The Fiume Enterprise and d’Annunzio: A Peculiar but Prophetic Prelude to the Italian Fascist State

Posted on by Sloane Snodgrasse
Biographical, International Relations, Political geography, Regional History

In the aftermath of the Great War, among the numerous issues facing the post-world war peacemakers was what to do about the status of Fiume, which had been part of the  (dissolved) Austro-Hungarian Empire. Both the newly established Kingdom of the Serbs, Croats and Slovenes (KSCS), and Italy, laid claims to the city whose population included significant numbers of Italians as well as Croats and Slovenes. While the Paris Peace Conference deliberated over Fiume’s fate❈, an Italian poet-adventurer named Gabriele d’Annunzio took advantage of the city’s state of flux to invade with a small private force in the name of Italian irredentism.

The “Poet-Warrior”
D’Annunzio was an international celebrity in his time, an unconventional, physically small but larger-than-life, multi-faceted character, an Italian man of letters who also saw himself as un uomo d’azione (‘a man of action’)⌖. Having seized the disputed Adriatic port of Fiume, d’Annunzio offered his prize to the Italian government who not wanting to endorse d’Annunzio’s dubious coup, rejected the offer [‘An Irishman’s Diary on Gabriele d’Annunzio — the “John the Baptist of Fascism” and would-be IRA quartermaster’, (Mark Phelan), The Irish Times, 07-Mar-2018, www.irishtimes.com]. Spurned, d’Annunzio reacted by declaring Fiume’s independence as the “Italian Regency of Carnaro”, AKA Impresa di Fiume (‘Endeavour (or Enterprise) of Fiume’).


Progressive reforms and a repudiation of the Versailles Treaty
The constitution (la carta del Carnaro) of d’Annunzio’s unrecognised enclave contained an idiosyncratic “grab-bag” of ideas, including elements from both the Left and Right. The charter included many progressive articles – calling for the full equality of women in society, tolerance for both religion and atheism, a social security system, medical insurance and age pensions✪[Michael A Leeden, The First Duce: D’Annunzio at Fiume, (1977)]. D’Annunzio’s regime was the first to recognise the Soviet Union and pitched the idea of a kind of “anti-league of nations” for (select) oppressed peoples of the world—which in d’Annunzio’s thinking was those countries which fared badly in the post-WWI territory carve-up and were holding a grudge—including offering assistance in the form of arms to the IRA in its struggle to free itself from British colonialism (🔺photo: d’Annunzio and some of his supporters in Fiume).


Culture, ‘counterculture’, plus proto-fascism
La carta del Carnaro made music a key principle of the state, the arts flourished with daily public poetry readings and concerts. Impresa di Fiume established a corporatist state along anarcho-syndalicalist lines. The Adriatic city exuded a veritable bohemian buzz, becoming, as Hughes-Halley notes, a “political laboratory” for all manner of political persuasion including anarchists, syndicalists, socialists and ultimately, fascists. It wasn’t all politics either…all manner of perceived ‘subversives’ and outliers, including the socially marginalised, the unorthodox and the disenfranchised, flocked to d’Annunzio’s enclave – fugitives, drug dealers (and takers), prostitutes, discontented idealists, ‘pirates’, dandies, homosexuals, artistic “drop-outs”, runaways, and so on⊞ [Lucy Hughes-Halley, The Pike: Gabriele D’Annunzio, Poet, Seducer and Preacher of War, (2013)].

Although the Fiuman duce wasn’t a fully-fledged fascist himself, his political ideas and his aesthetics in inspired an imitator in Benito Mussolini and informed the blueprint for the future Italian corporatist-fascist state – d’Annunzio’s legacy which prompted many to see him as a kind of “godfather of Italian Fascism” includes the staging of mass rallies, demagogic speechifying, black-shirted vigilantism and Roman salutes (Phelan). Moreover, d’Annunzio’s adventurism in the Regency of Carnaro contributed to a weakening of Italian democracy and paved the way for the Fascist takeover and consolidation of the corporatist state (Hughes-Hallett).

