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A Typology of Roman Gladiators
Gladiator: Gladiatorius, from the Latin, gladius (“sword”)
We’ve all see gladiator movies, right? And most of us have probably seen either the eponymous Gladiator or its celluloid forebear Spartacus, or some inferior version of the cinematic sub-genre. A bunch of armed desperados fighting for their lives in the arena for the pleasure of Caesar and co. On the screen gladiators all seem much of a muchness with some variations of weaponry, but it may surprise some to discover that contrary to the world of movies, in reality there were a whole host of different types or classes of gladiatorial warriors plying their brutal and perilous trade in Ancient Rome.
The first record of gladiatorial contests in antiquity dates to 264BC and there’s some evidence that the Etruscans were forerunners to the Romans in this combative pastime. By the time of the opening of Rome’s Colosseum (80AD) the gladiatorial games (Munera gladiatoriaⓐ) were a serious business, with prize money and betting on matches the norm. Gladiators served a two-year internship with one of four special arena-schools (ludus) that specialised in training new gladiators of different types. With the fights strict rules and etiquette applied in the arena (pompa), and careful planning went into the bouts. The organisers sought to put on strategic contests with well-matched opponents…these promotions were above all entertainments, and no one involved with the promotions wanted them to end too quicklyⓑ.
Let’s look first at the types of gladiators that we’re probably most familiar with thanks to Hollywood, Cinecittà, etc. before moving on to other ones that film-makers didn’t bother to research. Moviegoers will recognise the lightly-armoured gladiator wearing a manica (arm guard) who fights with a weighted net (rete), dagger (pugio) and three-pointed trident (fuscina or tridens), trying to ensnare his sword-wielding opponent within his net and skewer him. The movies are not big on the typology of gladiators, tending to lump them altogether under the generic name, but this arena net-fighter in the Roman world—resembling and modelled on a fisherman—was called a Retiarus (pl: Retiarii). It would be very unusual for a Retiarus to fight another Retiarus, gladiators of the same class did not normally fight each otherⓒ, it was much more interesting to see a gladiator tests his skill and weapons against an opponent with a distinctly different set of weaponry. In particular Romans were fascinated by the prospect of a lightly-armed gladiator and a heavily-armed gladiator going head-to-head, the former testing his speed and agility against the skill and precision of the latter (Marlee Miller).
Symbolic battle of the sea The Retiarus would usually be matched, for contrast, against a heavily armed gladiator with a helmet, long sword and shield. This was the Secutor (“follower” or “chaser”)ⓓ or the similar Murmillo. The Secutor held a scutum (large oblong shield) and gladius (short sword, 64-81cm in length) with protection on his right arm and left leg. The full-visor helmet worn by both the Secutor and the Murmillo had a fish-like appearance, imbuing the Retiarus v Secutor/Murmillo contest with the symbolism of a battle between angler and fishⓔ.
The Retiarus seems to have provided the inspiration for another entrapment style of gladiator, the Laquerius (= “snarer”). Laquerii pursued a similar strategy and tactics as the net-man but used a lasso or noose to catch and subdue his opponent. The “snarer” in the illustration below is armed with a trident though his usual weapon would be a poniard or sword. The Veles (= “skirmisher”), armed with a spear, sword and parmula shield, was another lower-level gladiator with a similarly indirect style of fighting.
Barbarian vs Greco-Roman The Thraex (Thracian) gladiator was a bit of a variation on the Secutor theme…entire head enclosed in a broad-rimmed helmet, a parmula shield (small, circular, lighter but still made of steel), armoured greaves (leg guards) and a Thracian short curved sword (a sica) about 34cm-long. The Thraex was usually up against the Hoplomachus (so-named for his equipment which resembled the Greek hoplite soldier), whereas the Murmilloⓕ tended to be matched with both. The Hoplomachus (“armoured fighter”) wore heavy protective gear and a bronze helmet and was armed with a small concave shield, sword and spear (hasta).
Proto-gladiator The Samnite gladiator (from Samnium in southern Italy), thought to be the first type of Roman arena fighter, was the prototype of the Secutor, Murmillo, etc., with similar apparel and weaponry, short sword, rectangular shield and rimmed helmet. The Samnite was very popular during the Roman Republic, but when Samnium became an important ally of Rome under Augustus, the Samnites stopped featuring in the contests.
There was also the gladiator types who used an unusual weapon, the Scissor…his fighting instrument had two parts, a long tube that protects the gladiator’s arm, and at its end, a thin cylindrical pipe with a crescent-shaped blade. Scissores were often pitted against Retiarii, which could be to his advantage if he could get close enough to cut his opponent’s net with the pincer movement of his open scissors. Another, minor type of gladiator, the Arbelas, utilised a weapon, the Arbelos, which resembled a cobbler’s semi-circular blade.
Gladiator vs the animal kingdom Two very different types of gladiators shared the arena with captured animals. One type, called Bestiarii (“beast-fighters”) fought wild animals like lions, leopards and bears in the amphitheatres, but with the odds massively stacked against them. As condemned criminals or prisoners-of-war they were basically “thrown at the beasts as punishment or spectacle”, most with nil chance of survival (Encyclopedia Romana). The second, the Venatores (“hunters”) were much more fortunate, they were fully armed and got to hunt down an assortment of beasts.
The Dimachaerus (Greek for “bearing two knives”) fought their opponents (often the Hoplomachus) using two swords (usually a pair of curved scimitars). These ambidextrous gladiators were considered by the elite and the people alike as having low prestige, due to the general disapproval of their method of fighting and reliance on dual weaponry (the sica), which the Roman populace considered sneaky (‘The Roman Guy”).
Other gladiator classes tended to be even more bizarrely left-field – the Andabata gladiator was drawn from the noxii (criminals who had been sentenced to death in the arena). These unfortunates armed with a gladius were forced to fight blindfolded (ie, they wore a helmet which was devoid of any aperture rendering them effectively sightless). The Essendarius romped spectacularly into the arena aboard a war chariot (called an essendum), but whether he immediately dismounted and fought on foot or initially from the chariot is a matter of speculation. The Cestus seems more boxer than gladiator, he had no body armour and his only weapon was a padded glove containing pieces of iron, blades and spikes. The Bustuarius (= “tomb-fighter”) fought not in the arena but about the funeral pyre as part of the ceremony honouring the newly deceased. Accordingly he was given even lower status than other gladiators.
