The Selfridges Story: The Making and Unmaking of Harry (or Several Lessons in Cultivating Customer Satisfaction)

Biographical, Built Environment, Commerce & Business, Local history, Retailing history, Travel

“People will sit up and take notice of you if you will sit up and take notice of what makes them sit up and take notice.”
~ HG Selfridge

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Before I ever visited the UK I wasn’t at all familiar with Selfridges. I knew about Knightsbridge and Harrods and its preciously preserved pedigree all right…we’ve done that! My first time in London I was on a bus travelling (make that crawling) down Oxford Street heading towards the West End when I was enlightened as to the existence of the second-best known upmarket London department store. As the bus idled stationary I spotted a sign in front of a building that said ‘Selfridges’, my first thought, I remember, was “strange name!”…but when I think about it now I vaguely recall that I had previously heard the name Selfridges, but without inquiring further at the time I sort of formed the literal impression that it was a store as the name sounded that “sold fridges”, ie, a purveyor of domestic white goods! So when I did eventually get my beak inside the store’s doors at 400 Oxford Street I was surprised to see lines and lines of (pricey) fashion wear, shoes, accessories, skin care products, bags and more – but not one refrigerator in sight! (in its time it has apparently sold most everything!)

Even without visiting Selfridges’ flagship Oxford Street store, you may well be aware of it or of its US-born founder Harry Gordon Selfridge thanks to the recent ITV television series Mr Selfridge (first aired in 2013). The series was a period drama about the flamboyant, visionary retailer and the interactions that take place around him in his eponymous London department store.

A Marshall Field blueprint for London
Wisconsin-born Harry Gordon Selfridge initially earned his business ‘spurs’ working for Chicago department store Marshall Field & Company (right), this segued into him purchasing his own department store in Chicago. In hardly any time at all the mercurial Selfridge abruptly re-sold the business, making a quick profit and retired to play golf. In 1906 while holidaying in London, Selfridge sensed a new retail opening for his entrepreneurial talents in the British capital. For £400,000 he purchased land and surrounds for a novel custom-built, mega-department store in the then unfashionable, western end of Oxford Street [‘Harry Gordon Selfridge’, Wikipedia, http://en.m.wikipedia.org].

“The American Invasion of London”
The London press was not initially warm to the notion of the American’s incursion into the world of London commerce. The City’s daily and drapery trade press described it as an “American Invasion of London” [Lawrence]. Selfridge’s loud in tone and bombastic approach to selling the project didn’t help in endearing him to the newspapers (described in some publications as being “aggressively big in scale”). Selfridge’s efforts to make the store a reality were driven by an unwavering vision: creating a “monumental retail emporium” was in his eyes the key to elevating “the business of a merchant to the Dignity of Science” (as he grandiosely put it). Selfridge believed to achieve that, he had to construct a gigantic “technologically advanced department store”, hence the massive amount of money, time and effort he put into the project [LAWRENCE, J. (1990). ‘Steel Frame Architecture versus the London Building Regulations: Selfridges, the Ritz, and American Technology’. Construction History, 6, 23-46. Retrieved from http://www.jstor.org/stable/41613676].

A ground-breaking, landmark modern steel-framed building
Construction of the Selfridge store was something of an architectural coup in itself. It won praise in its day from British building journals for its innovative construction methods…built with steel frames and reinforced concrete allowing for much narrower than usual walls, the frames permitted a far greater window area, so very large plate-glass windows could be installed (12 of which were the largest sheets of plate-glass then in the world!) – making for much more interior natural light and brightness (designed by famed US architect Daniel Burnham and associates). Originally comprising a 250′ x 175′ site, Selfridge’s had nine Otis passenger and two service lifts and six staircases. 100 separate departments were spread out over eight floors. While the physical construction of the Oxford Street store took only 12 months, Selfridge had first to overcome London City Council’s raft of objections (unprecedented size of the commercial structure, fire danger, etc). Selfridge and his engineers’ lobbying of the LCC Committee eventually resulted in the passing of two local building acts – LCC (General Powers) Acts of 1908 and 1909 – necessary for the Oxford Street project to be completed [Lawrence, ibid.].

