Prior to going there I can’t say I’ve ever thought much about Tallinn. Having been there I now know, not only how to correctly spell its name, but what a fascinating place it is – in particular the Old Town which is one of the best preserved medieval cities in Europe. The Old Town, or Vanalinn in Estonian, possesses a neat symmetry in its circumference. You can enter Vanalinn at one medieval set of gates (Viru Gates) and follow various narrow winding cobblestone roads, past the central Raekoja plats (Town Hall Square) and eventually come through to the end (northern) point of Vanalinn (Fat Margaret’s Tower). Conversely you can start at the north end, at the Fat Margaret gate, and do it in reverse (a practical option if you are, like I was, staying in the Pohja/Sadama part of town). Much of the original old city wall has been retained and you can follow the wall as it jags round the parameter of Vanalinn.

The Wall on the western side separates Vanalinn from Toompea (Katedraal Hill) which sits on a high bluff around 30 metres above the Old Town. On the eastern side of the wall, especially in Müürivahe, the environs can get a bit smelly, it was decidedly “on the nose” when I visited, so much so that it put me off going to a restaurant I had singled out in this street! The wall towers and old merchant houses in the Lower Town with their reddish-orange roofs exude a real old world charm and you quickly come to appreciate the many different foreign influences that have exerted themselves on the city at different points in its history – Danish, Swedish, German and Russian (particularly this last one). You also get a feel for Tallinn’s past of being once part of the Hanseatic regional trading confederation.

In the course of your peregrinations around the town you will see several notable old spiralled churches, especially around Pikk tänav or Harju tänav. Most visitors are happy to leisurely stroll through the cobbled streets and lanes (the Old Town is very navigable by foot in good shoes), but there is also a lot of transport that can be called on. You can take one of the myriad of bicycles fitted with a box for sitting in (velotaksos) operated by boys and girls who look like (and probably are) university students. A second option is you can tour the Old Town in a toy ‘train’, the Vana Toomas. Or you might like to hail down one of the horse-drawn carriages and be driven around by two rather severe looking lady drivers in smart if a little undertaker-like outfits.

Raekoja plats is the tourist centre of Vanalinn. It’s a terrific spot to stroll round and take in the splendid architecture of the historic town. Great place also for lunch or dinner, Town Hall Square has many food choices, Estonian and Russian are popular naturally enough but also plenty of Asian, Italian, etc), as well as cafés and bars. In the Square you’ll find a big selection of what Americans call ‘sidewalk’ eateries and cafés, all grouped in an L-shaped row, a very popular spot to dine in summer. Totally predictably there’s a very touristy feel to the quarter and many restorans like Olde Hansa have gone over-the-top with the full medieval peasant kit for their serving staff! I spoke to one such ridiculously-attired waiter at this open air restaurant and I swear he sounded just like the dude in the Husqvarna TV commercial doing the exaggerated and deliberately silly Swedish accent!

During the day suvenyras stalls monopolise Raekoja Square with stacks of clothing, bags, amber, being flogged to the mingling multitude of visitors. This is one of the best places in Tallinn to score the cheaper-priced souvenirs. When the weather obliges there is often a band or musical performers of some description performing on the stage in front of the Town Hall … that’s when it gets really crowded in the Square! Hang around the edge of Raekoja long enough and you’ll probably catch a glimpse of the horse-coach with the equestrian-garbed women drivers passing by or lined up for a fare.

Wandering around the Old Town especially close to Toompea Hill you will regularly run into sections of the still significantly intact medieval town wall. Tallinn owes its status as a UNESCO World Heritage city in no small measure to its winding, elongated and largely preserved historic old town wall. For the visitor, Vanalinn’s numerous passageways and towers, most famously Kiek in de Kök and Tall Herman’s Tower, are redolent of history. A particularly popular spot on the wall is Neitsitorn, which doesn’t translate as “No-sit-on” but means Maiden’s Tower (a somewhat ironic name given that at one time the Tower was uncomfortably close to a prostitutes’ prison!). Neitsitorn, now a museum cafe, draws many visitors to sit on its long balcony high up on the wall and enjoy its fine views over the city. Kiek in de Kök with the voyeuristic connotations of its name (translating as “peeping into kitchens”) is also now a military museum of sorts, appropriately enough as the tower still has nine cannonballs embedded in it from the 16th century Livonian War.

