Mao’s War on Nature and the Great Sparrow Purge

Coastal geology & environment, Comparative politics, Economics and society,, Environmental, International Relations, Memorabilia, Political History, Politics, Regional History, Sport

Mao Zedong’s “Great Leap Forward” (GLF) in 1958—communist China’s bold venture to transform the nation’s economy from agrarian to industrial—necessitated some drastic social engineering, and more than a little tinkering with nature. The “Paramount Leader”, repudiating the advice of state economists, consistently advocated the efficacy of population growth for China (Ren Duo, Liliang Da – “With Many People, Strength is Great”) …he stated that “even if China’s population multiplies many times, she is fully capable of finding a solution, the solution is production” (‘The Bankruptcy of the Idealist Conception of History’, (1949)). One strategy of Mao’s for protecting the imperative of national productivity and boosting output involved an extreme “solution” in itself.

Four Evils Campaign poster (source: chineseposters.net)

Pest controllers: As a plank of the GLF Mao spearheaded the “Four Evils Campaign”, four “pests” of the natural world were targeted for elimination – rats, flies, mosquitoes and sparrows…the first three especially concentrated in large numbers certainly could pose a threat to public health and hygiene, but why sparrows? Mao singled out the sparrow because it consumed the grain seed and rice from agricultural fields. What followed was a government propaganda campaign exhorting the people to fulfil their patriotic duty and zealously hunt down these proscribed “enemies of the state”. The regime enlisted the civilian population in a military-like operation, a coordinated mass mobilisation, dedicated to this singular task. The mass participation event included the very young, armies of children aged five and older were despatched from their homes armed with slingshot and stones, to formicate all over the countryside and wipe out vast numbers of sparrows often with frightening effectiveness.

“Patriotic duty” of young Chinese (source: chineseposters.net)

Mao v Nature: Mao’s war on passerine birds was part of a wider war on nature. Mao encapsulated the objective for China in one of his oft-repeated slogans: Ren Ding Sheng Tian (“Man must conquer nature”). Mao’s modernist conception of the world saw humans as fundamentally distinct and separate from nature, so in order to fashion the world’s most populous republic into the socialist utopia that he envisioned, nature, this external thing, had to be harnessed and defeated (Zhansheng ziran). The result was a drastic reshaping of China’s physical landscape, the over-extraction of resources, intensive farming schemes, massive deforestation, riverine pollution, over-hunting and over-fishing [Judith Shapiro, Mao’s War against Nature (2001)]

Eurasian Tree Sparrow: top of Mao’s nature hit-list

A monstrous ecological imbalance and a species endangered: The nationally coordinated campaign against the four pests proceeded with phenomenal speed and ruthless efficiency. By early 1960 an estimated one billion sparrows had been destroyed🄰, nearly wiping out the species altogether in China…a fateful consequence that was to prove catastrophic for the country’s food production. The authorities had not heeded the expert advice from Chinese scientists🄱 that sparrows fulfilled a vital function in feeding off not just crops but off insects including locusts. With the removal of this natural predator, locusts in plague quantities were free to ravage the nation’s fields of grain and rice, and ravage they did, in Nanjiang 60% of the produce fields were ruined [‘Mao and the Sparrows: A Communist State’s War Against Nature’, Agata Kasprolewicz, Przekroj, 22-Mar-2019, www.przekroj.org] .

The Great (man-made) Famine, 1959–1961: The resulting Great Famine in the PRC caused up to 30 million deaths and an estimated similar figure or more in lost or postponed births, making it the worst famine in human history judged by population loss [‘Berkeley study: Historic famine leaves multiple generations vulnerable to infectious disease’, Berkeley Public Health, www.publichealth.berkeley.edu]. The plunge in agricultural output linked to the sparrow decimation project was further exacerbated by other factors such as Peking’s procurements policy, increase in grain exports from 1957 (redirecting grain away from domestic consumption which otherwise could have allowed millions of Chinese to survive the famine); the priority on industrialisation diverting huge numbers of agricultural workers into industrial sectors adversely affected the food scarcity crisis.

Fujian province propaganda poster, 1960 (image: US National Library of Medicine)

Postscript: Reprising the eradication campaign In 1960 the Chinese government upon realising the folly of its sparrow offensive, overturned its proscription of the birds, declaring war on bed bugs in their place. The disastrous sparrow mega-kill episode however didn’t bury the Four Evils campaign forever. The Chinese government in 1998 launched a new version of the movement, posters were seen in Beijing and Chongqing urging citizens to kill the four pests…the first three were the usual suspects as in 1958, but this time cockroaches were substituted for sparrows. Unlike the original sparrow campaign the 1998 version was not successful [‘The Four Pests Campaign: Objectives, Execution, Failure, And Consequences, World Atlas, www.worldatlas.com].