Rigid building regulations weren’t Selfridge’s only impediment to making his dream store a reality. Half-way through the project funding became a pressing issue when his partner and main backer Sam Waring, frustrated by Harry’s “grandiose and reckless approach” to the venture (Selfridge had grievously underestimated the complications of the project), withdrew his financial backing. The economic downturn in London (and in the US) at the time made alternative sources of funding a very grim prospect, and disaster was only narrowly avoided when a new backer, millionaire tea tycoon John Musker stepped in to rescue Selfridge [Gayle Soucek, Mr Selfridge in Chicago: Marshall Field’s, the Windy City and the Making of a Merchant Prince, (2015)]. After the big opening Selfridge remembered to make sure the store’s product lines included everything to do with tea-making (teapots, cups and saucers, sugar bowls, etc) [‘Selfridges: 7 things you (probably) didn’t know about the department store’, (History Extra), www.historyextra.com].

Selfridge, customer-centred strategies ahead of the curve
Harry’s approach to retailing was characteristically innovative on many fronts. Selfridge placed tremendous faith in advertising, the 1909 campaign leading up to the store’s opening cost a reported $500,000 in 1909 money [‘Selfridge Dies: Ripon Lad Who Jolted Empire’, The Milwaukee Sentinel, 9-May-1947 (online fiche)] (Britain’s biggest ever ad bill to that point) and he used it imaginatively together with ingenious publicity campaigns. Selfridge was the first retailer to make popular the idea of “shopping for pleasure”, rather than it being solely a functional task undertaken for necessity (as people conceived of it prior to Harry’s advent). In-store activities and arrangements often were original and novel (eg, displaying the monoplane used by aviator Louis Blériot in the first cross-English Channel flight at Selfridge’s (1909)). Another interest-generating feature in the store was Logie Baird’s television prototype shown on display in 1925.

Those specially designed wide windows were put to optimal use, Selfridge was the first to utilise window dressing where he could show off the latest fashions and utensils in open display [‘Selfridges 7 things’, loc.cit.]. The staff at Selfridge’s Oxford Street store (initially comprising 1,400 employees) were instructed to assist customers in their purchases, not to pester or use any “hard-sell” tactics on them. Harry’s philosophy was “first get them in, then to keep them there. Thereafter they would buy” (Woodhead). One of Selfridge’s more forward-thinking moves was to locate the goods where they were visible and accessible to customers all around the store’s interior (a practice he devised while at Marshall Field’s in Chicago), rather than hiding them away from sight under counters (as had been the practice in most retail stores hitherto). He also introduced the concept of the “bargain basement” to retailing, a section where shoppers could find regularly discounted commodities [‘Innovation Lessons From The World’s First Customer Experience Pioneer — Infograph’, (Blake Morgan), Forbes Magazine, 26-Jun-2017, www.forbes.com ; Lindy Woodhead, Shopping, Seduction & Mr Selfridge, (2012)].

A visceral, holistic experience
Selfridge’s vision was to make the department store more than just a shop where you went to buy goods, he continued to introduce new features to Selfridges…elegant (moderately priced) restaurants, a library, reading and writing rooms and special reception rooms for French, American and ‘Colonial’ clientele. There were cookery demonstrations in the kitchenware section. All this marked a radical departure from the practices of other department stores which employed floorwalkers to ‘shoo’ people out of the store who were just hanging around and not actively engaged in buying an item! Even the store’s roof was put to productive if curious usage (a shooting range for an all-girl gun club as well as an ice rink) [Lawrence, loc.cit.].

