A Divided Cyprus: Sixty Years and No Resolution on the Horizon, Part I

Comparative politics, International Relations, National politics, Political geography, Politics, Regional History
Image: www.aljezeera.com

Last month in Geneva the UN brokered an informal 5+1 meeting between the representatives of the Greek and Turkish communities of Cyprus in yet another fruitless attempt to find a resolution to the island’s “Intractable, identity-based conflict (RJ Fisher, Journal of Peace Research 2001). Also in attendance were the foreign ministers from Cyprus’s three guarantor powers, Greece, Turkey and Britain. For ordinary citizens of the country and foreign observers alike, this amounted to a “Groundhog Day” experience. The disputing parties came (with their own agendas), they talked (at each other) while remaining firmly anchored to their core list of non-negotiables. The disputants returned to their bunkers.

No compromise, no progress…the stalemate and the status quo continues. Even the usually “glass half-full” UN head is not sanguine about future  prospects…UN secretary-general Guterres emerged from the three-day summit with a ‘realistic’ rather than a hopeful sense of the situation, stating that there was “not enough common ground to resume negotiations” and that new talks were months away (‘Cyprus settlement talks found little common ground: UN chief’, Aljazeera, 29-Apr-2021, www.aljazeera.com).

Photo: www.greekcitytimes.com

The rationales
Both sides restated their entrenched positions…the Greek Cypriots and Greece wouldn’t budge from their Greek Cypriot-majority bi-zonal federation model as the precondition to reunification, a formula ensuring the Greek community would still be dominant in the Federation. Turkish Cypriot leader Ersin Tatar insisted that to go forward the standing UN resolutions that sanction this approach should be sidestepped in favour of the alternate Turkish Cypriot proposal for a two-state solution, a formula backed by the  Turkish government in Ankara and its controversial president Recep Erdogan.

The British connexion and the Cyprus Emergency
The self-interest of Greece and Turkey is transparent, but some may wonder why the UK was one of the participating players in the Cyprus stalemate talks. The British nexus has its genesis in 1878 when expansionist Britain took advantage of the ailing Ottoman Empire to establish a protectorate over Cyprus and add the Eastern Aegean island to its imperial possessions⌖.

EOKA Emergency (Photo: www.iwm.org.uk)

Lead up to the 1960 compromise and beyond
Fast forward to 1955, overseas colonies around the globe were increasingly asserting a postwar yearning for independence from their European masters. Anyone familiar with Britain’s colonial policy in the 20th century (eg, Balfour Declaration on Palestine, Aden, British Raj in India, etc), will be aware of its track record on disengagement with its colonies is far from spotless. The Cyprus situation in the years 1955-60 continued this pattern. British policy towards the colony was shortsighted and misguided. By rigidly denying the Greek and Turkish Cypriots a right to self-determination in an increasingly heavy-handed way, the colonial power inadvertently fostered Greek and Turkish Cypriot nationalist sentiments¤. The struggle of Greek Cypriots to free themselves of British rule was taken up by a guerrilla group called Ethniki Organised Kyprion Agoniston (EOKA). EOKA’s aims were not for independence but for union (Enosis) with Greece. Turkish Cypriots on the other hand, perceiving that the 1960 power share perpetuated  their inferior place in the republic developed the idea of Taksim (‘partition’) in opposition to the Greeks’ Enosis✪. EOKA’s campaign of violence targetted the police (Greek and Turkish Cypriot as well as British) and basically anyone who opposed Enosis. Britain’s tactless use of Turkish police to quell the revolt of Greek Cypriots further inflamed and created new ethnic divisions and hostilities between the communities.

Archbishop Makarios III (Photo: www.pastdaily.com)

Although the British military eventually reined in most of the EOKA activists, the island’s slid towards war prompted Britain and the US to bring some kind of resolution to the conflict. Talks in 1959 led to the establishment of a republic in 1960 with a shared power arrangement—Greek Cypriot president, Turkish Cypriot vice president, etc—leadership of the republic thus fell to Archbishop Makarios (“Cyprus: Why One of the World’s Most Intractable Conflicts Continues’, Sewell Chan, New York Times, 07-Nov-2016, www.nytimes.com).

