Over recent months Sydney “Pub Tsar” Justin Hemmes’ Merivale Group acquired the Collaroy Hotel on Pittwater Road for a reported $21 million⋇. The hotel (currently closed for renovation) is situated in one of the Northern Beaches’ finest old and best preserved buildings, the Arlington Amusement Hall✦. A hotel since the late 1990s the Arlington’s premises has traded under various names including ‘The Collaroy’ and the ‘Surf Rock Hotel’. Earlier than this the building had housed the Northern Beaches’ first wine bar called ‘1066’. The building also contains the separate Collaroy Beach Club.
(Photo: Northern Beaches Council)
The iconic building with its asymmetrical Federation brick facade has a commercial life story dating back to the First World War. It was built by Herbert Williamson for his wife Christina somewhere between 1915 and 1919. It was officially opened as the Arlington Amusement Hall in 1921 although it had already been used a cinema showing silent feature movies from 1919.
The Collaroy in 2017
At the time of the Arlington’s public opening the local newspaper described it thus: “The hall is situated right on the beach and attached to it are four shops … The hall is commodious, and is approached by a fine vestibule, a stage and dressing rooms and also a gallery add to the comfort of both entertainers and patrons …” Originally the building contained a row of (four) retail shops with attached 1st floor residences. We know that the business enterprises of three of these shops comprised a draper, a chemist and a stationer.
Collaroy, a beachhead prone to sand erosion
Arlington Amusement Hall’s location, built right on to the beachfront has made it and other buildings around it on that side of Pittwater Road susceptible to storm damage. In 1944 huge storms lashing the beach washed away some three metres of the Hall’s foundations. Fortunately the large building was spared the worst of the2016 onslaught when many nearby properties had their frontages, fences and walls uprooted in the massive winter storms…not so fortunate was the Collaroy Beach Club premises affixed to the Arlington Hall/Hotel which lost a balcony in the violent onslaught of savage nature.
The Arlington in the 1920s
PostScript: Collaroy’s other building relic
It is interesting that Arlington Hall started its life as a picture theatre because today when people associate Collaroy with cinema, they think of another old historic building on the opposite side of Pittwater Road – the still operating, independent Collaroy Cinema (trading as ‘United-Cinemas” in conjunction with Avalon and Warriewood cinemas further up the peninsula). Collaroy Cinema, an Art Deco building from the 1930s, with its garish and (to some tastes) sickly blue-painted exterior, stands out from the modern beach shopfronts around it. The Art Deco building retains its elegant design, but its tired, slightly battered appearance representing nearly 80 years of lived-in experience is in stark contrast with the “tender loving care” bestowed on The Arlington. Collaroy Cinema remains one of the relatively few surviving and operating picture houses of its kind in New South Wales.
‘Indy’ picture house in Pittwater Road
Nomenclature: the name of both the suburb and the beach derives from the paddle steamer SS Collaroy which was stranded off the beach for three years in the 19th century (1881-84).
≍≍≍≍≍≍≍≍≍≍≍≍≍≍≍≍≍≍≍≍≍≍≍≍≍≍≍≍
⋇ coming on top of Merivale’s 2016 acquisition of another Northern Beaches’ landmark, the even more historic Newport Arms (rebranded by Hemmes as ‘The Newport’)
✦ Amusement Hall seems to be a bit of a misnomer…rather than being a place where you’d expect to find penny arcade machines and games of fun and luck (the domain of English style seaside piers), these amusement halls, also common in the US in the same era, could simply be large buildings which functioned as multi-purpose community halls
References:
John Morcombe, ‘Arlington Amusement Hall a Collaroy icon for almost a century’, Manly Daily, 31-Oct-2014
‘Collaroy/Narrabeen, Voices from the Past’, Australian Heritage Festival, 01-May-2017, www.nationaltrust.org.au
‘The Collaroy hotel’, Architects Nicholas + Associates, http://anplusa.com/projects/the-collaroy-hotel/
‘Art Deco Cinemas, Picture Palaces and Movie Theaters’, www.decolish.com
Glebe Point Road is the pulse of the inner west suburb that bears its name…a leisurely stroll from the Broadway end of the road reveals the variable character of Glebe itself. To the west of the Broadway Centre are numerous eateries and bars (many of which come and go fairly regularly) and more than sufficient number of coffee shops to satisfy the myriad assortment of Gen X’s, Gen Y’s, Millennials and Zennials who frequent them (a healthy number of which are university students from just across Parramatta Road at USyd). Around here are a couple of long established bookshops including the famous local bibliophiles’ ‘institution’, Gleebooks.
As we get closer to the other (water) end, Glebe Point, there is a mix of elegant old houses, isolated groups of shops and a liberal sprinkling of backpacker lodges. This built-up urbanisation a stark contrast to the era before white settlement in the 18th century when the Glebe area was a Turpentine Ironbark forest inhabited by the indigenous Wangal and Cadigal clans.
href=”http://www.7dayadventurer.com/wp-content/uploads/2017/10/image-3.jpg”> ‘Florence Villa’ 1883[/The word itself, glebe (from glaeba (L), clod of earth), refers to an area of land devoted to the maintenance of an incumbent of the church. The colony of Port Jackson’s first governor, Arthur Phillip, set aside the land here for church purposes in 1789[1].