The female shopper as an identified demographic
Selfridge saw the role of the department store in macrocosmic terms – “the store should be a social centre, not merely a place for shopping”. Unlike the conservative establishment of the day and much of the mainstream, Selfridge endorsed the Suffragette Movement…the new store was (in part) “dedicated to woman’s service”. In a 1913 advertisement Selfridge described the store thus: Selfridge and Co: The Modern Woman’s Club-Store” [‘Suffrage Stories/Campaigning for the Vote: Selfridge’s and Suffragettes’, Woman and her Sphere, (Elizabeth Crawford), 16-May-2013, www.womanandhersphere.com; ‘Selfridge Lovers: The Secret behind our house’, www.selfridge.com]. Astute businessman that he was, Harry popularised shopping as a leisure activity specifically for women…to make it a more welcoming and conducive place for them to spend time (and money!), he displayed freshly scented floral arrangements and had open vistas in the store, he employed musicians to perform and added beauty and hair salons (Paris-inspired) and art galleries. And he introduced public restrooms for women to the store (the first time ever done!)
[Forbes, loc.cit.].

The H.G.S. leadership style
As retail magnate go, Selfridge went against the grain for his day by not being an authoritarian business leader. He was temperamentally inclined towards fairness with regard to remuneration, increasing the wages of his staff, elevating them above “wage slavery”, treating them as employees as opposed to ‘servants’ (cf. Harrods) [ibid.]…not to overstate it, Selfridges shop floor staff were still exposed to long, long hours of drudgery but they were paid a livable wage for their arduous labours. A sample of the quotes attributed to Selfridge reflect his anti-dictatorship approach to business and interpersonal relations: “The boss drives his men, the leader coaches them” ; “The boss depends on authority, the leader on good will” ; “The boss says ‘I’, the leader says ‘We'” ; “The boss inspires fear, the leader inspires enthusiasm” ; “The boss fixes the blame for the breakdown, the leader fixes the breakdown” ; etc. [‘Harry Gordon Selfridge’, Wikipedia, op.cit.]

Tower folly
Selfridge’s thrived, prospered and grew after the Great War (the store size doubled). Things didn’t always go the Wisconsin-born retail magnate’s way however…a couple of commercial reversals suffered by Harry during the decade concerned his plans for erecting a massive tower from the building which was rejected by the LCC Committee because of excessive height, and possibly also because it would have vied with the iconic St Paul’s Cathedral for attention (a fortunate outcome perhaps as the model drawings for the tower suggest the result would have been an incongruous coupling of architectural forms and a hideous eyesore!) [Lawrence, op.cit.]. The other setback was Selfridge’s proposal for a tunnel between the store and the nearest tube station, Bond Street, the plan ultimately got kiboshed!

Harry on the downslide
By the late Twenties Selfridge & Co was at the top of its game, the name was synonym with quality merchandise and Selfridge took its place as a stellar institution on the London commercial scene. Some time after the onset of the Great Depression things started to turn badly pear-shaped for Selfridge, as for businessmen as a whole. Harry Selfridge contributed to his own decline however by persisting in his flamboyantly extravagant spending. He squandered money on his womanising ways for which he earned a certain notoriety, for instance, $4M was wasted on his dalliances and affairs such as with the Dolly Sisters (Hungarian jazz dancers) – a part of his story that the TV series was quick to focus on) [Forbes, loc.cit.. By 1940 the company owed £250,000 in taxes and Selfridge was deep in debt to the bank, forcing him to sell out and retire from the business (retaining a modest annual consultancy stipend) [‘Harry Gordon Selfridge’, Wikipedia, op.cit.; Milwaukee Sentinel, op.cit]

Selfridges’ Birmingham Bullring store ▼Selfridges post H.G.S.
Selfridge & Co’s reversal of fortunes signalled a move from its circling competitors…rival department chain John Lewis & Partners acquired some of Selfridges’ provincial stores in the Forties, which was a preliminary move to John Lewis’ eventual takeover of the flagship Oxford Street store (1951). In turn John Lewis was itself acquired by the Sears Group in 1965. Its current owners, the Anglo-Canadian Galen Weston company bought Selfridges in 2003 for a reported £598M. Today the store name ‘Selfridges’ survives on the Oxford Street building, and in the three other regional branches in the counties (Trafford Centre and Exchange Square, both in Manchester, and the Bullring in Birmingham).

