Cacestogenous: caused by unfavourable home environment (OU)
Calepin: a notebook; a dictionary, esp a polyglot dictionary [It. calepino, named after Ambrogio Calepino ((15th-16th cent. author of a Latin dictionary]
Callisteia: beauty prizes; originally a festival held by the women of the island of Lesbos, with a prize for the fairest beauty [name of the festival , named in honour of the Greek goddess of Callisto]
Callithumpian: a noisy band parade or demonstration [alteration of gallithumpian)
Cambist: one skilled in the science of financial exchange; a banker [from L. cambire (“to exchange”)]
Campestral: pertaining to or thriving in open countryside [L. fromcampester from campus (“field”; “plain”) + -al]
Canard: a fabricated anecdote; an unfounded sensational report; a phoney yarn; a hoax — or to put it in immediately-recognisable contemporary currency…fake news [Fr. canard (“duck”), in the sense of being a hoax] 🦆
Cancrine: reads the same backwards as forwards; palindromic [From Latincancer (“crab”) + -īnus]
Canatory: pertaining to a singer or singing [from It. cantata from L. cantare (“to sing”) + -ory] (cf. Cantatrice: female singer) 🎤
Caprine: pertaining to a goat; goat-like [L. caprīnus, from caper (“goat”)] 🐐
Carriwitchet: absurd, riddling question; a condundrum; a kind of hoax; pun [uncertain, possibly a humorous alteration of catechism]
Castrophenia: the belief that one’s thoughts are being stolen by one’s enemies (OU, castro- kastron-(?))
Catholicon: a universal remedy or fix; panacea [Gk. katholikós, (“universal”), from katá, “(according to”) + –hólos, “(whole”)]
Charientism: a figure of speech wherein an insult is disguised as or softened by a jest [from Gk. kharientismós]
Chimera: (also spelt Chimaera) imaginary monster; fanciful; impossible idea; a body; an unjustified fear [from Greek mythology: a fire-breathing she-monster having a lion’s head, a goat’s body, and a serpent’s tail]
Circumforaneous: wandering from house to house, from place to place, from market to market [L. circumforāneus (“itinerant”), from circum- (“around”) + –forum (“marketplace”) + -aneus (“-aneous”)]
Claudicant: (Medic.) limping (L. claudicans from claudio (“to limp”) from claudus (“crippled”)]
Claviger: club-bearer; key-keeper or caretaker [L. from clavi- (“clavi”) – + -ger (“bearing, bearer”)] 🔑
Comiconomenclaturist: a connoisseur of humorous names; a specialist in the creation of funny names [from L. comicus (“of comedy”) from Gk. komikos (“of or pertaining to comedy”) + L. nōmenclātūra nomenclature (“naming”) + -ist]
Badaud: a person given to idle observation of everything, with wonder or astonishment; a credulous or gossipy idler; an urban bystander who “rubbernecks” (gawks) at some incident [Fr. fromOld Occitanbadau, frombadar, fromMedieval Latinbadare(“to gape”; “yawn”)]
Baffona: a woman with a slight moustache [It. from baffo (“moustache”)]
Balmaiden: a female surface miner [Cornish: bal (“mine”) + -maiden (“a young or unmarried woman”)]
Balistarius: a crossbowman [Gk. ballístra frombállō,(“I throw”) + -ius]
Balletomane: a person fanatically devoted to ballet; balletmaniac [fromFr. balletomane]
Balneal: pertaining to bathing or baths [L. balneum (“bath”) +-al, -ary] (cf. Balneotherapy: treatment using natural water)
Banausic: common, ordinary, mundane, undistinguished, dull, insipid [Gk. banausikós,(“of or for mechanics”), frombánausos,(“mechanical; ironsmith”)]
Bandobast: protection of a person, building or organisation from crime or attack [Pers. band-o-bast(“tying and binding”), from Urdu. bundobast]
Baryecoia: dullness of hearing; deafness (OU)
Basial: pertaining to kissing (OU) 💋
Battue: the driving of game towards hunters by beaters; massacre of helpless people [Fr. battue, (“beaten”), fromL. battere]
Biverbal: relating to two words; punning [L. bi (“two”) + fromLateL. -verbālis(“belonging to a word”)]
Brachiation: the act of swinging from tree limb to tree limb (as performed by primates) [L. bracchium, (“arm“) + -tion] 🐵
Movies based on the story of TheIliad as told by its traditionally reputed author Homer—such as the 2004 Troy, Helen of Troy (both the 1956 movie and the 2003 mini-series) and The Trojan Horse (1961)—automatically include scenes concerning the artifice of the Trojan Horse and the sack of Troy, conveying an impression that these events were part of the Homeric epic poem on Troy. but in reality they do not feature in TheIliad at all, which concludes with the funeral of Troy’s champion warrior Hector. Homer in fact alludes to the Trojan Horse episode all up only thrice in the “follow-up” epic poem The Odyssey and then only briefly in passing.