The Crupellarius was a kind of despised apprentice gladiator. He fought weighed down by heavy armour that comprised a “bulky continuous shell of iron”. Historian Tacitus described the Crupellarii “as a contingent of Gaulish, slave, trainee gladiators”, adding that “they were too clumsy for offensive purposes but impregnable in defence” (Book III, 43, 46 in The Annals of Tacitus, Loeb, 1931).
Women’s place in the arena?: Did the Gladiatrix (woman gladiator) exist in the ancient world? Yes! It was very rare and typically met with male censure but there was some Roman gladiatrices who were active in the sport. Sources for the gladiatrix are very threadbare however…historian Cassius Dio makes reference to Emperor Titus permitting female gladiators to perform but on the proviso they were of “acceptably low class”ⓖ (there is however some evidence of elite women, as well as from other classes of Roman society, participating as gladiatrices including as Venatrixes from the 1st century BC). Where they did take part in amphitheatre fights a gladiatrix fought against her own sex – with the single exception mentioned by Cassius Dio, that Emperor Domitian staged night games which pitted gladiatrices against dwarfs.
Sideshow to the main event Gladiatorial combats in the Colosseum, like Shakespeare’s Tragedies, were deadly serious affairs, but like the Tragedies it was considered prudent to include an outlet for comic relief. In the pompa this was provided by performances by the Paegniarii, pseudo-gladiator entertainers who fought “burlesque duels” with blunted or mock weapons, especially during the midday break (‘List of Roman Gladiator Types”). The appearance of dwarf (pumilus) gladiators in the amphitheatres were probably also part of the light entertainment fare for the spectators.
Behind the scenes players in the gladiatorial business
Editor: this was the producer who financed or sponsored the gladiatorial spectacles
Lanista (manager): the owner-trainer of a troop of gladiators (known as a familia); involved active player in the trade of slave-gladiators; rented gladiators to the editor for contest events
Lorarius: an attendant who whipped reluctant combatants or animals into fighting
Rudis: the referee; a senior referee was called summa rudis
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A gladiator who won his freedom was awarded a rudis (“wooden sword”) and was known accordingly as a Rudiarius. Some retired gladiators became trainers or Doctores (“instructors”), assistants or referees. Some gladiators or ex-gladiators hired themselves out as bodyguards for wealthy and important Romans.
Gladiator movies’ legacy of lingering myths If you were to rely solely on English and Italian language gladiator movies as a representation of historical accuracy you would come to certain conclusions. One would be that all of the arena fighters seemed to be infames, either criminals or enslaved “barbarian” prisoners-of-war who were pressed into the profession against their will. Initially this was the case, however by the end of the Roman Republic the demographics had shifted to the extent that volunteer gladiators, known as Auctoritas, comprised half of the amphitheatre fighters (Encyclopedia Romana)ⓗ. A second conclusion to draw from viewing examples of the sub-genre on screen is that gladiators fought to the death and therefore there was a high casualty rate in the arena. The reality was quite different. Sine missio (👎🏼 no mercy given) contests were rare, it was much more common occurrence for bouts to end with a missio outcome (👍🏼 mercy granted). Often economics rather than compassion swayed the outcome, gladiators were a very valuable commodity to the editor/owner and the rich and powerful had a vested interest in protecting their investment (Miller). Historians vary in their estimates of the numbers who died as a result of the combats but the concensus is that it was low. According to Suetonius (Life of Nero, XII. 1), in one full year in Nero’s Campus Martius amphitheatre no one died. It needs to be remembered that the Rome’s gladiatorial games constituted only a small window of the year, about 10 to 12 days and that most gladiators only fought about twice in that period (Encyclopedia Romana), which in itself would limit the death toll.
ⓐ Munera gladiatoria was part of the system that required Roman citizens of high status and wealth to provide public works and entertainment for the pleasure of the Rōmānī people
ⓑ for the combatants too, there was no virtue perceived in easily defeating a weaker opponent (Encyclopedia Romana)
ⓒ an exception to this was the Provocator (= “challenger”) who wore heavy legionary armature and fought other Provocatores
ⓓ the Secutor was so named because he would pursue the lightly armed Retiarus – from sequor (“I follow, come or go after”)
ⓔ Retiarii tended to be derided as a type of gladiator—they were seen as an effeminate (low) class because of their indirect fighting style—the net-man was described derogatorily as Retiarius tunicatus (“tunic”), despite the fact that he was one of the most successful gladiators in the arena
ⓕ introduced to replace the Gallus, “barbarian” prisoner-gladiators from Gaul
ⓖ that many Romans thought the gladiatorial profession was suitable only for the lower, especially criminal (infames), classes, is a recurring theme, notwithstanding this some middle-upper class citizens did fight in the arena. Known as Eques, these lightly-armoured knights fought on horseback but were only permitted to pit their skills against other members of the Eques
ⓗ even one Roman emperor, the egocentric Commodus, “volunteered” to participate in the Colosseum gladiatorial combats as a Secutor (and Venator) sparking widespread disapproval among Romans
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Reference materials, articles and blogs consulted
‘Types of Gladiators That Fought In The Colosseum’, The Roman Guy, www.theromanguy.com
‘The Roman Gladiator’, Encyclopedia Romana, http://penelope.uchicago.edu
‘Gladiators: Types and Training’, Marlee Miller, The Met, August 2023, www.metmuseum.org
‘5 Famous Ancient Roman Gladiators’, Michael Waters, History, Upd. 07-Jun-2023, www.history.com
‘The Roman Scissor: Gladiator, Weapon, or…? (AKA: Return of the Arbelos’, (Alessandro Bettinsoli), Eleggo.Net, 18-Dec-2016, www.eleggo.net
‘List of Roman Gladiator Types”, www.wikiwand.com
‘Gladiators – Slavery and Sex’, www.home.eol.ca
A Logolept’s Diet of Obscure, Obsolete, Curious and Downright Odd “V” Words
”V” for verbiage – a plethora of words!
