Showing posts from category: Regional History
Sifting the Devil from the Dragon: Dracula versus Vlad Ţepeş
(Image: Lonely Planet)
Romanians, especially those from the region of Transylvania, must view Bram Stoker’s 1897 novel Dracula with at best mixed feelings. On the one hand, the immense popularity of Stoker’s imaginative work of fiction helped put Transylvania on the international tourist map…on the other hand, its dark and ghoulish tale of chilling evil with its genesis in the mountains and forests of trans-silvae (“the land beyond the forest”), projects a negative and deceptively gloomy picture of the country. The association of one of the greatest heroes in Romanian history and a defender of Christianity, the Medieval ruler Vlad Ţepeş III, with the fictional Dracula, would be displeasing to many patriotic Romanians.
Dracula’s transformation into a classic of the Gothic horror genre captured the imagination of film-makers, inspiring numerous silver-screen interpretations of Dracula – from the silent German feature Nosferatu to countless Western film versions which made actors such as Bela Lugosi and Christopher Lee famous – and typecast. The Dracula character’s pervasion of especially American popular culture has seen the trope extend to parody cartoon versions on TV (Duckula), to female teen “vampire-slayers” (Buffy) and even to “blaxploitation” movies asserting the emergence of a self-conscious black culture in the US (eg, Blacula).
Vlad’s signature punishment In some screen interpretations of the novel, like the 1992 Francis Ford Coppola movie Bram Stoker’s Dracula, the identities of Dracula and Vlad Ţepeş are presented as if they are one and the same person! (see also PostScript). Entirely fanciful of course but Stoker’s character did draw inspiration from the real-life Vlad Ţepeş III (or Vlad Împalatul). Vlad was the voivode✱ of Wallachia in the mid-15th century, infamous for impaling victims such as his own troublesome boyars or foreigners captured in conflicts (Ottomans, Bulgarians, Saxons, Hungarians▣). Such an horrific torture technique earned him the nickname “the Impaler”.
⇩ 1499 woodcut, Vlad the Impaler
Vlad Ţepeş, voivode and resident of Wallachia, not Transylvania Stoker did get the name ‘Dracula’ from the Medieval Romanian prince, or at least from his family. Vlad’s father—Wallachian voivode before him—was Vlad II, also known as Vlad Drâcul…Drâcul (or Drâc) was a word for ‘dragon’ in the 15th century※, today in Modern Romanian it means “the devil” – something noted by Stoker in his research for the book as an apt descriptor for his fictional arch-nemesis. There is however a great deal of the character of Count Dracula that Stoker didn’t derive from the circumstance of Vlad Ţepeş. The Impaler had nothing to do with vampires or any supernatural beings and his associations with Transylvania were largely peripheral and tenuous. Vlad was supposedly born within Transylvania in Sighişoara although there are some doubts about this (an alternative view has his birthplace in Wallachia). Bran Castle, a Transylvanian tourist attraction identified with Stoker’s Dracula, has no connection with Vlad at all [Florin Curta, referenced in ‘The Real Dracula: Vlad the Impaler’, (Marc Lallanilla), Live Science, (2017), www.livescience.com].
⇩ Bran Castle (Photo: Daniel Mihailescu/AFP/Getty Images)
Constructing the Ur-vampire
Transylvania, being to outsiders, “a mysterious land of vampires and other supernatural things”, handed down a long tradition of folklore and legends, it’s not surprising that Stoker drew on this source for inspire and inform his vampire story. Superstitions and beliefs of Romanian peasants in Stoker’s time fuelled a plentiful supply of tales about vampiri (vampires), vârcolaci (werewolves) and other supernatural monstri. Stoker’s library research would also have acquainted him with the strigol, a Romanian figure of legend—“a reckless spirit that returns to suck the lifeblood from his relatives”—the type of vampirish “undead souls” that would find a place in Stoker’s horror novel [‘The Use of History in Dracula Tourism in Romania’, (Tuomas Hovi), www.folklore.ee].
⇧ Whitby, England (Image credit: www.visitwhitby.com)
Non-Romanian influences on Dracula In the Dracula novel the undead Count travels to Britain in search of more victims, journeying to Whitby in Yorkshire. This echoes Stoker’s own earlier visit to Whitby in which the author was reportedly quite taken with the town, its colony of bats circling round the churches, its whole creepy atmosphere, all of which he would have found good material for a Gothic novel [‘How Dracula Came to Whitby’, English Heritage, www.english-heritage.org.uk]. Stoker apparently found more inspiration in Port Erroll (these days, Cruden Bay) in Aberdeenshire – Slains Castle with its “fang-like rocks” is thought to have also inspired the Transylvanian Dracula castle home in the book [‘Slains Castle’, www.visitabdn.com].
Vampires: not the exclusive preserve of Transylvania⦿ Bram Stoker was Irish and never visited Romania in his lifetime, prompting some to speculate that the Dracula story may equally have been influenced by the author’s own experiences growing up in Ireland. Stoker would have been exposed to homegrown myths of the supernatural (such as those involving the sidhe, the fairy people of Irish folklore), as well as to the nightmarish ordeal of living through a cholera epidemic [‘How Bram Stoker creates Dracula with the aid of Irish Folklore’, (Leonie O’Hara), Irish Central, 04-Oct-2020, www.irishcentral.com].