Sydney’s Broadway and Parramatta Road marks the eastern boundary of Glebe and the suburb extends west to Rozelle Bay, a body of water flowing into Johnstons Bay and eventually into Sydney Harbour. Rozelle Bay houses a bustling marina sitting on a strip of land incongruously known as “Glebe Island” (not actually an island!) which accommodates the old bridge that once linked Pyrmont to Glebe Island and Rozelle, which was replaced in the mid 1990s by the modernist looking cable-stayed new Glebe Island Bridge (name later changed to Anzac Bridge).
Although Glebe was subjected to ongoing waves of greed-fuelled demolition during the 20th century, heritage architecture still characterises a significant chunk of the suburb’s residential complexion. A representative sample of 19th century houses have been preserved despite the best efforts of developers and development-sympathetic state governments to jettison the old to make way for new dwellings and a network of freeways crisscrossing Glebe (see PostScript on Lyndhurst below)[2].
Early trends toward gentrification
The Church’s 1856 sell-off of some of its land in Glebe was the spark that started the suburb’s long spiral into an inexorable gentrification. A two strata society developed with Glebe Point (the bay end) becoming the location for many new homes of the urban gentry, these better-off citizens were clearly separated off from ‘The Glebe’ where the more numerous working class resided[3].
Multi-terraced Glebe
By 1870 the terrace had become the dominant build form in Glebe. By WWI there was several distinct types of terrace – colonial Georgian, Regency, Victorian Gothic, Italianate and Federal style – standing side by side. Terraces were the optimal solution to accommodate Glebe’s rapidly growing population, having the virtue of economical outlays on land and building materials[4].
Italianate villas and cottages like Bellevue (left) figure prominently among the residences of Glebe that have survived to this day…although this 1896 Italianate Victorian home was reprieved from the demolishers’ wrecking ball only after a flurry of local protests. Today its a cafe for walkers (with or without dogs) and cyclists on the foreshore path❈. Other Victorian Italianate buildings in the suburb include Venetia (next to ‘Bellevue’), the Glebe Court House, the Town Hall and Kerribree. Many of Glebe’s finer buildings were the work of the leading architects of colonial New South Wales (such as Barnet, Blackett and Verge). For a time Glebe was known as the architect’s suburb. 234 Glebe Point Road ⇑ ‘Owestry’ Late Victorian mansion, gem of the Toxteth Estate
As the early land use of Glebe was taking shape, the foreshore was not considered suitable for residential development, opening the way for exclusive use for marine industry – and for sporting pursuits. Glebe Rowing Club has long retained its prime position on Blackwattle Bay. Jubilee Oval, near the old tramsheds and the (newish) light rail stop, was the home ground of Glebe Cricket Club, once a team in the Sydney Grade Cricket competition[5].
Timberyards in the foreshore dress circle
The tramsheds themselves (right), a large, old hangar of a building, standing dormant for many years, has recently been transformed into a modern residential and commercial complex with fashionable eateries and restaurants and new landscaping on its western perimeter. The impetus for the wholesale Tramsheds’ refurb as residential and shops (above) was the transformation of the Harold Park harness-racing course (behind the Tramsheds) into ‘umpteen’ new high-rise blocks of residential units.
Finding Valhalla in Glebe
Back on Glebe Point Road, at about its median point on the corner of Hereford Street, sits the 1932 Astor Picture Theatre building. Closed for many years before being reopened in the late 1980s/early 1990s as the ‘Valhalla Cinema’, a “mini-plex” with two small L-shaped theatres – wider than longer – where you could enjoy the curious experience of sitting further back than the protectionist’s box to view the screen! (now refitted as a mix of residential and pocket commercial enterprises). Opposite the Astor/Valhalla is this recently painted beautiful monotoned mural recounting the locale’s past activities (below).
A walk along the foreshore from Blackwattle Bay reveals precious little of the suburb’s concentrated industrial past. Modern apartments sit hunched together close to the waterfront where once timberyards and sawmillers dominated the landscape❈. On the foreshore path a monument to those activities is a rusty old crane and winch…Sylvester Stride’s Ship-breaking Yard and Crane business used these devices to break up steamers to recycle metals. Most of the industry – which also included noxious industries like boiling down works and slaughterhouses as well as a distillery – were gone from the Bay by 1975. Hardy’s Timber Mill, an extended complex of building structures, was for a time converted into artists’ studios[6].
Remarkably, the small grassy stretch of foreshore known as Pope Paul VI Reserve was until the early eighties the only public access point on all of Blackwattle and Rozelle Bays. The papal appellation bestowed on the reserve derives from the lobbying efforts of right-wing Labor Catholic politicians in Leichhardt Council to commemorate the spot where Paul VI landed by launch during his 1970 papal visit of Australia[7].
