The Wright Way, the Only Way: the Early Aviation ‘Patent Wars’ and Glenn Curtiss

Aviation history, Popular Culture, Regional History, Social History, Society & Culture

In this age of deregulated, worldwide passenger flight with more commercial airlines in the game than there are countries in the world (or so it seems anyway), its interesting to reflect that back in 1906 two American brothers had a monopoly on the very concept of human flight. Of course in 1906 there was no commercial flights – being still at the first dawn of aviation endeavour, but the only attempts at flight at all then (in a legal sense at least) were with the express say-so of those same two brothers.

The 1906 Patent
href=”http://www.7dayadventurer.com/wp-content/uploads/2016/10/image-12.jpg”> The 1906 Patent[/
In 1906 the Wright brothers – Orville and Wilbur – were granted a patent by the US Patent Office (after two earlier failed applications) for their “flying machine”, or more precisely, for their demonstrated method of controlled, powered, heavier-than-air flight. The bicycle shop owners-cum-aviation inventors had managed to demonstrate some measure (albeit minimal) of aerial control of the third version of their Wright flyer in all three axes of aerodynamics – pitch, yaw and roll[1]. The basis of the patent was the Wrights’ experiments in 1902-1903 and the successful (852 feet/59 seconds) glider flight at Kitty Hawk, North Carolina, in December 1903.

1903 Wright Flyer at the Smithsonian

The Wright brothers defended their exclusive aircraft patent against all-comers (“copiers and imitators” as they saw everybody else in the game) with a monomaniacal religious zeal that would have befitted their overbearing United Brethren minister father Milton. Orville and Wilbur freely sued and issued writs against anyone who attempted to construct and fly a new aircraft without purchasing a licence from them. As this was the pioneering era of aviation there were a lot of inventors trying to do just this[2]. Accordingly, the Wrights spent a lot of time locked in legal disputes with other manufacturers in America and overseas who were trying to avoid the patent fee. The Wrights staunchly defended their world monopoly over flight in unequivocal terms as a ‘moral’ and a ‘legal’ right, treating all other contemporary inventors in the field as in effect “hobbyists”![3].

GHC, technology innovator
f=”http://www.7dayadventurer.com/wp-content/uploads/2016/10/image-13.jpg”> GHC, technology innovator[/capt
Glenn Hammond Curtiss, a New York engineer and aviator, was one of many inventors who fell foul of the litigious Wright brothers when he added ailerons (French: “little wing”), a movable attachment to a fixed wing for greater control, to his experimental aircraft. Unfortunately for Curtiss he became the main focus of the Wrights’ wrath and in their eyes their greatest nemesis … in 1913 the Wrights won lawsuits for patent infringement against Curtiss et al, when US courts ruled that ailerons fell under the ambit of the Wright patent. Consequently Curtiss and his business partners (Aerial Experiment Association – AEA) were forced into bankruptcy[4].

The Wrights’ broad litigious reach was generally less effectively outside of the USA. Many European inventors were able to escape paying the patent fees, sometimes with the aid of sympathetic European courts. The Wrights’ demands for royalties were ignored or evaded, or if they were contested, one strategy was to stretch the case out until the patents had expired[5].

The Wright brothers’ obsession with enforcing their legal patent❈ had wider ramifications for the industry to the point of retarding progress in the development of US aviation. Beyond the early breakthroughs in lateral control, the brothers did not really add much to their aviation achievements (consequently in these years Curtiss pulled far ahead of them in design innovation). After America entered the Great War in 1917, the brothers’ perversely rigorous enforcement of the patents left America woefully short of new airplanes at a time they were desperately needed. The upshot was that the US forces in WWI had to secure French fighter planes for their military pilots[6].

Because of the Wrights’ unwavering stance on their patents (after 1912 Orville alone, as Wilbur died that year), resentment towards the brothers was strong, they were accused of being greedy by licensees, eg, by demanding “money first” from prospective buyers BEFORE giving a demonstration of the prototype flyer, or by setting too high a royalty fee (at one point demanding 20% of sales); after a string of fatal air crashes in Wright planes Orville Wright lost sympathy with the public by attributing the accidents solely to “pilot error” (characteristically giving no consideration to the fact that the Wrights might be at fault for not having tried to make improvements to their prototype Flyer’s basic design[7].