PostScript: Vampire tourism Vampire tourism in Transylvania has not been waylaid by coronavirus, tourist operators in Romania are still offering up a raft of tour packages—with titles like “7-Day Dracula Highlights Tour” and “Fun With Fangs: Vampire Tours in Romania”—to lure the “vampire-curious”. The tours, tend to wallow in all the predictable cliches and stereotypes, milking the prevailing craze for all things vampire, staying in Dracula-themed hotels, etc. Vampire tourism is an intriguing admixture of history, tradition and fiction…taking a leaf from Hollywood some of the tours indulge in considerable conflating of the historic Vlad Ţepeş with the fictional Count Dracula (Hovi).
↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↝↜↜↝↜↝↜
✱ ruler, a sort of military governor of a region
▣ Prince Vlad’s political fortunes generally hovered in the vacuum between the two regional powerhouses Hungary and the Ottomans, who he fought both with and against at different times
※ Drâculeşti is the patronymic – Vlad Ţepeş was also known as Drâculea, “son of the dragon”
☒ descendants of Saxon (German) merchants and craftsmen who migrated to Romania, commencing in the 12th century
⦿ though the tradition is a strong one in the Balkans and Eastern Europe, eg, Greece vrykolakas, Albania shtriga
The Blacks Between the Reds and the Whites: A Ukrainian Anarchist Entity in a “Stateless Territory”
The Russian Revolution in 1917 fostered a desire for self-determination within the Ukraine (as with other national minorities inside the empire), setting up the impetus for a conflict in Russia’s ‘underbelly’ which would become economically and geopolitically crucial to Soviet ‘imperial’ statehood. The Ukrainian conflict that followed (1917-21)✱ was a complicated affair involving a civil war, foreign interventions by countries from both the Triple Entente and the Triple Alliance, the White Armies (a loose confederation of international anti-communist forces), the Bolsheviks (the Red Army) and from neighbouring countries Poland and Romania with their own territorial ambitions in the Ukraine. The struggle for political control in Ukraine involved the succession (and sometimes the co-existence) of 14 separate governments◘, before the Bolsheviks finally established the country as a constituent republic of the USSR [The Times Guide to Eastern Europe, (Edited by Keith Sword), (1991); Encyclopedia of the USSR, (Warren Shaw & David Pryce), (1990)].
Reds, Whites and Blacks Various social and political groups within Ukrainian society—peasants, Cossacks, nationalists, socialists, communists, anarchists—formed into autonomous partisan detachments and embroiled themselves in the southern front showdown between the Red (Russian) and the White (foreign) armies. Of these groups, the Revolutionary Insurrectionary Army of Ukraine, colloquially known as the Black Army, in particular found itself in the middle of the White versus Red warfare.
Makhnovia AKA ’Makhnochina’ Of the assortment of homegrown players in the conflict in Ukraine, the Black Army was the most intriguing ideologically. Led by a brilliant military commander, Nestor Ivanovitch Makhno, and composed of peasants and workers, they were an army of revolutionary anarchists (or anarcho-communists). Makhno was engaging in a social revolution experiment by trying to establish a stateless, libertarian society in “free territory”. The Makhnovist Movement was based on the principle of self-government, a “federation of free soviets” without recourse to a dominant central authority◔ – a defiantly anti-statist position that was of course anathema to the Soviets. Aside from anarchists, the movement’s ranks were also swelled by Left Social Revolutionaries, Maximalists and maverick Bolsheviks [Nestor Makhno, Anarchy’s Cossack: The Struggle for Free Soviets in the Ukraine 1917-1921, (Alexandre Skirda), (2004)]. At its high-water point Makhnovia boasted an army some 100,000-strong [‘The forgotten story of the Free Territory’, (John Dennehy), Contributoria, July 2015, www.contributoria.com].
The Bolsheviks in their Ukraine military campaign alternated between forming alliances with the Black Army against the White Army when it suited them, and warring with them at other times. Makhno’s effective use of guerrilla tactics and his own martial innovation, the tachanka◘, played a decisive role in stopping the advance of Anton Denikin’s White Army on Moscow by cutting its lines of supply. When the Reds eventually got the better of the Whites in the war, Leon Trotsky (Soviet Commissar of War) reneged on the agreement with the Makhnovists, vilified Makhno as a “bandit warlord” and a “counter-revolutionary”, and proceeded to crack down on the Blacks ruthlessly [‘Free Territory of Ukraine’, Libertarian Socialist Wiki, www.libsoc.wiki.fandom.com]. With the Black Army’s strength decimated by the desertion of thousands of soldiers, the Red Army, superior in numbers and better equipped✧, ultimately defeated and dispersed the Blacks, forcing Makhno to flee Ukraine, eventually taking refuge in France.
Footnote: Makhnovia’s geographical base in eastern Ukraine Makhno’s powerhouse was on the left bank of the River Dniepr, in the provinces of Ekaterinoslav and Northern Tavrida and in part of neighbouring provinces…an area forming a rectangle measuring 300 km by 250 km and populated by seven-and-a-half million people (Skirda).