EOKA guerrillas including leader General Grivas

Cold War considerations
Geostrategic considerations of the Cold War played a part in both Britain’s and the US’ involvement in the Cyprus imbroglio. Cyprus was non-aligned and the western powers were fearful that the USSR could take advantage of the island”s instability with a view to establishing  a base there, giving it a much sought-after influence in the Eastern Mediterranean. The activism and appeal of AKEL, the Cyprus communist party, augmented those fears (‘The Soviet Union, Turkey and the Cyprus Problem, 1967-1974’, John Sakkas & Nataliya Zhukova, Les Cahiers Rice, 2013/1 (n°10), www.cairn.info). Washington’s later support for the Greek colonels’ dictatorship as a buffer against communism proved disastrous for Cyprus’s long-term stability.

Cyprus in crisis
Trouble in the bi-communal unitary state surfaced in 1963 when Makarios proposed constitutional changes to limit Turkish Cypriot political influence. A civil war broke out between the two communities (inter communal violence, casualties on both sides, arson, displacement of villagers, intervention by UN Peacekeeping Force – which became permanent). The Turkish Cypriot-controlled area was reduced to a few enclaves and Nicosia, the capital, was divided by a cease-fire line called the “Green Line”.

Turkish invasion 1974 (Source: www.greekreporter.com)

Greek colonels coup and Turkish counter-strike
1974 was the most momentous year of the Cyprus conflict. Athens’ military junta operating through a  paramilitary group overthrew the Cyprus government of Makarios and installed a ‘marionette’ government headed by an ex-EOKA leader and convicted murderer. The schemers’ purpose of the coup was to bring about the desired union with Greece. For Ankara though, it provided the opportunity (and pretext) it was waiting for…five days after the coup the Turkish military invaded Cyprus (Operation Atilla), the Greek coup collapsed and the Turkish invaders captured nearly 40% of the island. A cease-fire was negotiated but not before thousands of casualties and expulsions, particularly of Greek Cypriots from the north. Turkey set up a de facto Turkish entity in North Cyprus, which in 1983 was proclaimed to be the Turkish Republic of North Cyprus (TRNC). TRNC was recognised as a sovereign state only by the regime in Ankara, not by any other country.

Footnote: Megali idea
Enosis grew out the Megali Idea (“Great Idea”),  an aspirational irredentist concept that posits that all lost Greek territories will be liberated and united with Greece in the future. The Greek colonels launching their 1974 coup d’etat against the Makarios government echoed the concept in their declaration of “the Hellenic State of Cyprus”.

 See also the follow-up blog: ‘A Divided Cyprus: Sixty Years and No Resolution on the Horizon, Part II’

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⌖ formal annexation didn’t occur to 1914. In 1925 Cyprus was made a British crown colony

¤ an underlying grievance of Greek Cypriots in British Cyprus was what was effectively a system of double taxation. In addition to the standard taxation on many items, the communities had to contribute to Britain’s tribute payments to the Ottoman Empire in return for ‘leasing’ the island

✪ under British rule the two communities had been allowed to self- segregate, this led to an aggregation of “nationalistic fervour”, resulting in the development of Enosis and Taksim (‘Analyzing the proposed solutions to the Cyprus Dispute’, Oliver Hegglin, Human Security Centre, 13-Mar-2021, www.hscentre.org). See also Footnote above.

Hans Island “Whisky War”: Seemingly a Straw Quarrel Conducted with Restraint and Civility

Geography, International Relations, Political geography, Politics, Regional History

With so many hotspots and tense border stand-offs across the world, the dispute over an obscure island in the Arctic region by two peaceful modern western democracies definitely flies under the international radar. The unlikely spot is Hans Island, a 1.3 square kilometre slab of rock situated in the middle of the Nares Strait separating Greenland from Canada’s Northeast periphery. Barren and uninhabited, devoid of natural resources, the island has been the object of claims on it by both Denmark (of which Greenland is a sovereign part) and Canada since the 1930s¹.

Initially, the League of Nations adjudged the dispute in Denmark’s favour in 1933². But given the ineffectiveness and eventually dissolution of the inaugural world body, the LoN’s ruling carried little weight.