Eventually, inevitably, the US authorities moved to close down the Wrights’ monopoly. A patent pool system was introduced in 1917 whereby all aircraft manufacturers in the country joined an association requiring the payment of a relatively small fee for patent use. The pooling of the aircraft patents signalled the end of the Wrights’ patent wars … by this time Orville had already sold his interest in the Wright Company at handsome profit and moved on to other (non-aviation) ventures[8].

PostScript: Curtiss-Wright parallels

Intriguingly, Curtiss shared a common background with the brothers Wright, like them he began as a bicycle shop owner, designing, building and repairing bikes in small-town USA. But before moving into aviation Curtiss excelled in another area, motorcycles … he began designing V-8 powered motorcycles. The adventurous Curtiss even raced them, winning several races and setting a world record speed of 136 mph (earning himself for a brief period the tag of “the fastest man on earth”).

Despite the early setbacks at the hands of the Wrights, Curtiss went on to have a stellar career in aviation (and in naval aviation), designing practical seaplanes and airplanes, the viability of which he happily demonstrated in public (cf. the Wrights who tended to shroud their aircraft projects in secrecy). With financial backing from the famous inventor Alexander Graham Bell and from Bell’s wife, Curtiss’ international prize-winning planes (“The June Bug”, “The Albany Flyer”, “The Jenny”) completed the first publicly witnessed flight and the first long distance flight in North America (220 km, Albany to New York City). Curtiss, far superior to the Wrights as a pragmatic, go-ahead businessman, quickly became a multimillionaire. Curtiss possessed a flair for publicising and promoting his inventions that the brothers did not exhibit, and turned his inventions into rapid sales of units[9]. In a superb irony given Orville’s fierce, lifelong antipathy to Glenn Curtiss, the two aviation companies eventually merged in 1929❦ to form the Curtiss-Wright Corporation[10].

◖◗ See also the related November 2014 blog article ‘Wright or Not Right?: the Controversy over who really was “First in Flight?” ‘

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❈ the stock joke the Curtiss people liked to tell at the time went … (the two brothers were so litigious that) every time somebody jumped in the air and waved his arms, the Wrights would demand a patent royalty or threaten to sue!
❦ by which time neither man had active roles in their respective companies any longer … Notwithstanding that Orville still objected to the new corporation’s title listing Curtiss’ name first!

[1] activating the pitch (moving the aircraft’s nose up and down) and yaw (moving the nose side-to-side) of the projectile was the previous, understood (but unsuccessful) method of controlling flight … the Wrights reasoned that these worked only in unison with the third element of rotation, roll (lateral movement through the novel wing-warping feature of the Flyer). Warping (twisting) of part of the wing on either side causes the plane to roll or bank in that direction, Phaedra Hise, ‘The 1903 Wright Flyer’, Air & Space Magazine (Smithsonian), March 2003. The addition of twin-rudders to the rear of the 1902 model of the Flyer helped stabilise it and prevent it spinning out of control, ‘Rudder – Yaw (Wright 1903 Flyer)’, (National Aeronautics and Space Administration), www.wright.nasa.gov
[2] as W J Boyne described it, the Wrights went about “systematically sueing anyone suspected of infringing their patents, which really meant everyone attempting to make a living from building or flying airplanes”, Walter J Boyne’s “World Aviation History”, (‘The Wright Brothers: The Other Side of the Coin’), 2008, www.wingsoverkansas.com
[3] Sparks of Invention: Need for Speed, (Series 1, episode 5, TV documentary 2015, 9-NOW Network, screened 23-Oct-2016); ‘Wilbur Wright to Octave Chanute’, (letter, Dayton, Oh. 20-Jan-1910), cited in ‘Wright Brothers patent war’, Wikipedia, www.en.m.wikipedia.org
[3] ibid.
[4] ‘Wright Brothers patent wars’, ibid.
[5] ibid.
[6] ibid.
[7] Boyne, op.cit.; Phaedra Hise, ‘How the Wright Brothers Blew It’, Forbes, 19-Nov-2003, www.forbes.com
[8] Wright Brothers patent wars’, op.cit.
[9] ‘About the Man – Glenn H. Curtiss’, Glenn H. Curtiss Museum, www.glennhcurtissmuseum.org
[10] Flying (magazine), ‘Century of Flight’, 130(12), Dec 2003