One elderly structure remaining on Blackwattle (albeit in somewhat modified form) is Walter Burley Griffin’s Glebe incinerator dating from the early 1930s. An elegant building in the Art Deco style, in 2006 it was restored as an interpretative work with its once impressive chimney stack in skeletal form. The incinerator was one of a number in Sydney (and elsewhere) constructed by the famous Canberra Capital designer as a response to council’s need to find a more effective way to dispose of increasing amounts of consumer garbage۞.
PostScript:Georgian mansion with a varied past
A survey of Glebe’s history and heritage is not complete without noting one of its grandest, earliest and still extant old homes. Lyndhurst is a mansion with an exceptionally colourful history. The once impressive scale of the estate has been plundered by successive subdivisions over the years…if you visit it today by locating its street address (57-65 Darghan St) the big surprise is finding that the building’s back affronts the street! Lyndhurst was built in 1833 by colonial architect John Verge as a marine villa for surgeon and pastoralist Dr James Bowman, the son-in-law of wool pioneers John and Elizabeth Macarthur. In the last 100 years the Lyndhurst estate has served many purposes – from theological college to pickle factory to hospital to broom factory and in the 1960s and ’70s as the headquarters of the Australian Nazi Party (Australian National Socialist Party). Lyndhurst was one of the many great Glebe residences slated for demolition in the early seventies by Askin’s government, a fate it and many others fortunately avoided![8].
One of the many quaint and differently interesting shops in Glebe (near the Glebe Light Rail stop) ⇓
_______________________________________________________________
❈ the campaign to save Glebe’s heritage homes from corporate culling was spearheaded by the Glebe Society, formed by concerned local residents in 1969
today there is one remaining timber yard along the shoreline of Rozelle Bay, Crescent Timber, being actually in Annandale, adjacent to Federal Park
۞ hitherto the preferred methods of disposal were either piling garbage on to tips, burying it or carting garbage six miles out to sea on barges and jettisoning it overboard (only for the tide to return it to shore!), had met with growing public disapproval
[1] B & B Kennedy, Sydney and Suburbs: A History and Descriptions, (1982)
[2] eg, the vision of long-term Liberal premier of NSW Robin (Robert) Askin, born and bred in Glebe, was to turn the suburb into a network of freeways – fortunately for Glebe’s heritage integrity this was never implemented, ‘Sir Robert Askin’ https://www.glebesociety.org.au/?person=sir-robert-askin
[3] ‘History and Heritage’, The Glebe Society Inc, www.glebesociety.org.au
[4] Solling, Max, Glebe, Dictionary of Sydney, 2011, http://dictionaryofsydney.org/entry/glebe, 03 Oct 2017
[5] ‘History of Glebe Foreshore parks’, (City of Sydney), www.cityofsydney.gov.au
[6] ‘Timber Industry’, (Glebe Walks), www.glebewalks.com.au
[7] ‘Pope Paul VI Reserve (interpretative sign)’, (Glebe Walks), www.glebewalks.com.au
[8] ‘Historic Glebe Mansion Lyndhurst, Once Australia’s Nazi Party Headquarters, on Market for $7.5M’, (B Wong), 07-May 2016, www.dsilytelegraph.com.au
The Balmain peninsula, just to the west of Sydney’s CBD, has a long post-settlement history of European mixed land use, both as a magnet for industry and a place for workers and their families – and room also for those financially well-heeled enough to afford the pick of the land and a waterfront property with magnificent views of Australia’s finest harbour.
Balmain’s dirty industries
From the 1840s industry had started to make inroads into the Balmain landscape, and the types of enterprises were becoming many and varied. Over the next 150 years the suburb’s diverse industry has included power stationsφ, an English-owned colliery (from 1897) located just east of Birchgrove Public School, whose long-term productivity proved disappointing. After the mine’s closure in 1931 it produced methane gas until the early 1940s. Eventually houses were built over it and today an exclusive residential complex known as Hopetoun Quays sits atop the site.
ef=”http://www.7dayadventurer.com/wp-content/uploads/2016/05/image-15.jpg”> Thames St Ferry Wharf, Mort’s Bay[/capAt Mort’s Bay a shipyard and dry dock (Australia’s first) was created in the 1850s, the shipyard was not very successful, and the business eventually morphed into a maritime engineering enterprise employing in excess of 1,000 men. Thomas S Mort, the dock owner, created ‘Mort’s Town of Waterview‘, a subdivision of land to provide housing for his dockyard workers[1]. There was also a ferry service built at Mort’s Bay c.1895. The Thames Street Wharf, with its distinctive curved shelter, transported between 20,000 and 24,000 workers to and from Circular Quay daily (it is thought to be the only Victorian era ferry still operating in the Sydney Harbour network)[2].
Balmain’s ‘clean’ industries
Other industrial enterprises on the peninsula included a saw mill at the end of Nicholson Street, owned by Alexander Burns, the location later taken over by the Adelaide Steamship Co which employed more than 600 men in its ship repair business; a coal loader; US soap and toothpaste giant Colgate-Palmolive with a factory employing over 140 operated in Broadstairs Street, later renamed Colgate Avenue (the Colgate building, which was known locally as “the Olive” is now smartly renovated apartments)[3]. Interestingly, grimy industrial Balmain had no shortage of soap as a second company, Lever and Kitchen (later morphing into the multinational corporation Unilever), also manufactured soap and glycerol in a huge (10ha) plant near Booth Street and Punch Park. At its zenith Lever and Kitchen had a workforce of over 1,250, many of whom lived locally.