D’Annunzio’s exile and defenestration
Under a deal between Italy and KSCS (Treaty of Rapallo, 1920), the enclave’s name was changed to the Free State of Fiume. D’Annunzio refused to acknowledge the agreement and having failed to reach a modus vivendi with the Italian government, impetuously and unwisely declared war on Italy – with predictable, disastrous results. Fiume was bombarded and d’Annunzio was forced to flee—relocating in exile to Lake Garda in the eastern Lombard region—leaving his Reggenza and his schemes for a new world order in tatters. A later agreement (Treaty of Rome, 1924) sealed Fiume’s full annexation by Italy. Injuries sustained by the still popular d’Annunzio in 1922 when he mysteriously fell from a window (possibly an assassination attempt) worked to Mussolini’s favour, whether he was implicated or not. D’Annunzio withdrew from politics and Mussolini secured his continued inactivity through the payment of inducements. D’Annunzio however characteristically did not remain entirely mute, proffering advice to Mussolini whenever he felt the inclination◰, such as his warning, unheeded, in the 1930s to Il Duce not to enter into an axis pact with Hitler.

Topnymic end-note: Flume, Fiume, Rijeka
Fiume today is the city of Rijeka (‘River’ in Croatian) within the Republic of Croatia (post-Yugoslavia space)… roughly, a bit over twice the size of Fiume in d’Annunzio’s day, it comprises the most important deep-water port on the Croatian coast.

 


⋄ ⏦ ∝ ⧜ ∘ ⋄ ⏦ ∝ ⧜ ∘ ⋄ ⏦ ∝ ⧜ ∘ ⋄ ⏦ ∝ ⧜ ∘ ⋄ ⏦ ∝ ⧜ ∘ ⋄ ⏦ ∝ ⧜ ∘ ⋄ ⏦ ∝ ⧜ ∘ ⋄ ⏦ ∝ ⧜

❈ the Allies’ (and US president, Wilson’s) preference had been to make Fiume into a buffer state, a prime candidate for the headquarters of the soon-to-be created League of Nations

⌖ d’Annunzio was many more things as well — decadent artist and musician, aesthete, war-monger and war-hero, necromancer, pioneering aeronautist, serial debt-defaulter, libertine and cad, above all perhaps, an indefatigable self-publicist (Hughes-Halley)

✪ progressive platform aside, Comandante d’Annunzio retained an elitist perception of his own role in national affairs, inspired by Nietzsche, that of the Übermensch or superuomo (the “superior man” who rises above society’s mediocrity)

⊞ it would be interesting to know if the Fiume Enterprise had any influence on the creation of contemporary Užupis, the bohemian “independent republic” of artists ensconced within the city of Vilnius, Lithuania 🇱🇹 – see blog Vilnius I, Senamiestis & Užupis: From Old Town to Artistocrazy? (06-November 2015)

◰ Mussolini and d’Annunzio exchange some 578 letters and telegrams until the latter’s death in 1938 [Peterson, Thomas E. “Schismogenesis and national character: the D’Annunzio-Mussolini correspondence.” Italica, vol. 81, no. 1, 2004, p. 44+. Gale Academic OneFile, Accessed 21 Sept. 2020].

An Aegean War of Words: Presaging Strife for the Old Enemies of the Eastern Mediterranean?

Posted on by Bonza Rottwheeler
Inter-ethnic relations, International Relations, National politics, Political geography, Politics

Hostilities between the Greeks and the Turks go back to antiquity, at least to the Late Bronze Age if we accept Homer’s classic literary work The Iliad as evidence of an approximate historical actuality – although Homer referred to the mortal combatants in Asia Minor as Achaeans and Trojans. In the modern era the focus of tension between Greece and Turkey has centred on the Aegean Sea and the eastern Mediterranean…the violent division and disputed status of the island of Cyprus in 1974 has been the most dramatic consequence of the ongoing enmity between the two countries.

(Source: OU News)

Tensions rose again in July of this year – Turkish president Recep Erdoğan dispatched the research vessel Oruc Reis along with a formidable military escort into Greek territorial waters to do seismic surveys of the region in search of gas deposits. Greek protests against Ankara’s territorial incursions being in breach of international law was met with “bellicose rhetoric” and threats by Erdoğan, and the tiny Greek island of Kastellorizo became a hotspot for the dispute. Other incidents followed, in August a Greek frigate collided with one of the Turkish military escorts in the vicinity of Crete, and another Turkish vessel started drilling off the coast of Northern (Turkish-controlled) Cyprus [Turkey-Greece Relations: Why are the two countries locked in a dispute over drilling rights?’, (David Walsh), Euronews, 26-Aug-2020, www.euronews.com].

