Pinball in the Drain: The Peoples’ Arcade Game On Tilt for Three Decades

Leisure activities, Local history, Memorabilia, Popular Culture, Social History, Society & Culture

The United States over the years has had a mania about banning lots of things—there’s been an unspoken exemption granted to bad taste—but one of the more curious  prohibitions in the 20th century was that on the seemingly innocuous pinball machine. 

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In the early 1930s the Gottlieb Company of Chicago introduced the first coin-operated, machines, the “Baffle Ball”. The timing was right, the Great Depression had hit, playing pinball was a cheap and accessible form of entertainment for the financially impoverished masses, and the machines caught on. A few years later machines became electromechanical and automatic score counters were added, making games more appealing [“The History of Pinball Machines and Pintables”, BMI Gaming, www.bmigaming.com/].

The moral legislators
By the time of America’s entry into WWII pinball’s popularity had grown exponentially. Not all sectors of American society however were enthusiastic about the game. Churches and school boards harboured a perception of pinball as corrupting the morals of American youth, asserting that children would steal coins and skip school to play. Lawmakers too viewed pinball negatively because they saw it a game of chance and thus was a form of gambling. They shared the view that it “a time and dime-waster for impressionable youth”. Legislators were also suspicious that it may be a “mafia-run racket” because of Chicago’s centrality in pinball machine manufacturing, a “hotbed of organised crime” [“That Time America Outlawed Pinball”, (Christopher Klein), History, upd. 22-Aug-2018, www.history.com ; “11 Things You Didn’t Know About Pinball History”, (Seth Porges), Popular Mechanics, 01-Sep-2009, www.popularmechanics.com].

⍌ City authorities vandalising the machines
(Source: Chicago Sun-Times)

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New York City’s crusade against the pinball
The mayor of NYC, Fiorello LaGuardia, took these perceptions to heart, launching a very proactive approach to rid the city of these “insidious nickel-stealers” by ordering the police force to make “Prohibition-style pinball raids” on candy stores, bowling alleys, speakeasies, cigar stores, drugstores, amusement centres, etc [“The Mayor Who Took a Sledgehammer to NYC’s Pinball Machines”, (Conor Friedersdorf), The Atlantic, 18-Jan-2013, www.theatlantic.com]. Illegal pinball machines and slot machines were confiscated and some were smashed in staged, publicity-conscious showcases (Klein).

LaGuardia’s anti-pinball machine crusade took on extra zeal after Pearl Harbour, which allowed him to characterise it as a patriotic cause…the line run by the NYC mayor was that the copper, aluminium and nickel components of the outlawed machines could be better utilised in the materiel requirements of America’s war efforts (Klein). This didn’t prevent many machines ending up dumped in NYC harbour.

⍌ 1963 ‘Swing Time’ Gottlieb machine

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Banned, but not eliminated

Other cities were quick to follow NYC’s example, Including Chicago, Milwaukee, Los Angeles and New Orleans, with pinball bans extending across the country. Other cities like Washington DC didn’t go as far but prohibited children from playing it during school hours. The inevitable consequence of banning was to drive pinball activity underground (resurfacing in places like the back rooms of ‘porno’ book shops). Thus marginalised, pinball become “part of rebel culture” (Klein).

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Roger Sharpe, “calling the shot!” 
(Source: IFPA)

The long ban, ended by a ‘Sharpe’ player Remarkably, the outlawing of pinball machines persisted until the 1970s – despite the technical innovation of “flippers” (pivoted arms activated to propel the ball back up the table) introduced in Gottlieb’s 1947 “Humpty-Dumpty” machine which made the game more one of reflexes (skill) than of chance. Finally, in 1974 the Californian Supreme Court, accepting the skill component, overturned the prohibition in that state. In 1976 NYC councillors were still skeptical about pinball and it took a spectacular courtroom demonstration by one of the game’s top exponents, Roger Sharpe, to break the impasse. Sharpe won over the doubters by nominating beforehand which lane he would propel the ball through and then making the shot, demonstrating that patience, hand-eye coordination and reflexes, not luck, were the ingredients for success in the game [“How One Perfect Shot Saved Pinball From Being Illegal In The US”, (Matt Blitz), Gizmodo, 19-Aug-2013, www.gizmodo.com.au].