Over the decades Denmark and Canada continued to disagree on who owns Hans Island – without either doing anything about it. Bilateral negotiations in 1973 completely sidestepped the issue of the island’s sovereignty – a maritime border with the vertical line drawn through Nares Strait conveniently left the island itself untouched, and thus still unresolved.

An assertion of sovereignty done with humour and good nature

The 1980s saw an escalation of the competing claims in a tit-for-tat exchange of flag-planting on the island. First there was the hoisting of the Canadian maple leaf (accompanied by an additional item, a trademark bottle of Canadian whisky). The Danes duly responded with their own flag and a bottle of Danish schnapps.

The issue threatened to flare-up again in 2005 when Canadian defense minister Bill Graham earned Copenhagen‘s ire with his unilateral visit of Hans Island. However common sense prevailed and both sides committed to enter into a process to resolve the matter…since then though little headway has been made towards this goal.

A proposal for Inuit authority on the ground

In 2002 academics proposed that Canada and Denmark share control of Tartupaluk (the Greenlandic name for Hans Island), with hands-on management devolving to Inuit control. So far nothing has come of this.

Postscript: A straw prize on the surface but potentially a promising long-term prospect?

Though never getting remotely close to a military confrontation, the periodic posturing and grandstanding by Canada and Denmark reflects the desire of both governments to secure possession of Hans Island. Two material considerations seem to inform the disputantscommitment to the cause – the possibility of oil and gas reserves in the seabed around Hans Island and the potential of the (Nares) strait as a future international shipping route.

End-note: A third claimant to Hans Island has emerged in recent years, Russia, filing its claim through the orthodox UN channels

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¹ “a bizarre sliver of territory for two countries to fight over” as one observer depicted it (Bender)

² a tricky matter to adjudicate on as the island technically lies in both countries’ waters, falling within the 12 mile-territorial limit under international law

🇩🇰 🇨🇦

Referenced websites and sources:

‘Analysis: Hans Island – and the endless dispute over its sovereignty’, (Martin Breum), High North News, 24-Oct-2018, www.highnorthnews.com

‘2 countries have been fighting over an uninhabited island by leaving each other bottles of alcohol for over 3 decades’, (Jeremy Bender), Business Insider, 10-Jan-2016, www.businessinsider.com

Canada and Denmark Fight Over Island With Whisky and Schnapps’, (Dan Levin), New York Times, 07-Nov-2016, www.nytimes.com

‘Hans Island Case – A territorial dispute in the Arctic’, (Master Thesis), (Nikoleta Maria Hornackova), Aalborg University, May 2018, www.projekter.aau.dk

Suburban Sydenham: A Mixed and Changing Landscape of Grand Estates, Workers’ Cottages, Industrial Concentration and Airport Encroachment

Aviation history, Built Environment, Heritage & Conservation, Leisure activities, Local history, Politics

Sydenham is a tiny inner suburb of Sydney which sits on traditional Cadigal land, part of the Eora nation, some eight kilometres south-west of the CBD. In the formative colonial period Sydenham was subsumed under a wider area known as Bulanaming which stretched from Petersham to Cook’s River  and included  a chunk of undesirable swampy land  (Gumbramorra Swamp).

(Map: www.dictionaryofsydney.org/)

Grand designs Sydenham
From the 1850s on, the better land on the eastern part of the suburb was turned into grand estates for well-to-do colonial businessmen. These large villa estates occupied an area from Unwins Bridge Road back to Cooks River Road (later renamed Princes Highway). Perhaps the pick of these “large country retreats” in Sydenham, located between Reilly and Grove Streets, was the Grove Estate, with its two-storey Georgian villa, owned by John George Church. Adjoining the Grove Estate was ironmonger Richard Reilly’s Tivoli Estate with a similarly impressive Georgian villa [Meader, Chrys, Sydenham, Dictionary of Sydney, 2008, http://dictionaryofsydney.org/entry/sydenham, viewed 25 Dec 2020].