⇣ A 1919/20 pictorial map of Ukraine (Image source: Christophe Reisser & Sons)
Postscript: Ukraine, ‘Malorossiya’ and historic ‘Great Russia’ assumptions of hegemony The perception historically of Ukraine as “Little Russia”—held by by both Russians and the outside world—as a geographic entity falling naturally within the realm of “Great Rus” or even as indivisible from it, has acted as a handbrake on Ukraine’s aspirations for independence❂. In the present Ukraine/Crimea imbroglio, Russia’s military intervention and support for separatism in Ukraine (ie, the 2014 idea of eastern Ukraine as ‘Novorossiya’, (“New Russia”), the encouragement of the separatist “Donetsk People’s Republic”), is the Soviet strategy redux of what happened in 1917 – the setting up of an alternative authority in the country to that of the Ukrainians, namely a pro-Russian regime in Kharkiv. The Europeans in 1917, perhaps with an underlying sense of the vast, sprawling Russian Empire as amorphously heterogeneous, had a poor awareness of the difference between Ukrainians and Russians (the Soviet policy of Russification was designed to further blur those differences)⧆ [‘Illusion of a friendly empire: Russia, the West, and Ukraine’s independence a century ago’, (Ihor Vynokurov), Euromaidan, 02-Sep-2017, www.euromaidan.com].
࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏࿏
✱ because of the causal link the conflict in Ukraine is sometimes characterised as the southern front of the Russian Civil War. Invading White Army leader General Denikin referred to the region as “Southwestern Krai”, a name with Russian imperial overtones
◔ Makhnovia relied on the adherents to an anarchist model to self-organise into peasant communes and worker co-operatives (Dennehy)
◘ horse-drawn machine guns
✧ the Bolsheviks routinely and deliberately underarmed Makhno’s army (the Black Army always had more volunteers than guns) (Skirda)
❂ this is a part of a continuum which had its genesis with Muscovy’s supplanting of Kyiv as the centre of the Russian state
⧆ when the Ukrainian war for independence broke out, the western powers, in striking contrast to their ready endorsement of Polish self-determination and independence after WWI, failed to offer the same support to the Ukrainians’ aspirations (Vynokurov)
The Fiume Enterprise and d’Annunzio: A Peculiar but Prophetic Prelude to the Italian Fascist State
In the aftermath of the Great War, among the numerous issues facing the post-world war peacemakers was what to do about the status of Fiume, which had been part of the (dissolved) Austro-Hungarian Empire. Both the newly established Kingdom of the Serbs, Croats and Slovenes (KSCS), and Italy, laid claims to the city whose population included significant numbers of Italians as well as Croats and Slovenes. While the Paris Peace Conference deliberated over Fiume’s fate❈, an Italian poet-adventurer named Gabriele d’Annunzio took advantage of the city’s state of flux to invade with a small private force in the name of Italian irredentism.
The “Poet-Warrior” D’Annunzio was an international celebrity in his time, an unconventional, physically small but larger-than-life, multi-faceted character, an Italian man of letters who also saw himself as un uomo d’azione (‘a man of action’)⌖. Having seized the disputed Adriatic port of Fiume, d’Annunzio offered his prize to the Italian government who not wanting to endorse d’Annunzio’s dubious coup, rejected the offer [‘An Irishman’s Diary on Gabriele d’Annunzio — the “John the Baptist of Fascism” and would-be IRA quartermaster’, (Mark Phelan), The Irish Times, 07-Mar-2018, www.irishtimes.com]. Spurned, d’Annunzio reacted by declaring Fiume’s independence as the “Italian Regency of Carnaro”, AKA Impresa di Fiume (‘Endeavour (or Enterprise) of Fiume’).
Progressive reforms and a repudiation of the Versailles Treaty The constitution (la carta del Carnaro) of d’Annunzio’s unrecognised enclave contained an idiosyncratic “grab-bag” of ideas, including elements from both the Left and Right. The charter included many progressive articles – calling for the full equality of women in society, tolerance for both religion and atheism, a social security system, medical insurance and age pensions✪[Michael A Leeden, The First Duce: D’Annunzio at Fiume, (1977)]. D’Annunzio’s regime was the first to recognise the Soviet Union and pitched the idea of a kind of “anti-league of nations” for (select) oppressed peoples of the world—which in d’Annunzio’s thinking was those countries which fared badly in the post-WWI territory carve-up and were holding a grudge—including offering assistance in the form of arms to the IRA in its struggle to free itself from British colonialism (🔺photo: d’Annunzio and some of his supporters in Fiume).
Culture, ‘counterculture’, plus proto-fascism
La carta del Carnaro made music a key principle of the state, the arts flourished with daily public poetry readings and concerts. Impresa di Fiume established a corporatist state along anarcho-syndalicalist lines. The Adriatic city exuded a veritable bohemian buzz, becoming, as Hughes-Halley notes, a “political laboratory” for all manner of political persuasion including anarchists, syndicalists, socialists and ultimately, fascists. It wasn’t all politics either…all manner of perceived ‘subversives’ and outliers, including the socially marginalised, the unorthodox and the disenfranchised, flocked to d’Annunzio’s enclave – fugitives, drug dealers (and takers), prostitutes, discontented idealists, ‘pirates’, dandies, homosexuals, artistic “drop-outs”, runaways, and so on⊞ [Lucy Hughes-Halley, The Pike: Gabriele D’Annunzio, Poet, Seducer and Preacher of War, (2013)].