V (lower case: v) is the twenty-second letter in the Latin alphabet, it appears in the modern English A—Z as well in as the alphabets of other western European languages. Its name in English is pronounced vee. As is the case with its sequential predecessor, “U”, which was the conduit for V’s linguistic journey, “V” ultimately comes from the Phoenician letter waw.The letter “V” in the popular consciousness is forever associated with “victory”, a symbolic nexus forged during the Second World War as a rallying call for the Allies’ war effort. It’s originator, an obscure Belgian politician, largely forgotten by the overarching giantic shadow of the phrase’s populariser, that wallflower of the shrinking violet variety, Sir Winston Churchill, for which the term “V for victory”, along with its accompanying Winnie trademark two-digit gesture, is eternally associated. Again, as with the letter “U”, Latin root words form the nucleus of “V” words in the following list.
<word> <meaning> <derivation>
Vaccimulgence: the milking of cows [L. vacci- (“cow”) + –mulgentia (“milking”)] 🐄 🥛
Vadelect: serving man, part of the household staff; personal servant [L. vadelectus, vad- (“go”) + unknown (?)]
Valetudinarian: a person who is obsessed with some ailment; hypochondriac [L. valēre, (“to have strength”; “to be well.”) + -ian]
Valuta: comparative value of different currencies (USD: AUD, etc) [[L. valēre]
Vaniloquent: speaking only of oneself or speaking egotistically [L. vanus (“vain”) + –loqui (“speak”)]
Vapulate: to beat with a whip [L. vāpulō [Prob. onomatopoeic in its origin, meaning “cry”; “wail”) from which meaning the attested meaning “be beaten, be stricken” evolved]
Veduta: panoramic view of a town; highly detailed, often large scaled painting or print of a cityscape or other vista [It. veduta (“view”)]
Vellichor: the strange wistfulness of used bookstores, which are somehow infused with the passage of time [velli- (unknown?) + -chor (“sing”; “dance”)]
Velocious: with great speed [L. veloc-, velox (“quick”) + -ious] (cf. Velocipede: swift-footed person)
Velologist: collecting of, study of, buying & selling of vehicle tax discs (UK) [L. velo (unknown?) + -logy]
Venator: (also Venerer) hunter; huntsman (cf. Venatrix (Fem.)); (Hist.) a type of Roman gladiator who specialised in hunting wild animals; type of wolf spider 🕷️ [from L. vēnor (“I hunt”) + -tor]
Vendible: capable of being sold [L. vēndere (“to sell”) + -bilis (“capable of being acted upon)”]
Venineman: juror (derivation unknown)
Ventripotent: having a fat belly, or being a glutton [L. ventr-, venter– (“abdomen”) + -potent-, potens, from OldLat. potēre (“to be powerful”)]
Venustaphobia: fear of beautiful women [L. Venus (“Roman goddess of love and beauty”) venust (“beautiful”) + -phobia]
Verbarian: coiner of words [MidLat. verbum (“word”; “verb”) + -arian]
Verbigerate: to continually repeat a word or phrase meaninglessly, usually unconciously [L. verbum (“word”) + -gerare, from gerere (“to carry”)]
Verger: church usher and attendant [L. verge (“rod”; “wand of office”) + -er] ⛪️
Veriloquent: speaking nothing but the truth [L. vērāc– (“true”) + –loqui] (cf. Veridical: veracious; genuine; truthful)
Vernarexia: (also Vernalagnia) a romantic mood brought on by Spring; “Spring Fever” [L. vernal (“spring”) + -orexia (“desire”)]
Versutiloquent: speaking craftily [ L. versūtus, from vertö, versum (“to turn”) + loqui] (cf. Versute: crafty; wily; artful)
Vertiginous: extremely high or steep; giddy, dizziness (affected by Vertigo) [L. veriginosus, from vertigo (“whirling about”)]
Vespertine: happening or active in the evening; flourishing or flowering at night [Gk. Hesperus is from (“evening star”) + -ine] (cf. Vesper: evening; the evening star)
Vesthibitionism: the flirtatious display of undergarments by a woman [L. vestimenta, (“clothes or undergarments”) + –exhibeo, (“to show”) +-ism]
Vestigial: a very small remnant of something once greater or more noticeable; rudimentary or degenerate organ/body part [Unknown, possibly from earlier verstīgium, from L. verrō (“to sweep”), or poss. from vē- + stīgō, from Proto-Indo-European stéygeti (“to walk”)]
Vetanda: forbidden things [Vetanda in Sanskrit vetanda (? “elephant”)]
Vetust: very ancient [L. vetustus (“old, ancient”)]
Vexillologist: a collector of flags for display [L. vexillum (“flag”) + -logist] 🇧🇷🇧🇮🇬🇱🏴🇨🇽🇺🇬🇨🇼
Viātor: “traveller;” “wayfarer” [from L. via (“track or road”) + -tor] (cf. Viaggiatory: traveling frequently)
Vicennial: occurring every twenty years [LateLat. vīcennium, (“period of twenty years”)]
Vicinage: neighbourhood; residents in a neighbourhood [L. vīcīnus (“neighbour”)]
Victrix: female victor [from L. vincere (“conquer”)]
Victualler: one who operates a pub or eatery; supplier of provisions to a naval ship or army; seller of alcohol [L. victus (“food”) + -ler]
Videndum: the thing to be seen [L. vindendus, from videō (“I see”)]
Vigneron: wine-grower 🍷 [from OldFr. vigne, (+ -ron) from L. vīnea (“vines in a vineyard”)]
Vilipend: to treat or regard with contempt; to belittle; to speak slanderously or slightingly of someone [LateLat. vīlipendere, from L. vīlis (“worthless”) + -pendere (“to esteem”)]
Virago: a woman who demonstrates abundant masculine virtues [L. virāgō (“vigorous maiden”) from vir– (“man-like”) + -ago] (cf. Viraginity)
Virgivitiphobia: a fear of being raped [L. virgi (“marriageable girl”?) + -phobia]
Viripotent: fit for a husband; marriageable [L. vir (“man”) + –potens (“fit for”)]
Virvestitism: a preference of some women to wear mens clothing [origin unknown)
y [L. viaggiatore (“traveller”; “voyager”) + -tory)] (cf. Viator:
Viatical: of, like or pertaining to roads or travel (cf. Viatecture: construction of roads and bridges)
Vociferant: clamorous; shout; complain; argue loudly or vehemently [L. vox (“voice”) + –ferre (“carry”)]
Voluptuary: sensualist; person fond of luxury [ LateLat. voluptuārius, from L. voluptārius (“pleasure-seeker”; “agreeable”; “delightful”; “pleasant”; “sensual”), (cf. Volupty: sexual pleasure)
Voraginous: pertaining to something which devours everything [L. vorāginōsus, from vorāgō (“abyss”) + -ous]
Vorago: gulf; chasm; abyss (origin unknown)
Votary: a devoted follower, esp a monk or nun; adherent; a staunch advocate of someone or something else [L. vot (“vowed”) + -ary]
Vulgus: the common people [L. volvō (“I roll”; “turn over”) (cf. Vulgo: commonly; popularly)
Vulpine: pertaining to foxes; (Literal: crafty; cunning [L. vulpinus, from vulpes (“fox”)] 🦊
Feasting Out on Peplum, Swords, Sandals and Sorcery: A Short-lived Historical/Mythological Film Sub-Genre
As a kid I was wholly immersed in what film critics call ”epic films“…those mega-large scale productions with sweeping scope and spectacle, unfettered extravagance, lavishly costumed, a cast of thousands (actual persons, not a computer-generated substitution of a multiplicity of images for people en masse), exotic locations, loosely set in a far ago historical context which could be Biblical, could be Viking sagas, Sinbad the Sailor/Arabian Nights adventures, 16th century pirates, Spanish Conquistadors in the New World, 12th century Crusaders venturing forth for the Holy Land or from countless other pages in the chronicles of history. Even movies which mix myth with history like the Robin Hood sagas or the Arthurian legend drew me to their flame. But it was the world of antiquity, in particular the BC era as interpreted on celluoid screens large or small that most fired my imagination. My all-time favourite viewing entertainments back then were “sword-and-sandal” movies. Yes okay I admit that when we got a TV set in the late Fifties, watching Westerns started to consume the lion’s share of my leisure time, but by circa 1960 there was just so many damn TV westerns, “horse operas”, “oaters” call them what you like monopolising air time on the box, that you had to be discerning to avoid them (which I wasn’t!).