FN: Harry Selfridge from when he first arrived was perceived widely as a Trans-Atlantic “blow-in”, splashing his (and his wife’s) money around, vociferously determined to show the established home-grown retailers what a ‘superior’ type of modern department store looked like. Selfridge displayed a talent for polarising opinion…to his dazzled admirers he was “the Earl of Oxford Street”, the flashy Midwest American merchant was “as much a part of the sights as Big Ben” (as one columnist waxed lyrically), but to his detractors (including many of his competitors and much of the London press) he was merely a “vulgar American tradesman” or worse [Milwaukee Sentinel, loc.cit ; Woodhead, op.cit.].

PostScript: ‘Selfridges gets Sixties hip
In 1966, Selfridges, by now under Sears Holdings boss Charles Clore, recognised the youth market with a separate outlet for young women, Miss Selfridge (forming a link back to Harry Selfridge’s traditional focus on female customers). The new store in Duke Street signalled Selfridges’ wholesale embrace of the Sixties’ fashion revolution. Miss Selfridge used mannequins based on the straight line form of 1960s iconic model Twiggy and sold the latest in Mary Quant and Pierre Cardin fashions. In the early 2000s Miss Selfridge was acquired by the Arcadia Group [‘Selfridges 7 things’, op.cit.].

“The Queen of Time” AKA Ship of Commerce Statue ▼
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described as “Downton Abbey with tills” [” ‘Mr Selfridge’: It’s ‘Downton Abbey’ with tills…”, The Telegraph, (Daphne Lockyer), 15-Dec-2012, www.telegraph.co.uk]
the impressive Selfridge facade, personifying power and permanence, was later complimented by the addition of a decorative Art-Deco motif – the ‘Queen of Time riding her Ship of Commerce’ (clock-statue by Gilbert Bayes)
around 12,000 visited the store to view the displayed history making French monoplane…no doubt plenty of these visitors also made spontaneous purchases while they were in Selfridge’s premises [Forbes, op.cit.]
Selfridge possibly was quite consciously also trying to make his front-line staff as unlike Harrods’ staff – who had a reputation for ‘snootiness’ and stiff formality – as he could! [Milwaukee Sentinel, loc.cit]
recently the roof was again used in idiosyncratic fashion, by being turned into a “boat lake” and a “putt-putt” mini-golf course for customers
in return, when protesting suffragettes smashed shops windows in Oxford Street, Selfridge’s was one of the few left unscathed
other (very famous) attributed ‘Selfridgeisms’ are “the customer is always right” and “only xx shopping days till Christmas”

Trinidad: Casas Espectaculares Vistoso y Mansiones built on a Foundation of Sugar Wealth

Popular Culture, Regional History, Travel

55F5788C-1F70-49C7-A17E-00EFCC7D4CC6A journey to Trinidad (that’s the one in Cuba, not the one also in the Caribbean Sea which is nearly always spoken of in the same sentence as ‘Tobago’) takes you right into the heart of azúcar country. The nearby Valle de Los Ingenios (‘Valley of the Sugar Mills’) housed the vast sugar estates of the 18th-19th centuries (three score and ten sugar cane mills remain in the three-fold Sancti Spíritus valley system). Sugar, one of the staples of the Cuban economy, and enforced slavery (facilitating its economical production) was the foundation upon which Trinidad’s great colonial wealth rested.