1936, the Year of the Olympics and the Alternative Olympics: a Cocktail of Sport and Politics

International Relations, Politics, Popular Culture, Regional History, Social History, Society & Culture, Sport

1936 was a momentous year for the Olympic movement, the official, IOC-sanctioned Olympic Games was hosted by Nazi Germany’s Berlin. Never before had a modern games been manipulated for propaganda purposes to the extent that the Germans under Hitler did in Berlin 80 years ago this month. When Berlin was awarded the Games in 1931, Germany was still under the governance of the democratic Weimar Republic, but with Hitler coming to power two years later Germany swiftly took on a more unsavoury and increasingly sinister complexion. The Third Reich was soon savagely attacking the liberties of Jews, communists, the Roma (gypsies) and other targeted groups of German society … and much worse was to come!

As it got closer to the event there were questions asked within the Olympic community about whether the Games should go ahead in Berlin. The Nazi regime’s transparent violations of human rights at home, and it’s failure to behave like a good international citizen (eg, pulling out of the League of Nations in 1933, illegally occupying the Rhineland in March 1936, etc), prompted a number of nations to consider boycotting the event.

The US Olympic Committee debated the issue at great length. American Olympic association heavyweight, Avery Brundage (later controversial head of the IOC) was “gung-ho” for going ahead with participating, running the (now hackneyed) line that politics had no place in sport. The head of the American Amateur Athletic Union, JT Mahoney, and many others, were in favour of boycotting. The patrician Brundage was widely thought to be anti-Semitic and racist (in 1935 he alleged there was “a Jewish-communist conspiracy” trying to prevent the US team’s participation in Berlin). Ultimately Brundage’s lobby narrowly carried the AAAU vote in favour of going. The American decision to participate in Berlin was pivotal in salvaging the Games for the host city[1].

Catalonia's Olympiad Stadium Catalonia’s Olympiad Stadium

International opposition to the Nazi Olympics remained very vocal in the lead-up to the event. Spain and Barcelona in particular had a vested interest, having lost the bid to hold the 1936 Games to Berlin (the German city won easily, 43 votes to 16)♔. SASI (the international federation of workers’ sports) decided to hold the next instalment of its Workers’ Olympiads (see my previous post) in Barcelona in 1936. The Catalan Committee in Favour of Popular Sport (CCEP), boosted by the election of the leftist Popular Front in Spain in February 1936, worked with SASI to plan and prepare the Barcelona Olympiad♕, scheduled to begin just two weeks before the start of the official (Berlin) Games (clearly timed to steal Nazi Germany’s thunder!).

Politics and sport, the National Socialist way

In the end, although only two countries, the USSR and Spain, withdrew from the Berlin Games in favour of the Barcelona Olympiade, support for the Barcelona alternative games was widespread. The Olympiad was not state-sponsored in the fashion of the IOC carnival but backing came from progressive bodies and associations within western countries (trade unions, socialists, communists, anarchists, syndicalists, etc.). The Peoples’ Olympiad was also supported by various individuals – eg, dissident Germans with first-hand experience of the Hitler state and Jewish-American athletes opposed to Nazism[2].

SASI preached a cooperative and fraternal spirit to the 6,000 athletes from 22 countries who committed to participate. Whereas the Berlin Games were perceived as an affront to the Olympic ideals, Barcelona was intended to be based on a foundation of international solidarity that would elevate the “brotherhood of men and races” and “show the sport-loving masses (a Olympiad) that is neither chauvinistic or commercialised”, one devoid of the “sensational publicity of stars” that was characteristic of the IOC-run Games[3].

Olimpíada Popular poster: International worker-athlete brotherhood Olimpíada Popular poster: International worker-athlete brotherhood

The organising committee for the Peoples’ Olympiad employed an emblem which reinforced the SASI themes of solidarity, brotherhood and world peace … three male athletes standing defiantly side-by-side, one white, one coloured and one (to all appearances) of mixed or Asian ethnicity (no females in the poster to be seen however … inclusiveness apparently hadn’t extended that far by then!)[4].

Most of the mainstream IOC sports had been slated for inclusion in Barcelona and one or two former ones like amateur rugby revived. Also tacked on to the Olympiad were a variety of cultural activities such as folk dancing, theatre, music, chess♚ and an “Art Olympiad” (the promoters advertised the event also as a “Folk Olympiad”)[5].