King of Kings (1961): dubbed “I was a teenage Jesus” by critics upon its release
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The Peplum: This quintessential term in the epic film lexicon comes from the garment worn by Greek women in the Archaic era, the peplos. What the Hellenic women of antiquity called a peplos—a long outer robe or shawl which hung from the body in loose folds and sometimes was drawn over the head—is a far cry from how moviemakers in the mid-20th century conceived the garment. Peplaⓐ in the Greco-Roman cinematic universe were a much sexier affair, mini-length tunics to show off shapely legs (and worn by both sexes).
Peplum fashionistas
In that less prescriptive age when no one fretted much about the adverse physiological (or psychological) effects on juveniles of their maxing out in front of the idiot box 12 hours a day, my penchant was to get as much Hollywood epic blockbusters into me as I could manage—this included such classic Hollywood biblical and historical fodder as Ben-Hur, The Ten Commandments and Spartacus —seeing them in the picture theatre and again on television when they turned up there. If I had to nominate one ancient world epic flick as my all-time favourite though, I’d probably plump for the 1963 Jason and the Argonauts movie– admittedly a smaller scale ‘indy’ production without the big name star drawing power (maybe more “epic-lite?”). It’s stellar appeal lay in part, like its more famous fellow Greek myth story, “The Odyssey”, in the adventure-packed extravaganza of its Classical heroic tale, its virtuous protagonist’s quest and ultimate triumph against the longest of odds stacked against him. But what elevated Jason and the Argonauts above the pack for my 11-year-old self was undoubtedly the film’s fantasy special effects. I was captivated by the myriad of fearsome legendary creatures created by Ray Harryhausen’s ground-breaking SFX wizardry—though to more discerning adult eyes they must have looked decidedly “hokey” and “stilted”—the glorious highlight of which was the iconic scene where Jason single-handedly battles the frenetic army of animated sabre-wielding skeletons – and emerges triumphant of course!
Jason and the Argonauts (1963): Harryhausen’s Special FX
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At some point in my juvenile years I developed a special fondness for Italian-made sword-and-sandal ⓑ flicks, something which I find hard today to rationalise. These are films, made primarily between the late Fifties and the mid Sixties, with trite, ludicrous and meaningless translated titles like Goliath and the Vampires, Hercules Against the Sons of the Sun, Samson Against the Sheik and Ursus in the Valley of the Lions. Most are set in ancient Greece, sometimes in Rome or elsewhere within the Empire (occasionally somewhere more exotic), and characteristically with storylines and events riddled with anachronisms.
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The sword-and-sandal formula Robert Rushing defines the peplum as “depicting muscle-bound heroes…in mythological antiquity, fighting fantastic monsters and saving scantily clad beauties”. Sloppily dubbed into halting English, atrociously woodenly acted, scenes lacking continuity, the plots are ludicrously formulaic, typically involving a superhuman strong man hero who stereotypically runs through his repertoire of superhuman feats of strength, triumphing over all foes while rescuing a beautiful but defenceless heroine (typically wearing the briefest peplum imaginable) and sometimes liberating the oppressed masses to boot at the same time. Unlike Hollywood’s lavish epic spectacles (Quo Vadis?, Cleopatra, Ben-Hur, etc.) , these Italian homegrown peplums were decidedly low-budget flicks which zeroed in on the hero’s beefcake attributesⓒ. (‘Sword-and-Sandal’, Wikipedia, http://en.m.wikipedia.org). The Italian cinematic peplum was indeed a curious passion of my pre-teen to early adolescent years.
Hercules (1958) with Steve Reeves: prototype for the Italian sword-and-sandal film
Hercules by another name The ur-peplum was Hercules (Italian title: Le Fatiche di Ercole), released in 1958, starring American bodybuilder-turned-actor Steve Reeves, an instant hit which pocketed >$5,000,000 profit for the producers and backers and unleashed a steady stream of sequels starting with Hercules Unchained. As a variation to Hercules, other strongman protagonists were added to subsequent peplum movies, including Samson, Goliath, Ursus and Italy’s own folk hero Macisteⓓ. By 1965 the peplum was pretty much passé in Italy, with the void quickly filled by Spaghetti Westerns and Eurospy films.
My fascination with this Continental movie sub-genre was even more remarkable and unfathomable because, even then, I knew that the films were egregiously badly put together! Watching them was like being drawn against your better instincts to look at something as horrific as a car crash…you know it’s wrong but you just can’t resist the temptation. The unequivocal fact that the sword-and-sandal pictures were such thoroughly execrable, absolute turkeys of films perversely had precisely zero impact on my satisfaction quotient during my early impressionable years!