What accounts for all the recent turmoil and agitation in the region is the discovery a decade ago of natural gas in the eastern Mediterranean. Both Turkey and Greece are eager to exploit this lucrative source of energy and revenue. The problem for Turkey is the myriad EEZs (exclusive economic zones) relating to the numerous Greek islands in the Aegean which blocks Turkey’s scope of activity. The problem for Greece (and other onlookers within the EU) is that Turkey does not accept the legality of Greek sovereignty over the islands and their proximity to the Turkish mainland, its perennial bugbear.

Historic grievances
Old sores have been opened for Turkey and its right wing president Erdoğan, who cite the unjust treaties (as they view it) of Sèvres and Lausanne following WWI as retarding Turkeys’s capacity to explore and access natural resources of the eastern Mediterranean. Ankara maintains that the treaties left Turkey “landlocked despite (having) 8,000km of coastline”, that the maritime rights handed the Greek islands in the Aegean by the 1923 treaty box in Turkey from accessing large areas of sea, which it maintains it has a de jure right to❋. Erdoğan, imbued with the “spirit of the Ottoman sultanate”, has threatened to “tear up the immoral maps and documents” in disregard of the International Court of Justice.  [‘How a rush for Mediterranean gas threatens to push Greece and Turkey into war’, (Patrick Wintour), The Guardian, 11-Sep-2020, www.theguardian.com; ‘Tiny island Kastellorizo at centre of growing confrontation between Greece and Turkey’, (Benjamin Brook), News, 14-Sep-2020, www.new.com.au].

Turkey’s “Blue Homeland adventurism” and ‘maximalist’ v ‘minimalist’ island continental shelves
Railing loudly against the ‘invasion’ of Greece of its ‘sacred’ islands has been a long-standing article of faith for Turkish politicians…Turkish expansionist propaganda has characterised the Greek island-dotted Aegean as its “Blue Homeland” (a doctrine known the Turks as Mavi vatan) in defiance of the Lausanne Treaty [‘Blue Homeland: The Heated Politics Behind Turkey’s New Maritime Strategy’, (Ryan Gingeras), War On The Rocks, 02-Jun-2020, www.warontherocks.com]. Turkey’s counter-argument to Greece’s is that “Greek islands far from the mainland and closer to Turkey cannot have a continental shelf” (continental shelves equate with national mainlands). It also notes that Greek islands such as Meis and Kastellorizo lie a mere two kilometres from the Turkish mainland but many hundreds of kilometres from the Greek coastline— making a nonsense, they argue, of Greece’s “maximalist continental shelf claims”◰ [‘Turkey-Greek tensions escalate over Turkish Mediterranean drilling plans’, BBC News, 25-Aug-2020, www.bbc.com; ‘Turkey ignores Greece’s dispute, moves on with Mediterranean seismic surveys’, (Onur Ant), World Oil, 22-Jul-2020, www.worldoil.com; Walsh]. The question of whether the maritime areas (the continental shelves) of islands should be equal to that of mainlands (Greece’s position) or not is a thorny international one, only resolvable by complex ICJ arbitration – something Ankara would be reluctant to undertake (Wintour).

A ”Pax Mediterranea“ excluding Turkey
Athens responded to Ankara’s aggressive steps predictably by calling it tantamount to “illegal gunboat diplomacy”. Greece has actively pursued cooperation initiatives with other eastern Mediterranean rim countries including Egypt to jointly exploit gas reserves which by-passes Turkey (eg, the Eastern Mediterranean Gas Forum). Athens’ efforts to exclude and isolate Turkey have secured the willing participation of France. The EU, at the urgings of France’s president, Emmanuel Macron, imposed a sanction on Turkey for its aggressive behaviour in the Aegean. Ankara’s response to the attempted snooker has been to broker an agreement with the Libyan Government of National Accord to establish its own EEZ in the Mediterranean between the two countries. The EU have condemned the arrangement as infringing the maritime rights of Greece and Cyprus, and not complying with the Law of the Sea ◰. Turkey’s initiative is “a clear signal to other coastal states in the region that the gas game will not be played without Ankara’s consent” [‘Why did Turkey sign a maritime deal with Libya?’, TRT, 10-Dec-2019, www.trtworld.com].