Walking east from Raekoja plats, along Harju street towards Kesklinn (the New Town), you will reach Freedom Square, a plaza of great national significance to Estonians. Towering over the square is a huge cross which symbolises the Estonian people’s struggle for independence after WWI, but more recently it was the gathering point for Estonians to proclaim their freedom from Soviet rule in 1991. Meetings and concerts are occasionally held here, but every time we visited, the predominant (indeed only) activity going on in the square was games of basketball between Tallinnese youth (basketball is Estonian’s national sport appropriately for a nation of tall people) … come to think of it, Tallinnese (linguistic purists humour me on this one!) is almost a homonym for ‘Tallness’! The large and St Johns Cathedral, a focal point of the community, is at one end of the square. This broad, open space is well worth a look even if just to get away from all the souvenir shops, narrow alleyways and confined spaces of the Old Town for a bit.

Spending time in Freedom Square will afford you a respite from the Old Town’s crowds and shops. Another, more aesthetically appealing place is the peaceful and tranquil parks on the western side of the city (between Toompea/Vanalinn and the central Baltic train station). Two in particular stand out, Schnelli Park and Tornide valjak. These long, delightful parklands represent a distinctive green zone cut off from the more densely populated parts of the inner city. Schnelli Park has a pond (Schnelli Tiik), once part of the medieval city’s moat, a rockery and fountain at the southern end. Within the northern section, Tornide valjak, there is two (new) small quirky, themed gardens each celebrating a (sister city) connection with Tallinn – a Kiev (Ukraine) ‘Ocean’ garden with colourfully painted tin and plastic figures of fish and other pelagic creatures; and a Ghent (Belgium) garden with vivid silhouettes of children at play. In winter Schnelli Park and the other adjoining parks take on a whole different complexion, becoming fields of snow!

During my stay in St Petersburg I got to appreciate the number and variety of bridges that there are in this “Venice of the North”. Given that St Petersburg is dissected by a series of islands and waterways, bridges are an integral part of the cityscape. There are hundreds of bridges scattered around the city and the easiest way of seeing a healthy percentage of them is from the deck of one of the innumerable canal boats. If you have the luxury of time though, on foot is a better way to view in detail at least a representative sample of the bridges. In the 19th century the city administrators decided to colour-code some of the bridges, but now-a-day only the Blue, Red, Green and Yellow (this last one now renamed Pevcheskiy) bridges remain of those originally designated by hue. The best known of these is the Blue Bridge (Siniy most), which crosses the Moika River and has the widest span of any bridge in St Petersburg. The other three ‘colour’ bridges also cross the Moika but they are less ambitious constructions than the Blue Bridge. I couldn’t really fathom where Pevcheskiy bridge (the Singers’ bridge) got its former name from (Zholtyi) as it looks more olive-green than yellow in its colouring. Some of the bridges display a mythological animal motif, eg griffins (Bank Bridge), the Sphinx chimera, aptly enough, on the Egyptian (pedestrian) Bridge.

One of the most famous bridges, in part because of its central spot in the city, is Anichkov Bridge. This bridge provides passage over Fontanka canal for traffic and pedestrians on busy Nevskiy Prospect. Visitors to St Petersburg invariably stop to admire the four bronze horse scultures on each corner of the bridge. I had several opportunities to do this as on our journeys along Nevskiy Pr we regularly crossed this spot back and forth. The four-cornered “Horse Tamers” are one of St Petersburg’s most recognisable landmarks.

Another bridge over the Fontanky River interesting in its design, is Lomonosov bridge. This bridge is a remnant of the movable, towered bridges common in 18th century St Petersburg. Lomonosov is characterised by four rusticated Doric columns which look a bit like sentry boxes on top of the bridge.