This 1964 ”Sword-and-sandaller” Maciste Contre Les Hommes De Pierre was released in English as Hercules Against the Moon Men, (“Hercules meets Sci-Fi”)
Footnote: Now at an age where I am hurtling towards senectitude I find the grainy and tired-looking footage and the equally tired storylines so unappetising that I couldn’t even stuck it out for 10 minutes, let alone stay the course of a peplum…but even with my profoundly diminished enthusiasm I still hold a soft spot for the deeply flawed sub-genre…I guess that’s simply nostalgia kicking in – the remembrances of things past which seemed better then (ie, in my youth) than they do now guided presumably by a more mature, more measured outlook.⿻⿻⿻
The sub-genre’s popularity in the early ’60s prompted the Three Stooges to get in on the act with a slapstick, farcical take on the Italian peplum The Three Stooges Meet Hercules (1962)
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ⓐ plural of peplum
ⓑ “sword-and-sandal” and “peplum” are used interchangeably to describe this sub-genre, both terms have a disparaging connotation. The sorcery component of the sub-genre was something I could take or leave
ⓒ so to have the lead convincingly looking the part, professional bodybuilders, athletes and wrestlers were transformed into actors and cast as the Herculean-like protagonist
ⓓ Maciste as strongman in the peplum films was resurrected from a previous incarnation in the silent era of Italian cinema
A Logolept’s Diet of Obscure, Obsolete, Curious and Downright Odd “U” Words
The letter “U”, 21st letter and ultima vowel of the Latin alphabet, phonemetically one-half of the letter “W” (“double-U”). “U” derives from the Semitic waw, as does F, and later, Y, W, and V. Pictorially its oldest ancestor goes to Egyptian hieroglyphs, and is probably sourced from a hieroglyph of a mace or fowl, representing the sound [v] or the sound [w]. This was borrowed to Phoenician, where it represented the sound [w], and seldom the vowel [u]. The bulk of the U-words that follow reveal the extent of the debt of their Latin roots.
<word> <meaning> <derivation>
Uberous: yielding an abundance of milk 🐄 🥛[L. uber (“full”; “fruitful”; “fertile”; “abundant”; “plentiful”; “copious”; “productive”) + -ous] (cf. Uberty: fruitfulness; abundantly productive)
Ubicity: whereabouts [L. ubi (“where”) + -icity] (cf. Ubique: everywhere)
Ucalegon: neighbour whose house is on fire [eponym from ancient Greek. ~ an Elder of Troy, Ucalegon’s house was set afire by the Achaeans during the sack of Troy (the Iliad; the Aeneid]
Ulotrichous: having woolly hair [Gk. oûlos, (“crisp, curly”) + –trikhos, (“haired”)]
Ultimo: of last month [L. ultimo (“mense”) (“in the last month”)]
Ultimogeniture: inheritance/right of succession going to the last son [L. ultimus (“last”) + Late Lat.-genitura (“a late birth”)]
Ultracrepidate: to criticise beyond the range of one’s knowledge; to go beyond one’s purview [L. ultra crepidam (“beyond the sandal”)]
Ultrafidian: going beyond more than mere faith; gullible [L. ultrā (“beyond”) + -fidem (“faith”) + -ian]
Ultrageous: violently extreme [L. ultrā + –geous(?)]
Ultraist: someone holding extreme views [L. ultrā + -ist]
Ultramontane: south of the Alps; other side of the Alps; a Catholic Church belief that supports the pope’s supreme authority [L. ultrā + -mont-, -mons (“mountain”)]
Ultroneous: pertaining to a witness who testifies voluntarily [L. ultroneus, from ultro (“to the further side, on his part, of one’s own accord”)]
Unasinous: equally as stupid as each other [L. ünus (“one”) + -asinus (“ass”) + -ous]
Unctuous: oily; slimy; greasy; offensively suave and smug; ingratiating; sycophantic [L. unguere (“to anoint”) + -ous]
Undecennial: occurring every eleven years [L. undecim (“eleven”) + –ial]
Undinism: the trait of having erotic thoughts when viewing or contemplating water; an awakening of the libido caused by viewing running water or urine [L. unda (“wave”) -ism]
Unicity: the fact of being or consisting of one, or of being united as a whole; the quality of being unique [L. ūnicitās, ūnicus (“uniqueness”) + -ity]
Unigeniture: the state of being the only begotten (ie, fathering a child into existence) [L. unigenitus (“only-begotten”), from unus (“one”) + –genitum (“to beget”)]
Unipara: a woman who gives birth only the once [unus, unius + –parus (“to produce”)]
Unsinew: to take the strength from [un- + from Old Saxon. sinewa]
Untreasure: to despoil [un- + Gk. thēsaurós, (“treasure house”)]
Unwithdrawing: not withdrawing or retreating”; “lavish or liberal” [un- + MidEng. from with from + drawen (“to draw”)]
Unzymotic: fabulous [(?) un- + zumoûn (“to ferment”)]
Upaithric: roofless; open to the sky [Gk. hypaithros, from hypo- + aithēr (“ether”; air”)]
Upas: poisonous or harmful institution or influence [Indon. Malay pohon upas (“poison tree”)] 🌳
Uraniscus: roof of the mouth; the palate [Gk. ouranískos, (“ceiling”)]
Uranism: male homosexuality [Gk. ouránios, (“heavenly”; “spiritual”)]
Urinator: a diver, especially someone who searches for things underwater [L. ūrīnātor (“diver”), from ūrīnor (“to plunge under water”; “dive”), poss. from ūrīna (“urine”; water(?))]
