the same roof

like Superman, Batman, etc, WW has a civilian alias – Diana Prince

such scenes may also have inspired by Byrne giving Marston a window into the activities of her sorority at Tufts University – “baby parties” where dominatrix women bind and discipline submissive sorority members [‘Curious Traditions of Times Past: Baby Parties’, (Yim Walsh), Tufts, 18-Sep-2014, www.dca.tufts.edu]

from this exposure Marston learns that the breaking of chains is “a powerful feminist symbol of emancipation” [‘A look back at Wonder Woman’s feminist (and not-so-feminist) History, (Michael Cavna), Independent, 30-May-2017, www.independent.co.uk].

♋️ ♋️ ♋️

The Palme Assassination, Sweden’s JFK Complex: A Coda?

Biographical, Comparative politics, International Relations, Media & Communications, National politics, Regional History

 
The modern history of Sweden has been one of continuous, peaceful state existence. Non-participation in any war since 1814, no political assassinations in the country for nearly two centuries (following the murder of King Gustav III in an aristocratic coup attempt in 1792). This remarkable run, free of political violence, was shattered on the night of 28th February 1986 with the seemingly unfathomable murder of Sweden’s incumbent democratic socialist prime minister, Olof Palme.

Sveavägen murder scene 🔻
(Photo: Anders Holmström/Svenskt Pressfoto)

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‘Clouseauesque’ policing

The Swedish PM’s shooting in Sveavägen, one of Stockholm’s busiest streets, by a single assassin, was followed by an amateurish investigation that was a complete shambles from the start. An initial mix-up over phone calls meant the police were slow to respond to the crime, losing precious minutes while the murderer made good his escape. On arrival, they failed to cordon off the murder scene properly, allowing onlookers to contaminate potential forensic evidence; key witnesses were allowed to leave the scene without being questioned. Established crime protocol—a street-by-street search of the area (a dragnet)—was not implemented [“Olof Palme: Sweden believes it knows who killed PM in 1986’, BBC News, 100-Jun-2020, www.bbc.com/].

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🔺Head of investigation, H Holmér
(Image: www.news.sky.com)

The police investigation was headed by Hans Holmér who assumed more or less from day one that the crime was politically motivated, eventually becoming fixated on the Kurdish militant group the PKK as the likely perpetrators, to the neglect of other leads (injudiciously, witnesses with key information were ignored). After a haul of locally-based Kurdish immigrants were arrested and then released for lack of solid evidence, the prosecutors and media turned against Holmér’s handling of the case, forcing him to resign [‘“Murder Most Foul” – the Death of Olof Palme’, (Jan Lundius), Inter Press Service, 30-Jun-2020, www.ipsnews.net; BBC News]⦿.

The suspects and the conspiracy theories
In the 34 years since the Palme shooting the police have conducted 10,000+ interviews and 134 people have confessed to the murder. Aside from the PKK, another international suspect was the white South African regime. Palme was a charismatic figure in world politics but also a controversial and polarising one, as a foreign policy-minded social democrat he elicited criticism from both left and right, including from both the superpowers. In addition, his high-profile anti-apartheid stance was a thorn in the side of the Pretoria government. One theory suggests a conspiracy between South Africa’s security and intelligence forces and right-wing extremist mercenaries within Sweden to execute Palme. The view gained some traction but Swedish investigators have never satisfactorily connected the dots between these elements.

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🔺 Stockholm: Intersection of Sveavägen and Tunnelgatan

Palme’s economic reforms, especially those geared towards promoting worker control, did not endear him to the capitalist class in Sweden. More specifically there was Palme’s strong stance against the Swedish arms manufacturer Bofors who was illegally selling weapons to several proscribed nations. When Iran was blocked from receiving a shipment one scenario advanced is that an Iranian hitman liquidated the Swedish PM [‘Sweden’s Bofors Arms Scandal’, Directorate of Intelligence, 04-Mar-1988, www.cia.gov/].