The working class swamped
Commencing in the 1880s, the grand estates started to be broken up by subdivision and the suburb’s complexion took on a recognisable working class character. Rows of Victorian cottages sprang up, many occupied by workers at the nearby Albion and other brickworks in nearby St Peters. At the same time developers sold cheap, unviable land in the swamp area to the working class. This was the notorious Tramvale Estate—badly designed, lacking in basic sewerage facilities, low-lying, prone to flooding and poor drainage—resulting in the spread of disease, plagues of mosquitos in summer and an all-pervasive, persistent stench, leaving the owners holding what amounted to a “white elephant” they couldn’t re-sell (Meader).

Adjoining suburb: Cooks River Road, St Peters (1935) 🔻

(Photo: State Library of NSW)

Industrial landscape and dichotomy
The swamp was finally drained in the 1890s and the land on it repurposed for heavy industry and engineering works. Factories took root, such as Australian Woollen Mills and the Sydney Steel Company (supplier of steel for the Sydney Harbour Bridge construction). By the early 20th century Sydenham had taken on a twofold complexion: an industrial western part and a primarily residential eastern part (Meader)

The post-WWII period brought an influx of migrants to the inner west suburb, mostly Greeks, Macedonians, Croatians, Serbs and Slovenes from the former Yugoslavia, Turks and later Vietnamese. In the 1950s and 60s Sydenham proved a good recruiting ground for young athletic Aboriginal men who would go on to play rugby league for the Newtown club (Meader).

🔺 Sydenham farms

Sydenham cultural and entertainment ‘hub’  
Sydenham has at best been only modestly endowed with shopping options  (a handful of shops trailing off from the railway station) in comparison with  surrounding urban hubs like Marrickville, the local Sydenham community could boast a pub (the General Gordon) and a cinema, the Sydenham Picture Palace, later superseded by the art deco Rex Theatre (47 Unwins Bridge Rd) closed in 1959 and converted into a roller-drome in 1960. Sydenham at one point also had its own live theatre venue, Norman McVicker’s Pocket Playhouse (94 Terry Street), which operated from 1957 to 1973 [‘Pocket Playhouse’, www.budgeebudgee.wordpress.com].

🔻 Vivien Leigh attending the Pocket Playhouse with proprietor Norman McVicker, 1961

From under the radar to under the runway  
In the early 1990s the Federal government spearheaded a plan to add a third runway to Sydney Kingsford Smith Airport  which presaged irreparable change to Sydenham’s (eastern) residential zone. The scheme was vigorously opposed at a grass-roots level and supported by a Coalition of (thirteen) Sydney Councils including Marrickville Council (although it later did a volte-face and sided with the government). Although supposed to be ‘voluntary’, some Sydenham residents who were reluctant to sell and move were ‘persuaded’ to comply by intolerable noise levels for residents from the airport just 2km away and from adjacent demolition work in progress [‘The fight to save Sydenham’, (Tom Wilson), Green Left Review, 24-Oct-1995, Issue 208, www.greenleftreview.org.au].  When the dust had settled, in excess of over 120 Sydenham houses had been acquired and demolished for the runway go-ahead…this clean-out were described by the Sydney Morning Herald as the airport “gobbling up a whole suburb”. Only a solitary cottage of the row of historic dwellings in the frontline Railway Road survived the decimation, No 19, “Stone Villa” (now an artists’ studio).

PostScript: Sydenham Green  
By way of compensation for the demolished houses in Railway Rd, Marrickville Council was handed back the land in 1994…after deliberation the Council turned it into Sydenham Green, a  public park with ‘funky’ community sculptures and a skate park—and being directly under the flight path of the third runway—a quirky arch monument of sorts recounting the local community’s valiant efforts to stop its realisation. By its very presence, Sydenham Green stands as an “everyday reminder of how aircraft noise tore the heart out of a suburb” (Meader).

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both the Grove and the Tivoli villas were demolished during WWI

largest employer in the Marrickville Municipality, >7,500 staff

known as Marrickville Station until 1895 when the Bankstown line opened and Marrickville got its own railway station

a belated casualty was Australia’s first Coptic Church (24A Railway Road), which had dodged the authorities’ demolition plans for two decades only to see a fire reduce its survival efforts to ashes in 2017

Recluse Deuces: Salinger and Pynchon, Two Modern Literary Outliers, Part II – TR Pynchon Jr

Biographical, Comparative politics, Creative Writing, Literary & Linguistics, Politics, Popular Culture

The second in our brace of reclusive authors of American fiction is Thomas Pynchon (see preceding blog on his the similarly publicity-shy JD Salinger). Long Island-born Pynchon came to the full-time vocation of fiction-writing via short stints in the navy and for Boeing as a technical aide. By the time Pynchon writes his first novel, V. in 1963, he is domiciled in México City, and the persona of Pynchon as an “Invisible Man of Letters” has already started to take root. 