Ursine: of, like or pertaining to bears [from L. ursus (“bear”)] (cf. Ursiform: having the shape or appearance of a bear)
Urticant: (Path.) causing a stinging or itching sensation; irritating [MedLat. urticant-, urticans, from L. urticare (“to sting”)]
Usance: (orig.) habit; custom; firmly established and generally accepted practice or procedure; use, employment; (obs.) interest [L. ūsant-, from ūsāre (“to use”)]
Usitative: signifying a usual act [L. usitari (“to use often”)]
Usufruct: (Civil Law) the right to use and enjoy something; a limited real right which unites the two property interests of usus (usage of or access to) is the right to use or enjoy a thing possessed, directly and without altering it) and fructus (the right to derive profit from a thing possessed: eg, by selling crops (the “fruits” of production), leasing immovables or annexed movables, taxing for entry, and so on [L. uses et fructus (“use and employment”)] 𓍝
Uxorial: of, like or pertaining to a wife [L. uxōrius (“of or pertaining to a wife; overly fond of one’s wife”) from uxor (“wife”) + -al ] (cf. Uxorious: excessively fond of one’s wife) (cf. Uxorodespotic: morbid domineering by one’s wife; wifely tyranny of her husband ➲ (cf. Maritodespotism: tyrannical rulership of a wife by her husband)
⛩︎⛩︎⛩︎⛩︎⛩︎⛩︎ ⛩︎⛩︎⛩︎⛩︎⛩︎⛩︎ ⛩︎⛩︎⛩︎⛩︎⛩︎⛩︎
A Logolept’s Diet of Obscure, Obsolete, Curious and Downright Odd “T” Words
The letter “T”/“t”, in English pronounced tee, numero venti (20) in the Latin alphabet, like many of its letters owes its advent to the Phoenicians et al. It derives from the Semitic Taw 𐤕 and Paleo-Hebrew script (Aramaic and Hebrew Taw ת/𐡕/, Syriac Taw ܬ, and Arabic ت Tāʼ) and once again the linguistic go-between is the Greek letter τ (tau). Unlike the English “T”, Taw was the last letter of the Western Semitic and Hebrew alphabets. The T-words that follow consist of lexemes and morphemes of all shapes and sizes, including the unholy trinity of the trim, the taut and the terrific, not to forget the terras, the teles, the technos, the thermos, the tachys, and a whole lot more!
<word> <meaning> <derivation>
Tabefaction: wasting away; emaciation (origin unknown)
Tabellary: auditor; carrier of letters [L. tabellārius from tabella (“letter”) + -ārius]
Tabellion: (Hist.) a scrivener under the Roman Empire with some notarial powers; an official scribe or notary public especially in England and New England in the 17th and 18th cent. [from L. tabella + -ion] 🪶
Tacenda: things not to be mentioned [from [L. tacëo (“silent;” “shut up”)] (cf. Tacent: (“to be silent”; “hold one’s tongue”)
Tachyphrasia: the act of talking very fast [Gk. takhús, (“swift”) + -phrasia (“talk”; “say”)] (cf. Tachyphagia: fast eating) (cf. Tachygraphy: shorthand; literally, “speedy writing” ✍️
Taliped: with a club-foot; with a foot twisted out of shape or position [L. talus (“ankle”) (?) + –ped (“foot”)]
Tambour: (Arch.) sloping buttress wall or fortification [Fr. tambour (“drum”), from Arabic ṭunbūr]
Tantième: share of profits or royalties [Fr. tantième (“percentage”;“proportion”)]
Tapinosis: use of degrading or diminutive diction regarding a topic; undignified language that debases something or someone; deliberately using a base word to diminish a person or thing’s dignity [Gk. tapeinós, (“low”)] (cf. Meiosis – using a euphemism to depreciate an object or thing’s size or significance)
Tarantism: (Psych.) an extreme impulse to dance, esp to overcome a feeling of melancholy [It. tarantismo (from Italian city of Taranto (during (15th-(17th. a spider bite from the tarantula was believed to trigger the dancing mania)] 🕷️
Tardiloquent: speaking slowly [L. tardi (“slow”) + –loqui] (cf. Tardigrade: slow-paced)
Tauromachy: the art or practice of bullfighting [Gk. taurus (“bull”) + –machia (“fight”)] 🐂
Tautochronous: lasting the same amount of time [Gk. tauto (“the same”) + –khrónos (“time”) + -ous]
Tautonym: word composed of two identical words/spellings/sounds (in repetition) eg, paw-paw, yo-yo 🪀 [Gk. tautó, (“the same”) + –onuma (“name”)]
Technopole: place where high-technology industries are located; tech hub [Gk. tékhnē, (“skill”) + –pólis (“city”)] (cf. Tectiform: shaped like a roof) (cf. Tectonic: structural component of a building/construction)
Telegenic: having an appearance and exhibiting qualities thought to be attractive to television viewers [Gk. têle, (“at a distance”; “far off”; “far away”; “far from”) + -genḗs, (“offspring”; “kind”)]
Telekinetic: (Psychic.) supposed skill to move objects at a distance by exercising your mental power only [Gk. têle + –kinēsis (“motion”) from -kinein (“to move”)]
Telos: ultimate object or aim; provides the moral justification [Gk. télos, (“end”; “purpose” or “goal'”)]
Temporality: (Philos.) linear projection of past, present and future; existing within or having some relationship with time; temporal [L. temporālis (“of time”) + –itāt, itās]
Tempore: in the time of; in historical literature, denotes a period during which a person whose exact lifespan is unknown, was known to have been alive or active, or some other date which is not exactly known, usually given as the reign of a monarch [L. tempus (“time”; “period”)] (cf. Temporise: to delay; to procrastinate) 🕰️
Tenebrific: producing darkness [NewLat. tenebrae (“darkness”) + -i- + -ficus] cf. Tenebrose: dark; gloomy) 🌃
Tentamen: experiment; attempt [L. tentāmen (“attempt”)] (cf. Tentation: experiment by trial and error)
Tentigo: priapism, tumescence; morbid lasciviousness [L. tentīgō (“lust”), from tendō (“stretch”)] (cf. Tentiginous: “lust-provoking”)
Teratology: study of monsters, freaks, abnormal growths or malformations [Greek terat-, téras– (“sign sent by the gods”; “portent”;“marvel”; “monster”) + –logie (“-logy”)] (cf. Teratoid: resembling a monster) (cf. Teramorphous: of abnormal or monstrous form)
Terdiurnal: three times per day [L. ter (“thrice”) + LateLat. –diurnalis “daily”)
Terebration: a pain that feels as though a drill is boring through some body part [L. terebro, (“to bore”) + -ion]
Tergal: of, like or pertaining to the back; (Zool.) relating to the terga of an arthropod [L. terga (“the back”)]
Tergiversation: the act of evading any clear course of action or speech, of being deliberately ambiguous; equivocation; fickleness [L. tergiversātiō, from tergiversārī (“to turn one’s back, to evade”; to avoid”) + -tiō (“-tion]
Termagant: a violent, nagging, brawling woman; a shrew [MidEng. termagaunt, earlier tervagaunt, alteration of OldFr. tervagan (“name of the imaginary deity”)]
Terraneous: of, like or pertaining to the earth [L. terrenum (“land”; “ground”), from terra (“earth”) + -ous] (cf. Terrigenous: produced on land; produced by the land)
Terremotive: (Geology) relating to an earthquake; seismic [L. terra (“earth”) + –mōtus (“movement”)]
Terrisonant: having a terrible sound [L. terrëo (“frighten”; “terrify”; “scare away” + -ant]
Tessaraglot: a person who is capable of speaking in four languages [Gk. téssara (“four”) + –glôssa (“tongue”)] 👅
Tessellation: fitting together exactly; leaving no spaces; surface tiling with no gaps or overlays [L. tessella (“small square”) from Gk. tessera, (“four”)]
Tesserarian: of, like or pertaining to games of dice [Gk. tessera + -ian] 🎲
Testicond: having the testes concealed within the body [L. testis (“testis”) + –condere (“to hide”)]
Thalassic: marine; of seas; of inland seas [Gk. thalassa (“sea”)] (cf. Thalassography: science of the sea) 🌊
Thanatopsis: the contemplation of death; considering one’s mortality [Gk. thanatos (“death”) + –opsis‘ (“view”; “sight”)] (cf. Thanatoid: apparently dead; deathly; deadly)
Thaumaturgic: performer of miracles, esp a magician or a saint [Gk. thaumatourgós (“performer of wonders (as an acrobat”) + -ia – y]
Theandric: divine and human at the same time [Gk. theandros (“God-man”)]
Thelemite: one who does as he or she pleases; libertine [Fr. thélémite, from L’Abbaye de Thélème, imaginary abbey with the motto “Do as you please” in Gargantua (1535) by François Rabelais (1553) + -ite] (cf. Thelemic: allowing people to do as they wish [Gk. thelema (“will”) + -ic)
Thelyotokous: having only female offspring [Gk. thêlus, “female”) + –tókos, (“birth”)]
Theologaster: petty or shallow theologian [Gk. theológos, (“one who talks about the gods”; “theologian”) + L. –aster (“inferior”; “shallow”, etc.)
Theotherapist: faith-healer; treatment of illness or disease by prayer and other religious exercises [Gk. theó, (“god”) + -therapeía, “(service”; “medical treatment”)]
Thereoid: bestial; savage [Gk. thēr, thērós (“beast”; “animal”) + –oid (“-like”)]
Thereology: the art of healing; therapeutics [Gr. therein=therapeuein, (“to tend the sick”) + -logy]
Theriacal: (Medic.) of, like or pertaining to antidotes [Gk. thēriakḕ, “of or related to poisonous reptiles”), from thēríon, “little beast”) from thḗr + -al]
Therianthropic: combining human and animal forms [Gk. thērianthrōpos (“beast-man”)]
Theriatrics: the science of veterinary medicine [Gk. thḗr, (“wild beast”) + iatrós, (“doctor”)]
Thermoplegia: (Medic.) heat- or sunstroke [Gk. thermos (“heat”) + –plēgē (“paralysis”; “stroke”)]
Thesmothete: law-giver; (Hist.) a junior archon or magistrate responsible for legislation in Ancient Greece [from Gk. thesmothétēs]
Thirdborough: petty provincial constable [MidEng. thridborro, probably by folk etymology, from frithborg (“frankpledge”)]
Thooid: resembling a wolf; (Zool.) relating to an obsolete group of carnivores including wolves, dogs and jackals [Gk. thōs jackal + -oid]
Threnody: a lament for the dead (poem, speech, song) [Gk. thrēnōidia, from thrēnos, (“dirge”)]
Threpterolagnia: A lust for female nurses [Gk. threptero(?) + –lagnia (“coitus”; “lust”)]
Thyestean: cannibalistic [from Greek mythology, Thyestes, a king of Olympia, was served his own children’s flesh by his vengeful twin brother Atreus as revenge for adultery]
Thygatrilagnia: an incestuous desire by a father for his own daughter [Gk. thygatro (“daughter”) + –lagnia]
Tibialoconcupiscent: having a lascivious interest in watching women put on stockings [L. tibia (“shinbone”?) + -lo (?) + –concupiscēns, –concupiscere (“to conceive an ardent desire for”)]
Timbromaniac: an avid stamp collector; a passionate philatelist [Fr. from timbre (“postage stamp”) + -o- + -mania]
Tirocinium: a soldier’s first battle; military baptism of fire [L. tirocinium (“first military campaign”; “inexperienced raw recruit”; “first attempt”]
Tmesis: a word compound that is divided into two parts, with another word infixed between the parts for emphasis, thus constituting a separate word compound, eg, “Absar—bloody—lutely!”; “in—fucking—credible!” [Gk. tmēsis (“a cutting”) from temnō, (“I cut”)]
Tolutiloquent: pertaining to a smooth talker, characterised by fluency or glib utterances [L. tolutim, “trotting along”) + –loqui (“speak”)]
Tomecide: the act of “murdering” or destroying a book, esp by the act of book burning [Gk. tomḗ + -cide]
Toponym: (Onomastics) a name by which a geographical place is known or a word derived from a place name or from a topographical feature eg, cashmere from Kashmir, lima beans from Lima [Back-formation from toponymy Gk. topos (“place”) + -nym] (cf. Toponymics: the study of place names)
Toxophilite: archer; fond of or an expert in archery [Gk. toxon, (“bow and arrow”) + -phil + -ite]
Tranch: a portion (literally: slice) of something [OldFr. trenche, (“slice”)]
Tritavia: (Ancient Rome) the female ascendant in the sixth degree; the great grandmother of one’s great grandmother; the mother of either an atavus or atavia [L. trēs (“three”) + –avus (“(“grandfather;” “uncle”)] (cf. Tritavus: great grandfather of one’s great grandfather)
Tropoclastics: the science of breaking habits [Gk. trope᷄ (“a turning”) + -klastos (“shattered”) from –klan (“to break”)
Tuism: apostrophe; reference to or regard to a second person [L. tu (“thou”) + -ism]
Tumultuary: chaotic; haphazard [L. tumultus; perhaps akin to Sanskrit tumula (“noisy”)]
Turgescence: act or process of swelling; swollenness [L. turgescent-, turgescens, turgescere (“to swell”)] (cf. Tumefy: to swell)
Turnverein: (Hist.) (19th-(20th. German-American association of gymnasts (members called “turners” promoted German culture, physical culture, and liberal politics); athletic club [Ger. turnen (“to practice gymnastics”) + verein (“club”; “union”) ]
Turriform: (Arch.) shaped like a tower [L. turris, (“tower”) from Gk. turrhís + ‑form]
Tutelary: having the guardianship of a thing [from L. tūtēla (“tutelage, guardianship; dependent, client”) + -ārius ]
Twain: two; couple or pair [MidEng. from OldEng. twēgen ] 👯
Twire: to peep out; to leer [origin unknown, perhaps akin to MidHighGer. zwieren (“to wink”)] 👀
Tycolosis: accident prevention (origin unknown)
Typhlology: the study of blindness [Gk. tuphlós (“blind”) + -logy] 🕶️
Tyroid: resembling cheese; cheesy [Gk. tyros (“cheese”) + -oid] (cf. Turophile: a connoisseur of cheese; a cheese fancier) 🧀
Sargassum in the Sargasso Deep Blue
Anyone who has heard anything about the Sargasso Sea will have probably learned that it is unique among the planet’s seas in that it is completely bereft of any land boundaries and that it is full of seaweed. The boundaries of the sea are the four directional currents (N-S-E-W) which together create a clockwise-circulating system of ocean currents known as the North Atlantic Subtropical Gyre. This novel geographical oddity results in a clear, deep blue sea which is relatively warm and calm compared to the rest of the cold and often turbulent North Atlantic.