Political pressure for “a result”
Refocusing domestically on individuals, the spotlight turned to Christer Pettersson who had a criminal record including manslaughter. Pettersson was dubiously convicted of Palme’s murder in 1989, in part because Palme’s widow, prompted by police officers, picked him out in a police lineup. The seriously compromised verdict was easily overturned on appeal (lack of a murder weapon or motive) [‘Who killed Sweden’s prime minister? 1986 assassination of Olof Palme is finally solved – maybe’, (Andrew Nestingen), The Conversation, 11-Jun-2020, www.theconversation.com]. The investigation team’s eagerness to ‘fit’ Pettersson for the crime despite being bereft of hard evidence, reflects the pressure exerted by the ruling Social Democratic Party on the police to secure a quick resolution of the crime “acceptable to the public” [‘Who killed the prime minister? The unsolved murder that still haunts Sweden’, (Imogen West-Knights), The Guardian, 16-May-2019, www.theguardian.com].

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Another, more ‘political’ suspect to attract the police’s interest early on was Victor Gunnarsson. Gunnarsson was an activist with connexions to various right-wing groups, especially the European Workers Party which held grudges against Palme. Gunnarsson was briefly detained by Holmér but the case against him however dissolved when witnesses failed to locate him at the murder scene at the time of the crime. Gunnarsson later emigrated to the US where he himself ironically became a homicide victim [‘Victor Gunnarsson’, People Pill, www.peoplepill.com].

‘Skandiamannen’
Another name on the person of interest list of police was Stig Engström. Engström willingly offered himself up to police as a ‘witness’ at the time of the assassination and though questioned, the police eventually discounted him as a serious suspect. But some 20 years after the murder, a new theory, originating in a book by Lars Larsson and developed by journalist Thomas Pettersson, gained traction. The case put by Pettersson that Engström was the killer rested on a conjunction of factors—the “right timing, the right clothing, (he had) unique information, he had close access to guns of the right type, he was right wing and Palme unfriendly” [‘After 34 Years, Sweden Says It Knows the Killer of Olof Palme’, (Thomas Erdbrink & Christina Anderson), New York Times, 10-Jun-2020, www.nytimes.com]. Petersson handed over his findings to the police in 2016, leading to a  reopening of the investigation.

Palme, then Swedish communications minister, (with actress Lena Nyman), appeared in the controversial 1960s “erotic-drama” ‘I am Curious – Yellow’  🔻

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‘Resolved’ but left up in the air?
Earlier this year the state prosecutor announced that he had come to the conclusion that Engström was probably Palme’s killer, but, given that Engström himself died in 2000, he promptly closed the case. Not everyone in Sweden is satisfied by the conclusion to the Palme case, many questions remain unanswered about the inconclusiveness of the evidence…eg, no DNA match, where is the missing murder weapon and what was the motive? (BBC). To paraphrase one antagonistic perspective on the case resolution: “it settles none of the unanswered questions”, instead it “underlines the determination of powerful political forces to continue the cover-up surrounding Palme’s murder” [‘Decades-long cover-up continues of assassination of Swedish Prime Minister Olof Palme’, (Jordan Shilton), World Socialist Web Site, 13-Jun-2000, www.wsws.org/].

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(Source: www.latimes.com)

Endnote: Palmology and parallels with the JFK conspiracy saga
The collective trauma felt by Swedes with Olof Palme’s 1986 assassination—many expressing a sense of lost national innocence, no longer immune from political violence◘—recalls the devastating effect the assassination of President Kennedy in 1963 had on the American psyche (Lundius). Both leaders’ violent deaths triggered a runaway train of conspiracy theories, some plausible and some highly implausible. In the years since 1986 Sweden’s national obsession with the unsolved murder, labelled Palmessjukdom (“Palme sickness”) has inspired a raft of plays, films, television and musical works on the topic. It has even been cited as a contributing “factor in the worldwide explosion of Scandinavian (noirish) crime fiction”. ‘Palmology’ has spawned a veritable Swedish industry of privatspanarna – a legion of private investigators (such as Thomas Pettersson) conducting independent inquiries into the baffling crime…some have been serious researchers, others espousing “crackpot theories” (West-Knights).