Kastellorizo 🔻

For the time being tensions over the Kastellorizo hotspot in the Dodecanese islands have eased, President Erdoğan has pulled back its seismic survey vessels to the Turkish mainland. But with Erdoğan defiantly vowing to assert Turkey’s rights in the sea and Greece unwilling to make concessions to its traditional foe, the chance remains that an isolated incident may escalate into something more serious in the foreseeable future◘ [Turkish President Erdogan blinks first in eastern Mediterranean standoff’, (Menekse Tekyak), Arab News, 13-Sep-2020, www.arabnews.com].

🔺 Erdoğan visiting Hagia Sophia in July

(Photo: Turkish Presidential press office via Agence France–Presse — Getty Images)

Postscript: Ankara’s intransigent view of the ‘foreign’ Greek islands within the “Blue Homeland” remains the central stumbling block to security in the region. There are other recent developments in Turkey that have added to the tense trans-Aegean climate. President Erdoğan, always keen to show his Islamist credentials, in July restored Hagia Sophia—until 1453 a symbol of Christian Orthodoxy—to its former status as a functioning mosque, drawing criticism from many quarters including Greece, the Vatican, other international ecclesiastical councils and UNESCO. A second, current source of tension with its neighbour to the west derives from Erdoğan recently deciding to allow large numbers of refugees and migrants to flood into Europe via the Evros River border and Greece (BBC News).

⥽ ⥼⥼⥽⥽⥼ ⥽ ⥼ ⥽ ⥼ ⥽ ⥼ ⥽ ⥼ ⥽ ⥼ ⥽ ⥼⥼⥽⥽⥼ ⥽ ⥼ ⥽ ⥼ ⥽ ⥼ ⥽ ⥼ ⥽ ⥼ ⥽ ⥽ ⥼⥼⥽⥽⥼ ⥽ ⥼⥼⥽⥽⥼ ⥽ ⥼ ⥽ ⥼⥽ ⥽

❋   Erdoğan and the Turks argue that the 1923 Lausanne Treaty allowed Greece and Cyprus to steal Turkey’s continental shelf (Brook). The letter of the law supports Greece, however Turkey’s frustrations are understandable given that such a large swath of its coastline is punctuated with a multitude of Greek EEZs

◰ which Turkey continues to refuse to ratify

◘  most observers feel that despite Erdoğan’s bellicosity, Turkey is unlikely to declare war any time soon, given it is militarily overextended in Syria and Libya and the current state of the Turkish economy [‘Turkish-Greek relations tense amid fears of military showdown’, Arab News, 13-Jun-2020, www.arabnews.com]

Wonder Woman’s Oscillating History in Comics

Posted on by funambulator@live.com
Cinema, Creative Writing, Gender wars, Memorabilia, Popular Culture, Society & Culture

After Wonder Woman’s creator Bill Marston dies in 1947, Robert Kanigher takes over the writing duties, the first of many subsequent writers to take on pop culture’s most famous female superhero. DC Comics wastes little time in ringing the changes with Wonder Woman, both to her physical appearance and to her abilities, disposition and purpose.

There are several reasons for the change. One motive is simply commercial, Wonder Woman like her male superhero counterparts, experiences a fall-off in popularity after the war. Another relates to expectations of gender roles in America. So much of America’s manhood is away during the world war on the front line engaging the enemy. Born of necessity, American women move into the work force, invading traditional male domains of employment as never before. With the war’s end, men return to their jobs relegating thousands of women back to unpaid work in the home. There is a re-solidifying of the traditional gender roles. A casualty of this is Wonder Woman herself. In Marston’s hands she reflects empowerment, ie, freedom from male domination. The feminist overtones she embodies are a challenge as the US attempts to re-establish the status quo ante order [‘The Fitful Evolution of Wonder Woman’s Look’, (Diana Martinez), The Atlantic, 07-Jun-2017, www.theatlantic.com].