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An “Indiana Jones” Williams machine with revolver for plunger

With the ‘liberation’ of pinball, player interest revived in the late Seventies, but it was a short-lived triumph. The advent of video games provided compelling competition (the newer technology requiring fewer repairs and less space). By the Nineties the writing was on the wall for arcades and the coin-op industry, as home video-games and the internet were rendering them obsolete [“The First Family of Pinball: Meet the local wizards behind the game’s huge resurgence”, (Ryan Smith), Reader, 03-May-2018, www.chicagoreader.com]. In any case, the repealing of the prohibition wasn’t uniformly implemented…Chicago city authorities resisted, still associating pinball machines with “nests of gangs and drugs” for juveniles [“Chicago once waged a 40-year war on Pinball”, (Ryan Smith), The Bleader, 03-May-2018, www.chicagoreader.com]. Prohibition in Kokomo, Indiana, was not ended till 2016 [“Pinball—once a source of vice and immorality—now, legal in Kokomo, Ind., after 61-year ban”, (Ben Guarino), Washington Post, 15-Dec-2016, www.washingtonpost.com].

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PostScript: Surviving if not exactly thriving
Today, the Stern Pinball Co (Chicago) is the only manufacturer of machines left in the business in America. If not played by casual gamers in anything like its numbers in the “Baby Boomer” era (except in video game mode), it has experienced a resurgence of sorts – as an annual series of professional tournaments (Stern Pro Circuit)  (among its internationally ranked seeds are Roger Sharpe’s two sons).

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Roger Daltry (Tommy “Pinball Wizard”) at the controls 

 Seth Porges identifies something quasi-religious in the anti-pinball position, a “temperance-fuelled” belief that the activity was “a tool from the devil” corrupting young people (Friedersdorf)

 the councillors were also persuaded to overturn the ban by the eloquent testimony mounted by Sharpe, who went on to be a pinball star witness in subsequent, successful hearings in other states. Another factor in the outcome may have been revenue-raising, eg, Mayor Daley in Chicago wanted to lift the ban so as to tax individual machines and licensing operators (Smith, “Chicago once waged”)

 the rebel image remained into the late 1960s and ‘70s with the anti-establishment tone of The Who’s rock opera about a “pinball wizard”, Tommy

 it was a similar story in Nashville, TN, for anyone under 18, and in some places and times it is still illegal – such as on Sundays in Ocean City, N.J. (Porges)

Wondrous Origins of Wonder Woman

Biographical, Creative Writing, Gender wars, Leisure activities, Literary & Linguistics, Media & Communications, Popular Culture

In a way the Wonder Woman story starts in Medford, Massachusetts, at Tufts University, in the 1920s. William M Marston, a young progressive and unorthodox psychology professor, teaches his own DISC theory to his students. One particular female student takes a shine to Marston’s DISC ideas and to the professor himself. Next thing we know Marston immerses himself in a ménage a trios with the student (Olive Bryant) and his (initially quite reluctant) wife Elizabeth. The polyamorous relationship allows Bill to explore a latent interest in BSDM and arrive at the conclusion that women are the “love leaders” of society, predicting that women would “take over the rule of the country, politically and economically, within the next hundered years” [Tim Hanley, Wonder Woman Unbound: The Curious History of the World’s Most Famous Heroine, (2014)].

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(Source:
www.money.org/)

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1st sighting of  the pioneering super-heroine: Marston uses the pseudonym “Charles Moulton” for the Wonder Woman comic books

Marston over the years tries his hand at many things in addition to psychology —inventing a systolic blood pressure test (which contributes to the development of the polygraph); writing screenplays for early silent films; authoring self-help books—without ever really attaining a measure of lasting success in any. Marston’s venture into creating comic books in 1940 turns that trend around. Always looking for a new business opportunity, especially after finding himself on the outer in academe, Marston finds a new way to champion his faith in female superiority by creating Wonder Woman, the first super-heroine in comics.