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(Source: www.cnbc.com/)


𝄪——𝄪——𝄪——𝄪——𝄪——𝄪——𝄪——𝄪——𝄪——𝄪——𝄪——𝄪
not however the country’s last political murder, in 2003 Swedish foreign minister, Anna Lindh, was assassinated by another “lone wolf” assassin
⦿ marginalising SÄPO (Säkerhetspolisen – the state secret police) from the investigation didn’t make the task any easier
Engström was dubbed “Skandia Man” by Lars Larsson because he worked in the Skandia Insurance Co tower building which fronts on to Sveavägen-Tunnelgatan
◘ and perhaps in some measure jolting Swedes out of a lingering outlier complacency
among the multitude ‘fingered’ for the hit on the Swedish PM, was the Swedish police, the Yugoslav secret service, even Palme’s own wife, Lisbet 

Nancy Bird Trumps Badgery & Co: Sydney’s Long and Tortuous Journey to a Second Airport and the Contest for Naming Rights

Aviation history, Heritage & Conservation, Local history, Regional History, Social History

Sydney’s long-debated second international airport is slated to be completed—in so far as anything can be asserted with any confidence in the post-coronavirus age—by 31st December 2025The site selected and given final approval by the Commonwealth government in 2014, Badgerys Creek, is on 1,780 hectares of land in greater western Sydney in indigenous Darug country.

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(Source: SMH)

The saga begins in 1946. Towra Point (in Sydney’s south) is mooted by the NSW state government as a likely site for the second airport…over the next 40 years at least 20 sites are put forward as prospective locations for another airport to ease congestion at the existing Kingsford Smith Airport. Successive federal governments of differing political hues cast the net far and wide—to the north, south and west of Sydney—in the hope of finding a site that best meets the needs. When the government flags that it favours Somersby (Central Coast) and Galston (northwest) in the early 1970s, outbreaks of NIMBY-ism (vocal grass-roots protests from the locals) leads Canberra to back down. Another candidate, Holsworthy (southwest), is rejected because of an unknown number of unexploded military projectiles littering the site from a nearby army base and its proximity to a nuclear facility, only to be unfathomably resurrected as a prospect in the mid-1990s by the Howard government and then quickly dropped again on grounds of “environmental unsuitability”. Goulburn, 200km southwest of Sydney, too gets shelved – because of the high capital costs involved [‘Second Sydney Airport – A Chronology’, Parliament of Australia, www.aph.gov.au/].

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(Source: www.aph.gov.au/)

Frustrated at the ongoing failure to resolve a viable site for the second airport, the Commonwealth toys with the idea of ditching the whole project and looks at an alternative plan sans second airport – the construction of a third runway at Kingsford Smith Airport and complimenting it with a VFT (very fast train) connecting Sydney and Canberra (the VFT never materialises). By the mid-1980s only two sites remain in the running – Wilton and Badgerys Creek. By 1986 Badgerys Creek is ”last man standing” and the Crown purchases land there. 

Even after settling on the location, progress on the second airport mimics the more inane capers of TV’s Yes Minister – a stop-start pattern of self-limiting actions, deferment of decisions, vacillations. Feasibility and EIS studies come and go, budgetary problems always loom, the Commonwealth and the state government bickers over what form the airport should take, engaging in political points-scoring, etc. The achievement of anything tangible, actual progress, is grotesquely underwhelming. One example will suffice: 1988, the incumbent government proposes to fast track the construction of Badgerys Creek, but no action follows the words. In 1991 another study contradicts this, finding there’s “no pressing need” to rush the second airport. Three more years on and fast tracking is back on the agenda, the new urgency is the 2000 Olympics. But in 1995 it is reported there “has been little or no development at Badgerys Creek” (“token construction works to date”) and later that year the Commonwealth announces that “the airport won’t  be ready for the Sydney Olympics”… and so it goes (‘Second Sydney Airport’). 