Superhero Nazi hunters
Wonder Woman’s superhuman exertions and physicality—as with everyone else in the superhero comic universe—have an aptness during WWII. The superheroes in the comics spearhead the fight against the Nazis, promoting a patriotic agenda and helping to boost morale. When the war is won, this agenda loses its relevance for the American readership [‘Women of Comics: Objectified, Sexualize and Disempowered’, (Nia Aiysha), Wild Black Orchids, 07-May-2016, www.wildblackorchids.wordpress.com].

Making the iconic feminist warrior a bit less super
In wanting to rein in Wonder Woman’s powerful persona DC Comics are responding to prevailing (male) society’s anxieties about women’s independence. By 1950, the toning down is well underway, WW’s crime-fighting exploits are taking second fiddle – in Sensation Comics #97 she is the editor of a newspaper lonely hearts column❋. During the decade WW becomes a reluctant superheroine, love-struck and longing to settle down with her beau Steve Trevor [‘Publication history of Wonder Woman’, Wikipedia, http://en.m.wikipedia.org; Wonder Woman Unbound: The Curious History of the World’s Most Famous Heroine, Tim Hanley (2014)].

Wonder Woman is not just a feminist, she’s also a sexy feminist! Accordingly, there is a lot of scrutiny on her salacious attire as well by the “morally self-appointed” in society. Eventually, the raunchy bathing suit and sexually-confident red boots will be traded in for a more demure look. Psychologist Fredric Wertham’s full-on crusade against the deleterious effects of comics on children in the early 1950s includes WW in its cross-hairs. WW’s sexually provocative bondage fetish (involving herself or other females) leads Wertham to ‘blacklist’ the depicted character as a promoter of lesbianism (which he took as evidence of misandry)(Martinez), pressuring DC Comics to remove Marston’s message of WW as a harbinger of matriarchy (Hanley).

The Amazonian princess returns to ‘civies’ – “Emma Peeled”
In the 1960s other comic book action heroines come forward such as secret agent Modesty Blaise. Reflecting the early rumblings of what would evolve into the second wave feminism of the Seventies, Blaise exhibits Wonder Woman-like “badass fighting capabilities” to triumph in a male world. At this time however WW loses that same original verve✪, getting a Sixties ‘mod’ makeover which transforms her into an Emma Peel clone (from the cult British TV series The Avengers), complete with martial arts moves, jumpsuits and Carnaby Street attire〥 [‘Four-Colour Yesteryears: Wonder Woman – the Emma Peel Years’, (Rob N), Paradox Comics Group, 22-Aug-2009, www.paradoxcomicsgroup.com; Hanley].

1970s, the women’s movement and empowerment
Gloria Steinem and the burgeoning women’s movement comes into the story at this time. Steinem, dismayed at DC Comics’ relegation of Wonder Woman to a “powerless 1950s car hop”, lobbies DC to restore WW’s superheroine stature. Steinem puts WW on the cover of the first edition of Ms. magazine in 1972, tagging it “Wonder Woman for President”. [‘How Gloria Steinem Saved Wonder Woman’, (Yohana Desta), Vanity Fair, 10-Oct-2017, www.vanityfair.com]. WW in Ms. becomes a kind of masthead to promote sisterhood and equality among women (the magazine depicts WW confronting store owners who deny their female employees equal pay and defending abortion clinics against male thugs [‘How A Magazine Cover From The 1970s Helped Wonder Woman Win Over Feminists’, (Katie Kilkenny), Pacific Standard, 21-Jun-2017, www.psmag.com]. Steinem and Ms.’ agitation on behalf of WW forces DC to restore her special powers including the “Lasso of Truth” and re-draw her in her original voluptuous form.

With the critical spotlight turned on DC’s portrayal of Wonder Woman, DC made further concessions to the comic. Diversity was introduced —a nod to the Black Power Movement in the US and perhaps belated recognition of a lack of ethnic diversity in its comics—with the inclusion of Nubia, WW’s African half-sister (Martinez). The perception of Wonder Woman as a feminist icon is given a further boost along by the cult success of the 1975-79 television series. WW, played by Lynda Carter, embodies the qualities of strength, fearlessness, wisdom and determination, restored in the comics post-1972✧.