The co-existence between home-maker and industry in Balmain has not always been an easy one. The peninsula developed as an industry hub and a desirable place to dwell more or less concurrently. Its proximity to Sydney Town made it attractive to industrialists and to the workforce. By 1846 Balmain housed 19.6 per cent of Sydney and was the largest residential area of the colony – predominantly working class as the workers in the main wanted to be close to where the industrial work was[4].
Notwithstanding the numerous working men (and their unpaid women folk) in the early days[5] there was also a significant middle class component, after all someone had to live in those magnificent Post-Regency and Georgian mansions. “Captains of industry” like Ewen Wallace Cameron and Robert (RW) Miller lived in such palatial homes on the peninsula, as did local developers and businessmen like Robert Blake and JJ Yeend.
The peninsula’s population in 1848 was just 1,337, however there was a spike in numbers over the remainder of the century reaching a straining 28,460 by 1895[6]. The working class parts of Balmain were clearly overcrowded and the suburb’s pattern of development disorganised and haphazard, eg, factories were springing up alongside workers’ modest houses and public schools[7].
ALP “Holy Grail”
Because of the historic heavy concentration of blue-collar industry in Balmain, a strong trade union presence (in particular the maritime industries with the Painters and Dockers Union) has always been part of the landscape. That Balmain/union nexus led to the formation of the Labor Electoral League (which changed its name to the Australian Labor Party) at the relocated Unity Hall Hotel (290 Darling Street) in 1891. The ALP has dominated state elections in the seat covering the Balmain area (in 1978 capturing 82.4 per cent of the two-party vote), although the current MP is a Greens politician, which continues the traditional left-leaning trend of peninsula politics.
Birchgrove: 1855 map 🗺
Colgate-Palm apartments
Datchett Street
Interior of Thames St Ferry shelter, Morts Bay
Birch grove btwn Snails Bay & Long Cove: 1855 map
Thames St Ferry Wharf, Mort’s Bay
From pub to friendly society to medical centre
The Louisa Road dress circle
Birchgrove in Balmain’s north-western point is thought of as the classiest (in reality values at least) area of the whole peninsula, well, not all of Birchgrove, just one street … actually just part of one street, Louisa Road, the end part. Birch Grove House, believed to be the first house built on the Balmain peninsula, was located at 67 Louisa Rd. It was constructed in 1810 for army regiment paymaster John Birch and demolished, sadly, in 1967. In the 1860s and 70s Hunters Hill developers, the Joubert brothers, subdivided Birchgrove land backing on to Snails Bay§. The estate was advertised as “a miniature Bay of Naples” but few of the villas were ever sold[8].
Home owners today in the exclusive bits of Louisa Rd (properties starting at well in excess of $3 million) include movie producers and directors, famous writers, members of platinum record-breaking rock bands, as well as the more mainstream common, garden variety” type of professionals. But it has not always been the exclusive preserve of society’s elite – 150 Louisa Rd at one time was the rented headquarters of the Bandidos bikie gang. After the 1984 Milperra Massacre involving rival Comancheros and Bandidos bikie gangs, the Bandidos members were turfed out of the 1897 Federation/Queen Anne house[9].
Darling Street: sandstone hotel precinct
The houses in East Balmain don’t overall tend to match the price tags of Federation-rich Louisa Road, but they represent some of the best and most interesting, as well as the oldest, architecture in the peninsula. Darling Street, starting from East Balmain Wharf, is dotted with 1840s-1860s sandstone hotel buildings. Some are no longer functioning as pubs, eg, the Shipwrights Arms, 1844 (10 Darling St), the original Unity Hall Hotel, c.1848 (49 Darling St), the Waterford Arms, now ‘Cahermore’ (“Fort on the Hill”) 1846 (50 Darling St). These 1840s buildings have a plain Post-Regency style to them, simple stone and wooden roofs, clean lines with little or no ornamentation. The contrast is with the later Victorian buildings, such as ‘Bootmaker’s Cottage’ 1860 (90 Darling St) which is more ornate (if restrained) with stone quoins (corner blocks) plus a combination of stone and brick materials and elegant cast-iron balustrading[10]. The enhanced use of decoration and superior materials in the grander later Victorian houses, reflect the affluence of Sydney after the colony’s Gold rushes.
Cameron’s Cove and Datchett Street
The extent to which Balmain had become an architectural zoo In the 19th century can be glimpsed from comparing Cameron’s Cove with its Victorian Italianate mansions like ‘Ewenton’ 1854-72 (1 Blake St)[11] with the delightful but ramshackled old timber cottages in little Datchett Street, a narrow, steep side lane-way just across the Cove. Some of the Datchett dwellings look a bit like holiday shacks and would not be out-of-place in a sleepy little backwater down the coast✲.
