With so many hotspots and tense border stand-offs across the world, the dispute over an obscure island in the Arctic region by two peaceful modern western democracies definitely flies under the international radar. The unlikely spot is Hans Island, a 1.3 square kilometre slab of rock situated in the middle of the Nares Strait separating Greenland from Canada’s Northeast periphery. Barren and uninhabited, devoid of natural resources, the island has been the object of claims on it by both Denmark (of which Greenland is a sovereign part) and Canada since the 1930s¹.
Initially, the League of Nations adjudged the dispute in Denmark’s favour in 1933². But given the ineffectiveness and eventually dissolution of the inaugural world body, the LoN’s ruling carried little weight.
Over the decades Denmark and Canada continued to disagree on who owns Hans Island – without either doing anything about it. Bilateral negotiations in 1973 completely sidestepped the issue of the island’s sovereignty – a maritime border with the vertical line drawn through Nares Strait conveniently left the island itself untouched, and thus still unresolved.
An assertion of sovereignty done with humourand good nature
The 1980s saw an escalation of the competing claims in a tit-for-tat exchange of flag-planting on the island. First there was the hoisting of the Canadian maple leaf (accompanied by an additional item, a trademark bottle of Canadian whisky). The Danes duly responded with their own flag and a bottle of Danish schnapps.
The issue threatened to flare-up again in 2005 when Canadian defense minister Bill Graham earned Copenhagen‘s ire with his unilateral visit of Hans Island. However common senseprevailed and both sides committed to enter into a process to resolve the matter…since then though little headway has been made towards this goal.
A proposal for Inuit authority on the ground
In 2002 academics proposed that Canada and Denmark share control of Tartupaluk (the Greenlandic nameforHans Island), with hands-on management devolving to Inuit control. So far nothing has come of this.
Postscript: A straw prize on the surface but potentially a promisinglong-term prospect?
Though never getting remotely close to a militaryconfrontation, the periodic posturing and grandstanding by Canada and Denmark reflects the desire of both governments to secure possession of Hans Island. Two material considerations seem to inform the disputants‘ commitment to the cause – the possibility of oil and gasreserves in the seabed around Hans Island and the potential of the (Nares) strait as a future international shipping route.
End-note: A third claimant to Hans Island has emerged in recent years, Russia, filing its claim throughtheorthodox UN channels
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¹ “a bizarre sliver of territory for two countries to fight over” as one observer depicted it (Bender)
² a tricky matter to adjudicate on as the island technically lies in both countries’ waters, falling within the 12 mile-territorial limit under international law
❖❖❖🇩🇰🇨🇦
Referenced websites and sources:
‘Analysis: Hans Island – and the endless dispute over its sovereignty’, (Martin Breum), High North News, 24-Oct-2018, www.highnorthnews.com
‘2 countries have been fightingover an uninhabitedisland by leavingeach other bottles of alcohol for over 3 decades’, (Jeremy Bender), Business Insider, 10-Jan-2016, www.businessinsider.com
‘Canada and Denmark Fight Over Island With Whisky and Schnapps’, (Dan Levin), New York Times, 07-Nov-2016, www.nytimes.com
‘Hans Island Case – A territorial dispute in the Arctic’, (Master Thesis), (Nikoleta Maria Hornackova), Aalborg University, May 2018, www.projekter.aau.dk
Sydenham is a tiny inner suburb of Sydney which sits on traditional Cadigal land, part of the Eora nation, some eight kilometres south-west of the CBD. In the formative colonial period Sydenham was subsumed under a wider area known as Bulanaming which stretched from Petersham to Cook’s River and includeda chunk of undesirable swampy land(Gumbramorra Swamp).
(Map: www.dictionaryofsydney.org/)
Grand designs Sydenham From the 1850s on, the better land on the eastern part of the suburb was turned into grand estates for well-to-do colonial businessmen. These large villa estates occupied an area from Unwins Bridge Road back to Cooks River Road (later renamed Princes Highway). Perhaps the pick of these “large country retreats” in Sydenham, located between Reilly and Grove Streets, was the Grove Estate, with its two-storey Georgian villa, owned by John George Church. Adjoining the Grove Estate was ironmonger Richard Reilly’s Tivoli Estate with a similarly impressive Georgian villa➀ [Meader, Chrys, Sydenham, Dictionary of Sydney, 2008, http://dictionaryofsydney.org/entry/sydenham, viewed 25 Dec 2020].