Wonder Woman on the lie detector

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Marston’s ‘superwoman’
Having successfully pitched the idea to DC Comics boss Max Gaines, Marston’s Wonder Woman debuts in 1941 in All Star Comics #8, with cartoonist HG Peter supplying the pencilling which have a touch of art nouveau about it. Marston embodies WW with all the attributes and values that added up to his idea of perfect femininity (based seemingly on an amalgam of the brace of women in his life, Elizabeth and Olive). The make-up of WW’s character reflects Marston’s fascination with Greek mythology. She is depicted as an Amazonian princess , as “strong as Hercules”, “wise as Athena” and “beautiful as Aphrodite”. Garbed in a sexy but patriotic suit of star-spangled red, white and blue, her accoutrements are distinctively martially potent – including the “Lasso of Truth”, a device to compel people to tell the truth (an idea germinating from Marston’s lie detector prototype). WW wears indestructible bracelets which deflect bullets, a golden tiara which doubles as a projectile and an ‘invisible’ jet to whisk herself away from danger [Wonder Woman Psychology: Lassoing the Truth, edited by Travis Langley & Mara Wood (2018)].

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Wonder Woman, a comic book gender transgressor
In the comics of the 1930s prevailing cultural norms are reinforced,  superheroes are male by gender and violent in method – the stereotypical depiction of women was commonly restricted to evil seductresses, the girlfriends of heroes (eg, Lois Lane) or their ‘helpmates’. Wonder Woman represents a radical departure from the norm, her shtick is fighting fascism in America wherever she finds it – using her brains rather than the heavy-handed brawn exhibited by Batman, Superman and co. [‘A Psychologist and A Superhero’, (Margarita Tartakovsky), Psychology Central, updated 15-Mar-2019, www.psychcentral.com].

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Wonder Woman, “deer-hunting”

Comic bondage and a moral backlash
Marston is able to indulge one of his most cherished psychosexual beliefs through Wonder Woman, that “women enjoyed being bound”. In the comics it appears as a standard contrivance, we find WW being tied up by villains as some point or other in the story line. Sometimes WW herself ties up women, and to accentuate the kinkiness  of her character, dresses them in deer costumes for a mock cervid hunt through the forest [‘Wonder Woman (comic book)’, Wikipedia, http://en.m.wikipedia.org]. The BSDM preoccupation reflects a personal fetish of Marston’s but also can be linked back to the powerful influence the suffrage, feminist and birth control movements has on him (pioneering birth control activist Margaret Sanger was Olive Byrne’s aunt) . Wonder Wonder is an instant hit for the comic book-reading public (eventually reaching a weekly readership of five million), drawing the opprobrium of America’s moral guardians who object to the torture motif running through the stories, also considering WW’s outfit to be far too skimpy [‘The Surprising Origin Story of Wonder Woman’, (Jill Lepore), Smithsonian Magazine, October 2014, www.smithsonianmag.com].

   Justice Society of America

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At DC Comics Wonder Woman is invited to join the Justice Society of America (DC’s superhero team in the “Golden Age of Comic Books” as the period was known). WW’s elevation is hardly a step forward for gender advancement however as her designated role in the JSA is that of secretary for the male superheroes, while the ‘boys’ get on with the heroics of protecting the world from the designs of global criminal masterminds [‘The Truth About Wonder Woman’, Robert Kirkman’s Secret History Of Comics, (US documentary)].

Marston doesn’t get to appreciate the success of Wonder Woman for long, he contracts a form of cancer and dies in 1947, still in his early fifties (for the last two to three years he has an assistant, Joye Hummel, who helps ghost-write the WW stories when he is too ill). With the reins of the Wonder Woman comics passing from its originator to new hands, the iconic super-heroine’s persona and fortunes would undergo a number of transformations over the decades to follow.

Initial sketch of WW by HG Peter (1941) 

(Source: Smithsonian Libraries)

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  Marston believes that the behavioural expression of emotions could be divided into four primary types – Dominance, Inducement, Submission and Compliance [‘William Marston’, www.discprofile.com/]

Elizabeth and Olive each have two children to Bill and everyone live under the same roof

like Superman, Batman, etc, WW has a civilian alias – Diana Prince

such scenes may also have inspired by Byrne giving Marston a window into the activities of her sorority at Tufts University – “baby parties” where dominatrix women bind and discipline submissive sorority members [‘Curious Traditions of Times Past: Baby Parties’, (Yim Walsh), Tufts, 18-Sep-2014, www.dca.tufts.edu]

from this exposure Marston learns that the breaking of chains is “a powerful feminist symbol of emancipation” [‘A look back at Wonder Woman’s feminist (and not-so-feminist) History, (Michael Cavna), Independent, 30-May-2017, www.independent.co.uk].