Avery Brundage and the IOC were not alone in condemning the ‘rebel’ Olympiad in Catalonia, the Spanish right-wing press slammed the idea saying, variously: it would be a “second class Olympics” because it was open to all-comers, it was a “Jewish-communist” games, etc.[6]. On the Left the Spanish Marxist Workers’ Party (POUM) opposed the Peoples’ Olympiad on two grounds – the preoccupation with sports was “a waste of time” distracting the working class from its ‘proper’ objectives, and they mistrusted the motives of the democratic socialists (ie, SASI)[7]. Another instance of the lack of unity of the European Left in the face of the threat from the totalitarian Right.

Estadio Montjuïc Estadio Montjuïc

In July 1936 on the eve of the games opening, the Peoples’ Olympiad was thwarted when the Spanish military led by General Franco staged a coup against the republican government. The outbreak of a full-scale civil war in the country resulted in the Olympiad’s cancellation. Some of the overseas athletes A number of the overseas athletes who had already arrived in Barcelona stayed, joining the Republic side and fighting in the International Brigades against Franco’s Falange forces. The Berlin Olympics kicked off as planned on 1st August with the politics indeed overshadowing the sport[8]. Barcelona and its Montjuïc Stadium had to wait another 56 years before it finally got its chance to hold the Olympic Games in 1992.

유유유유유유유유유유유유유유유유유유유유유유유유
♔ a double blow for Barcelona as it also earlier had lost the 1924 Olympic bid (to Paris)
♕ the infrastructure for the sports tournament was already in place – the main stadium and hotels (to be converted into a state-of-the-art Olympic village) had been constructed for the 1929 Barcelona International Exposition and upgraded for the city’s bid for the 1936 Games
♚ Chess has a long tradition (since 1924) of staging its own brand of international Olympics, the Chess Olympiads, now held biennially
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[1] H Gordon, Australia and the Olympics ; ‘The Movement to Boycott the Olympics of 1936’, (United States Holocaust Memorial Museum), www.ushmm.org
[2] British support of Barcelona (and opposition to Berlin) was formidable, promising a big representation of UK athletes for the Olimpíada Popular, TUC (Trade Union Congress), ‘Labor Chest – Opposition to the Nazi Games, British Workers’ Sports Associations’ (Press Release), 9-Jun 1936), in Documents on the Popular Olympiad from “Trabajadores: The Spanish Civil War through the eyes of organised labor”, BTU Congress (Modern Research Centre, University of Warwick), www.contentdm.warwick.ac.uk
[3] ibid.
[4] J Freedland, ‘The Anti-Nazi Games that never were’, Evening Standard (Lon.), 16-Jul 2012
[5] ‘The Peoples’ Olympics in Barcelona’, http://iberianature.com/
[6] G Calomé & J Sureda, ‘Sport and Industrial Relations’ (1913-1939): the 1936 Popular Olympiad’, (1995), www.ddd.uab.cat
[7] ibid.
[8] Photos of the Berlin Games at the time of the event capture how completely Nazi propaganda lorded it over the ideals of the Olympics – the massive Nazi swastika symbol is seen to dwarf the Olympic Rings at venues, ‘The Olympics: Playing Political Games’, (Modern Research Centre, University of Warwick), www2.warwick.ac.uk

The Green Book for the Black Traveller: Coping in a Segregated America

Popular Culture, Regional History, Social History, Society & Culture

❛❛Life is all right in America,
If you are all-white in America
❜❜
~ Stephen Sondheim, West Side Story

❛❛Travel is fatal to prejudice❜❜ – Mark Twain (inscription on the cover of the 1949 edition of ‘The Green Book’)

“Carry your Green Book with you … you may need it!” (the publication’s motto)

An earlier (and subsequently) a rival publication from the US Black community

imageIn the early 1930s an African-American postal employee from New York, Victor Hugo Green, came up with the idea of producing a book for Black Americans to guide them in travelling safely around their own country. Green got some inspiration from the Jewish-American press which for several years had been publishing travel guides for its community’s travellers, and from earlier, embryonic and less successful efforts to service the African-American community (eg, the Negro Business Directories from the early 20th century)[1].

