Yucatán’s Not So Insular Peninsula, Mérida 1: A Green Zócalo, Colonial Mansiones Grandioso and a Trifecta of Free Museums

Posted on May 8, 2018May 29, 2019 by funambulator@live.com

Leaving Palenque meant another all-night bus journey, this time to Mérida. The earlier overnighter, from Oaxaca to San Cristóbal, had been a bit of a “horror trip” for me – one long, draining and unpleasant ride. This time, as we wheeled our luggage along the uneven pebbly road surface to the La Cañada bus depot, I was feeling much more sanguine about the bus trip ahead. Mérida was only 480-odd kilometres and (hopefully) no more than nine hours away, The road in Yucatán especially Highway 190D was better than in Chiapas and we were going away from the hills of western Chiapas where the threat such as it was to vehicles from the Zapatista rebels seemed to be concentrated. It also felt reassuring that this time I wouldn’t be doing the long bus trek solo.

On this occasion the overnighter did go smoothly and incident free, arriving at our new hotel in Mérida in just over nine hours. After a bistro breakfast of eggs and pancakes the only thing to do was slip on the joggers for an exploratory walk around the new territory. In terms of acreage I discovered that Mérida was quite a big place. After initially traipsing too far the wrong way away from Centro and finding f-all apart from a host of big international hotels, I doubled-back towards the historical quarter. Being short on the MXN folding stuff I spent much of the morning searching the local money-changers for the best deal before settling for a hole-in-the-wall tienda in Calle 55 that was offering 18-something for the USD*.

The cambio de dinero was next to a cute little park called Parque de Santa Lucia. Here whilst buying some lunch I spotted for the first time a unique and endearing feature of the city’s parks…Meridians were big on these quaint “double-handler” seats or as someone described them to me, “the lovers’ seats the colour of white doves”💕: two U-shaped seats joined and facing each other to form a reversed ‘S’, so that the couple were diagonally positioned at a slight angle to one another. I later found theses distinctive seats elsewhere, especially in Plaza Grande.

Scouting round the pueblo Viejo, the old town still has lots of wonderfully grand and dazzlingly elegant large colonial buildings, many with recent face-lifts it seems. As always in the Hispanic-speaking world the focal point of the city’s buzz was around the zócalo, the evergreen Plaza Grande, AKA Plaza De la Independencia (sometimes also known as Pasaje de la Revolucion)☿. On the cathedral side of the Plaza a line of brightly decorated horses and carts stood round waiting to catch the eye of visitors attracted by the prospect of a romantic, twilight carriage ride around antiguo Mérida. The carriage route includes a slow jog along the famous Paseo de Montejo (more of the Montejos below) which is lined with 19th century mansions.

Museo Casa de Mantejo: The colonial boot-print
Museums are high on many visitors’ “to see” list in Mérida City and Plaza Grande is an ideal place to start a quest of the city’s history…and Mérida has lots of visible history, dating from 1542 – just 50 years after Columbus’s mis-discovery of India(sic). Museo Casa de Mantejo, directly opposite the zócalo on the south side was my first stop on the history trail. The 470 year-old mansion at № 506 Calle 63 is beautifully renovated inside with classy period furnishings, but it is Casa Mantejo’s facade that makes it most distinctive and most talked about. The Montejo family (the conquerors of Yucatán) started building the house immediately after the city was founded (it was completed in 1549) and it wears its ancient lineage in the weathered (albeit recently patched-up) character of the facade⊙. The unusual sculptural ornamentation surrounding the entrance is what marks it out for comment…two Spanish conquistadors armed with halberds stand – literally – on top of the heads of smaller figures, that of crushed down native Americans. The complete lack of subtlety of the carvings are a stark symbol of the absolute colonial power imbalance in force between the old and the new communities during that era. An odd assortment of other decorative symbols adorn the friezes of the entrance and the two front windows, including cherubs, monsters and demons.

Special mention should be given to the interior courtyard of Casa Montejo. The austere fawn and white balcony walls of the mansion look out on to an attractive and tranquil setting – a central courtyard consisting of a series of fountains with a knob-ended cross design and native plants and bushes nestling round them.