Although the Fiuman duce wasn’t a fully-fledged fascist himself, his political ideas and his aesthetics in inspired an imitator in Benito Mussolini and informed the blueprint for the future Italian corporatist-fascist state – d’Annunzio’s legacy which prompted many to see him as a kind of “godfather of Italian Fascism” includes the staging of mass rallies, demagogic speechifying, black-shirted vigilantism and Roman salutes (Phelan). Moreover, d’Annunzio’s adventurism in the Regency of Carnaro contributed to a weakening of Italian democracy and paved the way for the Fascist takeover and consolidation of the corporatist state (Hughes-Hallett).
D’Annunzio’s exile and defenestration
Under a deal between Italy and KSCS (Treaty of Rapallo, 1920), the enclave’s name was changed to the Free State of Fiume. D’Annunzio refused to acknowledge the agreement and having failed to reach a modus vivendi with the Italian government, impetuously and unwisely declared war on Italy – with predictable, disastrous results. Fiume was bombarded and d’Annunzio was forced to flee—relocating in exile to Lake Garda in the eastern Lombard region—leaving his Reggenza and his schemes for a new world order in tatters. A later agreement (Treaty of Rome, 1924) sealed Fiume’s full annexation by Italy. Injuries sustained by the still popular d’Annunzio in 1922 when he mysteriously fell from a window (possibly an assassination attempt) worked to Mussolini’s favour, whether he was implicated or not. D’Annunzio withdrew from politics and Mussolini secured his continued inactivity through the payment of inducements. D’Annunzio however characteristically did not remain entirely mute, proffering advice to Mussolini whenever he felt the inclination◰, such as his warning, unheeded, in the 1930s to Il Duce not to enter into an axis pact with Hitler.
Topnymic end-note: Flume, Fiume, Rijeka Fiume today is the city of Rijeka (‘River’ in Croatian) within the Republic of Croatia (post-Yugoslavia space)… roughly, a bit over twice the size of Fiume in d’Annunzio’s day, it comprises the most important deep-water port on the Croatian coast.
⋄ ⏦ ∝ ⧜ ∘ ⋄ ⏦ ∝ ⧜ ∘ ⋄ ⏦ ∝ ⧜ ∘ ⋄ ⏦ ∝ ⧜ ∘ ⋄ ⏦ ∝ ⧜ ∘ ⋄ ⏦ ∝ ⧜ ∘ ⋄ ⏦ ∝ ⧜ ∘ ⋄ ⏦ ∝ ⧜
❈ the Allies’ (and US president, Wilson’s) preference had been to make Fiume into a buffer state, a prime candidate for the headquarters of the soon-to-be created League of Nations
⌖ d’Annunzio was many more things as well — decadent artist and musician, aesthete, war-monger and war-hero, necromancer, pioneering aeronautist, serial debt-defaulter, libertine and cad, above all perhaps, an indefatigable self-publicist (Hughes-Halley)
✪ progressive platform aside, Comandante d’Annunzio retained an elitist perception of his own role in national affairs, inspired by Nietzsche, that of the Übermensch or superuomo (the “superior man” who rises above society’s mediocrity)
⊞ it would be interesting to know if the Fiume Enterprise had any influence on the creation of contemporary Užupis, the bohemian “independent republic” of artists ensconced within the city of Vilnius, Lithuania 🇱🇹 – see blog Vilnius I, Senamiestis & Užupis: From Old Town to Artistocrazy? (06-November 2015)
◰ Mussolini and d’Annunzio exchange some 578 letters and telegrams until the latter’s death in 1938 [Peterson, Thomas E. “Schismogenesis and national character: the D’Annunzio-Mussolini correspondence.” Italica, vol. 81, no. 1, 2004, p. 44+. Gale Academic OneFile, Accessed 21 Sept. 2020].
The Palme Assassination, Sweden’s JFK Complex: A Coda?
THE modern history of Sweden has been one of continuous, peaceful state existence. Non-participation in any war since 1814, no political assassinations in the country for nearly two centuries (following the murder of King Gustav III in an aristocratic coup attempt in 1792). This remarkable run, free of political violence, was shattered on the night of 28th February 1986 with the seemingly unfathomable murder of Sweden’s incumbent democratic socialist prime minister, Olof Palme＊.
Sveavägen murder scene 🔻
(Photo: Anders Holmström/Svenskt Pressfoto)
‘Clouseauesque’ policing
The Swedish PM’s shooting in Sveavägen, one of Stockholm’s busiest streets, by a single assassin, was followed by an amateurish investigation that was a complete shambles from the start. An initial mix-up over phone calls meant the police were slow to respond to the crime, losing precious minutes while the murderer made good his escape. On arrival, they failed to cordon off the murder scene properly, allowing onlookers to contaminate potential forensic evidence; key witnesses were allowed to leave the scene without being questioned. Established crime protocol—a street-by-street search of the area (a dragnet)—was not implemented [“Olof Palme: Sweden believes it knows who killed PM in 1986’, BBC News, 100-Jun-2020, www.bbc.com/].