Further down the Fontanka River we came to Panteleymonovsky Bridge at the point of the river’s confluence with Moika (near the Mikhailovskiy castle). Pantelymonosky is an attractive bridge with some interesting martial elements. The bridge’s railings incorporate an impressive motif of shields, battle-axes, spears and other weapons of war. The end-columns holding up lanterns continue the theme. Its design of a bundle of spears, atop of which is a golden eagle, is suggestive of Imperial Rome.

Out on the Neva River the Palace Bridge (Dvoretsovy) is the bridge that gets most attention in St Petersburg. Dvoretsovy is probably the most photographed (and reproduced on posters, T-shirts, caps, etc) highlight in St Petersburg. The Palace is a bascule bridge with a mechanised, double-leaf lifting action. At night it is the standard pastime to take photos of the illuminated bridge opening for passing vessels on the Neva. The Palace bridge also features prominently in the “White Nights” cruise on the river from June to July each year.

Along the river from Dvoretsovy is Trinity Bridge (Troitskiy most), another interesting segmental designed bridge and a single-wing lifting mechanism. most visitors appreciate Troitskiy bridge for its spectular Art Nouveau feature such as the elegant metal lanterns and the elaborate rostral columns at each end. Whilst visitors tend to focus, rightfully, on the feast of grand buildings on display in St Petersburg, its good to keep in mind that the city’s bridges have a particular charm and fascination of their own.

After we returned from Pushkin we decided to catch up on a few of the recommended places that we hadn’t got to on the walking tour. The Saviour on Blood Church (AKA ‘Church of the Spilled Blood’) is on most ‘unmissable’ lists for St Petersburg. The key to this cathedral’s origin lies in its name. The church was erected on the spot (the junction of Moika and Griboedova canals) where Tsar Alexander II was assassinated in 1881, hence the somewhat queasiness-inducing name. By the time I got round to visiting it I was probably suffering from ABC fatigue, the prospect of viewing yet “Another Bloody Church!” (having had my fill of them all over Eastern Europe) didn’t excite me. But even in this jaded state of mind I would have to admit that the exterior of “The Spilled Blood” left a strong impression on me. It is stunning admixture of different designs and patterns, domes with swirling colours, some pure gold and some looking like a “chocolate freckle”. I was reminded more than a little of the famous Pokrovskiy Cathedral (St Basil’s) in Moskva’s Red Square with its striped, multi-coloured domes & towers (but “The Spilled Blood” is a slightly scaled-down version of the Krasnaya church). The 16-17th century style building contrasts sharply with the Baroque, classical & more modern surrounding buildings of the area. Some expressive mosaics in the church’s interior. There’s a long string of souvenir stalls at the rear of church alongside the canal.

We crossed town to see St Issac’s Cathedral (in Russian transliterated as Isaakievskiy Sobor), one of the icons of Saint-Petersburg, right up there with Kazan Cathedral. It is located in the Admiralteiskaya district not far from the Neva River. St Issac’s is worthy of a look for its crowning glory alone – the huge fully gold-plated dome roof, identifiable from diverse parts of the city. The 250rbl entrance fee (as at 2015) is very good value because the interior is quite a treasure to behold, richly decorated with glittering mosaics & columns containing malachite & lapis-lazuli ornamentation. As an added bonus good views of the cityscape await climbers willing to walk up the 226 steps to the church’s colonnade.

We went next to St Micheal’s Castle (known variously as St Michael’s Castle, Mikhailovskiy Palace and the Engineers’ Castle), located on Sadovaya Ul near another junction of the city’s canals. Mikhailovskiy Palace is in a different league to the vainglorious excesses of St Petersburg’s better known architectural tourist magnets. It lacks the glamour, richness and sheer scope of Peterhof, the Winter Palace and Catherine Palace. As castles go this pink castle with a green roof is a formidable looking structure with a moat and strong walls. The castle has a big open courtyard in the middle which is quite barren, it could do with a few pot plants & a little imaginative planning to brighten the area up. Mikhailovskiy Palace’s beginnings had an ironic element which explains the castle’s air of foreboding – built by Tsar Pavel I with the purpose of strengthening the emperor’s personal security, however Pavel survived only 40 nights in it before he was murdered! Across the road in a pleasant park overlooking the palace there is a statue of Peter the Great posing as a Roman emperor. Today Mikhailovskiy Palace is an art museum (part of the Russian Museum) with lots of works by famous Russian artists including world-class painters like Chagall and Kandinsky. Architectural oddity: all four facades, N, S, E & W, are completely different in appearance.

Getting back on to Nevskiy Pr, a monumental piece of architecture that you’ll find hard to miss as you walk the street is Kazansky Cathedral. When I first noticed this panoramic building I mistook it for the parliament or the head-of-state’s residence, not a church. It has a large, extended colonnade, bookended by two huge square arches. The colonnade with a dominant central dome is shaped in a semi-circle which encloses a small, peaceful garden with a fountain. Kazansky Cathedral’s design was based on the iconic St Peter’s Basilica in Vatican City, much in the way that Peter the Great’s inspiration for Peterhof was the glory of Versailles. Visits inside the Cathedral during opening hours are free. Not far from here, still on Nevskiy, we stumbled on another ecclesiastical building very different to Kazansky. The St Catherine Armenian Apostolic Church, a little Armenian church set back from the street and dwarfed by all the large elegant Art Nouveau buildings close by. The Armenian church is a small but beautiful light blue and white building. From the street you only get only a glimpse of it as it is jammed in between two large, more pedestrian-looking buildings. Up close of course you get a better view, but unfortunately, the proximity of unconnected buildings block a full, wide shot of the whole facade. Still, it is worth your while to stop and check out this minor gem of a building.

Having seen the Hermitage/Winter Palace briefly at night I was keen to return during the day and take it in more thoroughly. The facade as viewed from the Alexander Monument is one huge green and gold panorama of a palace, the Hermitage is in fact a conglomeration of several buildings, the green one, Zimadvorets, being part of the whole (Tot Pustyn). The exterior of the Winter Palace is intended to impress the viewer with its sheer size and scope … mission accomplished from first sighting!

The interior of the Winter Palace is magnificent, but my takeaway impression of all that unbridled opulence and grandeur left me thinking that very often less is more! The Museum opens on to a sublime, white marble staircase which is unfailingly packed with large hordes of visitors snapping shots of everything in sight. Absolute plethora of portraits in a long corridor of Russian generals of the Napoleonic Wars, military types in glossy uniforms with varying degrees of facial hair. Did the Russians really need this many generals to counter Napoleon? The interior apartments has the decorative style of gold and white elegance of the Louis XIV interiors, it was all so reminiscent of what I had seen six years ago at Versailles Palace. The Hermitage as a whole simply drips grandiloquence to a grotesque level of self-indulgence. Peter the Great and his successors were wholeheartedly intent in engaging in a game of ‘one-upmanship’ with the 18th century French court.

The Hermitage’s art collection is the envy of art galleries worldwide, and makes many of the leading museums’ holdings pale by comparison. Fantastic array of 17th-18th century European art works on display including Rembrandts and paintings by other Flemish/Dutch masters, a Michaelangelo sculpture and two extremely rare Da Vincis. The art works by Western old masters in the Palace range from Rembrandts (several works), Rubens, Van Dyke, Brueghel, Titian, Veronese, Velaquez, Hals and Raphael to De Vinci and Michelangelo. Chinese, Egyptian, Prehistoric and Modern art is also represented in the Palace’s collections. I was more impressed with the art on display here than with what I saw in the highly-vaunted Museo Del Prado in Madrid. The interior design can be appreciated for its high aesthetic content, variety of styles and superior quality. The ornately-decorative rooms should also not be missed – St George’s Hall and Armorial Hall in particular are full of objects of refined taste and gilded beauty. Whenever you go you’ll have to compete with the big crowds, processions of large group visitors tramp it’s floorboards continually, but the experience & benefits are well worth it!

From the Winter Palace we ventured to the western outskirts of St Petersburg, to Peterhof, where comparisons with Versailles are even more pronounced. The grandeur of the Peterhof palace complex has earned it appellations like the “Versailles-Gorod” of Russia. Peterhof (Dut-Ger. origin, meaning “Peter’s Court”) in summer was crowded with visitors of course. We went primarily to see the Lower Park. Petrodvorets (the Grand Palace itself), in canary yellow and gold edging, looked a very splendid looking building, however we passed on getting tickets to go inside, partly because we didn’t have the time to do it justice but also we’d heard the interior wasn’t that special. Besides we still had the potentially even more exquisite Catherine’s Palace to come.