Just to the east of Ewenton in Grafton St, backing on to the fairly new White Bay Cruise Terminal, sits Hampton Villa. This 1849 Post-Regency house with its Tuscan columns is best known as the 1880s residence of Sir Henry Parkes (five times premier of NSW and “Father of Federation”).
De-industrialising the peninsula: Enter the developers
From the 1960s Balmain’s character began to change. A slow process of gentrification was occurring as property values rose and more people renovated their old houses. Industries moved out, partly because of a trend toward decentralisation, and partly because many were dying off[12]. The prospect of a waterfront home tantalisingly close to the CBD was a lure for many a “cashed-up” punter!
In the eighties and early nineties industrial areas of the peninsula were re-zoned as residential by a development friendly Leichhardt Council to the glee of developers like Leda Group who were free to carve out new middle class estates from the old Unilever site and elsewhere in Balmain. All of which meant the suburb had fast become beyond the reach of most working class home-owners.
_ _ _ _ __ _ _ _ __ _ _ _ __ _ _ _ __ _ _ _ __ _ _ _ __ _ _ _ _ _ _ _ _ _ __ _ _ _ _ __ _ φ strictly speaking, these two power stations, White Bay and Balmain (Cove), which book-ended the peninsula east and west, were located in Rozelle, but within the Balmain district § the Wan-gal (Aboriginal) name for the point jutting out from Birchgrove is Yurulbin which means “swift running waters” as it is the point of confluence where the two headwaters meet (Port Jackson and Parramatta River)
✲ a number of the street’s old timber cottages have gone, to be replaced with dense concrete heavily-fortified looking structures ≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡
[1] LA Jones, ‘Housing the Worker’, (unpublished BA(Hon) thesis, University of Sydney), Oct 2011
[2] ‘History of Balmain Thames Street Ferry Wharf’, (NSW Transport), www.rms.gov.au
[3] G Spindler, ‘A Sydney Harbour Circle Walk 2011-12’ (Historic Notes & Background), Apr 2011, www.walkingcoastalsydney.com.au
[4] ‘Wyoming’ (Balmain Italianate Mansion), NSW Office of Environment & Heritage, www.environment.nsw.gov.au
[5] so much so the mainstream Sydney press in 1889 described Balmain with its 5,000 dwellings as “working men’s paradise”, Illustrated Sydney News, 11 Jul 1889
[6] ‘Balmain: Local History’, Inner West Council/Leichhardt Municipal Council, www.leichhardt.nsw.gov.au
[7] ‘History of Balmain’, www.balmainlodge.com.au
[8] ‘Wyoming’, op.cit.. Didier Joubert named Louisa Rd after his wife and the adjoining streets after his children
[9] Spindler, op.cit.
[10] ‘Humble to Handsome – Balmain Architecture 1840-1860s’, (Balmain Walks, Balmain Association Inc), www.balmainwalks.org.au
[11] ‘Ewenton’ itself is something of an architectural mélange with its mixture of Moorish arches and Georgian and Victorian features, ibid.
[12] eg, the 14 or so old shipyards of Balmain have all closed down, ‘Old Balmain: Paddocks and Shipyards’, Local Notes (2012), www.localnotes.net.au
Whichever way you look at it, its one absolute corker of a good walk … a leisurely 8km or so saunter from Rhodes Station around the foreshore to the former estate of the fabulously rich Walkers of Concord. Whether it’s your step-counting, fitness-conscious walker, your dedicated dog-walker or your insouciant, wandering flaneur, the Concord shoreline walk is a varied and interesting stroll through rustic, undulating fields and flat, serene bayside paths bordered by mangroves and what remains of a eucalyptus forest. A walk through the erstwhile Walker estate takes you past historic reminders of grand Victorian/Edwardian homes and World War repatriation hospitals and convalescence facilities.
href=”http://www.7dayadventurer.com/wp-content/uploads/2016/02/image4.jpg”> Rhodes house[/As we leave the western side of the railway station, we immediately have our first encounter with one of the local historical personages. Walker Street (next to the rail line) is named after Thomas Walker, the first of two Thomas Walkers to leave a weighty footprint on the area of Concord/Rhodes. This first Thomas Walker, an officer in charge of government stores in the early colony, purchased land at Uhrs Point, a locale which eventually became the suburb of Rhodes, named after the house Walker had built for himself.
Rhodes – a background of industrial polluters of the environment and the suburb’s homogeneous, characterless domestic makeover
Heading north along Walker Street, we pass the sites previously occupied by many commercial and industrial enterprises including the large paint manufacturer Berger’s and the multinational giant Union Carbide’s Chemicals plant…notorious first for being the site of the US company’s manufacture of devastating “Agent Orange” (the US military’s aerial terrorist weapon of choice during the Vietnam War) and then as an environmental dumper, for its reprehensible practice of discharging the dioxins that make the lethal herbicide into the Parramatta River. In their place we see the shape of the post-industrial landscape that dominates Rhodes today – masses and masses of homogeneous semi-high rise blocks of modern apartments and large clumps of new ones still going up. At the end of Walker Street there is a nice little park touching the river (Point Park) where members of the ubiquitous local Asian community perform their daily Tai chi exercises.