PYNCHON

If there were slim pickings for inquisitive fans of JD Salinger wanting more biographical information about their ‘fave’ reclusive writer, then comparatively there’s an absolute famine when it comes to the lack of ‘goss’ on Thomas Ruggles Pynchon! Pynchon has managed to weave an airtight web of mystery around his personal life – no interviews, no attendance of literary prize awards, no memoirs, no hobnobbing with fellow celebrities at ‘A’ list gatherings, no teaching post in academia. In Pynchon’s (loosely) historically-based novel Mason & Dixon one of the characters is castigated for “the least tolerable of Offences … the Crime they styl’d ‘Anonymity’” – the very state of existence that Pynchon craves. The reclusive and ubër-private New Yorker differs from the equally reclusive Salinger in not having had to suffer the ignominy of family ‘betrayal’ as Salinger was subjected to. Pynchon’s family (agent/wife, son, brother and sister) and friends have all closed ranks, drawing down the cone of silence on the subject of the famous recluse.

‘Mason & Dixon’

Pynchon very much belongs to the “why make it simple, when you can make it complicated” school of literary communication. His books, popularly subsumed under the labels ‘postmodern’ and metafiction are typically characterised by over-elaborate and often open-ended plots, dense and hard to follow, labyrinthine sentences (Mason & Dixon meanders a full 122 words before it reaches its first full stop on page 2!) Pynchon offers up a mixed grill of cultural references to sex, drug culture, science and tech stuff, historical info and comic-book fantasy (with a raft of quirky and zany characters), etc. Beginning with The Crying of Lot 49 (1966), the first of Pynchon’s “Californian trilogy” novels, the author turns a critical eye on the counterculture…although Pynchon evinces a consonance with its core values and communitarian ideals he voices a concern that the American counterculture may be an accessory of the dominant culture rather than a genuine reaction to it [‘American Modernity and Counterculture’, (The Crying of Lot 49 by Thomas Pynchon), www.litcharts .org]. In ‘Lot 49’ protagonist Oedipa Maas accidentally stumbles into Trystero, a shadowy world of convoluted conspiracies, unearthing a centuries-old conflict between rival mail distribution companies.

Political Pynchon?
A central motif that comes through in Pynchon’s novels is a distrust bordering on paranoia of government agencies and private corporations. In Gravity’s Rainbow he expresses deep suspicions about the motives of the military/industrial complex. But Pynchon seems also to distrust the established political left in its empirical authoritarian form. Instead, his natural orientation and sympathies seem to be towards the anarchists and the preterites (ie, those controlled by the elite). One scholar notes that anarchists or allusions to them are present in all of the Pynchon books … anarchism, Pynchon seems to suggest, might be the best non-authoritarian and non-hierarchical social configuration for the future [‘Riding the Interface: An Anarchist Reading of Gravity’s Rainbow’, (Graham Benton), www.pynchonnotes.openlibhums.org]. Politics also run through Pynchon’s next, Vineland (1990), a novel which some dismissively dispatched as “Pynchon-Lite”. Vineland is an absurdist fable— punctuated with numerous references to drugs, 1960s music and TV pop culture, especially Star Wars—through which Pynchon provides a commentary on several key issues of the Eighties (the culture war debates, reading, television and mass communications). Set against the backdrop of the Republican Party’s re-election in 1984, Pynchon also takes a hefty swipe at American politics in the age of Reaganomics with a warning to America about “encroaching fascism” [Meinel, Tobias. “A Deculturated Pynchon? Thomas Pynchon’s “Vineland” and Reading in the Age of Television.” Amerikastudien / American Studies 58, no. 3 (2013): 451-64. Accessed November 26, 2020. http://www.jstor.org/stable/43485900].