The working class swamped Commencing in the 1880s, the grand estates started to be broken up by subdivision and the suburb’s complexion took on a recognisable working class character. Rows of Victorian cottages sprang up, many occupied by workers at the nearby Albion and other brickworks in nearby St Peters. At the same time developers sold cheap, unviable land in the swamp area to the working class. This was the notorious Tramvale Estate—badly designed, lacking in basic sewerage facilities, low-lying, prone to flooding and poor drainage—resulting in the spread of disease, plagues of mosquitos in summer and an all-pervasive, persistent stench, leaving the owners holding what amounted to a “white elephant” they couldn’t re-sell (Meader).
Adjoining suburb: Cooks River Road, St Peters (1935) 🔻
(Photo: State Library of NSW)
Industrial landscape and dichotomy The swamp was finally drained in the 1890s and the land on it repurposed for heavy industry and engineering works. Factories took root, such as Australian Woollen Mills and the Sydney Steel Company (supplier of steel for the Sydney Harbour Bridge construction)➁. By the early 20th century Sydenham had taken on a twofold complexion: an industrial western part and a primarily residential eastern part (Meader)
The post-WWII period brought an influx of migrants to the inner west suburb, mostly Greeks, Macedonians, Croatians, Serbs and Slovenes from the former Yugoslavia, Turks and later Vietnamese. In the 1950s and 60s Sydenham proved a good recruiting ground for young athletic Aboriginal men who would go on to play rugby league for the Newtown club (Meader).
🔺 Sydenham farms
Sydenham cultural and entertainment ‘hub’ Sydenham has at best been only modestly endowed with shopping options(a handful of shops trailing off from the railway station➂) in comparison withsurrounding urban hubs like Marrickville, the local Sydenham community could boast a pub (the General Gordon) and a cinema, the Sydenham Picture Palace, later superseded by the art deco Rex Theatre (47 Unwins Bridge Rd) closed in 1959 and converted into a roller-drome in 1960. Sydenham at one point also had its own live theatre venue, Norman McVicker’s Pocket Playhouse (94 Terry Street), which operated from 1957 to 1973 [‘Pocket Playhouse’, www.budgeebudgee.wordpress.com].
🔻 Vivien Leigh attending the Pocket Playhouse with proprietor Norman McVicker, 1961
From under the radar to under the runway In the early 1990s the Federal government spearheaded a plan to add a third runway to Sydney Kingsford Smith Airportwhich presaged irreparable change to Sydenham’s (eastern) residential zone. The scheme was vigorously opposed at a grass-roots level and supported by a Coalition of (thirteen) Sydney Councils including Marrickville Council (although it later did a volte-face and sided with the government). Although supposed to be ‘voluntary’, some Sydenham residents who were reluctant to sell and move were ‘persuaded’ to comply by intolerable noise levels for residents from the airport just 2km away and from adjacent demolition work in progress [‘The fight to save Sydenham’, (Tom Wilson), Green Left Review, 24-Oct-1995, Issue 208, www.greenleftreview.org.au].When the dust had settled, in excess of over 120 Sydenham houses had been acquired and demolished for the runway go-ahead…this clean-out were described by the Sydney Morning Herald as the airport “gobbling up a whole suburb”. Only a solitary cottage of the row of historic dwellings in the frontline Railway Road survived the decimation, No 19, “Stone Villa” (now an artists’ studio)➃.
PostScript: Sydenham Green By way of compensation for the demolished houses in Railway Rd, Marrickville Council was handed back the land in 1994…after deliberation the Council turned it into Sydenham Green, apublic park with ‘funky’ community sculptures and a skate park—and being directly under the flight path of the third runway—a quirky arch monument of sorts recounting the local community’s valiant efforts to stop its realisation. By its very presence, Sydenham Green stands as an “everyday reminder of how aircraft noise tore the heart out of a suburb” (Meader).