♋️ ♋️ ♋️

The Moral Guardians’ War on ‘Pernicious’ Comic Books

Creative Writing, Literary & Linguistics, Media & Communications, Performing arts, Popular Culture, Regional History, Social History, Society & Culture, Visual Arts

As all of us are only too aware, COVID-19 has cut a swathe through public gatherings, large aggregations of people are a “no-no” in 2020. Across the globe all manner of events have been on the receiving end of a different sort of cancel culture treatment. The superhero-studded world of comic book conventions has not been immune to this contagion. Comic-cons everywhere, including the San Diego Comic-Con International, America’s oldest comic book convention, have been red pencilled in this year of the plague. But if we turn the clock back some 70 years we might observe a time when the existential threat was directed at the product itself, the actual comic books.

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(Photo source: www.theverge.com/)

There were no organised comic-cons in the more cautious and conformist 1940s and 50s, but this in no way equated with a lack of popularity of comic books. In fact the Forties had been a Golden Age, especially for American comic books, Comic strip creators were riding high with a slew of superhero characters—including Superman, Wonder Woman, Batman and Captain America, the Avengers and Captain Marvel—proving lucrative for companies like Detective Comics (DC Comics), Entertaining Comics (EC Comics) and Timely Comics (Marvel Comics). By mid-decade comic books were the most popular form of entertainment in the US (with 80 to 100 million copies being sold per week!) By the late 1940s comic books were well and truly being marketed towards adults as well…”fed by the same streams as pulp fiction and film noir, titles (began to tell) lurid stories of crime, vice, lust and horror” [David Hajdu, The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America, (2008)].

♦️ Wonder Woman (Sensation Comics, 1942)

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‘Seduction of the Innocent’   
Dark clouds appeared over the comics industry’s blue skies in 1954 with the publication of Seduction of the Innocent by a Bavarian-born neurobiologist Fredric Wertham. The book was “a full-throttled attack on the lurid contents of various crime, horror, and even super-hero titles, (with an emphasis on) graphic illustrations of wife-beatings, sado-masochism, and gruesome murders” Sean Howe, Marvel Comics: The Untold Story, (2012)]. Wertham’s inditement of the American comics of the day was that they corrupted impressionable youth, inveigling them into fanaticising about evil, leading them on a ruinous path to criminal behaviour, etc.[‘History of Comics Censorship, Part 1’, CBLDF, www.cbldf.org/].

♦️ Crime SuspenStories, 1950

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1940s, North and bonfires  
Wertham was not the first critic to take aim at the US comic book industry. In the view of CBLDF
, since the 1930s “the comics medium has been stigmatized as low-value speech”. In 1940 conservative commentator Sterling North urged parents and educators to guard against the influx of “mayhem, murder, torture and abduction—often with a child as the victim” in contemporary comic strips. North also decried the incidence of “voluptuous females in scanty attire, machine gun (-wielding hoodlums) and “cheap political propaganda” in the comics. The effect on children, he went on to say, of these “badly drawn, badly written and badly printed” strips was “a strain on young eyes and young nervous systems” as well as constituting “a violent stimulant” to them [North, Sterling. “A National Disgrace”. Childhood Education. 17.1, 1940: 56. Print.]. During WWII religious and patriotic organisations conducted public burnings of ‘disapproved’ comic books in American neighbourhoods – in ironic juxtaposition of the war being fought overseas concurrently against Nazi Germany (’Comic Censorship, Part 1’).