As for getting round the perimeters of Trinidad de Cuba and seeing as much as we could in the paltry two days we were there, we hooked up with the local walking tour service. I have done a string of free city walking tours on recent trips overseas (and rarely ever come away disappointed), so it was almost an obligatory thing for me to do the Trinidad walking tour through the casco histórico! First thing to take account of was the ancient cobblestones below our feet, irregular and uneven, and we were immediately conscious of the fact that we needed to tread with care…and at the same time avoid the hordes of people on the streets! One of the visuals that stood out straightaway was the countless great examples of Spanish Colonial buildings and houses all around the centre of town.

9D901A43-0883-4446-9D3D-9364AAFE2034We got a two minutes on the spot lesson from the guide about the layout of the sprawling city and outskirts, the different barrios (neighbourhoods), consejos populares (villages), etc. The far-too-many-to-count casa facades we passed were uniformly pastel in colour – cream, baby blue, mauve and pink seem the most popular choices for the houses. A treat was grabbing a peak inside some of the tiendas (shops) as we passed, the highlight being shops with wonderful Trinidadian artworks (strikingly colourful paintings and bold and bright ceramics). The guide gave hints on where to buy gifts, and where to eat and drink the local food and spirits at reasonable prices! Underscoring the old charm of Trinidad are the archaic cobblestone roads everywhere we went…I noticed something puzzling about them – every afternoon water would stream down (occasionally rush down) the valleys in the middle of the cobbled laneways and roads. I wondered where the water was coming from (run-off from the casas?) and meant to ask our guide about it but forgot to!

06E1A2AB-825D-4D60-9AA4-E49C25DCA6E3.jpegPlaza Mayor
If you’ve just touched down in Trinidad this is the ideal place to start from and fan out and explore the ciudad antigua. The square is the hub of the colonial old town, a place where people congregate, relax, chill out, sit and connect to wi-fi – if you are lucky (and have a stack of patience!). Restaurant choices aplenty across the other side of the square (an accompanying cool mojito obligatory with all meals). The central section of the square comprises a four-part attractive garden setting with hedges and palm trees. Enclosing the individual gardens are white fences, with another outer fence made of white wrought-iron grilles surrounding them. Decorative statuettes and vases added to the cute appeal of the plaza gardens.

On one side of Plaza Mayor is the main cathedral (Iglesia de la Santísima Trinidad AKA Parroquial Mayor), this church is next to a set of steep, archaic looking cobblestone steps that lead up to the Casa de la Musica (Music House). People enjoy al fresco dining at the top while Cuban bands play and Salsa dancers strut their stuff here in the open air.

3F9ADA75-2725-43C9-9F35-79AF45A46415.jpegPlaza Mayor is also a place where you’re likely to see some of Trinidad’s impromptu artists and musicians performing in the square…on one extremely hot day I saw a “living statue” in (lack of) motion, the guy was dressed in heavy, bulky religious garb, looking like he’d was doubling for Brother Cadfael or perhaps an extra in the Da Vinci Code! Everybody else was in shorts and T-shirts, I don’t know how he could stand the searing humidity, his back was a mat of perspiration through his tunic. No sign though of any relief from divine intervention coming his way in the sweltering heat, notwithstanding his appropriate ecclesiastical attire! While in the vicinity, also worth a gander, just off a side street to the square, are a few specialist museums – notably the Museo Histórico Municipal, one exhibiting colonial furnishings and another colonial architecture.

Hora de la cena
Like anywhere popular to eat in Trinidad, Restaurante San José on Maceo does a brisk night-time trade, turning over a large quantity of diners quite rapidly. Part of San José’s popularity is because of the regard its fish and shellfish are held in…confronted with the temptation to have the lobster was too great, especially as they were going for a bargin $13 CUC each (and they weren’t small crustaceans either just quietly!). Before that, a nice appetiser to warm up for the mains was the patatas dulces fritas (sweet potato fries). While you wait for your food to arrive, they’re plenty to occupy your time, such as taking in the interesting wall decorations, and always in Cuba, there is the steady throb of background, mood music.