_______________________________________________ ➀ both the Grove and the Tivoli villas were demolished during WWI
➁ largest employer in the Marrickville Municipality, >7,500 staff
➂ known as Marrickville Station until 1895 when the Bankstown line opened and Marrickville got its own railway station
➃a belated casualty was Australia’s first Coptic Church (24A Railway Road), which had dodged the authorities’ demolition plans for two decades only to see a fire reduce its survival efforts to ashes in 2017
The second in our brace of reclusive authors of American fiction is Thomas Pynchon (see preceding blog on his the similarly publicity-shy JD Salinger). Long Island-born Pynchon came to the full-time vocation of fiction-writing via short stints in the navy and for Boeing as a technical aide. By the time Pynchon writes his first novel, V. in 1963, he is domiciled in México City, and the persona of Pynchon as an “Invisible Man of Letters” has already started to take root.
PYNCHON
If there were slim pickings for inquisitive fans of JD Salinger wanting more biographical information about their ‘fave’ reclusive writer, then comparatively there’s an absolute famine when it comes to the lack of ‘goss’ on Thomas Ruggles Pynchon! Pynchon has managed to weave an airtight web of mystery around his personal life – no interviews, no attendance of literary prize awards, no memoirs, no hobnobbing with fellow celebrities at ‘A’ list gatherings, no teaching post in academia. In Pynchon’s (loosely) historically-based novel Mason & Dixon one of the characters is castigated for “the least tolerable of Offences … the Crime they styl’d ‘Anonymity’” – the very state of existence that Pynchon craves. The reclusive and ubër-private New Yorker differs from the equally reclusive Salinger in not having had to suffer the ignominy of family ‘betrayal’ as Salinger was subjected to. Pynchon’s family (agent/wife, son, brother and sister) and friends have all closed ranks, drawing down the cone of silence on the subject of the famous recluse＊.
‘Mason & Dixon’
Pynchon very much belongs to the “why make it simple, when you can make it complicated” school of literary communication. His books, popularly subsumed under the labels ‘postmodern’ and metafiction are typically characterised by over-elaborate and often open-ended plots, dense and hard to follow, labyrinthine sentences (Mason & Dixon meanders a full 122 words before it reaches its first full stop on page 2!) Pynchon offers up a mixed grill of cultural references to sex, drug culture, science and tech stuff, historical info and comic-book fantasy (with a raft of quirky and zany characters), etc. Beginning with The Crying of Lot 49 (1966), the first of Pynchon’s “Californian trilogy” novels, the author turns a critical eye on the counterculture…although Pynchon evinces a consonance with its core values and communitarian ideals he voices a concern that the American counterculture may be an accessory of the dominant culture rather than a genuine reaction to it [‘American Modernity and Counterculture’, (The Crying of Lot 49 by Thomas Pynchon), www.litcharts .org]. In ‘Lot 49’ protagonist Oedipa Maas accidentally stumbles into Trystero, a shadowy world of convoluted conspiracies, unearthing a centuries-old conflict between rival mail distribution companies.
Political Pynchon? A central motif that comes through in Pynchon’s novels is a distrust bordering on paranoia of government agencies and private corporations. In Gravity’s Rainbow he expresses deep suspicions about the motives of the military/industrial complex. But Pynchon seems also to distrust the established political left in its empirical authoritarian form. Instead, his natural orientation and sympathies seem to be towards the anarchists and the preterites (ie, those controlled by the elite). One scholar notes that anarchists or allusions to them are present in all of the Pynchon books … anarchism, Pynchon seems to suggest, might be the best non-authoritarian and non-hierarchical social configuration for the future [‘Riding the Interface: An Anarchist Reading of Gravity’s Rainbow’, (Graham Benton), www.pynchonnotes.openlibhums.org]. Politics also run through Pynchon’s next, Vineland (1990), a novel which some dismissively dispatched as “Pynchon-Lite”. Vineland is an absurdist fable— punctuated with numerous references to drugs, 1960s music and TV pop culture, especially Star Wars—through which Pynchon provides a commentary on several key issues of the Eighties (the culture war debates, reading, television and mass communications). Set against the backdrop of the Republican Party’s re-election in 1984, Pynchon also takes a hefty swipe at American politics in the age of Reaganomics with a warning to America about “encroaching fascism” [Meinel, Tobias. “A Deculturated Pynchon? Thomas Pynchon’s “Vineland” and Reading in the Age of Television.” Amerikastudien / American Studies 58, no. 3 (2013): 451-64. Accessed November 26, 2020. http://www.jstor.org/stable/43485900].