Walking under the railway line and passing some light industry and the big IKEA warehouse, we loop around Uhrs Point below the 1935 Ryde Bridge near the sea scouts hall and turn south in the direction of Concord. After a stretch of nondescript street we reach Brays Bay Reserve, named after the first land-owner in Rhodes, Alfred Bray, who built the now long demolished ‘Braygrove’ in ca 1800 (the pioneering Brays owned property in Rhodes from 1794 to 1909).
In the Bray Reserve we walk onto a vacant concrete pier on the edge of the river, no indication that it once housed a Philips Industries site when they were in the bike manufacturing business. On the other side of the square there is a plaque with some rusty old sides of a ship signifying the former presence of Tulloch’s Iron Works in Rhodes (during WWII it functioned as ‘Commonwealth Shipyard # 4’). The remnants of a railed track with ship names engraved on the ground … female names, all curiously enough starting with the letter ‘E’.
Kokoda commemorative walk:
The next section of the trail, densely cordoned on one side by thick mangroves, comprises the 1990s constructed Kokoda Track Memorial Walkway. The walkway is set in a rainforest tropics-themed garden with Kokoda Campaign audio ‘stations’ named after various battles and campaigns of the New Guinea conflict (Efogi, Iorabaiwa, Myola, etc) positioned at different points. There is also a memorial with two high, semi-circular walls surrounded by a rose garden in the rainforest, and a small kiosk-style cafe at the mid-way point of the track. When the path reaches the open side gate to Concord General Hospital, the Kokoda Walkway ends and we take the path deviating to the left.
The path (usually muddy here) skirts round the back of the Concord Repatriation Hospital, which itself continues the WWII theme. It was built in 1940 as the 113th Australian Army General Hospital, taking in wounded and convalescing servicemen from the War. The ground on which the hospital dominated by the huge “Multi Building” stands passed to the Crown after the death of Dame Eadith Walker, daughter of the second Thomas Walker associated with the area. This Thomas Walker was a Scottish migrant in the 19th century who made it (very) big from property and stock investment and finance in Australia (in his later years he was president of the Bank of NSW). At the time of his death his personal worth was estimated at up to £2,000,000, a staggering amount for 1886!
🔺 Walker Convalescent Hospital
Walker estate and convalescent hospital:
This is a very tranquil part of Concord, with only the occasional dog-walker or jogger to be seen on the dirt track. As we come round the bend in the path, dense bamboo woods on our left, we get our first glimpse of the first convalescent hospital on the peninsula (much, much smaller than the Concord Repat). Walker left £100,000 for the construction of what became the Thomas Walker Memorial Convalescent Hospital, designed and built by famous Australian architect John Sulman in the early 1890s after the injection of a further £50,000 from Eadith and her aunt and other relatives for the project’s completion. The hospital was an amazingly extensive complex in its day and the central core of the hospital remains, albeit a lot of the surrounding adjunct buildings have not survived.
At its height the adjoining structures included an admin block, separate dining rooms and pavilions for men and women, concert hall and servants’ quarters, with a tennis court for convalescing patients. Staying on the foreshore path we reach the distinctive Dutch bell tower (above) on the water, from where a long stepped pathway leads impressively up to the hospital entrance. In the time it was a working hospital the bell tower was the landing-point for ferries conveying patients from Circular Quay, and it also served in a secondary function as a smoking room – for male patients only!
Walker’s convalescent hospital admitted 683 patients in its first year of operation and over the following 80 years took in thousands free of charge in accordance with Walker’s bequest. During WWII it was used to house the 3rd Australian Women’s Hospital. By the 1970s however it was no longer viable as a free convalescent hospital and in 1979 it began functioning as the Rivendell Adolescent Unit for the rehabilitation of emotionally disturbed youth, and it is still operating as such today.
Following the path further south we pass coastal bush and mangroves and come to a series of stairs (down and then up again) which are behind the Mental Health Unit of Concord Hospital – a newish facility relocated from Callan Park/Rozelle in 2008. The path curves around the peninsula into Yaralla Bay and the newer buildings (mental health and drug health) give way to a series of old, very dilapidated looking buildings comprising the hospital’s engineering and works divisions.
We walk toward a clear, grassy area and take a sharp left out of the hospital grounds, near the helipad, at its south-western end where the mangroves are at their most dense. This leads into desolate bush and scrubland alongside the bay. Pretty soon the path becomes fairly marshy and prone to be boggy after rain (avoid if waterlogged during a walk by veering to the right over the higher ground of the fields which has better run-off). This field is one of a series of large, empty and fenced off paddocks in this part of the former Walker Estate. What looks like a bare and fallow piece of land has become a hotly contested bit of Canada Bay.