🔺Head of investigation, H Holmér
(Image: www.news.sky.com)
The police investigation was headed by Hans Holmér who assumed more or less from day one that the crime was politically motivated, eventually becoming fixated on the Kurdish militant group the PKK as the likely perpetrators, to the neglect of other leads (injudiciously, witnesses with key information were ignored). After a haul of locally-based Kurdish immigrants were arrested and then released for lack of solid evidence, the prosecutors and media turned against Holmér’s handling of the case, forcing him to resign [‘“Murder Most Foul” – the Death of Olof Palme’, (Jan Lundius), Inter Press Service, 30-Jun-2020, www.ipsnews.net; BBC News]⦿.
The suspects and the conspiracy theories◘
In the 34 years since the Palme shooting the police have conducted 10,000+ interviews and 134 people have confessed to the murder. Aside from the PKK, another international suspect was the white South African regime. Palme was a charismatic figure in world politics but also a controversial and polarising one, as a foreign policy-minded social democrat he elicited criticism from both left and right, including from both the superpowers. In addition, his high-profile anti-apartheid stance was a thorn in the side of the Pretoria government. One theory suggests a conspiracy between South Africa’s security and intelligence forces and right-wing extremist mercenaries within Sweden to execute Palme. The view gained some traction but Swedish investigators have never satisfactorily connected the dots between these elements.
🔺 Stockholm: Intersection of Sveavägen and Tunnelgatan
Palme’s economic reforms, especially those geared towards promoting worker control, did not endear him to the capitalist class in Sweden. More specifically there was Palme’s strong stance against the Swedish arms manufacturer Bofors who was illegally selling weapons to several proscribed nations. When Iran was blocked from receiving a shipment one scenario advanced is that an Iranian hitman liquidated the Swedish PM [‘Sweden’s Bofors Arms Scandal’, Directorate of Intelligence, 04-Mar-1988, www.cia.gov/].
Political pressure for “a result”
Refocusing domestically on individuals, the spotlight turned to Christer Pettersson who had a criminal record including manslaughter. Pettersson was dubiously convicted of Palme’s murder in 1989, in part because Palme’s widow, prompted by police officers, picked him out in a police lineup. The seriously compromised verdict was easily overturned on appeal (lack of a murder weapon or motive) [‘Who killed Sweden’s prime minister? 1986 assassination of Olof Palme is finally solved – maybe’, (Andrew Nestingen), The Conversation, 11-Jun-2020, www.theconversation.com]. The investigation team’s eagerness to ‘fit’ Pettersson for the crime despite being bereft of hard evidence, reflects the pressure exerted by the ruling Social Democratic Party on the police to secure a quick resolution of the crime “acceptable to the public” [‘Who killed the prime minister? The unsolved murder that still haunts Sweden’, (Imogen West-Knights), The Guardian, 16-May-2019, www.theguardian.com].
Another, more ‘political’ suspect to attract the police’s interest early on was Victor Gunnarsson. Gunnarsson was an activist with connexions to various right-wing groups, especially the European Workers Party which held grudges against Palme. Gunnarsson was briefly detained by Holmér but the case against him however dissolved when witnesses failed to locate him at the murder scene at the time of the crime. Gunnarsson later emigrated to the US where he himself ironically became a homicide victim [‘Victor Gunnarsson’, People Pill, www.peoplepill.com].
‘Skandiamannen’✪
Another name on the person of interest list of police was Stig Engström. Engström willingly offered himself up to police as a ‘witness’ at the time of the assassination and though questioned, the police eventually discounted him as a serious suspect. But some 20 years after the murder, a new theory, originating in a book by Lars Larsson and developed by journalist Thomas Pettersson, gained traction. The case put by Pettersson that Engström was the killer rested on a conjunction of factors—the “right timing, the right clothing, (he had) unique information, he had close access to guns of the right type, he was right wing and Palme unfriendly” [‘After 34 Years, Sweden Says It Knows the Killer of Olof Palme’, (Thomas Erdbrink & Christina Anderson), New York Times, 10-Jun-2020, www.nytimes.com]. Petersson handed over his findings to the police in 2016, leading to a reopening of the investigation.
Palme, then Swedish communications minister, (with actress Lena Nyman), appeared in the controversial 1960s “erotic-drama” ‘I am Curious – Yellow’ 🔻
‘Resolved’ but left up in the air?
Earlier this year the state prosecutor announced that he had come to the conclusion that Engström was probably Palme’s killer, but, given that Engström himself died in 2000, he promptly closed the case. Not everyone in Sweden is satisfied by the conclusion to the Palme case, many questions remain unanswered about the inconclusiveness of the evidence…eg, no DNA match, where is the missing murder weapon and what was the motive? (BBC). To paraphrase one antagonistic perspective on the case resolution: “it settles none of the unanswered questions”, instead it “underlines the determination of powerful political forces to continue the cover-up surrounding Palme’s murder” [‘Decades-long cover-up continues of assassination of Swedish Prime Minister Olof Palme’, (Jordan Shilton), World Socialist Web Site, 13-Jun-2000, www.wsws.org/].