❝ Then again, it’s the whole Reagan program, isn’t it—dismantle the New Deal, reverse the effects of World War II, restore fascism at home and around the world, flee into the past, can’t you feel it, all the dangerous childish stupidity—I don’t like the way it came out … someday, with the right man in the White House, there will be a Department of Jesus.❞
~ Thomas Pynchon, Vineland
Guesting on ‘The Simpsons’
While resolutely keeping his guard up Pynchon maintains control of his world by choosing when and what of himself he gives up to the world at large. Famously Pynchon has appeared (in animated form) on two episodes of The Simpsons (a clear sign that the couch-surfing literary hermit is up on mainstream pop culture※), having dictated the terms of his guest spot. Obviously the idea of the Simpsons gig tickled his humerus wildly, as he is shown(sic) wearing a paper bag on his head and gets to say that he loves Marge Simpson’s book “almost as much as he loves cameras”.
Navy Tom
The “no selfies” author Tom Pynchon has been incredibly successful over many decades—especially living in a metropolis of over eight million people—in scrupulously avoiding the lenses of the ubiquitous paparazzi. Until fairly recently there was virtually no new photos of the reclusive writer floating round⍟. Media outlets when running a story on Pynchon almost invariably fall back on the one or two photos taken during his navy days (when Pynchon was aged around 19 or 20!). Pynchon’s legendary antipathy to having his photo taken has been explained away as self-consciousness about his protruding buck teeth (something that a sequence of sessions in the dentist’s chair early on could surely have fixed). Whether this explanation holds water or not is of course, like everything else, a topic Pynchon is deafeningly silent on. On the issue of Pynchon hermetically sealing himself off from the world, a more plausible speculation is that it may be a reflection of Pynchon’s disapproval of the modern trend of writers embracing, even rejoicing, in the role of being celebrities, eg, Norman Mailer and Truman Capote et al [‘Thomas Pynchon Returns to New York, Where He’s Always Been’, (J.K. Trotter), The Atlantic, 17-Jun-2013, www.theatlantic.com].
A method in the madness? The lengths Pynchon will go to avoid being photographed have a paranoia-like tinge to them, and some are legendary. Once in México during the Early Sixties V. period, when surprised by a random photographer, Pynchon apparently jumped straight out of his apartment window to escape being snapped [‘Hiding in Plain Sight: On the unobservable Thomas Pynchon’, (Alex Gilvarry), Topic, Issue No. 04, October 2027, www.topic.com]. The failure to pin down the identity of a famous but reclusive novelist contributes to the creation of myths … the enigma of an “invisible literary man” exudes more intrigue. Pynchon would understand that having a mystique about him, another layer of interest for his ‘gonzo’ fan base to engage with, would have a bonus marketable spin-off for the author’s sales [‘Meet Your Neighbor, Thomas Pynchon’, (Nancy Jo Sales), New York, 27-Jun-2008,www.nymag.com].
Zoyd, Frenesi, Prairie, etc
Pynchon Inc personnel: the ministry of silly names Pynchon novels are typically peopled by a vast array of (usually odd) characters. In Gravity’s Rainbow, Pychon rolls out no fewer than 400 named characters in 760 pages (most with fleeting walk-on, walk-off parts). Pynchon also revels in preposterous nomenclature, inventing lots of outrageous puns like Joaquin Stick, Benny Profane and the Marquis de Sod (a Californian lawn-care specialist!), and an inexhaustible supply of downright silly names – including McClintic Sphere, Tyrone Slothrop, Rachel Owlglass, Weed Atman, Yashmeen Halfcourt, Mike Fallopian, Scarsdale Vipe, Doc Sportello, Rev. Wicks Cherrycoke and Pig Bodine. Needless to say from the jokey nature of this Pynchon nomen-sampler that fleshing out a character’s multi-layered depths is not really the New Yorker’s bag [‘Gravity’s Rainbow’, Wikipedia, http://en.m.wikipedia.org].