(Source: New Ltd)
Agistment wars:
The paddocks had been used for decades by local horse-owners for the agistment of their steeds. The state government held an inquiry in 2012/2013 which found that the tenant in charge had mismanaged the site (fences not properly maintained leading to some horses escaping into the hospital helipad and adjoining streets, and other conditions of the agistment licence not fulfilled by the licensee). The government health authority then did a late night deal with the Mounted Unit of the NSW Police giving them the green light to move their 18 service horses from the city (Surry Hills) to the freshly vacated paddocks of Yaralla Estate. Then the government suddenly backflipped on its decision to move the police horses to Yaralla (prompting an ICAC inquiry into the whole matter of the paddocks’ usage). However it still went ahead with the revoking of the tenant’s lease and the recreational horses were turfed off the estate, causing a vociferous outcry from the aggrieved horse owners. Since then there have been signals from the government of an intention to turn the land into 18ha of parklands for future public use. However the agistment paddocks remain idle and unoccupied, giving further cause for protest from the ejected horse lovers at the current impasse. So far, a lose-lose situation!
Continuing the path south through the second Walker peninsula we come to the grand villa, Yaralla House, set up on raised land 150 metres from the shoreline. Around it are the various auxiliary buildings of the Yaralla Estate. The Walker Estate was acquired by the millionaire banker in piecemeal fashion in the 1840s-1850s from the beneficiaries of Isaac Nichols, convict-cum-colonial postmaster and the original crown landowner in Concord. Yaralla House itself is an architecturally significant, asymmetrical Victorian Italianate mansion, the original alabaster white villa was built by colonial architect Edmund Blacket (1850s-60s) with John Sulman adding extensions to it in the 1890s.
Squash courts built 1920 for future Edward VIII but apparently not used by him on his visit (Source: www.slhd.nsw.gov.au)
Self-contained ‘Walker World’:
After Eadith Walker inherited the Yaralla Estate from her father she built the built up the property holdings piece-by-piece, adding a swimming pool, squash and tennis courts, croquet lawn, stables, coach-house, guest houses and other auxiliary buildings. The squash court was installed specifically for the use of the then Prince of Wales (later Edward VIII) on his visit. However the Royal personage (and later fan-boy of the German reichsführer) declined to play on it because of its concrete floor (his cousin and travel companion Louis (Lord) Mountbatten “had a hit up” instead!).
Yaralla also had its own dairy farm (supplying milk to the Walkers’ hospital and to other local hospitals), piggery, fowl enclosures, bakery, fire brigade and powerhouse (Yaralla was the first building in Concord to have electricity!) A good chunk of the 40ha-plus grounds were used as a golf course – some of its members later established the Royal Sydney Golf Club in North Bondi. The rest broke away from the Sydney Club and formed the Concord Golf Course (Club) on land, then known as “Walker’s Bush”, that had been part of the Walkers’ holdings.
Eadith lived alone at Yaralla – in the sense that she never married, however in a very real sense she was far from alone, even after her companion/adopted sister Anne left to marry the architect Sulman. Dame Eadith maintained a huge retinue of some 200 servants, maids, grooms, cooks, gardeners, engineers and other live-in staff. In addition, twin cousins of the family from Tenterfield, northern NSW, Egmont and George (Walker), lived there for many years (each having a room named after him!)
Rockery from Italy:
Dame Eadith spared little expense on the beautification of her estate. Stonemasons were imported from Italy to build an sculptured Italianate terrace and a grotto. The grotto is a series of sculpted rockery caves interspersed with exotic flora, ferns, palms and especially succulents, lying at the foot of the bluff on which the former Walker home sits. The area between the grotto and the shoreline once contained the Walkers’ swimming pool complete with its own pumping station. There is also a decorative sunken garden and the evocative Four Winds Fountain located near the house.
(Source: www.slhd.nsw.gov.au)
At one period around WWI Eadith was a regular holder of lavish parties and charitable fetes and balls at Yaralla (Walker received her DBE for charitable activities). For the socially advanced, “old money” set, it was the place to be seen! Periodically she entertained royalty … both the Prince of Wales (the future Edward VIII) and the Duke of Gloucester (the future George VI) stayed at the Yaralla Estate. Lesser luminaries, including governor-generals and premiers, also stayed at the Estate. In one celebrated incident aviator Ross Smith landed on the front lawn in a bi-plane in 1920 and had cucumber sandwiches on the lawn with the good Dame Commander. From her art and artifacts collections garnered from frequent overseas’ trips she brought back many Indian treasures to incorporate into a special showcase Indian room at Yaralla. After visiting Scandinavia she had a Norwegian cottage shipped out and reassembled on the Concord estate.
During the Great War the patriotic Eadith gave over Yaralla’s grounds to the army to be used as a ‘tent’ hospital. Yaralla House (less well-known by the name Eadith Walker Convalescent Hospital) fell into the Crown’s hands after her death sans heirs in 1937. It eventually came under the trusteeship of Royal Prince Alfred Hospital (the RPA) and then that of the Sydney Local Health District (SLHD). RPA now uses the former villa (and other on-site cottages) as a residential care facility to house HIV and dementia outpatients.
After Dame Eadith died, the contents of the Yaralla properties were auctioned in 1938 by auctioneers Lawson’s and de Groot. Held over eight days, it was the biggest auction held in Australia to that time. Some of the Yaralla items sold are now in the Powerhouse Museum in Sydney.