Olimpo Cultural Center, Calle 61 x 62, Centro
I checked out two other museums also adjoining the Plaza Principal square. Heading back north from Casa Montejo I passed a couple of Dairy Queen stores catering for Mexican sweet tooths (DQs are almost as prevalent a sight in many Mexico cities as Oxxo stores) and came to a long, modern white building on the corner. This building, looking a bit like a beautiful but sterile government office building, had a lengthy corridor leading to an interior central courtyard that had a simple elegance in its all-white layout. Before I got to see the courtyard’s contents, a lethargic and apathetic looking official at the front desk made me sign-in to a visitors’ book (same as with Casa Montejo)❃. Upon entering the circular courtyard there wasn’t much to see other than space, freshly polished white and grey marble floor…and space! There was also nobody else there visiting at the time, so I was the only one looking at what was essentially blank space. This was not entirely true…inside the impressive arches of the patio were a scattering of exhibits of small colourful but unexceptional paintings, the sort you’d see in a community art centre or in a school exhibition…the abundance of unencumbered space reminded me, on a vastly smaller scale of course, of the famous Museo Guggenheim in Bilbao, Spain, and with even fewer exhibits than Bilbao!✧

The Ateneo Peninsular building, Calle 58 x 60, Pasaje de la Revolucion, Centro
The third of the museums fronting the verdant zócalo – all of them gratis si se carga 🙂 – that I visited is on the cathedral side of the Plaza. Museo Fernando Garcia Ponce Macay is housed in a 16th century, light grey neoclassical building that bears the name “Ateneo Peninsular” chiselled into its facade. The Museo which specialises in modern and contemporary art is contained within a part of the complex that historically held an executive function, the Governor’s Palace. After you sign in at Security and stand in the courtyard’s decorative garden, you can get a glimpse of what is the best reason to visit Museo Fernando GPC. On the lime green and white walls of the first-floor balcony are murals that are part of the museum’s permanent exhibition.

PostScript: Mérida and the Muralistas
The murals at Museo FGPC and the other enormous paintings of the same scale on display (strictly speaking not murals because they were not painted directly on to the wall) are part of a Mexican Muralistas tradition, and of course instantly reminded me of the great history murals of Diego Rivera that I saw in Mexico City. And like Rivera and the other Muralistas, the artist responsible for them, Fernando Castro Pachero, upheld the ethos that art should be publicly available, not restricted to the exclusive domain of rich private collectors. Castro’s mural works in the museum exhibit the very distinctive style of the artist – sombre and sparing choice of colours, monotone contrasting of dark and light, sketchily pencil drawn outlines of figures. The paintings of the battle scenes convey an almost claustrophobic intensity in the proximity of each side of combatants.

In a long, rectangular room of the former palace you can find the bulk of the Castro artworks on display, all painted between 1973 and 1975. Thematically similar to Rivera as well, the canvasses depict scenes from turbulent and bloody episodes of Mexico’s history – eg, the Conquesta, the Caste War, the 1860s overthrow of the imposed emperor Maximilian I, Gonzalo Guerrero (credited with parenting the first mestizo in Mexico). The Castro murals are well worth a look, especially as you won’t need to part with any pesos to view them!

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* after Oaxaca I had given up on banks as a source for Mexican currency…one frustrating, totally wasted morning in Oaxaca I tramping all over the joint, trying Scotia, Santander and even the non-Mexican HSBC, none of them would exchange my USD, all ridiculously insisting I had to open an account first?!?
☿ Mérida’s zócalo was one of the most picturesque public spaces we saw in Mexico, a veritable oasis of green palms, bushy trees and ferns erupting as it were out of a concrete foundation
⊙ in architectural terms Casa de Montejo is a civic Renaissance building in the Spanish Plateresco style
❃ entry to all three Mérida museums I visited was free of charge
✧ with more information acquired after my visit I would happily concede my first impressions didn’t do the OCC full justice…there is a little more to it than the sparse scattering of unexceptional paintings – the building contained a planetarium, showed films and had a beautiful outdoor arched balcony with checkerboard floors (not open when I made my visit)

Palenque 2: A Temple City Overgrown by La Jungla

Posted on April 30, 2018May 29, 2019 by funambulator@live.com

Archaeology, Regional History, Travel

The highlight of a visit to Palanque is a 15 minute trip out-of-town to the nearby Mayan ruins (Palenque National Park) which dates back to AD 600 or thereabouts. Our minibus unloaded us just past a sign saying: Carreteria a Palenque – Zona Archaeológica. This UNESCO heritage site is what put tiny Palenque on the international tourism map! We met our local guide for the day at the National Park’s entry turnstiles, stacks of people were already visiting the site when we got there around half-nine in the morning (Lonely Planet’s ‘Guessimation’ of over 1,000 visitors to the park on an average day seemed feasible).