🄰 along with 1.5 billion rats, over 220 million pounds of flies and over 24 million pounds of mosquitoes

🄱 there were doubters within the hierarchy of the Communist Party who had misgivings about the wisdom of the Paramount Leader’s policy, but most found it expedient to remain silent for fear of the personal consequences of incurring the wrath of Mao

Sargassum in the Sargasso Deep Blue

Coastal geology & environment, Environmental, Geography, Natural Environment

Anyone who has heard anything about the Sargasso Sea will have probably learned that it is unique among the planet’s seas in that it is completely bereft of any land boundaries and that it is full of seaweed. The boundaries of the sea are the four directional currents (N-S-E-W) which together create a clockwise-circulating system of ocean currents known as the North Atlantic Subtropical Gyre. This novel geographical oddity results in a clear, deep blue sea which is relatively warm and calm compared to the rest of the cold and often turbulent North Atlantic.

Sargasso Sea (old Dutch map)

The Sargossa’s seaweed is planktonic (ie, floating freely), a genus of seaweed called Sargassum—hence the source of the sea’s name which is thought to be of Portuguese origin (also cf. Sp. sargazzo (“kelp”)—a golden-brown-coloured algae which reproduces vegetatively on the surface and never attaches itself to the sea-bed floor during its lifecycles, which marks it out from the typical behaviour of seaweed on the high seas. The sargassum forms itself into concentrated patchesA⃣ which drift around the sea’s circumference while being ecologically beneficial to the local marine life – providing a habitat, sanctuary and food for turtles, shrimp, fish, porbeagle sharks, eels and the like.

image: National Ocean Service

Sargassum on steroids The Sargasso and its seaweed (more correctly gulfweed) has been much in the news recently due to increasing amounts of it washing up on the shores of beaches in eastern Mexico, Florida and the Caribbean, causing a nuisance to sunbathers, coastal dwellers and even a potential hazard, and happening earlier in the calendar year than in previous yearsB⃣. Marine scientists attribute the recent explosion of gulfweed (the Great Atlantic Sargassum Belt) to human activities such as intensive soya farming in the Congo, the Amazon and the Mississippi, which dumps nitrogen and phosphorus into the ocean (Barberton 2023).

A carpet of pelagic sargassum covering the beach on the Barbados east coast (photo: H Oxenford)

Sargasso lore The Columbus expedition on route to the East Indies (or so he thought) in 1492 gave us the first recorded sighting of the seaC⃣and navigators and sailors have been long been wary of the suspected dangers thought lurking in the mysterious sea…in fear of their vessel being permanently entrapped in its becalmed, windless waters (known as “the Doldrums”) or inextricably entangled in the ubiquitous brown belts of seaweed. Columbus and later navigators sought to transit through the sea by manoeuvring around the masses of seaweed, fearful as Columbus was that the algae mats concealed coral reefs that would wreck their ships.

Christopher Columbus (source: hoidla.spordimuuseum.ee/)

Eco-hazards: the North Atlantic garbage patch While the imagined threats to sailors and ships have not materialised over time, the real threats, aside from the runaway sargassum blooms, are those that are posed against the long-term health of the sea itself. Passing shipping has had a negative impact on the ecosystem of the Sargasso Sea. Storms and hurricanes transporting massive amounts of human-made pollution, followed by the characteristic stillness of the Sea, has made it susceptible to large-scale garbage accumulation, especially of microplastics (with volumes increasing exponentially the danger of increased plastic ingestion by marine life is a major concern). Other threats to the Sargasso come from climate change and overfishing of its waters. The future harvesting of sargassum seaweed is also a concern for marine biologists.