The Sargossa’s seaweed is planktonic (ie, floating freely), a genus of seaweed called Sargassum—hence the source of the sea’s name which is thought to be of Portuguese origin (also cf. Sp. sargazzo (“kelp”)—a golden-brown-coloured algae which reproduces vegetatively on the surface and never attaches itself to the sea-bed floor during its lifecycles, which marks it out from the typical behaviour of seaweed on the high seas. The sargassum forms itself into concentrated patchesA⃣ which drift around the sea’s circumference while being ecologically beneficial to the local marine life – providing a habitat, sanctuary and food for turtles, shrimp, fish, porbeagle sharks, eels and the like.
Sargassum on steroids The Sargasso and its seaweed (more correctly gulfweed) has been much in the news recently due to increasing amounts of it washing up on the shores of beaches in eastern Mexico, Florida and the Caribbean, causing a nuisance to sunbathers, coastal dwellers and even a potential hazard, and happening earlier in the calendar year than in previous yearsB⃣. Marine scientists attribute the recent explosion of gulfweed (the Great Atlantic Sargassum Belt) to human activities such as intensive soya farming in the Congo, the Amazon and the Mississippi, which dumps nitrogen and phosphorus into the ocean (Barberton 2023).
Sargasso lore The Columbus expedition on route to the East Indies (or so he thought) in 1492 gave us the first recorded sighting of the seaC⃣and navigators and sailors have been long been wary of the suspected dangers thought lurking in the mysterious sea…in fear of their vessel being permanently entrapped in its becalmed, windless waters (known as “the Doldrums”) or inextricably entangled in the ubiquitous brown belts of seaweed. Columbus and later navigators sought to transit through the sea by manoeuvring around the masses of seaweed, fearful as Columbus was that the algae mats concealed coral reefs that would wreck their ships.
Eco-hazards: the North Atlantic garbage patch While the imagined threats to sailors and ships have not materialised over time, the real threats, aside from the runaway sargassum blooms, are those that are posed against the long-term health of the sea itself. Passing shipping has had a negative impact on the ecosystem of the Sargasso Sea. Storms and hurricanes transporting massive amounts of human-made pollution, followed by the characteristic stillness of the Sea, has made it susceptible to large-scale garbage accumulation, especially of microplastics (with volumes increasing exponentially the danger of increased plastic ingestion by marine life is a major concern). Other threats to the Sargasso come from climate change and overfishing of its waters. The future harvesting of sargassum seaweed is also a concern for marine biologists.
Endnote: Bermuda Triangle intervention in the Sargasso circle? While the Sargasso Sea has no land borders, there is land in the form of the tiny Bermuda islands on the Sea’s western fringe. The intriguing nature of the Sea is further accentuated by association with Bermuda, or more specifically with its Bermuda Triangle reputation – a series of legends and mysteries that have grown up over the last century about a supposed abnormal pattern of aircrafts and ships disappearing without trace in the loosely-defined “Triangle” areaD⃣.
Dimensions: the Sargasso Sea is elliptical in shape and encompasses an area of >1,000 mi in width and 3,000 mi in length; the Bermuda Triangle (aka Devil’s Triangle) is roughly 500,000 sq mi of water in a space bounded by Florida, Puerto Rico and Bermuda.
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A⃣ a “golden floating rainforest” (Dr Sylvia Earle)
B⃣ and not confined to the eastern side of the ocean, the media has reported the presence of giant sargassum blooms from West Africa right across to the Gulf of Mexico (‘The Aussie tackling an ocean-spanning seaweed monster’, Angus Dalton, Sydney Morning Herald, 26-April-2023, www.smh.com.au)
C⃣ though 4th century AD Roman writer Avienius referenced an ancient Carthaginian exploration of it that supposedly took place, and there were claims on behalf of Arab mariners from the 11th and 12th centuries
D⃣ critics have generally debunked the idea of the Bermuda Triangle as a nemesis, arguing that there is no evidence that mysterious disappearances occur more frequently there than on other well-frequented oceanic transit route, that the “phenomena” is a manufactured one, sustained by conspiracy theorists and media sensationalism
𓆝 𓆟 𓆞 𓆝 𓆟
Articles and other publications consulted
‘About the Sargasso Sea’, Sargasso Sea Commission, www.sargassoseacommission.org/
‘Maritime Heritage’, Sargasso Sea Commission, www.sargassoseacommission.org/
‘What is the Sargasso Sea?’, National Ocean Service, www.oceanservice.noaa.gov/
‘The Aussie tackling an ocean-spanning seaweed monster’, Angus Dalton, Sydney Morning Herald, 26-April-2023, www.smh.com.au/
‘The creeping threat of the Great Atlantic Sargassum Belt’, Zan Barberton, The Guardian, 07-Mar-2023, www.theguardian.org/