In the 1930s, with the era of “Jim Crow” segregation still very much alive, the experience of Black Americans migrating or travelling around the United States was a very precarious and outright dangerous activity. The notorious white-only “Sundown towns”* were in force, not just in the South but right across the country. The open and legally sanctioned discrimination practiced against Black people in their everyday domestic lives extended to their travel experiences. Victor Green understood that the emerging Black middle class aspired (like all other Americans) to car ownership which held the tantalising promise of individual freedom. For African-Americans, having your own vehicle was the means of escaping a degrading reliance on segregated public transport[2].

American auto dreams!
The project like many entrepreneurial dreams started small, The mailman-cum-entrepreneur Green initially focused his efforts on helping African-American motorists and travellers locate businesses (lodgings, restaurants and other food outlets and fuel stations) in the greater New York metropolitan area that would accept their custom. As the business grew (with assistance from the US Travel Bureau) Green expanded his guide to the rest of the US, and to Alaska, Bermuda and parts of Canada and Mexico. The Green Book’s aim was to help Black and Coloured travellers chart a safe path through a segregated America by pinpointing exactly where on route they could stop and get the services they required to make the trip a happy and pleasant one.

In 1947 Green retired from the New Jersey Postal Service, and together with his wife Alma, started their own travel agency in Harlem. International editions of the book followed with the firm also handling air travel business for the Black community. The Green Book gradually added extra service providers including drug stores, barbers and hairdressers, tailors, salons, garages, nightclubs, taverns, liquor stores and doctors’ offices.

According to the civil rights leader, Julian Bond, Green used his network of contacts in the Postal Workers Union to ascertain where Black visitors would be welcome[3]. Early on, Green visited the locations he would include in his Green Book to check them out personally, but when the book took on a national (and international) focus this became impractical[4]. Aside from hotels and motels, other accommodation options advertised in the Green Book included “tourist homes” (the private residences of African-Americans made available to travellers) and the Harvey House hospitality chain[5].

The Green Book, or to give it its full title, The Negro Motorist Green-Book (later called The Negro Travelers’ Green Book), had its debut edition in 1936 with a green-coloured cover. Green’s intention for the book was to equip Black travellers with the information to avoid the pitfalls, the very real dangers and manifold inconveniences of travelling across a landscape still largely hostile to their race. People could use the Green Book as a vade mecum to find African-American friendly services and hospitable havens on their journeys. It gave travellers the assurance that they could travel with dignity, and not have to suffer the ignominy of being constantly turned away and put down by racist accommodation providers. Green in fact advertised his book as making it possible to have a “vacation without humiliation”.


1949 Negro Motorists’ Green Book

The Green Book circulation was initially 15,000 copies a year. It was sold in the first instance by mail order through participating Black businesses, and later via Esso gas stations[6]. The cost of the 1936 edition was a Depression-conscious 25 cents, rising to $1.95 by 1960. Some Black enterprises, especially newspapers, eventually sponsored the book, as did Esso, whose gas stations had an unusually high number of Black franchisees in this period … this was reflected in its prominent place in the Green Book’s list of friendly businesses. According to historian Gretchen Sorin, under an agreement with Standard Oil, Esso service stations were selling two million copies of the Green Book annually by 1962[7].

1956 Negro Motorists’ Green Book

The 1956 edition – whose cover bizarrely featured two unmistakably fair-haired, white motorists(!?!) – made the assertion “Assured Protection for the Negro Traveler”, and it did offer Black travellers some element of choice, where hitherto going to an unfamiliar town was a total lottery. In 1955 in Albuquerque, New Mexico, only about six motels out of 100-plus on Route 66 took Blacks – so without a copy of Green’s road trip companion with them travellers could be faced with a long, frustrating and demoralising series of fruitless enquiries[8].

Ernest Green (a member of the defiantly brave band of schoolchildren known as the “Little Rock Nine” which ran the gauntlet of racist bullies at the first desegregated school in the South in 1957) used the Green Book in the 1950s to travel the 1,600km from Arkansas to Virginia. Green, no relation to publisher Victor, later described the book as “one of the survival tools of segregated life”[9]. Other accolades for the Green Book followed … “A credit to the Negro race” (William Smith); “The Bible of Black Travel”.

Undeniably, the book’s popularity for nearly 30 years (spawning imitators as well) is testimony to how appreciated it was by ordinary African-Americans … the practical guidebook was invaluable to travellers by minimising or avoiding inconvenience, embarrassment and harassment whilst on trips and vacations around the US.