(Source: www.latimes.com)Endnote: Palmology and parallels with the JFK conspiracy saga
The collective trauma felt by Swedes with Olof Palme’s 1986 assassination—many expressing a sense of lost national innocence, no longer immune from political violence◘—recalls the devastating effect the assassination of President Kennedy in 1963 had on the American psyche (Lundius). Both leaders’ violent deaths triggered a runaway train of conspiracy theories, some plausible and some highly implausible◕. In the years since 1986 Sweden’s national obsession with the unsolved murder, labelled Palmessjukdom (“Palme sickness”) has inspired a raft of plays, films, television and musical works on the topic. It has even been cited as a contributing “factor in the worldwide explosion of Scandinavian (noirish) crime fiction”. ‘Palmology’ has spawned a veritable Swedish industry of privatspanarna – a legion of private investigators (such as Thomas Pettersson) conducting independent inquiries into the baffling crime…some have been serious researchers, others espousing “crackpot theories” (West-Knights).
(Source: www.cnbc.com/)
𝄪——𝄪——𝄪——𝄪——𝄪——𝄪——𝄪——𝄪——𝄪——𝄪——𝄪——𝄪
＊ not however the country’s last political murder, in 2003 Swedish foreign minister, Anna Lindh, was assassinated by another “lone wolf” assassin
⦿ marginalising SÄPO (Säkerhetspolisen – the state secret police) from the investigation didn’t make the task any easier
✪ Engström was dubbed “Skandia Man” by Lars Larsson because he worked in the Skandia Insurance Co tower building which fronts on to Sveavägen-Tunnelgatan
◘ and perhaps in some measure jolting Swedes out of a lingering outlier complacency
◕ among the multitude ‘fingered’ for the hit on the Swedish PM, was the Swedish police, the Yugoslav secret service, even Palme’s own wife, Lisbet
Nancy Bird Trumps Badgery & Co: Sydney’s Long and Tortuous Journey to a Second Airport and the Contest for Naming Rights
Sydney’s long-debated second international airport is slated to be completed—in so far as anything can be asserted with any confidence in the post-coronavirus age—by 31st December 2025❋. The site selected and given final approval by the Commonwealth government in 2014, Badgerys Creek, is on 1,780 hectares of land in greater western Sydney in indigenous Darug country.
(Source: SMH)
The saga begins in 1946. Towra Point (in Sydney’s south) is mooted by the NSW state government as a likely site for the second airport◲…over the next 40 years at least 20 sites are put forward as prospective locations for another airport to ease congestion at the existing Kingsford Smith Airport. Successive federal governments of differing political hues cast the net far and wide—to the north, south and west of Sydney—in the hope of finding a site that best meets the needs. When the government flags that it favours Somersby (Central Coast) and Galston (northwest) in the early 1970s, outbreaks of NIMBY-ism (vocal grass-roots protests from the locals) leads Canberra to back down. Another candidate, Holsworthy (southwest), is rejected because of an unknown number of unexploded military projectiles littering the site from a nearby army base and its proximity to a nuclear facility, only to be unfathomably resurrected as a prospect in the mid-1990s by the Howard government and then quickly dropped again on grounds of “environmental unsuitability”. Goulburn, 200km southwest of Sydney, too gets shelved – because of the high capital costs involved [‘Second Sydney Airport – A Chronology’, Parliament of Australia, www.aph.gov.au/].
(Source: www.aph.gov.au/)
Frustrated at the ongoing failure to resolve a viable site for the second airport, the Commonwealth toys with the idea of ditching the whole project and looks at an alternative plan sans second airport – the construction of a third runway at Kingsford Smith Airport and complimenting it with a VFT (very fast train) connecting Sydney and Canberra (the VFT never materialises). By the mid-1980s only two sites remain in the running – Wilton and Badgerys Creek⊞. By 1986 Badgerys Creek is ”last man standing” and the Crown purchases land there.
Even after settling on the location, progress on the second airport mimics the more inane capers of TV’s Yes Minister – a stop-start pattern of self-limiting actions, deferment of decisions, vacillations. Feasibility and EIS studies come and go, budgetary problems always loom, the Commonwealth and the state government bickers over what form the airport should take, engaging in political points-scoring, etc. The achievement of anything tangible, actual progress, is grotesquely underwhelming. One example will suffice: 1988, the incumbent government proposes to fast track the construction of Badgerys Creek, but no action follows the words. In 1991 another study contradicts this, finding there’s “no pressing need” to rush the second airport. Three more years on and fast tracking is back on the agenda, the new urgency is the 2000 Olympics. But in 1995 it is reported there “has been little or no development at Badgerys Creek” (“token construction works to date”) and later that year the Commonwealth announces that “the airport won’t be ready for the Sydney Olympics”… and so it goes (‘Second Sydney Airport’).
⌂ Blue Mountains anti-airport bumper sticker
Consistent with the past fraught nature of the second airport issue, the choice of Badgerys Creek is far from consensual. Opposition from Blue Mountains Council and its residents’ groups is particularly vocal – the litany of objections include its likely impact on the national park’s ecology, the threat to its UNESCO World Heritage site status, health hazards, air and noise pollution, [‘Council study finds airport noise on natural areas overlooked’, WSROC, 08-Dec-2017, www.wsroc.com.au]. Some have again raised the question of whether a second airport is really necessary, arguing that existing airport capacity at Bankstown and Richmond airports could be expanded to lighten the domestic passenger and cargo transport burden on Kingsford Smith [‘Is a new airport at Badgerys Creek really needed?’, (Peter Martin), Sydney Morning Herald, 15-Apr-2014, www.smh.com.au].