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Blue Mountains anti-airport bumper sticker

Consistent with the past fraught nature of the second airport issue, the choice of Badgerys Creek is far from consensual. Opposition from Blue Mountains Council and its residents’ groups is particularly vocal – the litany of objections include its likely impact on the national park’s ecology, the threat to its UNESCO World Heritage site status, health hazards, air and noise pollution, [‘Council study finds airport noise on natural areas overlooked’, WSROC, 08-Dec-2017, www.wsroc.com.au]. Some have again raised the question of whether a second airport is really necessary, arguing that existing airport capacity at Bankstown and Richmond airports could be expanded to lighten the domestic passenger and cargo transport burden on Kingsford Smith [‘Is a new airport at Badgerys Creek really needed?’, (Peter Martin), Sydney Morning Herald, 15-Apr-2014, www.smh.com.au].

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 Future aerotropolis?

✑ ✑ ✑ ✑ ✑ ✑

Sorting out the nomenclature
Once the Commonwealth red-inks the Badgerys Creek site in 2014, a media debate ensues over whose name the new airport should bear. The early favourite is Sydney Harbour Bridge engineer John JC Bradfield, strongly lobbied for by politicians from both sides (LNP prime minister and premier, Labor state opposition leader, etc) [‘Bradfield Airport has universal approval’, (Danile Meers), Daily Telegraph, 06-Nov-2014, www.dailytelegraph.com.au]. Others including Wollongong councillors and the Royal Aeronautical Society plump for Lawrence Hargrave, a seminal figure associated with advances in the field of aeronautical pioneering (unlike Bradfield). From a western Sydney viewpoint, a Penrith City councillor makes a pitch for William ‘Billy’ Hart, who flew a box-kite plane (based on Hargrave’s earlier breakthrough invention) from Penrith to Parramatta in 1911 [‘Penrith Council defer naming of Western Sydney Airport site’, (Krystyna Pollard), Liverpool City Champion, 02-Mar-2017, www.liverpoolcitychampion.com.au].

Badgery of Badgerys Creek
The most intriguing candidate, is one with both pioneering credentials like Hargrave and Hart, and real geographical “skin in the game”…(Andrew) Delfosse Badgery, whose family gives its name to the suburb encompassing the airport site—great-grandfather James Badgery settled the area in 1799—was the first person to fly a plane of his own construction in Australia. Badgery flew from Sutton Forest to Goulburn, a distance of less than 50 miles, in 1914). The case for “Delfosse Badgery Airport” is supported by the aviator’s family and the St Marys Historical Society [‘Pilot’s claims has wings: Aviation pioneer Andrew Delfosse Badgery built the first plane in Australia at Badgery’s Creek…and Flew It!’, (Ian Walker), Daily Telegraph, 12-Nov-2014, www.dailytelegraph.com.au].

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 Del Badgery & his 1914 bi-plane
(Picture: Liverpool City Council)

And the winner is? With one eye on gender-inclusiveness and PC “brownie points”, and a nod perhaps to North American precedents, the Morrison government in 2019 opts to name Sydney’s second international airport after Nancy Bird-Walton, a pioneer aviatrix icon of Australia  – for a brief summary of Bird-Walton’s achievements in flight see my blog dated 27-May-2017, ‘Equality at 10,000 Feet: The Pioneer Aviatrix in the Golden Age of Aviation – Part I’. 