♦️ Dr Wertham, researching

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“Pop culture McCarthyite”  
But it was Seduction of the Innocent that struck the strongest chord in a 1950s America “looking over its shoulder” for real or imagined enemies of society in the grip of a hysteria heightened by McCarthyism. It triggered a public outcry, prompting an investigation into the industry by a Senate sub-committee. Publicity from the hearing was damning and the fallout was devastating. Comic books were denounced by Wertham and other moral crusaders as contributing to juvenile delinquencyAt the height of the moral panic, comic book publishers were sometimes treated as though they were mobsters, and the cartoonists, as if they were pornographers [‘The Caped Crusader’ (Jeet Heer), Slate, 04-Apr-2008, www.slate.com; ’Comic Censorship, Part 1’].

The emasculated comic book  
Threatened with both public and government censure, the comics industry choose to self-regulate, introducing the Comic Code Authority, “a censorship code that thoroughly sanitized the content of comics for years to come”. The new code (something analogous to the film world’s draconian Hays Code) was taken to ridiculous lengths, it forbade comics from showing zombies, vampires, ghouls and werewolves; words like ‘horror’ and ‘terror’ couldn’t be mentioned in the story lines; nor could criminals be portrayed sympathetically and the institution of marriage could not be seen to be disrespected (Howe). 

♦️ The imprimatur of the self-censor

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Comic book publishers were forced to produce ‘purified’ comics suitable for a younger market—more infantile and tamer stories, squeaky-clean but ‘dopey’ heroes replacing the previous super-overachievers—in short, “safe fantasies” for the youngest readers (’Comic Censorship, Part 1’).

The economic and human toll
The new reality of the world of comic books decimated the industry’s hitherto prosperity…between 1954 and 1956 the number of titles produced was cut by more than half – from 650 in 250 over that two-year period!. By summer 1954 15 comics publishers in the US went belly-up. EC Comics, up to then one of the market leaders, discontinued all its comics lines…its much-vilified publisher William Gaines switching production solely to the satirical Mad magazine. Over 800 jobs in the industry vanished more or less immediately (Howe; Hajdu). Many talented inkers and pencillers left the industry for good, many for economic reasons but others due at least in part to the stifling of their creative artistic output.
 
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Endnote: Demise of adult comics
Both Wertham and North in their hatchet jobs on the comics genre made the error of completely disregarding the significant adult readership of comic books. The recovery of the industry, the winning back of that readership, took many years…it didn’t really happen until the emergence of ‘Underground’ comics in the 1960s with publications like Zap Comics and comic artists like R Crumb§ [‘History of Comics Censorship, Part 2, CBLDF, www.cbldf.org/].

♦️ Detective Comics, 1945

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PostScript: The Wertham thesis unpacked
After it became accessible in 2010 Wertham’s research on comics books was investigated and his conclusions found largely baseless…Wertham was said to have manipulated data, overstated, compromised, and fabricated evidence. A further weakness of his work was that he used non-representative samples as the basis for his conclusions. Scorn was also poured on Wertham’s contentions that the comic character Superman harboured Nazi SS tendencies, that the Batman/Robin relationship had homoerotic overtones, and that Wonder Woman was a lesbian role model (Wertham saw this as wholly undesirable)[‘Fredric Wertham’,Wikipedia, http://en.m.wikipedia.org; Heer]. 

________________________________________________

 that serious comics of the period were laden with violence, misogyny and racism, could not be disputed (Heer)  
 Comic Book Legal Defense Fund  
a sense of elitism also coloured Wertham et al’s  dislike of popular comics. Wertham considered their consumption blocked children from an appreciation of literature and fine arts  (Hajdu; Heer) 
over 100 pieces of anti-comic book legislation came into effect in the Fifties (Hajdu)
§ the fashionability of adult readership was further advanced by the advent of graphic novels

“We’re All Individuals!”: “Living Persons” in the Bubble of their Own “Sovereign Nation“ Speak Out

Inter-ethnic relations, National politics, Politics, Popular Culture, Public health,, Society & Culture

Who’d have thought that it’d take a pandemic to bring to light just how many cynics and crazies are out there? Before COVID-19 we only had the climate change deniers and the occasion conspiracy peddler to cope with. Since the virus first descended, coronavirus deniers have been coming out of the woodwork, a contagion not confined to the USA.