Sargassum floating on the Sargasso Sea (photo: David Doubilet/National Geographic)

Endnote: Bermuda Triangle intervention in the Sargasso circle? While the Sargasso Sea has no land borders, there is land in the form of the tiny Bermuda islands on the Sea’s western fringe. The intriguing nature of the Sea is further accentuated by association with Bermuda, or more specifically with its Bermuda Triangle reputation – a series of legends and mysteries that have grown up over the last century about a supposed abnormal pattern of aircrafts and ships disappearing without trace in the loosely-defined “Triangle” areaD⃣.

source: Shutterstock

Dimensions: the Sargasso Sea is elliptical in shape and encompasses an area of >1,000 mi in width and 3,000 mi in length; the Bermuda Triangle (aka Devil’s Triangle) is roughly 500,000 sq mi of water in a space bounded by Florida, Puerto Rico and Bermuda.

source: bibliotecapleyades.net

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A⃣ a “golden floating rainforest” (Dr Sylvia Earle)

B⃣ and not confined to the eastern side of the ocean, the media has reported the presence of giant sargassum blooms from West Africa right across to the Gulf of Mexico (‘The Aussie tackling an ocean-spanning seaweed monster’, Angus Dalton, Sydney Morning Herald, 26-April-2023, www.smh.com.au)

C⃣ though 4th century AD Roman writer Avienius referenced an ancient Carthaginian exploration of it that supposedly took place, and there were claims on behalf of Arab mariners from the 11th and 12th centuries

D⃣ critics have generally debunked the idea of the Bermuda Triangle as a nemesis, arguing that there is no evidence that mysterious disappearances occur more frequently there than on other well-frequented oceanic transit route, that the “phenomena” is a manufactured one, sustained by conspiracy theorists and media sensationalism

𓆝 𓆟 𓆞 𓆝 𓆟

Articles and other publications consulted

‘About the Sargasso Sea’, Sargasso Sea Commission, www.sargassoseacommission.org/

‘Maritime Heritage’, Sargasso Sea Commission, www.sargassoseacommission.org/

‘What is the Sargasso Sea?’, National Ocean Service, www.oceanservice.noaa.gov/

‘The Aussie tackling an ocean-spanning seaweed monster’, Angus Dalton, Sydney Morning Herald, 26-April-2023, www.smh.com.au/

‘The creeping threat of the Great Atlantic Sargassum Belt’, Zan Barberton, The Guardian, 07-Mar-2023, www.theguardian.org/

Castlecrag After the Griffins, Modernism and the Sydney School

Built Environment, Environmental

Castlecrag is an affluent suburb on Sydney’s lower North Shore with an abundance of bushy vistas and water views. The other thing Castlecrag has in abundance is architectural heritage, and the foundation of that heritage was laid by Walter Burley Griffin (WBG), the suburb’s American planner, early in the 20th century.

Griffin’s Guy House (Source: Walter Burley Griffin Society) . . .
. . .

WBG’s bold experiments in living
The 15 houses that Griffin completed in the northern peninsula suburb (>30 more remained on the drawing board) are low-rise dwellings constructed in concrete, sandstone or brick, mainly locally sourced. Most of the houses are modest dwellings, small and squat, and for the most part the exteriors could be said to be aesthetically challengeda⃞. WBG’s credo was “designing for nature”, his enunciated goal—subordinating the Castlecrag houses to the surrounding landscape thus preserving the natural features—was realised…WBG left a legacy that inspired the projects of later architects in Castlecrag, notwithstanding that much of post-war Castlecrag housing development has not however been sympathetic with the Griffins’ architectural vision (‘Sydney — Castlecrag’, Walter Burley Griffin Society, www.griffinsociety.org).

Glass House (Source: Sydney Living Museums)

. . .
The Glass House
Two architects drawn to Castlecrag in the 1950s to create Modernist residential buildings that are both innovative and in synch with the bush environment are Bill Lucas and Peter Muller. Lucas, a WWII veteran, with his wife Ruth, also an architect (cf. Walter and Marion Griffin) designed the “Glass House”…built in 1957 by Bill and his brother Nev and a friend and financed by Bill’s war service loan. The Glass House is like no other dwelling in Castlecrag, open plan in design, all four walls are of glass and thus the house is open to the landscape on all sides. The Lucas House (which was constructed as the Lucas family home and a studio for Bill’s practice) has been lauded for its economical design, providing the bare essentials while maintaining its sustainability…its “featherweight structure float(ing) miraculously about the tree canopy”b⃞ (with rocks and creek below) (‘Revisited: ‘Glass House by Bill and Ruth Lucas’, Peter Longeran, Architecture Australia, 17-Aug-2022, www.architectureau.com). The Glass House has been described as an “excellent seminal example of the shelter-in-nature minimalist composition constructed in Northern Sydney post World War II by architects of the ‘Sydney School’” (’Aus_Modern_House_Lucas_GL’, Docomomo International, 2003, www.docomomoaustralia.com.au).