Then again, it’s the whole Reagan program, isn’t it—dismantle the New Deal, reverse the effects of World War II, restore fascism at home and around the world, flee into the past, can’t you feel it, all the dangerous childish stupidity—I don’t like the way it came out … someday, with the right man in the White House, there will be a Department of Jesus.

~ Thomas Pynchon, Vineland

Guesting on ‘The Simpsons’

While resolutely keeping his guard up Pynchon maintains control of his world by choosing when and what of himself he gives up to the world at large. Famously Pynchon has appeared (in animated form) on two episodes of The Simpsons (a clear sign that the couch-surfing literary hermit is up on mainstream pop culture), having dictated the terms of his guest spot. Obviously the idea of the Simpsons gig tickled his humerus wildly, as he is shown(sic) wearing a paper bag on his head and gets to say that he loves Marge Simpson’s book “almost as much as he loves cameras”.

Navy Tom

The “no selfies” author  
Tom Pynchon has been incredibly successful over many decades—especially living in a metropolis of over eight million people—in scrupulously avoiding the lenses of the ubiquitous paparazzi. Until fairly recently there was virtually no new photos of the reclusive writer floating roundMedia outlets when running a story on Pynchon almost invariably fall back on the one or two photos taken during his navy days (when Pynchon was aged around 19 or 20!). Pynchon’s legendary antipathy to having his photo taken has been explained away as  self-consciousness about his protruding buck teeth (something that a sequence of sessions in the dentist’s chair early on could surely have fixed). Whether this explanation holds water or not is of course, like everything else, a topic Pynchon is deafeningly silent on. On the issue of Pynchon hermetically sealing himself off from the world, a more plausible speculation is that it may be a reflection of Pynchon’s disapproval of the modern trend of writers embracing, even rejoicing, in the role of being celebrities, eg, Norman Mailer and Truman Capote et al [‘Thomas Pynchon Returns to New York, Where He’s Always Been’, (J.K. Trotter), The Atlantic, 17-Jun-2013, www.theatlantic.com].

A method in the madness?  
The lengths Pynchon will go to avoid being photographed have a paranoia-like tinge to them, and some are legendary. Once in México during the Early Sixties V. period, when surprised by a random photographer, Pynchon apparently jumped straight out of his apartment window to escape being snapped [‘Hiding in Plain Sight: On the unobservable Thomas Pynchon’, (Alex Gilvarry), Topic, Issue No. 04, October 2027, www.topic.com]. The failure to pin down the identity of a famous but reclusive novelist contributes to the creation of myths … the enigma of an “invisible literary man” exudes more intrigue. Pynchon would understand that having a mystique about him, another layer of interest for his ‘gonzo’ fan base to engage with, would have a bonus marketable spin-off for the author’s sales [‘Meet Your Neighbor, Thomas Pynchon’, (Nancy Jo Sales), New York, 27-Jun-2008, www.nymag.com].

Zoyd, Frenesi, Prairie, etc

Pynchon Inc personnel: the ministry of silly names  
Pynchon novels are typically peopled by a vast array of (usually odd) characters. In Gravity’s Rainbow, Pychon rolls out no fewer than 400 named characters in 760 pages (most with fleeting walk-on, walk-off parts). Pynchon also revels in preposterous nomenclature, inventing lots of outrageous puns like Joaquin Stick, Benny Profane and the Marquis de Sod (a Californian lawn-care specialist!), and an inexhaustible supply of downright silly names – including McClintic Sphere, Tyrone Slothrop, Rachel Owlglass, Weed Atman, Yashmeen Halfcourt, Mike Fallopian, Scarsdale Vipe, Doc Sportello, Rev. Wicks Cherrycoke and Pig Bodine. Needless to say from the jokey nature of this Pynchon nomen-sampler that fleshing out a character’s multi-layered depths is not really the New Yorker’s bag [‘Gravity’s Rainbow’, Wikipedia, http://en.m.wikipedia.org].