The Palenque archeological site comprises an indeterminate number of temples within what was in its day a large Maya city with a plain on one side, a dense jungle on the other and the Rio Usumacinta running right through the middle of it. Before we hit the temple trail, Rafa our guide, who clearly knew his Mayan archaeology and antiquity, gave us a quick overview of the city using a cloth map affixed to a tent wall for illustration. Apparently Palenque’s original name was Lakamha (Meaning “Big Water”) – don’t think I quite got the significance of this name(?) unless it was a reference to the river which, not particularly noticeable today, may have been more significant in the time of the Maya. Like Teotihuacan on the outskirts of Mexico City, another indigenous civilisation occupied the site, predating the Mayans by maybe the best part of a millennium.

Once we started exploring the site Rafa explained that most of what survived of the pyramids, what we could see still, was the work of the 8th century Maya king, K’inich Janaab Pakal, AKA Pakal the Great. Pakal’s long reign oversaw a major building program for the city. Probably the pick of the temples we saw was the one known as the Temple of the Inscriptions…the intact panels of the structure, which Rafa explained the significance of to us, contained important Maya pictorial inscriptions – these are a kind of ideogram, a single picture which equates with a word or an idea or a number. These symbols (adopted from the Olmec people by the Maya) put together formed a text. On the temples some of these glyphs (hieroglyphic characters painted on the walls) survive, although the Spanish Catholics destroyed a lot of them! The unique Mayan numbering system is also in evidence❈.

We did the obligatory adrenalin-driven thing that tourists do: sprinted up the steps of the nearest pyramid. Once at the top, nothing much to see, we proceeded more cautiously and slowly back down the narrow and slightly crumbling steps (themselves a mosaic of unevenly cut stone squares). It wasn’t permitted however to climb up the Temple of Inscriptions) opposite which some 80 feet above the ground held Pakal’s mausoleum. Rafa showed us some of the practical functions of the temples, for example the plumbing, as well as explaining the religious ones. Palenque is not as high and imposing as Teotihuacan’s “Sun and Moon” pyramids, but loses nothing in the decorative stakes. This is especially evident in the four edifices enclosing the rectangular square of the smaller Temples of the Crosses which boast elaborate, bas-relief carvings and sinewy interior chambers. At certain points Mayan relics lay around the grounds☀.

A city of temples under cover of jungle
We had some free time to spend scaling one or two of the less formidable pyramids before tiring of this novelty. As we followed Rafa back to the entrance, we swiftly and adroitly swerved past lines of souvenir vendors loudly hawking their wares on the pathway. Outside, the group regathered and were shepherded by Rafa towards a nearby trail heading into a denser part of the jungle. I mentioned above that the temples of Palenque were of indeterminate number. The reason for this is that virtually the entire ancient city of Palenque was swallowed up by the jungle some time after the Mayan inhabitants left the area (circa AD 800). What what we could see and explore was the small portion that had been discovered and unearthed to this point!

An ecosystem of diverse biodiversity
Rafa took us deep into a high evergreen forest along a path called Sendero Moiépa, pointing out different aspects of the biodiversity bank. The Palenque National Park was made up of 996 tropical species of flora and fauna…around us were millennium-old trees, red cedar, mahogany, kapok and sapodilla, as well as camedor palms including the threatened fishtail palm xate.

As we trekked along the muddy, sloping trail through ancient streams with fossilised shells, passing vines and unfamiliar plants, Rafa educated us as to the kinds of fauna that the jungle was home to…in all there were 353 species of birds – we caught glimpses of only the relatively easy-to-spot red-crowned parrots, unfortunately the very hard-to-spot toucans with their facility for changing the colour of their beaks to regulate heat were keeping their distance as usual. Another group of residents – the howler monkeys – were audible in full voice though not visible to us (presumably they were dangling high up in the canopy at safe distance but aware of the strange human visitors on the ground). Also not seen were the even more elusive ocelots, nor did we manage to see any of the 71 species of reptiles and amphibians including the very venomous pit viper, the Bothrops asper, which happily in this instance was giving us a welcome wide birth!

After about 30 minutes of hiking we reached our main objective, a peak on top of which the skeletal ruins of a Maya temple was peering out of the jungle. This until recently hidden temple was discovered by local archaeologists. Rafa explained that tests had indicated there were undoubtedly many more temples buried under the jungle still to be unearthed.