Human rights or human life?  
Recently, a new phenomena has popped up on social media and TV screens – from the “Republic of Covididiocy”. Provocateurs have taken to filming themselves confronting police and retail shop personnel during  lockdown – provocatively refusing to wear masks, not giving their personal details and declaring loudly that their human rights were being transgressed. The extreme position adopted by these protesters connects them to conspiratorial views held by fringe extremists in the US.

Conspiracy heaven

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A universal scofflaw mindset
These individuals are part of a loosely-organised movement of people who call themselves “Sovereign Citizens” (or “Sov-Cits” or just ‘Sovereigns’, for short), whose purpose is to assert some set of existing natural rights which, they purport, places them outside of the jurisdiction of the government and the law. In a climate of pandemic-induced restrictions many of these people may just be (over)reacting to the state’s clampdown on their freedom of movement and activity, a knee-jerk libertarian impulse. However the concept of Sovereign Citizenry long pre-dates the current pandemic as a conspiracy-driven stratagem, with its origins, unsurprisingly, found in America.

The world according to Sovereign Citizens
“The Sovereign Citizens Movement promotes the tantalising fantasy that anyone can declare himself or herself above and beyond the jurisdiction of the government by invoking arcane legal terminology”.
~ Southern Poverty Law Center

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(Source: www.radicalisationresearch.org)

In the 1990s the SCM picked up the earlier Posse Comitatus movement’s baton of unrelenting enmity towards the federal government, portraying themselves as the “true defenders of the Constitution”. Sov-Cit beliefs rest on the same premise as that established by Posse Comitatus. They believe that the US government is illegitimate…it is, they say, a corporation that  has duped ‘natural’ citizens (read “Sovereign Citizens”) into an unlawful contract. Sovereign theorists cite the 14th Amendment in 1868 and FD Roosevelt’s 1933 abandonment of the gold standard as a back-up to the paper currency as historical ‘proof’ of federal deception.

Gurus and methods
The SCM is a loosely organised group of litigants, commentators, tax protesters/deniers and financial scheme promoters…leadership comes from “redemption gurus” who advise Sovereigns to use ‘legal’ phrases to remove themselves from the jurisdiction of government (BBC).

Prison recruitment, outreach and education  Gurus and other Sovereign ‘mentors’ incarcerated for fraud or for not paying taxes have found prison an ideal environment to indoctrinate and recruit new adherents. Imprisoned drug dealers and embezzlers were particularly willing recruits to the cause, jumping at the chance to put Sov-Cit theories into place in the hope of getting out of jail, or to retaliate against the public officials and law enforcement officers who put them there! The pseudo-legal strategy employed by Sov-Cits (again following Posse Comitatus) is based on the ludicrous “Theory of Redemption”—a secret (and mythical) fund of money created for everyone at birth by the US government—which Sov-Cits can supposedly redeem or claim to pay debts [‘Sovereign Citizens Movement Resurging’, Southern Poverty Law Center, Spring Issue 2009, 26-Feb-2009, www.splcenter.org].

“American National”, the preferred nomenclature for Sovereigns  

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Before the advent of the internet training of Sov-Cits took place at seminars held at remote extremist compounds. Now recruits learn via online videos and forums (like You Tube and MySpace) which disseminate SCM doctrine and tactics. Some Sovereign groups sell booklets like “The Prison Packet” which purports to guide inmates towards the realisation of their freedoms. Religious outreach, through the agencies of numerous Christian fundamentalist fringe organisations in the US, is another avenue for recruiting Sov-Cits into the fringe fold (Southern Poverty Law Center).

Paper terrorism
Sovereigns employ what are saturation methods, submitting countless bogus court filings containing hundreds of pages which are virtually indecipherable. The purpose? “To punish, to harass and mislead public officials”. The paper terrorism may take the form of elaborate scams, the generation of fake letters of credit or tax forms, frivolous law suits or other faux legal documents [‘Understanding the sovereign citizen movement: a guide for corrections professionals’, The Free Library, www.thefreelibrary.com/].