Victor Green died in 1960 however his family kept the Green Book going until 1966. Rebranding was tried with the word ‘Negro’ dropped from the title to try to widen the publication’s appeal, but with the implementation of the landmark Civil Rights Act in 1964 and the outlawing of racial discrimination in public housing, it’s relevance to 1960s America had dwindled away.

.

Victor Hugo Green
When the resourceful Mr Green published the inaugural Green Book in 1936, he wrote in the preface that he looked forward to the day when “this guide will not have to be published”. That day was a long time happening (sadly not in Victor’s lifetime) … but it did come.

Footnote: In the decades after the publication folded, the story of the Green Books slipped more or less completely out of the public consciousness. It was only by happenstance that it resurfaced after playwright Calvin A Ramsey met an elderly traveller in the South in 2001 who asked him where he could get a “Green Book”. Curiosity aroused, Ramsey did some background research and eventually wrote two books – a children’s story and a play – on the topic. Since then revived interest in the Green Books has amounted to a bit of a ‘Renaissance’ … there has been the Schomburg Center’s GB digitization project (‘Revisiting a Jim Crow Era Guide for Traveling While Black’), the National Parks Service Route 66 Corridor Preservation Project, as well as numerous recent articles, blogs, museum exhibitions, documentaries (including Ric Burns’ current Driving While Black project) and podcasts, all on the Green Books[10].

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* so called because visiting Blacks were systematically warned to be out of town “by sundown” or risk violent reprisals from the local white population. This phenomenon was by no means restricted to backwater redneck, hick towns. Sundown towns included large suburbs such as Warren, Michigan (pop. 180,000), Levittown, New York (80,000) and Glendale, California (60,000).

[1] K Kelly, ‘The Green Book. The First Travel Guide for African-Americans Dates to the 1930s’, Huffington Post, 8 Mar 2014
[2] ibid. Although car ownership was liberating for African-Americans it did lead to other problems such as racial profiling by police (deliberate targeting, harassment and random arrest on suspicion of Black drivers on the street) … still very much a threat to the civil liberties of the African-American community today, T Owen, ‘Driving While Black: Cops Target Minority Drivers in this Mostly White New Jersey Town’, 11-Apr 2016, (Vice News) www.news.vice.com
[3] ‘ “Green Book” Helped African-Americans Travel Safely’, Talk of the Nation, 15-Sep 2010, www.npr.org
[4] C Taylor, ‘The Negro Motorist Green Book’, www.taylormadeculture.com
[5] C McGee, ‘The Open Road Wasn’t Quite Open to All’, New York Times, 22-Aug 2010
[6] Kelly, op.cit
[7] McGee, op.cit. Sorin, cited in J Driskell, ‘An Atlas of self-reliance: The Negro Motorist’s Green Book (1937-1964), 30-Jul 2015, www.americanhistory.si.edu
[8] ‘The Green Book Video Transcript – Route 66’, www.ncptt.nps.gov
[9] E Lacey-Bordeaux & W Drash, ‘Travel Guide helped African-Americans navigate tricky times’, 25-Feb 2012, www.edition.cnn.com
[10] See ‘Mapping the Green Book’, (MGB production blog), www.mappingthegreenbook.tumblr.com

Australia’s Colonial Zoo Story

Local history, Popular Culture, Social History
Taronga - southern (ferry end) entrance Taronga – southern (ferry end) entrance

October 7 this year marks the 100th anniversary of the Taronga Zoological Park, or as it is simply known to successive generations of children and parents of Sydney and its environs, Taronga Zoo (Taronga: Abor. for “beautiful sea view”). Sydney’s premier zoo can in fact trace its genesis considerably further back than that to the formation of the Zoological Society of New South Wales in 1879.

The Society’s initial purpose was to import English birds (and other introduced species) to the Antipodes and to acclimatise them to the conditions before distributing them to different parts of the continent. In 1883 the Sydney City Council gave permission to the Zoo Society to open a public zoo on government land allocated to it in Moore Park (3.5km south of the city centre). The location of the zoo was in a part of Moore Park known locally as Billy Goat Swamp, today occupied by Sydney Girls High (zoo remnants survive, still visible within the school grounds, ie, two bear pits in the ‘Lowers’ area adjoining Sydney Boys High). The zoo was designed by Charles Moore, responsible for the earlier creation of Sydney’s Royal Botanic Gardens[1].