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__________________________________________

 no bets on the chances of this being a lay down misère, given the vicissitudes of the second airport story

after opposition from the Sutherland Shire local government over concern about noise levels, the Gorton government kills off the scheme in 1969, citing “environmental difficulties”

 indicative of government indecisiveness, Badgerys Creek is on and off the short list of candidates several times over a span of 45 years before the final take-up by the Abbott government   

it is a matter of uncertainty whether Badgery built the plane (a Cauldron bi-plane) on the family farm at Badgerys Creek or at Sutton Forest in the Southern Highlands (Pollard) 

 airports in Niagara-Ontario and Kansas named (respectively) after pioneering aviatrixesDorothy Rungeling and Amelia Earhart 

The Moral Guardians’ War on ‘Pernicious’ Comic Books

Creative Writing, Literary & Linguistics, Media & Communications, Performing arts, Popular Culture, Regional History, Social History, Society & Culture, Visual Arts

As all of us are only too aware, COVID-19 has cut a swathe through public gatherings, large aggregations of people are a “no-no” in 2020. Across the globe all manner of events have been on the receiving end of a different sort of cancel culture treatment. The superhero-studded world of comic book conventions has not been immune to this contagion. Comic-cons everywhere, including the San Diego Comic-Con International, America’s oldest comic book convention, have been red pencilled in this year of the plague. But if we turn the clock back some 70 years we might observe a time when the existential threat was directed at the product itself, the actual comic books.

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(Photo source: www.theverge.com/)

There were no organised comic-cons in the more cautious and conformist 1940s and 50s, but this in no way equated with a lack of popularity of comic books. In fact the Forties had been a Golden Age, especially for American comic books, Comic strip creators were riding high with a slew of superhero characters—including Superman, Wonder Woman, Batman and Captain America, the Avengers and Captain Marvel—proving lucrative for companies like Detective Comics (DC Comics), Entertaining Comics (EC Comics) and Timely Comics (Marvel Comics). By mid-decade comic books were the most popular form of entertainment in the US (with 80 to 100 million copies being sold per week!) By the late 1940s comic books were well and truly being marketed towards adults as well…”fed by the same streams as pulp fiction and film noir, titles (began to tell) lurid stories of crime, vice, lust and horror” [David Hajdu, The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America, (2008)].

♦️ Wonder Woman (Sensation Comics, 1942)

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‘Seduction of the Innocent’   
Dark clouds appeared over the comics industry’s blue skies in 1954 with the publication of Seduction of the Innocent by a Bavarian-born neurobiologist Fredric Wertham. The book was “a full-throttled attack on the lurid contents of various crime, horror, and even super-hero titles, (with an emphasis on) graphic illustrations of wife-beatings, sado-masochism, and gruesome murders” Sean Howe, Marvel Comics: The Untold Story, (2012)]. Wertham’s inditement of the American comics of the day was that they corrupted impressionable youth, inveigling them into fanaticising about evil, leading them on a ruinous path to criminal behaviour, etc.[‘History of Comics Censorship, Part 1’, CBLDF, www.cbldf.org/].

♦️ Crime SuspenStories, 1950

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1940s, North and bonfires  
Wertham was not the first critic to take aim at the US comic book industry. In the view of CBLDF
, since the 1930s “the comics medium has been stigmatized as low-value speech”. In 1940 conservative commentator Sterling North urged parents and educators to guard against the influx of “mayhem, murder, torture and abduction—often with a child as the victim” in contemporary comic strips. North also decried the incidence of “voluptuous females in scanty attire, machine gun (-wielding hoodlums) and “cheap political propaganda” in the comics. The effect on children, he went on to say, of these “badly drawn, badly written and badly printed” strips was “a strain on young eyes and young nervous systems” as well as constituting “a violent stimulant” to them [North, Sterling. “A National Disgrace”. Childhood Education. 17.1, 1940: 56. Print.]. During WWII religious and patriotic organisations conducted public burnings of ‘disapproved’ comic books in American neighbourhoods – in ironic juxtaposition of the war being fought overseas concurrently against Nazi Germany (’Comic Censorship, Part 1’).