Cienfuegos: Elegant Neo-classical Architecture and Splendour in the Park

International Relations, Regional History, Travel

Cienfuegos, on the southern coast of Cuba (about 250km from Havana) is another day trip highlight within reach of the capital. The name Cienfuegos literally means “One thousand fires”, whilst the beauty of its architecture has invited comparisons with Paris and other European capitals, earning itself the sobriquet La Perla del Sur (Pearl of the South).

Parque Jose Martí, forming Cienfuegos’ Plaza de Armas, is probably the most attractive and leafy of all plazas I visited in Cuba. At the park’s entrance a brace of stone lions on marble foundations stand guard. Throughout there are neatly-maintained hedges and tree-filled gardens. A walkway from the eastern edge of Parque JM leads to a long, city boulevard which reflects the influence of the first, French settlers of Cienfuegos, as does the many 19th and early 20th century grand neo-classical buildings overlooking the park, eg, the elegant, grey provincial parliamentary building with a crimson dome (Antiguo Ayuntamiento), the Tomas Terry Teatro (Theatre), the Cienfuegos Cathedral with crimson domes and the foremost French stained glass windows in all the country and the blue Ferrer Palace (see in detail below).

Other points of interest within Parque JM are a statue of the eponymous and ubiquitous hero of Cuban independence, Martí, an impressive, fawn coloured triumphal arch erected in 1902 to celebrate Cuba’s independence (diagonally across from the Ferrer building), and a crimson-domed gazebo or bandstand (note a recurring motif here: crimson appears from all the evidence to be the preferential colour of Cienfuegueros‘ when it comes to domes of buildings in the city!). The park is a great place to stroll round or just sit (plenty of shaded seating) and relax while watching the passing parade of Cienfuegueros.

N 5401, Calle 25, is the address of perhaps the most beautiful building in Cienfuegos. The Benjamin Duarte Casa de la Cultura (one of several designated casas de la cultura in the city), was originally the Palacio de Ferrer. This old villa (built 1918) is for me just about the stand-out building, aesthetics wise, although there is some stiff competition for that mantle among quite an array of neo-classical gems (special mention: Teatro Tomas Terry). The Ferrer interior unfortunately doesn’t quite match the elegant charm of the exterior, although it has attractive Italianate marble floors. The downside is that inside its all a bit tired and worn, in need of some TLC…they seemed to be undertaking some repair work on the walls when I visited it. Predominantly, the facade of the villa is a delightful pale blue colour…abutting the palace to its right is another building, fawnish-pink in colour – it seems that this was built up against the Ferrer’s side after the palace ceased to function as such.

The architectural feature that most gives Ferrer Palace its distinctive character is the cute little rooftop cupola – which is reached via by a narrow spiral staircase made of wrought-iron. From atop the Ferrer’s endearing cupola, a viewing tower (a mirador) affords you fantastic 360° views of the city and the nearby bay. A cost applies to ascend the narrow staircase (one at a time!): 1 CUC per climber).



Photo: Anton Ivanov/Freepics

Historical footnote Cienfuegos, like the not-far-away Bay of Pigs and the Cuban Missile Crisis, has a connection with the Cold War. In September 1970 American intelligence detected that the Soviet Union was building a covert nuclear submarine base in the Bahia de Cienfuegos. The prospect of a response from the hawkish Nixon administration seemed likely with the danger of a confrontation escalating to the level of the 1962 Missile Crisis. This expected eventuality did not ensue primarily because of timing. At the same moment as the Cienfuegos episode, the US was embroiled in or focussed on other international events that were playing out, viz. the Civil War in Jordan, the election of a socialist (Allende) government in Chile (plus it had only been a matters of months prior to this that the US extended the Vietnam War into Cambodia). Nixon therefore held off on a show of force and the ‘crisis’ was defused diplomatically soon after when Secretary of State Kissinger bluffed the Soviets into discontinuing construction of the submarine base [Asaf Siniver, ‘The Nixon Administration and the Cienfuegos crisis of 1970: crisis-management or non-crisis’, Review of International Studies, 34(1), Jan 2008].