Before heading back out of the Palenque jungle, Rafa invited us to explore an underground entrance point largely concealed by a rock ledge. Most of us took the challenge to climb down into the hole which led into a short, very tight and damp tunnel which came out at a shallow stream of water. I wasn’t sure what we were supposed to be looking for in the tunnel, a rare, fossilised Palaeolithic Age Mexican marsupial perhaps…it was too dark to see much of anything in the tunnel in any case!

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❈ Mayan maths were extremely accurate in calculating the calendar year at 365.2425 days, anticipating the much later European estimate of 365.2522
☀ when the archaeologists dug up Palenque they discovered small objects called censers lying round the Temples of the Crosses in particular. These are mainly brazing bowls made of ceramic used for making Mayan offerings to the gods

Palenque 1: Ambling about Town, Down Merle Green and Beyond

Posted on April 27, 2018May 29, 2019 by funambulator@live.com

Archaeology, Regional History, Travel

Towards dusk we reached the township of Palenque, our next stay-over on our journey to the easternmost tip of Mexico. The first thing we noticed in the area known as La Cañada was this giant native figure propped up against a tourism building (Carretera Catazaja Tramo Central Tuxtla). The massive sculpture took on a slightly menacing appearance to me, like someone you’d expect to find engaging in bloodthirsty, ritualistic Mayan human sacrifices.

Arriving at our lodgings (Hotel Xibalba) we found ourselves assigned to a separate section 100 metres down the road from the main reception area. The architecture of our dwelling was unusual, almost avant-garde, it certainly caught the eye…a small, sandy-coloured, two-level building with an A-frame shape, a design replicated in the shape of the large, outward-facing windows which gave the structure a very airy feel. The doors to each of the sixteen rooms conformed to this sloping pyramid pattern. The grounds surrounding the entrance to the sleeping quarters were tastefully decorated with authentic looking native sculptural pieces. The accommodation annex looked like it was a recent addition to Hotel Xibalba.

That night we acted on Hector’s dinner recommendation, leaving the Xibalba we ambled up Calle Merle Greene❉, past several cantinas and restaurants with picturesque displays of pot-planted flowers under their awnings. Around the bend we came to La Hector’s dining choice for the night. We partook of a nice seafood meal with a bit more Mexican cerveza sampling thrown in. At the end of the dinner while things were winding up, the guy who ran the restaurant, a German expat came over and engaged us in some small talk…he was quite a garrulous character, speaking in fluent English, he seemed very comfortable and relaxed, and exuded an almost a weary air of familiarity about all things Palenque (I surmised that he had been domiciled in Mexico for quite some time). After leaving the restaurant Eric and I slowly inched our way back to the hotel, taking in both the night air of this small town and of course the mandatory ice confectionary at the local “7/11” style store.

The next day my roommate Pétros and I decided to check out the old part of Palenque which wad down the road over a weathered, rusty bridge. This was definitely the poor part of town, as we walked I saw very few international tourists checking out this part of Palenque (too far away from the fancy tourist restaurants perhaps?). The faces we did see in the street were mostly indigenous ones – these are largely Ch’ol people (of Mayan descent)۞.

The shops were uniformly low-brow – no frills discount shops, cheap, grimy eateries and grocery stores. Lonely Planet gives Modern Palenque town very short shrift indeed – “sweaty, humdrum…without much appeal except as a jumping-off point for the ruins” [Mexico: Palenque, www.lonelyplanet.com]. No hyperbole here I’m afraid, compared to the “jawdropping jungle ruins” the town itself has precious little to recommend itself.

The wilderness of la jungla is palpably close however. On the return walk back to the hotel, crossing the river heavily camouflaged with overgrown vegetation (in reality a barely trickling stream), I half expected to catch, if not a sight, the sound of local howler monkeys emerging from the forest scrounging round for food in the town (it had been reported that deforestation in the area was driving them into the city). Unfortunately none of the Alouatta critters put in an appearance during our walk, couldn’t even hear a murmur of their famous vocalising from far off in the jungle. Nor did we get a glimpse of that other local jungle resident, the jaguar. But the following day we’d be in the Palenque jungle itself, I thought, who knows, maybe we’d be a shot at spotting one of these fabled jaguares – but not too close of course!

Footnote:
Some perhaps less photogenic people are known to have been uncharitably labelled with the disparaging sobriquet of ‘Dishhead’…in La Cañada near the “Big Maya” mega-figure as you head back onto Highway 189, I noticed this modernist style street sculpture in the middle of the roundabout, which (art being open to all manner of individual and idiosyncratic interpretation) I like to call “Head in dish-man”, literally. That’s what it looked like to me anyway!

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❉ our street, so named for famous American artist and archaeologist, Merle Greene Robertson, who developed a technique of “life-size rubbings” which preserved a visual record of much of the Pre-Columbian Maya art in Palenque and elsewhere in Mesoamerica
۞ I didn’t know this statistically at the time of visiting but Palenque is the poorest city in the state of Chiapas. When I came across this snippet later, it clearly tallied with the empirical evidence of what we had observed – the shops generally rundown and grimy, some of the local people were a bit on the scruffy side, the dirt and refuse on the streets

Sydney Foreshore’s Animal House of Detention and Segregation on Hen and Chicken Bay

Posted on April 21, 2018January 11, 2022 by E Curb Nottus

Built Environment, Heritage & Conservation, Local history

On the tranquil foreshore of the Parramatta River near Abbotsford Point, some five kilometres by ferry from Sydney’s Circular Quay, sits a quiet, out-of-the-way park named Quarantine Reserve. The significance of its name relates to a unique and interesting connection it has with “four-legged immigrants” to this country…for three score-plus years (ca.1917-80) it was the quarantine station for all of Sydney’s (and New South Wales’) incoming animals from overseas. The station was located on a bluff which gently slopes down to the river at the quaintly named Hen and Chicken Bay. Prior to the animal quarantine station coming to Abbotsford, incoming animals were quarantined at Bradley’s Head on the other side of the harbour – in 1916 the site became the location for the city’s Taronga Park Zoo (hence the move to Hen and Chicken Bay in 1917).

⤴ The cow sheds on the bay side

⤴ What remains of the cattle stables today

⤴ As they once appeared during the station’s heyday!

Today, the animals and their rustic ambience are long gone, as is the medical equipment, the various machinery, domestic utensils, etc, but a good representation of the original property’s holdings remain, albeit in diminished condition. As you stroll through the green reserve whose name commemorates the vital role it once played in safeguarding domestic health from animal contamination, several animal enclosures are jotted across the landscape. In the centre of the reserve are two adjoining cattle stables comprising 24 separate stalls each with troughs, the doors were removed at either ends of the buildings long ago and quite a few of the panels have been vandalised or pulled out altogether. On the day I visited, the stalls had colourful balloons and ribbons appended to them, it was hosting a children’s birthday party! Next to the stables and connecting with them is the site of the cattle yard itself, now a vacant, grassless square.

⤴ The QS piggery

Just across and down the hill from the cow stables is a small faded green building with a worse-for-wear tin roof, this once functioned as a piggery…the pig pens contained food troughs and runs to allow the unfortunate porcine creatures some (very limited) mobility of movement✲. To the east of the cattle stables on the boundary of the reserve are the horse stables (10 in number). Over the years of the facility’s operation prominent international racehorses worth thousands of pounds (and later dollars) were detained here during their periods of quarantine.

⤴ What’s left of the two remaining dog kennels after a large tree fell on them

The enclosures for humans’ most favourite domestic animals (cats and dogs) have fared less well over the passage of time. The station’s dog kennels, numbered 83 when they were rebuilt in the 1950s on the side closest to the Bay, but now only two kennels remain! Even less fortunate for feline enthusiasts, the cattery has disappeared altogether! The same for the sheep runs (not really sure why in the 20th century there would still have been a need to import sheep into NSW – unless perhaps they were unusual, specialist breeds?)

⤴ QS incinerator – manifestly not one designed by Walter Burly Griffin!

A few of the quarantine station’s auxiliary buildings have also survived – including apparently a “dog’s kitchen”, a second kitchen where vegetables were cut up for the pigs, a storage block (the feed store) and a maintenance workshop. Also surviving near the eastern edge of the reserve is a rather unprepossessing structure, a scarred, sombre looking incinerator. Carcasses and animal excreta were disposed of here, although some dead animals were buried on the site including possibly a giraffe (unsubstantiated, could be a legendary urban anecdote?). At the Spring Street entrance to the quarantine reserve is the former caretaker’s cottage.

⤴ On-site info display contains a picture of ‘Hexham’

The Hen and Chicken Bay site before the quarantine station
Prior to the 2.8 hectare site being acquired by the Commonwealth Government in 1916 for the quarantine station❧, the site was occupied by the Hexham Estate with its residential landmark, ‘Hexham’, an 1880s Italianate Victorian property (originally the house was called ‘Emmaville’ by the Bell family, and later ‘Blanchlands’ by the succeeding owner, surveyor John Loxton). Around 1900 the estate was acquired by Lewy Pattison, a director of the early pharmacy chain Soul Pattison & Co. In 1982 ‘Hexham’ (located in Checkley Street on the northern fringe of the Reserve) was demolished after a fire severely damaged the property.