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Law-enforcement officers in the Sovereigns’ cross-hairs
Some Sov-Cits are out and out “con artists”, transparently pure 100% charlatan, but as Michael Barkun warns, others are politically-motivated anti-government extremists⧆…and dangerous! In 2010 a Sov-Cit duo, father and son, killed local police officers in West Memphis, Arkansas. A New Hampshire shootout in 1997 resulted in the death of five people including the Sovereign provocateur acting as a “lone wolf”❂.  Cop killing by Sovereigns is not confined to America – in 2016 a Reichsbürger, the German version of the Sov-Cit, shot dead a policeman in that country. The FBI has declared some Sovereign Citizens to be domestic terrorists. Often inmates utilise the Sov-Cit strategies from within the prison system to carry out protracted vendettas against judges, IRS officials, prosecutors and local sheriffs (Southern Poverty Law Center).

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(Source: www.bbc.com/)

The lengths a Sov-Cit will go to

Your dedicated Sovereign is not adverse to creating fake car licence plates or printing his or her own currency and then trying to pass it off as real money. One SCM provocateur in Florida, in acrimonious conflict with his local Bank of America branch, sent it a bogus foreclosure notice and even barricaded the branch during opening hours (SPLC).

Francis: “It is symbolic of our struggle against oppression”
Reg: “Its symbolic of his struggle against reality”
~ Monty Python’s Life of Brian

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Sovereigns don’t believe they need to hold a licence in order to drive (or to fish for that matter). When stopped by police patrols they have been known to deny that they are driving and affirm rather that they are in fact merely travelling⚅ (Dr Kaz Ross, interview, ABC Radio). And travelling, Sovereigns insist, is “a God-given right”. Some Sovereigns go even further than just mouthing the mantra that they are outside of federal jurisdiction, proclaiming to be citizens of other entities, eg, the Montana Freemen, the “Republic of Texas” (The Free Library)✫.

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Anti-government protest in Oregon
(Source: http://m.dk.com)

Endnote: Sovereign Citizens are one of a panoply of Alt-Right, conspiracy-obsessed fringe hate groups in the US which might loosely be subsumed under the umbrella term “patriot movement”. There is a lot of blurring of the lines between SCM, QAon, the Three Percenters, the Boogaloo Bois, the Proud Boys, the Anti-Vaxxer groups and various others of a similarly contrarian ilk. In particular, the Sov-Cits’ emphasis on the duality of US citizenship echoes the philosophy of another group – the Freemen-on-the-Land movement. The latter proclaim that “with special knowledge and careful language, we can circumvent these laws and regulations and live freely as an alternative vision of ourselves under our own ‘natural‘ laws” (a virtual identikit image of the SCM’s credo and tactics) [’What is the ‘sov cit movement?’, BBC News, 05-Aug-2020, www.bbc.com; ’The seriously weird belief of Freeman on the Land”, (Shelley Stocken),  News, 09-Jul-2016, www.news.com.au].

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PostScript: Black separatism
On the surface you might think Sov-Cits would be an exclusively Caucasian phenomena, given its links to White Supremacist outfits like Christian Identity. But there is an African-American separatist subset that adheres to the Sovereign Citizens credo. Given their disproportionate representation in US prisons, Black inmates not surprisingly have been attracted to the SCM ideology. A clique of African-American drug-dealers on trial for murder in the 2000s in Baltimore employed its obstructionist ploys to delay proceedings for years [‘Too Weird for The Wire’, (Kevin Carey), Washington Post, May/June/July 2008].

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✱ the great danger here “is when fringe beliefs and proponents begin to slip into the mainstream”, eg, President Trump’s spruiking of alleged coronavirus cures which are not scientifically proven and possibly harmful, ‘The threads that don’t connect: Covid gives Australian conspiracy theorists a home’, (Michael McGowan), The Guardian, 02-Aug-2020, www.theguardian.com.au]
⊞ a right to hold possession of property owned by another until they discharge the debt (www.lexico.com/)
⧆ Barkun describes them as “a stubbornly resilient sub-culture, a community of the alienated”
❂ many Sovereign groups are thought to be aligned with militia groups
⚅ ‘driving’, they assert, is what a truck driver or a taxi driver does for a living
✫ it’d be stating the obvious to say that Sovereigns have a cockeyed notion of the rule of law, one based on the false premise that an individual can choose which law they consent to, and which they don’t (SPLC)