Primitive lion enclosure at Moore Park Primitive lion enclosure at Moore Park

As more animals were added to it, the zoo soon outgrew its original land grant of 7.5 acres[2]. Gradually the zoo’s space encroached on more and more of the Moore Park parkland. Mostly in the 19th century, the new additions of animals for big public zoos came from engaging overseas professional hunters to capture exotic animals for their collections[3]. Melbourne Zoo acquired its hippos and monkeys, and Moore Park its Californian and Cinnamon bears, via this channel. Others like Jessie the Asian elephant were gifts for the Sydney zoo from the King of Siam.

By 1910 Moore Park Zoo was too small for the burgeoning number of animals accumulated. As a result the New South Government made 43ha of bushland§ between Little Sirius Cove and Bradleys Head (Mosman) available as a new site for Sydney’s zoo[4]. Around 1913-14 most of the zoo inhabitantsφ were bused from Moore Park to Circular Quay and then ferried by flat-top barge across the harbour to Mosman. With the taller animals, the elephants and giraffes, the zoo authorities eventually realised that it would be prudent to transport them to their new home in the middle of the night to avoid a public commotion in the streets. The sight of the massive beasts silhouetted against the night skyline whilst being barged across the water would have provided an inspiring, even poetic, vision.

Melbourne Zoo was founded in 1862 at Royal Park (Parkville). Heavily modelled on London Zoo, it has often been described as the first zoo in Australia[5], but this is not strictly correct – as there were small, private zoos in Sydney that predate it. Melbourne’s position however as the first public zoo in the country is certainly not in dispute, starting up some 22 years before Sydney’s Moore Park Public Zoo (Royal Melbourne Zoo is also the longest, continually operating zoo in Australia).

The concept of a zoo in the NSW colony has its origins in Hyde Park in the centre of Sydney Town in 1810. Soon after taking office Governor Macquarie established Sydney Common as a “people’s park”. Hyde Park initially housed a racecourse which by 1825 had given way to a menagerie of domestic and imported animals¥. By 1848 one Captain William Charlesworth, having procured exotic animals from India, and with the imprimatur of the Australian Museum, displayed them in a private menagerie-cum-small zoo in the Park[6].

Botany Zoological Gardens Botany Zoological Gardens
Remembering the elephant at Banks Zoo Remembering the elephant at Banks Zoo

The Hyde Park zoo experiment was short-lived and in 1851 its exhibits were ‘gifted’ to the publican (William Beaumont) of the Sir Joseph Banks Inn in Botany in Sydney’s south. The Botany hotel included a large land holding which was turned into pleasure grounds, with the private zoo being one of its star attractions. Among the new zoo’s animals acquired from Hyde Park were a ‘docile’ Asian elephant, a Bengal tiger, a gorilla, male and female Himalayan bears, black Bengal sheep and a pair of Manilla red deers[7].

After a change of hotel lease-holders the zoo folded and the animals were sold (late 1850s) to another pub at Watsons Bay in Sydney’s eastern suburbs – the Marine Hotel, owned by Henry Billing. “The Marine” was originally a private mansion built by Colonial Architect Mortimer Lewis ca 1837 and initially named “Zandvilet” (or “Zandoliet”) and then “Marine Villa’ under different owners (known simply as “Watsons Bay House” to many).

Billing located the zoo in Robertson Park (Clovelly Street Watsons Bay) in the grounds of the Marine Hotel, which he later renamed Greenwich Pier Hotel⊕. The private zoo (and hotel) had its own wharf for visitors. The collection included a lion (which was obviously tame, and perhaps worst, declawed, as the zoo advertised that it was available for visitors to ride!), elephants, tigers and harnessed zebras (no further information available on this but the inference is that the zebras might have been used bizarrely to pull carriages – like a horse!)[8].

The ‘showman’ Billing tirelessly promoted his private zoo as the largest and finest collection of wild animals in the Australian colonies, with “the wonder of the world, the Monstor Bengal Tiger Hercules, three East Indian Leopards, East Indian Porcupines, a Brahmin Cow, Egyptian Sheep, Golden Pheasants, Mongoose and English Ferrets”[9].