Epic Cycle ~ it was left to other ancient authors, some roughly contemporaneous with Homer and some later, to, as it were, fill in the gaps in the popular tale of the Trojan War between the end of Homer’s Iliad and the Odyssey. This collection of non-Homeric verse in dactylic hexameter acquired the name of Epic Cycle (Epikòs Kýklos), and exist today only in fragments and as later summaries made in Late Antiquity and the Byzantine period.
Aethiopis ~ this lost epic poem (c.776BC), comprising five books, is attributed to Arctinus of Miletus. Arctinus spices up the Trojan conflict by introducing two new allies of the Trojans into the story. First Penthesilea and her band of fierce Amazon bellatrixes (women warriors) from Thrace enter the fray against the Achaeans (Greeks). The Amazonian Queen more than holds her own against the men, cutting a sway through many of the Greek warriors until Achilles bests her in hand-to-hand combat and kills her…creating something of a double-edged sword for himself as in the act of killing Penthesilea he makes the unsettling realisation that he is in love with her (real Freudian messing with your head stuff this!) Arctinus then brings in Memnon, king of Aethiopia➀ (Ethiopia) and his vast army to bolster the besieged Trojan side. Memnon is deemed almost equal in martial skills to Achilles and the two über-warriors and demigods square off in mortal combat. After a titanic struggle Achilles kills the Aethiopian warrior-king which causes his army to flee in terror. A fired-up Achilles launches an attack on the Trojans but gets too close to the city walls, giving the initiator of all the troubles, Paris (whose behaviour is consistently dishonourable and cowardly), a chance to take a pot shot. Paris’ arrow pierces Achilles’ heel, the only vulnerable spot on his otherwise immortal body, but Paris still gets no credit for it it is Apollo (god of archery) who guides the trajectory of the arrow truly to its target➁.
Ilias Mikra (“Little Iliad”) ~ this lost epic, in 4 books, is mainly attributed to the semi-legendary Lesches➂ (of Lesbos(?), flourished 700–650BC). Lesches covers the conception and construction of Odysseus’ Trojan Horse➃ and the awarding of the dead Achilles’ arms to Odysseus over Ajax, prompting the latter to lose the plot altogether, attack a herd of oxen and commit suicide in shame. The rest of the Little Iliad follows various escapades mostly involving Odysseus who treks off around the Aegean in company with Diomedes, collecting sacred objects which the Achaean prophecies decree are the preconditions necessary for Troy to be conquered. One such adventure takes them in disguise behind the enemy’s walls to steal, with Helen’s help, the Palladium (an archaic cult image said to preserve the safety of Troy).
Iliou persis➄ (“The Sack of Troy”) ~ the surviving fragments of this epic, comprising just two books, is usually attributed to Arctinus, giving it a comparable vintage to the Aethiopis. The verse opens with the Trojans discovering the “gift” of the Wooden Horse. After debating it the citizens fatefully ignore the warnings of the prophetess Cassandra and Laocoön and decide to dedicate the horse to Athena as a sacred object. After the Trojans drunkenly celebrate their supposed triumph through the night the Greek traitor Sinon signals to the Achaean fleet to return, Odysseus and the other warriors disembark from the wooden horse and wholesale carnage, destruction and slaughter spells the end for Troy and its citizens.
The Aeneid ~ this part of the story is also covered in later surviving versions by the Roman poet Virgil in his Aeneid and by Quintus Smyrnaeus (of Smyrna). Virgil’s Aeneid (12 books, written between 29 and 19BC) focuses on one of the minor participants of the Trojan War mentioned in the Iliad, a Trojan hero named Aeneas who escapes from Troy with his supporters (the Aeneads) before the Wooden Horse ruse is executed. Homer provides the template for Virgil’s epic poem which follows Aeneas and Co on their circuitous wanderings and adventures around the Aegean and Mediterranean seas (including an excursion to the Underworld) in Odysseyesque fashion, before settling in Italy and becoming progenitors of the Romans.
Posthomerica ~ Quintus Smyrnaeus’ Posthomerica (14 books, written 3rd–4th century AD) picks up the story from the end of the Iliad and continue the narration of the war. Quintus modelled his work on Homer’s and also drew heavily on material from the Cyclic poems of Arctinus and Lesches, revisiting the well-trawled landscape of the capture of Troy through the Wooden Horse, the eradication of Troy’s royal family, including the killing of King Priam by Neoptolemus (Achillles’ son) in a sacred temple and his bestial murder of Hector’s infant son, violations for which the gods punish the returning Greeks with a series of misadventures – eg, Menelaus is delayed from leaving the Troad and driven off-course by storms and winds, taking seven or eight years to get back to his kingdom in Sparta; his brother King Agamemnon, the commander-in-chief of the Achaean expedition, is murdered immediately upon his return to Mycenae➅.
➀ some sources refer to it as Scythiopia
➁ none of this gets a mention in the Homeric poems
➂ also attributed to other ancient writers like Cinaethon of Sparta and Thestorides of Phocaea
➃ or should we say Epeius’ Trojan Horse as it was he who built the gigantic equine decoy in rapid-quick time
➄ as in Ilion or Ilium, the Greeks’ name for Troy
➅ and of course there’s the curse of Odysseus’ decade-long tortuous trek trying to return to his home island Ithaca, as recounted in the Odyssey
“Y” (pronounced the same as “why” or “wye”) is the 25th and penultimate letter of the English alphabet. “Y” appears in the Semitic alphabet as waw, which it shares with several other Latin letters, namely F, U, V and W. n the Classical Greek alphabet “upsilon” or “ypsilon” represents the letter Y. In mathematics “Y” is the 2nd unknown variable, following “X”. Y is a consonant but also can be a vowel in the articulation of certain sounds (eg, the semi-vowel “yes”).
{word} <meaning> <derivation>
Yale: (Euro. myth.) mythical animal resembling a horse (or antelope) with a tusk in combination with the the tail of an elephant (used in heraldry) [etymology uncertain but believed to be derived from the Hebrew word yael (“ibex“)]
Yam: (Hist.) was a postal system or supply-point route messenger system extensively used by the Great Khans; a posting-house along a road (Marco Polo: a yam was a waystation where a “large and handsome building” housed messengers and horses in “rooms furnished with fine beds” fit for a king, decorated with “rich silk” and “everything they can want.”) [Mongolian. örtöö, (“checkpoint”)]
Yarborough: hand of cards (whist) or bridge with no card above a nine; a weak hand [Eng. from toponymic surname, from Yarburgh (Yarborough) in Lincolnshire, from OldEng. habitational or topographic nameeorðburg (“earthworks”; “fortifications”)]
Yardland: unit of land area equal to 30 acres (¼ of a hide🄰); also called a Virgate) [MidEng. yerdlond, from yerde (“yard”; “measure”) + –lond (“land”)]
Yare: (esp of a vessel) answering swiftly to the helm; easily handled; marked by quickness and agility; nimble; prepared [from OldEng. gearu (“ready”)]
Yaud: a worn out or old horse; a workhorse (Scot. mare) [MidEng.? yald from Old Norse. jalda (“mare”) of Finno-Ugric origin, cf. “jade”] 🐴
Yealing: person of the same age as oneself (of uncertain origin)
Yellowplush: a footman [from character in Yellowplush Papers, a series of satirical sketches by William Makepeace Thackeray (1850s) (compounding of “yellow” + “plush”)]
Yegg: a burglar of safes; safecracker (origin unknown)
Yobbery: hooliganism; characteristic of the (bad) behaviour of a yob; a rowdy, disruptive youth [coined 1970s by inverting the spelling of “boy”]
Yogibogiebox: a container holding the assessories used by a spiritualist [a compound of yogi + –bogey + –box. Coined or introduced by James Joyce in Ulysses (1922)]
Yogini female yogi [from yoga from Sanskrit. yuj (“to join or unite”)]
Yoicks: a hunting cry used to urge hounds after a fox or other quarry; expression of surprise or excitement (origin unknown but appears related to fox-hunting) (cf. Yikes: exclamation of alarm or surprise)
Yonderly: mentally or emotionally distant; vacant or absent-minded [from “yonder” from Eng. “yon” and from Dutch. ginder (“over there”)]
Yoni: symbol representing female genitalia [Sanskrit. yoni (“female reproductive organ”; literally “the womb” or (“the source”)]
Yowndrift: snow driven by the wind (Scot. Eng.? origin uncertain)
🄰 English unit of land measurement originally intended to represent the amount of land sufficient to support a household