An orgy of exegesis: Conspiracy la-la land As someone with a lofty literary profile in the US and beyond (regularly scores a mention in the mix of annual Nobel Prize contenders), the utter paucity of biographical information on Pynchon has given rise to some pretty wild speculation about who he really is? Outré theories abound on the internet about the novelist’s identity, one of the most persistent is that Thomas Pynchon is really JD Salinger! Presumably the germ of this notion was the commonalities between the two, both perceived as hermits with a pathological allergy to attention, and each shared a fierce insistence on their personal privacy. But what gave added weight to the imaginative coupling in people’s minds was Salinger’s early removal from the public gaze and the supposed drying up of his literary output as evidenced by the complete cessation of his published work post-1965. This baseless ‘theory’ holds that Salinger invented “Thomas Pynchon” as an “elaborate authorial personality” to hide behind (Trotter). Even more ludicrous was the allegation that Pynchon was in fact the Unabomber! Another speculation has him as an airline pilot in real life (motivated by Howard Hughes adulation perhaps?). Other theories, rather predictably, conclude that Pynchon has to be a drug smuggler or a CIA agent (“its all there in the stories!”) [‘Authors reveal their Thomas Pynchon conspiracy theories’, Bookish, 03-Oct-2013, www.usatoday.com]. And so it goes, with more and even crazier notions. There’s something very apt that so many loopy conspiracy theories circulate about the identity of an author whose fiction is littered with accounts of loopy conspiracy theories✫.
Footnote: Lost in Pynchon Given my own often bewildered reaction to much of the fiction of Pynchon, and the palpable frustration that I see exhibited by others seeking despairingly to decode Tom Pynchon’s idiosyncratically personal brand of hieroglyphics◪, I often wonder why so many of us punters keep making the self-flagellating effort…I’m reminded of the cynic’s definition of a classic book, “something that everyone wants to have read but nobody wants to read” (Mark Twain, who else?). Echoing this is one critic’s pithy summation of Gravity’s Rainbow, Pynchon’s most praised book, as the “least-read-must-read” book in American history (Sales). For the marginalised multitude denied enlightenment there is some comfort in mockery. The title of the 2009 “Po-Mo” take on TRP’s ‘gumshoe’ novel, Inherent Vice⍉, offers a pyrrhic get-square (‘Incoherent Vice’) [‘Incoherent Vice’, (Sam Anderson), New York, 31-Jul-2009, www.nymag.com].
PostScript: Absurdist and Fabulist? Pynchon is a black belt when it comes to telling the “shaggy-dog” story. Early critics described his novels V. and Gravity’s Rainbow as “high-caliber shaggy dog stories, full of digressions and possibly pointless details converging to a climax that revolves little” [‘Thomas Pynchon: A Primer’, (Jack Joslin), 25-Apr-2012, www.litreactor.com]. This description also applies to the later Mason & Dixon, a long rambling tale full of rollicking in taverns and absurdly inconsequential humour. Pynchon concocts a mixture of fact and fiction, the actual historical personages of Mason and Dixon blended into the “obvious lies, rumours and outright fantasies of their travels” while surveying the boundaries of colonial North America [Thomas Pynchon: Novels & Concept.” Study.com, 25 June 2013,study.com/academy/lesson/thomas-pynchon-novels-lesson-quiz.html]. This shaggy dog, picturesque style of Pynchon brings to mind Laurence Sterne’s Tristram Shandy, but more contemporaneously it reminds me of Peter Carey (especially Illywhacker) and John Barth (The Sot-Weed Factor, Giles Goat-Boy) who both write in a Fabulist/Magic Realism vein.
＊the scarcity of biographical material on Pynchon doesn’t stop the “Pynchon-curious” from trawling through the texts to turn up whatever “auto-fiction” they can find…the protagonist of V., Benny Profane, “a schlemihi and human yo-yo” is ex-navy, just like his creator
※ Pynchon, and for that matter, JD Salinger in his time, would undoubtedly have no trouble writing a treatise on daytime television had either wished to do so
⍟ even the photos supposed taken of the septuagenarian/octogenarian Pynchon out shopping can’t be confirmed as being genuinely of him
✫ Pynchon once famously said “every weirdo in the world is on my wavelength”
◪one reviewer likened Pynchon’s cryptic first novel V. to a Hieronymus Bosch triptych
⍉thus far the only Thomas Pynchon novel to make it to the silver screen
As Europe moves through Autumn, a number of countries are reporting new records for coronavirus infections. This month Italy recorded a 24-hour total of over 10,000 new cases for three consecutive days, while France recorded its highest ever total of new cases for a single day, 32,427. Similarly, the Czech Republic broke the 10,000 barrier for the first time (1,105 cases). Even in Germany, virus cases for a single day reached a pandemic high of 7,830 [‘Italy steps up coronavirus restrictions as Europe fights second wave’, Euronews, 18-Oct-2020, www.euronews.com].