The radical Glass House was a reaction by the Lucases to WBG’s restrictive covenants and building controls in force in Castlecrag. WGB’s covenant forbid housing construction in materials other than stone, concrete or brick, but the all-glass Lucas House somehow circumvented the stringent building restrictionsc⃞.

Lucas House,
80 The Bulwark
Castlecrag, NSW

Audette House

. . .
Audette House
Muller’s House (built for an American client in 1952) was the 24-year-old rookie architect’s first completed commission. Intended as an American colonial house, however Muller won the client over to something more Antipodean, devising a technique for the walls which became known as “snotted brick” – mortar oozing out the grout lines between the bricks (‘Striking a chord: Peter Muller on Audette House and why architecture is like music’, Architecture and Design, 17-Sep-2014, www.architectureanddesign.com.au. Muller drew on his recent experience studying in the US for his project which bears the strong influence of Frank Lloyd Wright’s iconic ‘Fallingwater’ and Muller’s liking for traditional Japanese motifs in residential architecture.

Audette House
265-267 Edinburgh Rd
Castlecrag NSW

Gowing House [Gruzman] (Photo: Max Dupain)
. . .

Sydney School v International School: “Nature-responsive” v purist “white painted walls” Lucas and Muller were part of a loosely-connected group of Australian architects in the mid-20th century labelled the “Sydney School”. The group rejected the prevailing trend in architecture, the International School of Le Corbusier, Gropius and Van Der Rohe (whitewashed masonry, steel framed glass houses) as unsuitable in an Australian context. Sydney School architects, influenced by Frank Lloyd Wright‘s organic (“natural”) principles for designing houses, and WBG’s Castlecrag project which was visually sensitive to the natural bushland, “displayed distinctive choices that were driven by the natural environment and employed simple, ‘minimally processed’, low-cost materials”. ‘Sydney School, the virtuous case of Australian modernism’, Tommaso Picciioli, Domus, 27-Mar-2020, www.domusweb.it. The School was sometimes referred to as the “Nuts and Berries” Style for its preference for rustic materials (stone, brick, timber).

Buhrich House II (Photo: Eric Sierins 2000)

. . .

Footnote: Modernist Castlecrag
Castlecrag architecture is interesting in that it contains examples of both of these rival Modernist styles. In addition to Lucas and Muller, many of the leading local architects of the second half of the 20th century (quite a number of them émigrés from Nazism) including Neville Gruzman, Harry Seidler, Hugh Buhrich and Andre Porebski, contributed to the residential profile of the suburb. The variety of architecture sitting under the umbrella of Modernism can be seen in houses as different as Gruzman‘s ”organic” monolithic Gowing House (8 The Bulwark) (1969) and the two Hugh Buhrich family homes, 315 and 375 Edinburgh Road (No. I constructed 1940s, No. II constructed 1968-72)d⃞. Both Buhrich Houses are in the European Bauhaus style, the later one rated by architect Peter Myers as “the finest modern house in Australia“, and an example of Brutalist domestic architecture (‘Brutalist Architecture in Sydney’, Sydney Morning Herald, 29-Sep-2017, www.smh.com.au). Architect and urban designer Glenn Harper extends the Brutalist tag to include the Lucas Glass House, despite Lucas eschewing the use of one of Brutalist architecture‘s key materials, raw concrete, in his Glass House (”How the ‘Sydney School’ changed postwar Australian architecture”, Davina Jackson, The Conversation, 28-Jun-2019, www.theconversation.com).

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a⃞ with the exceptions of Fishwick House and Grant House

b⃞ the house has been described as being “barely there” (www.archinform.net)


c⃞ one explanation is that the construction being engulfed in dense bush was overlooked by Willoughby Council (Longeran)

d⃞ Buhrich also designed the Duval House at 2 The Tor Walk

Lake Rotomahana, New Zealand: Once were Travertine Terraces

Coastal geology & environment, Environmental, Geography, Natural Environment, Regional History, Science and society

There’s only a handful of natural travertine rock formations𝔞 in the entire world, but after 1886 there was was one less. In that year in New Zealand’s Rotorua/Bay of Plenty area, the terraced hot springs wonderland known to Pākehā New Zealanders as the “Pink and White Terraces”𝔟 (Ōtukapuarangi and Te Tarata) were obliterated from sight in a massive eruption from nearby Mt Tarawera (Māori: “burnt spear/peaks”)𝔠.