⌂ Future aerotropolis?
✑ ✑ ✑ ✑ ✑ ✑
Sorting out the nomenclature Once the Commonwealth red-inks the Badgerys Creek site in 2014, a media debate ensues over whose name the new airport should bear. The early favourite is Sydney Harbour Bridge engineer John JC Bradfield, strongly lobbied for by politicians from both sides (LNP prime minister and premier, Labor state opposition leader, etc) [‘Bradfield Airport has universal approval’, (Danile Meers), Daily Telegraph, 06-Nov-2014, www.dailytelegraph.com.au]. Others including Wollongong councillors and the Royal Aeronautical Society plump for Lawrence Hargrave, a seminal figure associated with advances in the field of aeronautical pioneering (unlike Bradfield). From a western Sydney viewpoint, a Penrith City councillor makes a pitch for William ‘Billy’ Hart, who flew a box-kite plane (based on Hargrave’s earlier breakthrough invention) from Penrith to Parramatta in 1911 [‘Penrith Council defer naming of Western Sydney Airport site’, (Krystyna Pollard), Liverpool City Champion, 02-Mar-2017, www.liverpoolcitychampion.com.au].
Badgery of Badgerys Creek The most intriguing candidate, is one with both pioneering credentials like Hargrave and Hart, and real geographical “skin in the game”…(Andrew) Delfosse Badgery, whose family gives its name to the suburb encompassing the airport site—great-grandfather James Badgery settled the area in 1799—was the first person to fly a plane of his own construction in Australia. Badgery flew from Sutton Forest to Goulburn, a distance of less than 50 miles, in 1914)❂. The case for “Delfosse Badgery Airport” is supported by the aviator’s family and the St Marys Historical Society [‘Pilot’s claims has wings: Aviation pioneer Andrew Delfosse Badgery built the first plane in Australia at Badgery’s Creek…and Flew It!’, (Ian Walker), Daily Telegraph, 12-Nov-2014, www.dailytelegraph.com.au].
⌂ Del Badgery & his 1914 bi-plane
(Picture: Liverpool City Council)
And the winner is? With one eye on gender-inclusiveness and PC “brownie points”, and a nod perhaps to North American precedents◗, the Morrison government in 2019 opts to name Sydney’s second international airport after Nancy Bird-Walton, a pioneer aviatrix icon of Australia – for a brief summary of Bird-Walton’s achievements in flight see my blog dated 27-May-2017, ‘Equality at 10,000 Feet: The Pioneer Aviatrix in the Golden Age of Aviation – Part I’.
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❋ no bets on the chances of this being a lay down misère, given the vicissitudes of the second airport story
◲ after opposition from the Sutherland Shire local government over concern about noise levels, the Gorton government kills off the scheme in 1969, citing “environmental difficulties”
⊞ indicative of government indecisiveness, Badgerys Creek is on and off the short list of candidates several times over a span of 45 years before the final take-up by the Abbott government
❂ it is a matter of uncertainty whether Badgery built the plane (a Cauldron bi-plane) on the family farm at Badgerys Creek or at Sutton Forest in the Southern Highlands (Pollard)
◗ airports in Niagara-Ontario and Kansas named (respectively) after pioneering aviatrixesDorothy Rungeling and Amelia Earhart
The Moral Guardians’ War on ‘Pernicious’ Comic Books
As all of us are only too aware, COVID-19 has cut a swathe through public gatherings, large aggregations of people are a “no-no” in 2020. Across the globe all manner of events have been on the receiving end of a different sort of cancel culture treatment. The superhero-studded world of comic book conventions has not been immune to this contagion. Comic-cons everywhere, including the San Diego Comic-Con International, America’s oldest comic book convention, have been red pencilled in this year of the plague. But if we turn the clock back some 70 years we might observe a time when the existential threat was directed at the product itself, the actual comic books.
(Photo source: www.theverge.com/)
There were no organised comic-cons in the more cautious and conformist 1940s and 50s, but this in no way equated with a lack of popularity of comic books. In fact the Forties had been a Golden Age, especially for American comic books, Comic strip creators were riding high with a slew of superhero characters—including Superman, Wonder Woman, Batman and Captain America, the Avengers and Captain Marvel—proving lucrative for companies like Detective Comics (DC Comics), Entertaining Comics (EC Comics) and Timely Comics (Marvel Comics). By mid-decade comic books were the most popular form of entertainment in the US (with 80 to 100 million copies being sold per week!) By the late 1940s comic books were well and truly being marketed towards adults as well…”fed by the same streams as pulp fiction and film noir, titles (began to tell) lurid stories of crime, vice, lust and horror” [David Hajdu, The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America, (2008)].