Dunbar House - former grounds of Watsons Bay Private Zoo Dunbar House – former grounds of Watsons Bay Private Zoo

Not surprisingly, the zoo was a big hit with the punters, especially when combined with the on-site pub! Unfortunately in 1861 the zoo suffered a setback when one of the Bengal tigers mauled its keeper. This resulted in litigation against Billing and although cleared of any blame, the hotelier soon after died. His widow tried to get the colonial zoological board to purchase the animals, but the government rejected her request. Her excessive reaction, sadly, was to poison the 18 animals (some reports list the number as higher) in the Robertson Park zoo. A few years later Mrs Billing embarked on a new “show business” venture, operating a waxworks in Sydney[10]. There is no record of whether it was a successful business or not, but at least it didn’t involve any animals.

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the Zoological Society was formed to carry on the role of the Acclimatisation Society, viz. the introduction and acclimatisation of (especially English) song birds and game (Royal Zoological Society of NSW)

§ an additional 9ha of Ashton Park bushland was later made available to the zoo

φ calculated at 228 mammals, 552 birds and 64 reptiles (Taronga Conservation Society Australia)

¥ Mrs Macquarie was reputed to maintain a personal menagerie of animals at Government House in Parramatta during her husband’s governorship.

⊕ the building housing Billing’s hotel in Robertson Park can boast a most colourful and manifold history. Since Billing’s ownership it has continued to change hands and names. Later in the century it got a new name, this time becoming the Royal Hotel, which had an open-air cinema added to its rear. From 1924 it was the municipal chambers of Vaucluse Council until the Council was abolished and merged into Woollahra Council in 1948. Part of the house became a library for a time. In the fifties as “Fisherman’s Lodge” it hosted wedding receptions and the like. Today it is the revamped Dunbar House, owned by the Grand Pacific Group, and hired out for events and operating as a cafe/restaurant for the many visitors to Watsons Bay

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[1] the Botanic Gardens provided many exotic birds for the new Moore Park Zoo aviary, ‘Who’s Who in the Moore Park Zoo?’, Centennial Parklands, History & Heritage, 7 May 2015, www.blog.centennialparklands.com
[2] pointedly,the Australian Town and Country Journal expressed “surprise that such a charming effect should be obtained in so comparatively small an area”, ‘The Zoological Gardens – a popular holiday resort with Sydney young folk’, Australian Town and Country Journal (Sydney), December 17 1892, www.trove.nla.gov.au
[3] ‘The Zoo’s first hippos stars: William and Rosamund’, (Culture Victoria), www.cv.vic.gov.au. There was more of an overlap of zoos and circuses in that era with both obtaining their ‘wild’ animals from this same source. It wasn’t until much later that zoos developed an interest in conservation and education
[4] a thriving artists’ colony, Curlew Camp, on the cove at Ashton Park, was closed down to make way for the zoo. Arthur Streeton and Tom Roberts, two of Australia’s most celebrated late colonial artists were members of the Curlew Camp group. As it eventuated the camp section of the bush headland was not used by the zoo. A bush track (the Harbour Hike) skirts around the Taronga fence and is part of the Sydney Harbour National Park
[5] eg, ‘Le Souëf Family Archives: Royal Melbourne Zoological Gardens’, www.austehc.unimelb.edu.au; ‘Melbourne Zoo’, www.en.m.wikipedia.org
[6] T Lennon, ‘Colonial Sydney went wild for first zoos at Hyde Park and Botany’, Daily Telegraph, September 10 2015
[7] ‘Sydney’s First Zoo’, Sydney Morning Herald, 24 October 1931 (Trove collection online). The picnic grounds at Sir Joseph Banks Park contain a series of zoo animal statues commemorating the zoo’s one-time existence there
[8] W Mayne-Wilson, ‘Robertson Park Its Secret Past’, Historic Environment, 17(3) 2004. Beaumont retained some of the Botany zoo animals which were later donated to the Moore Park Zoo
[9] V Campion, ‘Bayside Beauty – Dunbar House revives forgotten 1830s glamour’, Daily Telegraph, 10 May 2011
[10] Robin Derricourt, Watsons Bay, Dictionary of Sydney, 2008, http://dictionary of Sydney.org/entry/watsons_bay, viewed 30 April 2016