🌋 Charles Blomfield’s painting of the volcanic occurrence

Fallout from the volcano’s eruption blanketed some 15,000 sq kms of countryside with ash in the air travelling as far away as Christchurch, over 800 km to the south. The explosion of volcanic craters reduced Lake Rotomahana (“warm lake”) to mud and ash. The deafening noise and lightning of the dome volcano exploding caused some in Auckland to think that Russian warships were attacking the city [‘The Night Tarawera awoke’, New Zealand Geo, www.nzgeo.com]. The human casualties were almost all Māori, about 120 people died, as well as 10 Māori settlements destroyed or buried.

Blomfield’s painting of Te Tarata

19th century tourist attraction
Nature’s violent removal of the Rotomahana travertines brought an abrupt end to a lucrative little 19th century tourism earner for the local region. Artist Charles Blomfield who painted the two terraces on multiple occasions was an eye witness to the tourist boom, observing groups of “moneyed people” bathing in the hot springs𝔡 while their lunches of potatoes and koura were cooking in the boiling pools (NZ Geo)𝔢. Village residents benefitted—some Māori guides netted incomes of up to £4,000 a year—but the First Nation community also copped the downside from the economic boost, rising illness and rampant alcoholism [‘Tarawera Te Maunga Tapu’, Rotorua Museum, www.rotoruamuseum.co.nz].

Lost and found?
For 120 years New Zealanders thought that all trace of the iconic terraces—the two largest known formations of silica sinter on earth—had vanished. Scientific curiosity in recent decades has speculated whether the terraces has been destroyed altogether or perhaps permanently entombed. Recently, Geologists, drawing on Ferdinand von Hochstetter’s 1859 topographic and geological survey of Lake Rotomahana as a primary source, believe they have found traces of the lost White Terraces in the naturally-restored, crater-enlarged lake [‘A natural wonder lost to a volcano has been rediscovered’, Robin Wylie, BBC, 28-Apr -2016, www.bbc.com]. The terraces are thought submerged under sediment and 50-60 m of lake water.

🔻 1860 lithograph of Hochstetter talking to the Māori rangatira of the White Terraces

New Zealand’s miniature ‘Pompeii’
Right in the firing line of Mt Tarawera when it exploded in 1886 was the tiny village of Te Wairoa and its inhabitants the Tuhourangi people. Engulfed and obliterated by the eruption, it became known as the “Buried Village” of Te Wairoa. These days it has brought back tourism to the area. The excavated village is New Zealand’s most popular archaeological site.

(Source: Flickr.com)

Postscript: the Rotomahana travertines are destroyed but is at least one terraced hydro-thermal springs in the North Island remains. Wairakei Terraces, situated 90 km south of Tarawera in Taupō, is a smaller version of the Pink and White Terraces. This commercial operation is a combination of the synthetic (man-made geyser) and the natural (pink, blue and white silica steps).

🔻Pamukkale, Turkey

🌋 one of the most outstanding examples of travertine formations on the planet is the “Cotton Castle” of Pamukkale in eastern Turkey, with its glistening white-terraced geo-thermal springs sharing the site with the ruins of a Greco-Roman city Hierapolis, making it a world-class tourist magnet. Other extant travertines include Badab-e-Surt in Iran, Mammoth Hot Springs in Wyoming, USA, and Egerszalok in Hungary.

Pink Terraces (Photo: Charles Spencer/ Te Papa)

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𝔞 travertines are formations of terrestrial limestone and calcium carbonate deposits around mineral (especially hot) springs, which are often terraced  

𝔟 their names in the Māori tongue translate respectively as “fountain of the clouded sky” and “tattooed rock”

𝔠 nicknamed Te Maunga Tapu (“the sacred mountain”), the volcano lies within a caldera (collapse crater) area

𝔡 the actual numbers of Europeans who visited New Zealand’s version of the “8th Wonder of the World” was not as high as might be thought, owing to the terraces not being easily accessible – from the closest settlement Rotorua it was a trek over hills by horse or buggy followed by a canoe trip and the last section on foot [New Zealand’s Pink and White Terraces’, (Tourism NSW), www.media.newzealand.com]

𝔢 English novelist Anthony Trollope was one of the European ‘celebs’ who fronted up to bathe in the pools and sleep in a whare (Māori hut) next to the terraces (NZ Geo). Trollope found nothing like its waters in the world – you strike your chest against it, it is soft to the touch, you press yourself against it and it is smooth[Australia and New Zealand, (Vol.II, 1873]