♦️ Wonder Woman (Sensation Comics, 1942)
‘Seduction of the Innocent’
Dark clouds appeared over the comics industry’s blue skies in 1954 with the publication of Seduction of the Innocent by a Bavarian-born neurobiologist Fredric Wertham. The book was “a full-throttled attack on the lurid contents of various crime, horror, and even super-hero titles, (with an emphasis on) graphic illustrations of wife-beatings, sado-masochism, and gruesome murders”⁕ Sean Howe, Marvel Comics: The Untold Story, (2012)]. Wertham’s inditement of the American comics of the day was that they corrupted impressionable youth, inveigling them into fanaticising about evil, leading them on a ruinous path to criminal behaviour, etc.[‘History of Comics Censorship, Part 1’, CBLDF, www.cbldf.org/].
♦️ Crime SuspenStories, 1950
1940s, North and bonfires
Wertham was not the first critic to take aim at the US comic book industry. In the view of CBLDF✥, since the 1930s “the comics medium has been stigmatized as low-value speech”. In 1940 conservative commentator Sterling North urged parents and educators to guard against the influx of “mayhem, murder, torture and abduction—often with a child as the victim” in contemporary comic strips. North also decried the incidence of “voluptuous females in scanty attire, machine gun (-wielding hoodlums) and “cheap political propaganda” in the comics. The effect on children, he went on to say, of these “badly drawn, badly written and badly printed” strips was “a strain on young eyes and young nervous systems” as well as constituting “a violent stimulant” to them [North, Sterling. “A National Disgrace”. Childhood Education. 17.1, 1940: 56. Print.]. During WWII religious and patriotic organisations conducted public burnings of ‘disapproved’ comic books in American neighbourhoods – in ironic juxtaposition of the war being fought overseas concurrently against Nazi Germany (’Comic Censorship, Part 1’).
♦️ Dr Wertham, researching
“Pop culture McCarthyite”
But it was Seduction of the Innocent that struck the strongest chord in a 1950s America “looking over its shoulder” for real or imagined enemies of society in the grip of a hysteria heightened by McCarthyism. It triggered a public outcry, prompting an investigation into the industry by a Senate sub-committee. Publicity from the hearing was damning and the fallout was devastating. Comic books were denounced by Wertham and other moral crusaders as contributing to juvenile delinquency⚉. At the height of the moral panic, comic book publishers were sometimes treated as though they were mobsters, and the cartoonists, as if they were pornographers [‘The Caped Crusader’ (Jeet Heer), Slate, 04-Apr-2008, www.slate.com; ’Comic Censorship, Part 1’].
The emasculated comic book
Threatened with both public and government censure, the comics industry choose to self-regulate, introducing the Comic Code Authority, “a censorship code that thoroughly sanitized the content of comics for years to come”. The new code (something analogous to the film world’s draconian Hays Code) was taken to ridiculous lengths, it forbade comics from showing zombies, vampires, ghouls and werewolves; words like ‘horror’ and ‘terror’ couldn’t be mentioned in the story lines; nor could criminals be portrayed sympathetically and the institution of marriage could not be seen to be disrespected (Howe).
♦️ The imprimatur of the self-censor
Comic book publishers were forced to produce ‘purified’ comics suitable for a younger market—more infantile and tamer stories, squeaky-clean but ‘dopey’ heroes replacing the previous super-overachievers—in short, “safe fantasies” for the youngest readers (’Comic Censorship, Part 1’).
The economic and human toll
The new reality of the world of comic books decimated the industry’s hitherto prosperity…between 1954 and 1956 the number of titles produced was cut by more than half – from 650 in 250 over that two-year period!✧. By summer 1954 15 comics publishers in the US went belly-up. EC Comics, up to then one of the market leaders, discontinued all its comics lines…its much-vilified publisher William Gaines switching production solely to the satirical Mad magazine. Over 800 jobs in the industry vanished more or less immediately (Howe; Hajdu). Many talented inkers and pencillers left the industry for good, many for economic reasons but others due at least in part to the stifling of their creative artistic output.
Endnote: Demise of adult comics
Both Wertham and North in their hatchet jobs on the comics genre made the error of completely disregarding the significant adult readership of comic books. The recovery of the industry, the winning back of that readership, took many years…it didn’t really happen until the emergence of ‘Underground’ comics in the 1960s with publications like Zap Comics and comic artists like R Crumb§ [‘History of Comics Censorship, Part 2, CBLDF, www.cbldf.org/].
♦️ Detective Comics, 1945
PostScript: The Wertham thesis unpacked
After it became accessible in 2010 Wertham’s research on comics books was investigated and his conclusions found largely baseless…Wertham was said to have manipulated data, overstated, compromised, and fabricated evidence. A further weakness of his work was that he used non-representative samples as the basis for his conclusions. Scorn was also poured on Wertham’s contentions that the comic character Superman harboured Nazi SS tendencies, that the Batman/Robin relationship had homoerotic overtones, and that Wonder Woman was a lesbian role model (Wertham saw this as wholly undesirable)[‘Fredric Wertham’,Wikipedia, http://en.m.wikipedia.org; Heer].
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⁕ that serious comics of the period were laden with violence, misogyny and racism, could not be disputed (Heer)
✥ Comic Book Legal Defense Fund
⚉ a sense of elitism also coloured Wertham et al’s dislike of popular comics. Wertham considered their consumption blocked children from an appreciation of literature and fine arts (Hajdu; Heer)
✧ over 100 pieces of anti-comic book legislation came into effect in the Fifties (Hajdu)
§ the fashionability of adult readership was further advanced by the advent of graphic novels