♦️ Dr Wertham, researching

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“Pop culture McCarthyite”  
But it was Seduction of the Innocent that struck the strongest chord in a 1950s America “looking over its shoulder” for real or imagined enemies of society in the grip of a hysteria heightened by McCarthyism. It triggered a public outcry, prompting an investigation into the industry by a Senate sub-committee. Publicity from the hearing was damning and the fallout was devastating. Comic books were denounced by Wertham and other moral crusaders as contributing to juvenile delinquencyAt the height of the moral panic, comic book publishers were sometimes treated as though they were mobsters, and the cartoonists, as if they were pornographers [‘The Caped Crusader’ (Jeet Heer), Slate, 04-Apr-2008, www.slate.com; ’Comic Censorship, Part 1’].

The emasculated comic book  
Threatened with both public and government censure, the comics industry choose to self-regulate, introducing the Comic Code Authority, “a censorship code that thoroughly sanitized the content of comics for years to come”. The new code (something analogous to the film world’s draconian Hays Code) was taken to ridiculous lengths, it forbade comics from showing zombies, vampires, ghouls and werewolves; words like ‘horror’ and ‘terror’ couldn’t be mentioned in the story lines; nor could criminals be portrayed sympathetically and the institution of marriage could not be seen to be disrespected (Howe). 

♦️ The imprimatur of the self-censor

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Comic book publishers were forced to produce ‘purified’ comics suitable for a younger market—more infantile and tamer stories, squeaky-clean but ‘dopey’ heroes replacing the previous super-overachievers—in short, “safe fantasies” for the youngest readers (’Comic Censorship, Part 1’).

The economic and human toll
The new reality of the world of comic books decimated the industry’s hitherto prosperity…between 1954 and 1956 the number of titles produced was cut by more than half – from 650 in 250 over that two-year period!. By summer 1954 15 comics publishers in the US went belly-up. EC Comics, up to then one of the market leaders, discontinued all its comics lines…its much-vilified publisher William Gaines switching production solely to the satirical Mad magazine. Over 800 jobs in the industry vanished more or less immediately (Howe; Hajdu). Many talented inkers and pencillers left the industry for good, many for economic reasons but others due at least in part to the stifling of their creative artistic output.
 
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Endnote: Demise of adult comics
Both Wertham and North in their hatchet jobs on the comics genre made the error of completely disregarding the significant adult readership of comic books. The recovery of the industry, the winning back of that readership, took many years…it didn’t really happen until the emergence of ‘Underground’ comics in the 1960s with publications like Zap Comics and comic artists like R Crumb§ [‘History of Comics Censorship, Part 2, CBLDF, www.cbldf.org/].

♦️ Detective Comics, 1945

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PostScript: The Wertham thesis unpacked
After it became accessible in 2010 Wertham’s research on comics books was investigated and his conclusions found largely baseless…Wertham was said to have manipulated data, overstated, compromised, and fabricated evidence. A further weakness of his work was that he used non-representative samples as the basis for his conclusions. Scorn was also poured on Wertham’s contentions that the comic character Superman harboured Nazi SS tendencies, that the Batman/Robin relationship had homoerotic overtones, and that Wonder Woman was a lesbian role model (Wertham saw this as wholly undesirable)[‘Fredric Wertham’,Wikipedia, http://en.m.wikipedia.org; Heer]. 

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 that serious comics of the period were laden with violence, misogyny and racism, could not be disputed (Heer)  
 Comic Book Legal Defense Fund  
a sense of elitism also coloured Wertham et al’s  dislike of popular comics. Wertham considered their consumption blocked children from an appreciation of literature and fine arts  (Hajdu; Heer) 
over 100 pieces of anti-comic book legislation came into effect in the Fifties (Hajdu)
§ the fashionability of adult readership was further advanced by the advent of graphic novels