Fortunately for the vast Estate, there has been a lot of conservation and restoration work carried out at Yaralla in recent years – a combined effort by the City of Canada Bay Heritage Society, the Council itself, and the SLHD. We resume the walk, past the grotto, where the path slopes gently down towards a dense patch of very tall and wild bamboo on the water side with a small child care centre on the right. If you look west up the road that leads away from the centre, you will see a row of planted trees which guards an elaborate rose garden created by Eadith.
In the next section of the walk the narrowing path is encroached upon by overhanging branches in what is a pleasant little, untamed stretch of bush. Shortly we come to a metal fence signifying the boundary where the Yaralla Estate once ended, it has a gate that is no longer locked. Past the gate is a large, well-kept park which looks out on to Majors Bay. A small but dense turpentine-ironbark forest leads to the right in the direction of Nullawarra Road which is flanked by Arthur Walker Reserve (coincidentally named after an apparently unrelated ‘Walker’!).
The expansive park curves around Majors Bay with a continuous trail of dense mangroves on the foreshore and sporting fields on the right. The concrete pathway ends, abruptly and surprisingly, at the back fence of someone’s house. Surprising because, with just a little imaginative urban planning and some funding, a bracket-shaped boardwalk could have extended the foreshore path around the houses to connect with close-by Shadrock Shaw Reserve (much in the manner achieved with sections of Salt Pan Creek and other coastal walkways).
The conclusion of a wonderful walk full of interesting history and natural beauty and charm … a tranquil corridor of nature with an air of unhurried ambience. From the Majors Bay Reserve end-point you can choose between walking on through the Mortlake and Breakfast Point streets to the ferry at Cabarita, or heading west, cutting across Concord Road to the nearest train station at Concord West.
Footnote: Yaralla tradesman’s entrance
The entrance to Yaralla is the main (wrought iron) gate and the Hyacinth (Gatekeeper’s) Cottage at the junction of Nullawarra Rd and The Drive. In its heyday however, the Estate extended as far west as Concord Road (the original gate being where the Masonic hall is on Concord Road). Where privately owned red brick cottages and Californian bungalows are today, Dame Eadith constructed retirement cottages for her loyal staff to live in at the end of their working lives.
∈∋∈∋∈∋
Bibliography:
Sheena Coupe, Concord A Centenary History (1883-1983), Sydney 1983.
Jennifer MacCulloch, ‘Walker, Dame Eadith Campbell (1861-1937), Australian Dictionary of Biography, ANU, published in hardcover 1990
Patricia Skehan, ‘Yaralla estate’, Dictionary of Sydney, 2011, http://dictionaryofsydney.org/entry/yaralla_estate, viewed 31 January 2016
Graham Spindler, Uncovering Sydney: Walks into Sydney’s Unexpected and Endangered Places, Sydney 1991
‘Rivendell School’, http://www.rivendell-s.schools.nsw.edu.au/
‘Thomas Walker Convalescent Hospital (Rivendell)’, City of Canada Bay Heritage Society, www.concordheritage.asn.au
Yaralla Estate, Dame Eadith Walker Estate Management Plan, 2014-16, (draft), www.edas.canadabay.nsw.gov.au
Over recent months Sydney “Pub Tsar” Justin Hemmes’ Merivale Group acquired the Collaroy Hotel on Pittwater Road for a reported $21 million⋇. The hotel (currently closed for renovation) is situated in one of the Northern Beaches’ finest old and best preserved buildings, the Arlington Amusement Hall✦. A hotel since the late 1990s the Arlington’s premises has traded under various names including ‘The Collaroy’ and the ‘Surf Rock Hotel’. Earlier than this the building had housed the Northern Beaches’ first wine bar called ‘1066’. The building also contains the separate Collaroy Beach Club.
(Photo: Northern Beaches Council)
The Collaroy in 2017The Arlington in the 1920s
_______________________________________________________________
The path (usually muddy here) skirts round the back of the Concord Repatriation Hospital, which itself continues the WWII theme. It was built in 1940 as the 113th Australian Army General Hospital, taking in wounded and convalescing servicemen from the War. The ground on which the hospital dominated by the huge “Multi Building” stands passed to the Crown after the death of Dame Eadith Walker, daughter of the second Thomas Walker associated with the area. This Thomas Walker was a Scottish migrant in the 19th century who made it (very) big from property and stock investment and finance in Australia (in his later years he was president of the Bank of NSW). At the time of his death his personal worth was estimated at up to £2,000,000, a staggering amount for 1886!
At its height the adjoining structures included an admin block, separate dining rooms and pavilions for men and women, concert hall and servants’ quarters, with a tennis court for convalescing patients. Staying on the foreshore path we reach the distinctive Dutch bell tower (above) on the water, from where a long stepped pathway leads impressively up to the hospital entrance. In the time it was a working hospital the bell tower was the landing-point for ferries conveying patients from Circular Quay, and it also served in a secondary function as a smoking room – for male patients only!