An orgy of exegesis: Conspiracy la-la land
As someone with a lofty literary profile in the US and beyond (regularly scores a mention in the mix of annual Nobel Prize contenders), the utter paucity of biographical information on Pynchon has given rise to some pretty wild speculation about who he really is? Outré theories abound on the internet about the novelist’s identity, one of the most persistent is that Thomas Pynchon is really JD Salinger! Presumably the germ of this notion was the commonalities between the two, both perceived as hermits with a pathological allergy to attention, and each shared a fierce insistence on their personal privacy. But what gave added weight to the imaginative coupling in people’s minds was Salinger’s early removal from the public gaze and the supposed drying up of his literary output as evidenced by the complete cessation of his published work post-1965. This baseless ‘theory’ holds that Salinger invented “Thomas Pynchon” as an “elaborate authorial personality” to hide behind (Trotter). Even more ludicrous was the allegation that Pynchon was in fact the Unabomber! Another speculation has him as an airline pilot in real life (motivated by Howard Hughes adulation perhaps?). Other theories, rather predictably, conclude that Pynchon has to be a drug smuggler or a CIA agent (“its all there in the stories!”) [‘Authors reveal their Thomas Pynchon conspiracy theories’, Bookish, 03-Oct-2013, www.usatoday.com]. And so it goes, with more and even crazier notions. There’s something very apt that so many loopy conspiracy theories circulate about the identity of an author whose fiction is littered with accounts of loopy conspiracy theories.

Footnote: Lost in Pynchon  
Given my own often bewildered reaction to much of the fiction of Pynchon, and the palpable frustration that I see exhibited by others seeking despairingly to decode Tom Pynchon’s idiosyncratically personal brand of hieroglyphics, I often wonder why so many of us punters keep making the self-flagellating effort…I’m reminded of the cynic’s definition of a classic book, “something that everyone wants to have read but nobody wants to read” (Mark Twain, who else?). Echoing this is one critic’s pithy summation of Gravity’s Rainbow, Pynchon’s most praised book, as the “least-read-must-read” book in American history (Sales). For the marginalised multitude denied enlightenment there is some comfort in mockery. The title of the 2009 “Po-Mo” take on TRP’s ‘gumshoe’ novel, Inherent Viceoffers a pyrrhic get-square (‘Incoherent Vice’) [‘Incoherent Vice’, (Sam Anderson), New York, 31-Jul-2009, www.nymag.com]. 

PostScript: Absurdist and Fabulist?
Pynchon is a black belt when it comes to telling the “shaggy-dog” story. Early critics described his novels V. and Gravity’s Rainbow as “high-caliber shaggy dog stories, full of digressions and possibly pointless details converging to a climax that revolves little” [‘Thomas Pynchon: A Primer’, (Jack Joslin), 25-Apr-2012, www.litreactor.com]. This description also applies to the later Mason & Dixon, a long rambling tale full of rollicking in taverns and absurdly inconsequential humour. Pynchon concocts a mixture of fact and fiction, the actual historical personages of Mason and Dixon blended into the “obvious lies, rumours and outright fantasies of their travels” while surveying the boundaries of colonial North America [Thomas Pynchon: Novels & Concept.” Study.com, 25 June 2013, study.com/academy/lesson/thomas-pynchon-novels-lesson-quiz.html]. This shaggy dog, picturesque style of Pynchon brings to mind Laurence Sterne’s Tristram Shandy, but more contemporaneously it reminds me of Peter Carey (especially Illywhacker) and John Barth (The Sot-Weed Factor, Giles Goat-Boy) who both write in a Fabulist/Magic Realism vein.

 the scarcity of biographical material on Pynchon doesn’t stop the “Pynchon-curious” from trawling through the texts to turn up whatever “auto-fiction” they can find…the protagonist of V., Benny Profane, “a schlemihi and human yo-yo” is ex-navy, just like his creator

 Pynchon, and for that matter, JD Salinger in his time, would undoubtedly have no trouble writing a treatise on daytime television had either wished to do so

  even the photos supposed taken of the septuagenarian/octogenarian Pynchon out shopping can’t be confirmed as being genuinely of him

 Pynchon once famously said “every weirdo in the world is on my wavelength” 

 one reviewer likened Pynchon’s cryptic first novel V. to a Hieronymus Bosch triptych  

  thus far the only Thomas Pynchon novel to make it to the silver screen