From the top of the bluff (the higher level of the grounds) the Lower Gardens and multiple fountains are a great sight, adorned with numerous classical golden statues, chequerboard floor and a channel opening out into the main fountain. Similarly, glancing back up from the bottom, the sloping Grand Cascade is also an impressive vision with the Palace as backdrop. The Chessboard Cascade with its dragon motif certainly attracts the young visitor. Well worth a look also is the low, long building, Monplaisir Palace on the sea and the garden and fountains of the Orangery. The most celebrated sculpture of the Orangery fountains is that of the mythological Triton fighting the sea monster and turtles, deeply symbolic to the Russians as signifying Peter’s victory over the Swedes in the Great Northern War.

One of the parts of Peterhof most popular with the flocking multitude is the Trick Fountains, Peter the Great’s own innovation apparently, but, again borrowed from the Versailles court of the French Sun-King. Having ordered that hundreds of fountains be constructed at Peterhof and elsewhere it shouldn’t be surprising that Peter the Great might get a bit bored with playing it straight and want to sabotage some of them – what a absolute card that man was! I can just imagine a bunch of nobles and boyars vociferously objecting to Peter’s practical joking … sure thing! In fact trick fountains were quite the fashion for absolute monarchs and rulers in the day. The Hohenems Prince-Archbishop of Hellbrun Palace in 17th century Salzburg got a similar kick out of seeing unsuspecting guests get doused by trick fountains, and like Peterhof, that tradition still goes on at Hellbrun today! Still, bread and circuses and all that … I say give the people what they want, and the trick fountains are certainly a big hit, the biggest source of merriment indeed in Peterhof’s Lower Gardens (and largely but not exclusively with children!). The only thing is, I suspect the element of surprise is losing traction, Peterhof’s trick fountains are so well known now … we were forewarned about it before we went there. That said, once there, you still need to be careful where you walk. Even if the idea of the trick fountain is a bit on the gimmicky side, it should be said that it does amuse (and cool down) the horde of people who gather round the gardens. What we found wasn’t impressive before leaving Peterhof was the thoroughly inadequate and disgusting toilet facilities at the entrance/exit, a small row of portaloos (insufficient in number for the amount of visitors) with the nauseating stench of raw sewerage piling up. Such a first-rate tourist attraction for St Petersburg warrants facilities more commensurate with its importance and popular patronage.

From the Summer Palace of Peterhof we headed to the southern districts of St Petersburg to the suburb of Pushkin, formerly called Tsarkoye Selo (“Tsar’s Village”), location of another breath-taking Romanov palace, Catherine Palace. The blue, white and gold-laden Palace we see today is the product of several 18th century reconstructions reflecting the varying tastes of empresses – from Catherine I to Elizabeth to Catherine II! The result, ultimately, is more of the same of what we saw at the Hermitage & Petergof, tasteful Italian elegance, unrestrained extravagant luxury and over-ornate decoration, but it is every bit as magnificent as those other St Petersburg palaces – probably more so. The quadrangle-shaped building has many unbelievably beautiful rooms and gold encrusted apartments, the Picture Hall, the Amber Chamber, the Green Dining Room, and so on. Again the interior recollects the majesty of Versailles, especially with its close similarity to the Hall of Mirrors.

The Palace grounds follow suit using Versailles as its inspiration (and even as a template). The manicured parks are equally as sublime as those at the Summer Palace, with their expansive relaxing areas, gardens, lakes and canals, unusual hedge patterns, etc. The Cameron Galleries with its bronze busts of famous historical figures and other sculptures is not to be missed either. In one of the lakeside buildings we heard an excellent performance of that traditional Russian standard, “the Volga Boatman” from a vocal quartet. The only disappointment at the Tsarskoye Selo palace was the limited lunch options on site, the relatively new restaurant was booked out on the day we visited, and because of the crowds at the palace we had a long wait for service at the other food outlets.