PostScript: The Wonder Woman comic books over the past 40 years has seen the WW character and image undergo sundry transitions, a procession of “conflicting and seemingly incompatible versions” of WW – alternating between ramped-up raunchiness and less overt sexuality, between a muscular Amazonian physicality and a “heroin chic” fashion model (Martinez).

◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘ ◦ ∘

❋ in other Fifties comics Wonder Woman or her alter ego Diana Prince appears as a model and a film star

〥 WW becomes younger and thinner too. She also gets labelled as a “female James Bond” during this period

✪ DC Comics’s hegemony in the superhero comic popularity stakes in the late Sixties is seriously being challenged by Marvel Comics, a factor in the decision to revamp WW along with the entire ‘stable’ (Rob N)

✧ subsequent interpretations of Wonder Woman on the screen follow, the most recent in 2017 (with a sequel slated for release this year) sees WW reconnect with her Amazonian roots

Pinball in the Drain: The Peoples’ Arcade Game On Tilt for Three Decades

Posted on by Sloane Snodgrasse
Leisure activities, Local history, Memorabilia, Popular Culture, Social History, Society & Culture

The United States over the years has had a mania about banning lots of things—there’s been an unspoken exemption granted to bad taste—but one of the more curious  prohibitions in the 20th century was that on the seemingly innocuous pinball machine. 

ED7F8E21-E72E-4A54-AAD2-BF8F5ADC2844

In the early 1930s the Gottlieb Company of Chicago introduced the first coin-operated, machines, the “Baffle Ball”. The timing was right, the Great Depression had hit, playing pinball was a cheap and accessible form of entertainment for the financially impoverished masses, and the machines caught on. A few years later machines became electromechanical and automatic score counters were added, making games more appealing [“The History of Pinball Machines and Pintables”, BMI Gaming, www.bmigaming.com/].

The moral legislators
By the time of America’s entry into WWII pinball’s popularity had grown exponentially. Not all sectors of American society however were enthusiastic about the game. Churches and school boards harboured a perception of pinball as corrupting the morals of American youth, asserting that children would steal coins and skip school to play❋. Lawmakers too viewed pinball negatively because they saw it a game of chance and thus was a form of gambling. They shared the view that it “a time and dime-waster for impressionable youth”. Legislators were also suspicious that it may be a “mafia-run racket” because of Chicago’s centrality in pinball machine manufacturing, a “hotbed of organised crime” [“That Time America Outlawed Pinball”, (Christopher Klein), History, upd. 22-Aug-2018, www.history.com ; “11 Things You Didn’t Know About Pinball History”, (Seth Porges), Popular Mechanics, 01-Sep-2009, www.popularmechanics.com].

⍌ City authorities vandalising the machines
(Source: Chicago Sun-Times)

BCC4F580-635B-465B-91C8-5BEB3CF47834

New York City’s crusade against the pinball
The mayor of NYC, Fiorello LaGuardia, took these perceptions to heart, launching a very proactive approach to rid the city of these “insidious nickel-stealers” by ordering the police force to make “Prohibition-style pinball raids” on candy stores, bowling alleys, speakeasies, cigar stores, drugstores, amusement centres, etc [“The Mayor Who Took a Sledgehammer to NYC’s Pinball Machines”, (Conor Friedersdorf), The Atlantic, 18-Jan-2013, www.theatlantic.com]. Illegal pinball machines and slot machines were confiscated and some were smashed in staged, publicity-conscious showcases (Klein).

LaGuardia’s anti-pinball machine crusade took on extra zeal after Pearl Harbour, which allowed him to characterise it as a patriotic cause…the line run by the NYC mayor was that the copper, aluminium and nickel components of the outlawed machines could be better utilised in the materiel requirements of America’s war efforts (Klein). This didn’t prevent many machines ending up dumped in NYC harbour.