 

On the Cuban Guerrillero Cultural Icon Trail: Channelling ‘Che’ in Santa Clara

Military history, Popular Culture, Regional History, Travel

Having visited the site of the 1961 Bay of Pigs invasion and the Museum that commemorates its triumphant outcome for the Cuban people, our appetite to learn more about “The Revolution” was piqued. The city of Cienfuegos was on our itinerary and as another saga of the war to liberate Cuba from a right-wing dictatorship with US mafiosi connexions was at hand in nearby Villa Clara province, a small detour was in order.

The pueblo of Santa Clara is inextricably woven into the story of Ernesto Guevara and his victory in the decisive battle of the civil war against the Batista regime. Guevara or simply ‘Che’ – the image that launched a million T-shirts, and the man who signed many more million pesos’ worth of Cuban bank notes! – is proudly remembered and commonly revered, especially in this part of Cuba, as two separate Santa Clara monuments testify.

The first is in the centre of the township itself, a monument to the final victory of the war (Battle of Santa Clara, 31st December 1958) when a Cuban battalion under Comandante Che derailed a train carrying government troops, ammunition and heavy weapons, intended to reinforce Batista’s embattled army in Havana.
A portion of the captured train still sits on the site, now part of a monument to the battle which clinched victory for Castro and the Cuban rebels. In Spanish the monument is called
Monumento a la Toma del Tren Blindado (literally “Monument to the Taking of the Armoured Train”)

The other tangible tribute to the legendary Cuban revolutionary líder is more personal, not far from the city is Guevara’s sombre but impressive mausoleum (Mausoleo de Ernesto Guevara). The monument was originally conceived as a memorial to the charismatic maestro guerrillero who was executed and buried in the Bolivian jungle in 1967… thirty years later the Cuban government retrieved his exhumed body and returned it to Santa Clara. The remains of Che and 29 of his fellow guerrilla fighters are interred here in a large burial vault (in area a decent sized lounge room).

The mausoleum remains a popular place to visit for tourists as well as Cubans, there were several big tourist buses and umpteen dozen cars in the parking lot when our group visited. The immediately noticeable feature of the mausoleum building which is set down on a wide patch of land is the extra-large statue of Che. Cast in bronze, it is 22 feet high and characteristically depicts Che armed and dressed in army/militia fatigues. The statue officially goes by the somewhat ‘highfalutin’ title Ernesto Guevara Sculptural Complex (AKA Complejo Monumental Ernesto Che Guevara).

Security around the mausoleum entrance was pretty tight, more guards than you think might be necessary hovered around the entrance portal. We all lined up and were soon ushered in by a bevy of serious-faced officials and whisked out again fairly rapidly. There was not a lot to see inside in any case, it was dimly lit and unnervingly cold. We glanced at the photos of the 30 dead comrades on the wall and spotted a few pieces of Che paraphernalia on display – such as Che’s handgun (Czechoslovakian), his water canteen and field glasses.

There’s not much else to the complex (a lot of vacant space actually) but there is a gift shop (Tienda Artex) (opportunity to get that authentic “Che in classic Guerrillero Heroico pose” T-shirt on Che’s own turf!) and a restaurante/cantina. There’s another, official looking building close to the arched entrance to the shops but I couldn’t work out what it was used for.

The museum maintains a strict prohibition on the taking of photos within the burial vault, so I didn’t even give a thought to trying to sneak a quick ‘Polaroid’ (even if I had one) – the officials, all wearing the same “not happy Juan” face, gave the impression they meant business!

https://upload.wikimedia.org/

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from when he was governor of the National Bank of Cuba and succinctly signed his nickname ‘Che’ on all legal tender