October 4 2020 (Image: WELT)
Not withstanding this current setback in the fight against the pandemic, Germany has easily been the stand-out performer among the larger countries trying to combat Covid-19 in Europe. A raft of factors have been advanced to explain Germany’s success. Obviously, it hinges ultimately on a collective effort by the government, medical authorities and experts, and compliance by the nation. A lot of the credit for steering the ship into relatively safe waters (fingers crossed) goes to the leadership of Chancellor Angela Merkel. Almost from day one she did a number of things right. Projecting a visage of calm and composure, she was upfront with the German people. Honestly and transparently, she was prepared to admit when the government didn’t always have the answer at a given time. Building trust requires candour and elicits consent and compliance. From when the pandemic hit, she was proactive and decisive. There was no “coronavirus denying” by the leadership (unlike the errant course charted initially by the US and UK governments), but an immediate marshalling of efforts to tackle the problem facing it※ [‘The secret of Germany’s COVID-19 success: Angela Merkel Is a Scientist’, (Saskia Miller), The Atlantic, 20-Apr-2020, www.theatlantic.com].
There were other factors relating to demographics and the public health response that were vital—average age of coronavirus patients was lower than elsewhere; better delivery of testing than many countries; careful and comprehensive tracking of cases (>90%); modern, maintained public health system;local responses—but in a sense everything flowed from the chancellor who has been at the helm of the German state since 2005. With a science background (PhD in quantum chemistry), Merkel knew to listen to the scientists, the public health experts, like the celebrated virologist Christian Drosten. As a scientist herself she respected their views, knew that this was essential to finding out what was needed⚡. Drawing on the well-funded scientific-research organisations and university medical departments that she had maintained, she was able to coordinate these into a single, effective coronavirus task force (Miller).
(Photo: Getty Images)
One observer has attributed Germany’s (and Merkel’s) success to the “Four L’s” which may in the event of a new wave of Covid be integral to “bending the curve quickly once again – luck, learning, local responses and listening. The ‘luck’ amounted in part to being in the right place at the right time…having acquired and readied the coronavirus PCR tests in advance so they were “available in Munich when the first tests showed up there”, but this could arguably be equally attributable to due diligence and preparedness, and an instinctual willingness to follow hunches. Learning from the experiences of other countries who had prior exposure to coronavirus also played a key part – in this Germany was fortunate to have had a delayed arrival of the disease. The German authorities were able to look at the strategies of countries such as South Korea, Taiwan and Japan, see what was working well there, and cherry-pick. Germany’s political structure, emphasising localised divisions of authority (government by lander), permitted a decentralised approach to the pandemic which allowed the bureaucratic response to the crisis to be speeded up. The fourth ‘L’, listening to the scientific experts, was not just what Merkel, but what politicians at the local level in Germany◔ did assiduously [‘The four simple reasons Germany is managing Covid-19 better than its neighbors’, (Julia Belluz), Vox, 15-Oct-2020, www.vox.com].
(Source: www.dw.de/)
Of course Chancellor Merkel’s policies in the crisis have had their detractors—business lockdowns and restrictions that go on for lengthy periods are sure to draw displeasure—her measured approach however has been demonstrably unifying and has resulted in overwhelming support from the electorate rallying behind her (approval ratings for the chancellor during the pandemic have been as high as 86%).
PostScript: Denialists and Bunglers Inc Last month British PM Boris Johnson, in an all-too characteristically ham-fisted way, tried to deflect criticism of his government’s abysmal handling of the pandemic vis-vís (especially)Germany by putting the UK’s worse handling of the crisis down to the ‘fact’ that the UK is “a freedom loving” country [‘Why is Germany doing better than the UK at fighting a resurgence of Covid-19?’, The Local – De, 26-Sep-2020, www.thelocal.de/].
Postscript: A straw prize on the surface but potentially a promising long-term prospect? 
As Europe moves through Autumn, a number of countries are reporting new records for coronavirus infections. This month Italy recorded a 24-hour total of over 10,000 new cases for three consecutive days, while France recorded its highest ever total of new cases for a single day, 32,427. Similarly, the Czech Republic broke the 10,000 barrier for the first time (1,105 cases). Even in Germany, virus cases for a single day reached a pandemic high of 7,830 [‘Italy steps up coronavirus restrictions as Europe fights second wave’, Euronews, 18-Oct-2020, www.euronews.com].
(Photo: Getty Images) 
(Source: