Liqian, China: Settlement Site of Rome’s Lost Legion? Theory, History and Myth

Ancient history, Geography, International Relations, Military history, Regional History

Chinese accounts of antiquity from The Book of the Later Han record the first contact between the Chinese and Roman empires as taking place in AD 166 (an event corroborated by the Roman historian Publius Annius Florus). This initial diplomatic contact of the two empires resulted from a visit of a Roman emissary—authorised by Emperor Marcus Aurelius—to Emperor Huang and the Chinese Western Han Dynasty court. Trade links were subsequently established, Chinese silk for upper class Romans and Roman glassware and high-quality cloth for the Chinese.

Book of the Later Han

Communications blocked by Parthian rivalry: This initial encounter was an initiative on the part of the Romans but earlier than this the Han Chinese had tried, unsuccessfully, to make direct contact with Rome. In AD 97 the Han Chinese general, Ban Chao, despatched ambassador Kan (or Gan) Ying on a journey to Rome(α)…upon reaching Mesopotamia from where he intended to travel by sea to his ultimate destination, Kan Ying was dissuaded from continuing by the Parthians’ exaggerated advice that the sea voyage could take up to two years to complete. Parthia had a vested interest in thwarting the forging of a Sino-Roman mutually-beneficial nexus which might negatively impact Parthian profitability from the lucrative Silk Road [The First Contact Between Rome and China, www.silkroad.com].

The Silk Road: (source: MPI/Getty Images)

The Silk Road: The natural route for expansion, Rome eastward and China westward, was along the Silk Road…with Roman eyes obsessively coveting Chinese silk, the premier fabric of the ancient world, and China Han rulers also keen to exchange for Roman goods, the incentives were present, but direct contact between the two great ancient empires did not eventuate(Ⴆ). Standing in the way were a host of obstacles – the distance between them was vast and over inhospitable terrain; another hostile, competing empire, Parthia, occupied the middle space on the Silk Road. Roman-Chinese trade depended therefore on intermediaries, “the people of Central Asia—most notably the Sogdians, as well as the Parthians, and merchants from the Roman client states of Palmyra and Petra—act(ing) as the middlemen” [‘Ancient Rome and Ancient China: Did They Ignore Each Other?’, Vedran Bileta, The Collector, 08-Nov-2022, www.thecollector.com].

Romani indu Sinae? In the 1940s and 50s there emerged one dissenting voice to the scholarly consensus that Romans never made it to ancient China. An American Sinologist Homer H Dubs, lecturing in Chinese at Oxford University, wrote a series of articles on the subject of Roman and Chinese contacts in the Han period, culminating in his controversial 1957 book, A Roman City in Ancient China, which made the startling claim that legionnaires not only reached China but established a Roman settlement on the western fringes of the Han empire.

Battle of Carrhae (source: wikio.org)

Dubs’ “lost Roman legion”:hypothesis: In 53 BC a Roman army under the powerful Marcus Licinius Crassus was on the receiving end of a crushing defeat in the Battle of Carrhae at the hands of Parthian heavy cavalry and archers led by Spahbed (commander) Surena in southern Turkey. The Roman legions lost massive numbers of men, either killed (including its leader Crassus) or captured, in one of the Roman Empire’s worst-ever military disasters. The Roman prisoners-of-war, numbering, according to Plutarch, 10,000, were apparently carted off to Central Asia where reportedly they were married off to local women(ƈ).

Dragon Blade, (2015) 🎥 starring Jackie Chan, a fictionalised movie very loosely based on the Roman legion story

This is where Dubs and his outlier theory comes in…the Oxford professor proposed that 100–145 of the Romans ended up fighting for the Xiongnu(ԃ) against a Chinese Han army in another battle some 17 years later. The Battle of Zhizhi (36 BC), in modern-day Kazakhstan, resulted a victory for the Han Chinese, with the Xiongnu chieftain Zhizhi Chanyu among the dead. Dubs contended that these 100-odd Roman legionnaires fought in the battle, his evidence of this was a Chinese source for the battle, Ban Gu, who referred to 100 or so foot-soldiers of the enemy who employed a strange, fish-scale formation in fighting, interpreted by Dubs as a reference to the Romans’ famous phalanx defence, the testudo (tortoise) formation of interlocking shields. Dubs speculated that the captured Roman soldiers found themselves POWs once again, this time of the Chinese who transported the 100 Roman captives back to the Chinese Empire where they were resettled in Li-jien(ҽ) (later called “Liqian”), located on the edge of the Gobi Desert in modern-day Gansu Province.

Roman testudo formation

Descendants of Roman legionnaires in a Gansu village? Gene testing: Professor Dubs’ controversial theory has drawn the attention of historians, researchers, archeologists, anthropologists and even geneticists over the years, but not widespread support. Detractors have generally debunked the theory, stressing the lack of tangible archeological or historical evidence for a Roman settlement in Liqian, no findings of habitation found, eg, no Roman coins or weapons.

Some residents of contemporary Liqian village (Yongchang), noted for their green or blue eyes, fair-coloured hair and non-Chinese facial features, underwent genetic testing in 2005 which gave some credence to the Roman link theory…a DNA finding of 56% Caucasian. Further DNA testing in 2007 deflated those hopes however, showing that 77% of the villagers’ ‘Y’ chromosomes were limited to east Asia. Researchers from nearby Lanzhou University have pointed out that it was standard practice for the Roman military to employ foreign mercenaries (Europeans and Africans) for their campaigns Moreover, the demonstration that a significant block of the Liqian respondents have foreign origins doesn’t prove that they were necessarily Roman. Professor Yang Dongle (Beijing Normal University) concurred with this view, noting that inter-racial marriage along the Silk Road was far from uncommon. Yang added that research has confirmed that Liqian County was settled a good seventy years earlier than the Roman POWs are supposed to have got there [Matthew Bossons, ‘The Vanished Roman Legion of Ancient China’, That’s, (Nov. 2018), www.thatsmag.com; ‘Finding the lost Roman legion in NW China’, New China TV (video), 2015].

Villager Cai Junnian (aka “Cai Luoma”) with his green eyes and atypical Chinese complexion has become something of a poster boy for the Liqian Roman ancestry claims (photo: Natalie Behring)

Endnote: Constructing a “Roman world” to exploit the rural legend The dubiousness of the connexion aside, the media attention generated by the DNA tests and the distinctive look of the Liqian Rong has prompted proactive locals to exploit the tourist angle for what it’s worth. There’s been a concerted effort to try to capitalise on the alleged Roman ancestry in Yongchang County – in a kind of “Disneyfication” elements of neoclassical architecture have popped up in the village, a Romanesque pavilion with Doric-style columns, public statues of ancient Romans, etc. Zhelaizhai (or Lou Zhuangzi) village, as Liqian was renamed, is now marketed by Chinese tourist operators as “Liqian Ancient City”.

Statues of Roman legionnaires at the Jinshan Temple visitors’ centre

(α) or as the Chinese called Roman Empire, Da Chi’en, also rendered as Daqin (“Great Qin”)

(Ⴆ) ancient Latin writers regularly referred to Roman travellers journeying east to a country they called Serica (ser = silk)…its thought that by this that they meant the Central Asian lands, possibly including northwestern China. The name Serica, to some Romans may alternately have been a collective description for a bunch of south and east Asian countries including China and even India

(ƈ ) though, according to Pliny the Elder, the legionnaires were stationed at Margiana on the Silk Road to guard Parthia’s eastern frontier

(ԃ) a nomadic tribal confederation of Hunnic peoples

(ҽ) Dubs postulates that this was the most ancient Chinese name for Rome [H.H.Dubs, ‘A Roman City in Ancient China’, Greece and Rome, Vol. 4, Issue 2, Oct. 1957, pp.139-148]

The Trojan War Tale in the Epic Cyclic Poems: Homeric and Post-Homeric

Ancient history, Cinema, Creative Writing, Gender wars, Regional History, Society & Culture

Movies based on the story of The Iliad as told by its traditionally reputed author Homer—such as the 2004 Troy, Helen of Troy (both the 1956 movie and the 2003 mini-series) and The Trojan Horse (1961)—automatically include scenes concerning the artifice of the Trojan Horse and the sack of Troy, conveying an impression that these events were part of the Homeric epic poem on Troy. but in reality they do not feature in The Iliad at all, which concludes with the funeral of Troy’s champion warrior Hector. Homer in fact alludes to the Trojan Horse episode all up only thrice in the “follow-up” epic poem The Odyssey and then only briefly in passing.

‘Helen of Troy’ 1956 (It-US)


Epic Cycle ~ it was left to other ancient authors, some roughly contemporaneous with Homer and some later, to, as it were, fill in the gaps in the popular tale of the Trojan War between the end of Homer’s Iliad and the Odyssey. This collection of non-Homeric verse in dactylic hexameter acquired the name of Epic Cycle (Epikòs Kýklos), and exist today only in fragments and as later summaries made in Late Antiquity and the Byzantine period.

‘The Iliad’ (image: etc.usf.edu)

Aethiopis ~ this lost epic poem (c.776BC), comprising five books, is attributed to Arctinus of Miletus. Arctinus spices up the Trojan conflict by introducing two new allies of the Trojans into the story. First Penthesilea and her band of fierce Amazon bellatrixes (women warriors) from Thrace enter the fray against the Achaeans (Greeks). The Amazonian Queen more than holds her own against the men, cutting a sway through many of the Greek warriors until Achilles bests her in hand-to-hand combat and kills her…creating something of a double-edged sword for himself as in the act of killing Penthesilea he makes the unsettling realisation that he is in love with her (real Freudian messing with your head stuff this!) Arctinus then brings in Memnon, king of Aethiopia➀ (Ethiopia) and his vast army to bolster the besieged Trojan side. Memnon is deemed almost equal in martial skills to Achilles and the two über-warriors and demigods square off in mortal combat. After a titanic struggle Achilles kills the Aethiopian warrior-king which causes his army to flee in terror. A fired-up Achilles launches an attack on the Trojans but gets too close to the city walls, giving the initiator of all the troubles, Paris (whose behaviour is consistently dishonourable and cowardly), a chance to take a pot shot. Paris’ arrow pierces Achilles’ heel, the only vulnerable spot on his otherwise immortal body, but Paris still gets no credit for it it is Apollo (god of archery) who guides the trajectory of the arrow truly to its target➁.

Amphora depicting Achilles & Penthesilea in combat (6th cent. BC), British Museum, London

Ilias Mikra (“Little Iliad”) ~ this lost epic, in 4 books, is mainly attributed to the semi-legendary Lesches➂ (of Lesbos(?), flourished 700–650BC). Lesches covers the conception and construction of Odysseus’ Trojan Horse➃ and the awarding of the dead Achilles’ arms to Odysseus over Ajax, prompting the latter to lose the plot altogether, attack a herd of oxen and commit suicide in shame. The rest of the Little Iliad follows various escapades mostly involving Odysseus who treks off around the Aegean in company with Diomedes, collecting sacred objects which the Achaean prophecies decree are the preconditions necessary for Troy to be conquered. One such adventure takes them in disguise behind the enemy’s walls to steal, with Helen’s help, the Palladium (an archaic cult image said to preserve the safety of Troy).

Odysseus & Diomedes purloining the Trojans’ Palladium (The Louvre, Paris)

Iliou persis➄ (“The Sack of Troy”) ~ the surviving fragments of this epic, comprising just two books, is usually attributed to Arctinus, giving it a comparable vintage to the Aethiopis. The verse opens with the Trojans discovering the “gift” of the Wooden Horse. After debating it the citizens fatefully ignore the warnings of the prophetess Cassandra and Laocoön and decide to dedicate the horse to Athena as a sacred object. After the Trojans drunkenly celebrate their supposed triumph through the night the Greek traitor Sinon signals to the Achaean fleet to return, Odysseus and the other warriors disembark from the wooden horse and wholesale carnage, destruction and slaughter spells the end for Troy and its citizens.

The sack of Troy (source: Heritage Images/ Getty Images)

The Aeneid ~ this part of the story is also covered in later surviving versions by the Roman poet Virgil in his Aeneid and by Quintus Smyrnaeus (of Smyrna). Virgil’s Aeneid (12 books, written between 29 and 19BC) focuses on one of the minor participants of the Trojan War mentioned in the Iliad, a Trojan hero named Aeneas who escapes from Troy with his supporters (the Aeneads) before the Wooden Horse ruse is executed. Homer provides the template for Virgil’s epic poem which follows Aeneas and Co on their circuitous wanderings and adventures around the Aegean and Mediterranean seas (including an excursion to the Underworld) in Odysseyesque fashion, before settling in Italy and becoming progenitors of the Romans.

Aeneas’ wanderings after Troia (source: readthegreatbooks.wordpress.com)

Posthomerica ~ Quintus Smyrnaeus’ Posthomerica (14 books, written 3rd–4th century AD) picks up the story from the end of the Iliad and continue the narration of the war. Quintus modelled his work on Homer’s and also drew heavily on material from the Cyclic poems of Arctinus and Lesches, revisiting the well-trawled landscape of the capture of Troy through the Wooden Horse, the eradication of Troy’s royal family, including the killing of King Priam by Neoptolemus (Achillles’ son) in a sacred temple and his bestial murder of Hector’s infant son, violations for which the gods punish the returning Greeks with a series of misadventures – eg, Menelaus is delayed from leaving the Troad and driven off-course by storms and winds, taking seven or eight years to get back to his kingdom in Sparta; his brother King Agamemnon, the commander-in-chief of the Achaean expedition, is murdered immediately upon his return to Mycenae➅.

Ajax, Aeneas, Paris & others in combat (source: ancientworldmagazine.com)

➀ some sources refer to it as Scythiopia

➁ none of this gets a mention in the Homeric poems

➂ also attributed to other ancient writers like Cinaethon of Sparta and Thestorides of Phocaea

➃ or should we say Epeius’ Trojan Horse as it was he who built the gigantic equine decoy in rapid-quick time

➄ as in Ilion or Ilium, the Greeks’ name for Troy

➅ and of course there’s the curse of Odysseus’ decade-long tortuous trek trying to return to his home island Ithaca, as recounted in the Odyssey

A Logolept’s Diet of Obscure, Obsolete, Curious and Downright Odd “Z” Words

Leisure activities, Literary & Linguistics, Local history, Media & Communications, Regional History

Meet the “Z” family of words…Zeta, Zelda, Zara, Zack, Zee and Zed

Z is the twenty-sixth and not-so-lucky last letter of the Latin alphabet, used in the modern English alphabet and other western European languages. It is most commonly pronounced zed, as used in international English. But in the US, and sometimes in Canadian and Caribbean English, the preference is for zee. A third, archaic variant pronounces the letter “Z” as izzard, whose usage today is confined to Hong Kong English and Cantonese. “Z” derives from the Greek letter zetareaching English via the customary pathway of Latin. The ancient Greek “Z” was a close copy of the Phoenician Zayin (I) (meaning “weapon” or “sword”). Around 300 BC, Roman censor Appius Claudius Caecus relegated the letter Z to the ancient history archives, striking it from the alphabet allegedly due to his distaste for the letter, owing to it “looking like the tongue of a corpse”🅐.

Zabernism: misuse or abuse of military authority; bullying [From the German name for Saverne, a town in Alsace involving a 1913 incident of an overzealous soldier who wounded a cobbler for laughing at him, ultimately triggering an intervention from the army who took over the power from local authorities]

Zaftig: having a full, rounded figure; pleasingly plump (esp of a woman) [Yiddish. zaftik, (“juicy” or “succulent”) from zaft, (“juice” or “sap”)]

🅐 a more likely explanation is that the “z” sound had disappeared from Latin at that time making the letter useless for spelling Latin words…a few centuries later it made a comeback to the A(to Z) team resuming its place as № 26

An al fresco Bush Picture Theatre Once Nestled Quietly among the Orchards and Produce Gardens of North Ryde

Cinema, Leisure activities, Local history, Regional History

꧁꧂🍊🍋🎭📽️🍿꧁꧂

THE street names around Macquarie University in the northwest of Sydney have an unambiguously militaristic ring to them. Many, many bear the names of historical battles, wars and military campaigns. In particular the battles of two 19th century wars, the Crimean War and the Napoleonic Wars, figure heavily in the street configurations – there’s Balaclava Road, Waterloo Road, Talavera Road, Vimiera Road, Taranto Road, Busaco Road (actually misspelt as the correct spelling of the Peninsula War battle is “Bussaco”), Trafalgar Place, Nile Close and Crimea Road itself. Then there’s Culloden Road, Abuklea Road, Libya Place and Agincourt Road on the Marsfield side, and Khartoum Road, all from various other wars involving the British and English imperialists. Khartoum also lent its name to a very atypical cinema that existed in the North Ryde area long before the university, tech industry or shopping centre came along. The part of North Ryde, which is now called Macquarie Park, was largely green-belt bushland before the 1960s, punctuated by pockets of agriculture, Italian market gardens, citrus orchards and farms, plus an incongruously-placed greyhound racing track on the site of the future university campus. At the time the area which backs onto the Lane Cove National Park had not been developed commercially and its attractive natural surrounds drew the Northwood Group of artists to it who painted the orchards, market gardens, farms and waterways.

Nestled in among all of these market gardens and bushland was the Khartoum Open-Air Theatre, North Ryde’s first licensed cinema. Located on the corner of Khartoum and Waterloo Roads and carved out of a former orchard, it looked like the type of run-down picture house you’d encounter in a country town rather than in Sydney suburbia. The less than majestic Khartoum, held its first public screenings in early 1938. Debut feature for the theatre on opening night was Cecil B DeMille’s The Plainsman.

‘The Plainsman’ (1936)

The picture theatre’s knock-up construction from timber and corrugated iron earned it an affectionate (and not inaccurate) nickname from locals, “The Shack”. Roselands “Theatre Beautiful” it was not! The entrance section and projection booth were made of timber. “Open-air” really meant open-air with an obvious lack of shelter. The structure had a partial roof but most of the seating was exposed to the elements – the covered (padded) seats cost the princely sum of 1/6d while the uncovered (and less comfortable wooden) seats went for 1/-.

Khartoum Theatre, an undisguisedly rudimentary open-air cinema absolutely devoid of any “bells and whistles” 

The theatre’s owner was one Mr N Johnstone and was later partnered by Jack Peckman who doubled as projectionist. The Khartoum functioned as a two-man operation. At intermission or between double features the theatre would regularly provide an unorthodox form of entertainment for the patrons, wood chopping contests (in keeping with the bush ambience?). On wintry nights, if heating was needed, fires were started in 44-gallon drums (wonder if anyone alerted the local fire brigade?) (‘Khartoum Theatre’, www.cinematreasures.org)

Despite its primitive and seemingly incommodious facilities the Khartoum maintained a steady patronage from locals even after the North Ryde Skyline Drive-In, just one block away, opened in 1956. The greater threat however, not only to the Khartoum but to cinemas everywhere, was the arrival of television. (‘Cinemas of the 20s and 30s’, City of Ryde, www.ryde.nsw.gov.au/).

North Ryde Drive-In (photo: David Kilderry/ Drive-Ins Downunder)

“The Shack” managed to keep going at North Ryde—longer than many of the other, conventional cinemas, in the Ryde district—until 1966 when it closed down, bringing an end to 28 years of big screen entertainment in the former orchard. The Wild One with Marlon Brando was the feature chosen for the final screening on closing night in 1966 (‘Sydney’s lost cinemas: Ten of the best which enchanted audience before biting the dust’, Brian Kelly, The Daily Telegraph, 07-Sep-2016, www.dailytelegraph.com.au).

Khartoum Theatre, North Ryde, 1938-1966, one screen, 480 seats