⍌ 1963 ‘Swing Time’ Gottlieb machine

C708CA3F-5C42-4265-B52D-DDD434E94635
Banned, but not eliminated
Other cities were quick to follow NYC’s example, Including Chicago, Milwaukee, Los Angeles and New Orleans, with pinball bans extending across the country. Other cities like Washington DC didn’t go as far but prohibited children from playing it during school hours. The inevitable consequence of banning was to drive pinball activity underground (resurfacing in places like the back rooms of ‘porno’ book shops). Thus marginalised, pinball become “part of rebel culture”⧆ (Klein).

D1103E91-9ADB-499A-ABF0-3C597751E0DA

⍓ Roger Sharpe, “calling the shot!” 
(Source: IFPA)

The long ban, ended by a ‘Sharpe’ player Remarkably, the outlawing of pinball machines persisted until the 1970s – despite the technical innovation of “flippers” (pivoted arms activated to propel the ball back up the table) introduced in Gottlieb’s 1947 “Humpty-Dumpty” machine which made the game more one of reflexes (skill) than of chance. Finally, in 1974 the Californian Supreme Court, accepting the skill component, overturned the prohibition in that state. In 1976 NYC councillors were still skeptical about pinball and it took a spectacular courtroom demonstration by one of the game’s top exponents, Roger Sharpe, to break the impasse. Sharpe won over the doubters by nominating beforehand which lane he would propel the ball through and then making the shot, demonstrating that patience, hand-eye coordination and reflexes, not luck, were the ingredients for success in the game◰ [“How One Perfect Shot Saved Pinball From Being Illegal In The US”, (Matt Blitz), Gizmodo, 19-Aug-2013, www.gizmodo.com.au].

1DF18208-5E51-440D-9AA4-10326727EEA9

⍓ An “Indiana Jones” Williams machine with revolver for plunger

With the ‘liberation’ of pinball, player interest revived in the late Seventies, but it was a short-lived triumph. The advent of video games provided compelling competition (the newer technology requiring fewer repairs and less space). By the Nineties the writing was on the wall for arcades and the coin-op industry, as home video-games and the internet were rendering them obsolete [“The First Family of Pinball: Meet the local wizards behind the game’s huge resurgence”, (Ryan Smith), Reader, 03-May-2018, www.chicagoreader.com]. In any case, the repealing of the prohibition wasn’t uniformly implemented…Chicago city authorities resisted, still associating pinball machines with “nests of gangs and drugs” for juveniles [“Chicago once waged a 40-year war on Pinball”, (Ryan Smith), The Bleader, 03-May-2018, www.chicagoreader.com]. Prohibition in Kokomo, Indiana, was not ended till 2016✦ [“Pinball—once a source of vice and immorality—now, legal in Kokomo, Ind., after 61-year ban”, (Ben Guarino), Washington Post, 15-Dec-2016, www.washingtonpost.com].

1D1CC61F-17A6-4F95-ABE9-ACF8AB04D909

PostScript: Surviving if not exactly thriving
Today, the Stern Pinball Co (Chicago) is the only manufacturer of machines left in the business in America. If not played by casual gamers in anything like its numbers in the “Baby Boomer” era (except in video game mode), it has experienced a resurgence of sorts – as an annual series of professional tournaments (Stern Pro Circuit)  (among its internationally ranked seeds are Roger Sharpe’s two sons).

884E37D6-F374-4473-A562-882A4DE68EF8

⍓ Roger Daltry (Tommy “Pinball Wizard”) at the controls 

❋ Seth Porges identifies something quasi-religious in the anti-pinball position, a “temperance-fuelled” belief that the activity was “a tool from the devil” corrupting young people (Friedersdorf)

◰ the councillors were also persuaded to overturn the ban by the eloquent testimony mounted by Sharpe, who went on to be a pinball star witness in subsequent, successful hearings in other states. Another factor in the outcome may have been revenue-raising, eg, Mayor Daley in Chicago wanted to lift the ban so as to tax individual machines and licensing operators (Smith, “Chicago once waged”)

⧆ the rebel image remained into the late 1960s and ‘70s with the anti-establishment tone of The Who’s rock opera about a “pinball wizard”, Tommy

✦ it was a similar story in Nashville, TN, for anyone under 18, and in some places and times it is still illegal – such as on Sundays in Ocean City, N.J. (Porges)