‘Hexham‘ ⤵

Animal quarantine station: postwar to 1980
The quarantine station operated until World War Two when it was temporarily closed because of restrictions on animal imports during the war, and reused by the military for storage purposes. Its reopening in 1945 was vocally opposed by residents in the surrounding Abbotsford streets who had long suffered the undesirable effects of the station’s proximity to them – their senses regularly assailed by the smell, the noise and the pollution (from the incinerator burnings).

In the ensuing years there were ongoing objections from residents and Council – in 1971 the local Commonwealth MP raised a request from Drummoyne Municipal Council about the prospect of the Commonwealth transferring the land to the jurisdiction of NSW Government so that the site could be converted into parkland. Despite the unpopularity with locals, it wasn’t until the late 1970s that a decision was made to move the animals out to a remoter site in Sydney’s outer west, Wallgrove. In 1980 the Abbotsford station was closed for good, and the following year it was turned into a park to commemorate the quarantine station’s historic role.

(Image source: Pinterest)

PostScript: Abbotsford’s and Nestlé’s grand mansion
Not far from the Quarantine Reserve sits an extraordinarily impressive mansion looking out on Abbotsford Bay. Fortunately this house, unlike ‘Hexham’ is still extant! Abbotsford House (situated on the Chiswick side of the suburb) has a similar heritage to ‘Hexham’, built for doctor and politician Sir Arthur Renwick around 1877-1878◘. If you approach the Victorian mansion from the waterfront reserve it is an imposing and most impressive sight, set in extensive grounds which abuts Wire Mill Park…bayside access to the palatial mansion is cut off by a artificially constructed canal running horizontally, giving the property a water frontage. The facade itself is a wonderful symmetrical design, a tour de force of dazzling architectural features (two storey front verandahs, imposing towers with tented roofs, elliptical arches and plastered columns, elegant steps and spired cupolas). Two plaster lions guard the front entrance with strategically placed classical sculptures decorating the lawns✧. “House of Nestlé” 1937 (Photo: RAHS – Adastra Aerial Photo Collection)

⤴ Abbotsford House

After Renwick was forced to relinquish the property in 1903 because of financial debts, it was bought by one of the principals of the Grace Brothers department stores. Then, just after World War I ‘Abbotsford House’ was acquired by the Nestlé company (operating at this time as the Anglo-Swiss Condensed Milk Co). Nestlé built a factory on the estate site which manufactured chocolate and the drink ‘Milo’, whilst the mansion itself served as the administrative centre of the business. The factory closed in 1991 and the whole estate was duly incorporated into a new medium-density housing complex (Abbotsford Cove).

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✲ seldom ever used apparently because of fear of an outbreak of “Swine Fever”
❧ prior to the Abbotsford location, the Sydney Quarantine Station was apparently situated on the other side of Sydney Harbour at Bradley’s Head, and was required to move because what became known as Taronga Park Zoo was established on Bradley’s Head in 1916
◘ the name of Abbotsford House’s architect doesn’t appear to be recorded anywhere
✧ Abbotsford House which gave the suburb its name, derives from ‘Abbotsford’, classics author Sir Walter Scott’s home in Scotland

Abbotsford Quarantine Station (1917-1980)

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50 Spring Street, Abbotsford, New South Wales 2046
Latitude -33.8483 Longitude 151.1228
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Publications consulted:
Canada Bay Connections, (City of Canada Bay), www.canadabayconnections.com
‘Abbotsford Quarantine Station’, 04-DEC-2015, www.historyofsydney.com.au
‘Top 10 Facts About Abbotsford, Sydney’, (Canada Bay Club), www.canadabayclub.com.au
‘Abbotsford House’, (Office of Environment & Heritage), www.environment.nsw.gov.au

Just blogging away … doing the hard blog

Continuing the search for signs of Intelligent Life in the University.

Yucatán’s Not So Insular Peninsula, Mérida 1: A Green Zócalo, Colonial Mansiones Grandioso and a Trifecta of Free Museums

Palenque 2: A Temple City Overgrown by La Jungla

Palenque 1: Ambling about Town, Down Merle Green and Beyond

Sydney Foreshore’s Animal House of Detention and Segregation on Hen and Chicken Bay