Yasmar House: Gentleman’s Colonial Villa to Reformatory for Delinquent and Wayward Youth

Built Environment, Heritage & Conservation, Local history, Natural Environment, Town planning
Through the arboreal jungle: Road to juvenile remand

In the West Connex neighbourhood that is Parramatta Road, Haberfield, there’s an entire block on Cadigal land with the street frontage almost completely camouflaged by a dense outgrowth of foliage, overgrown Moreton Bay figs and other assorted large trees. If you stop and peer through the ancient but imposing gates, beyond the locked high wire fence, you’ll see a deserted, winding driveway, bisecting the sprawling green maze. At the end of this serpentine path is Yasmar House in the inner west suburb of Haberfield. The name sounds vaguely Middle Eastern (Arabic female name?), but is actually less exotic than it sounds, “Yasmar” is simply “Ramsay” spelt backwards. Ramsay is the name of an early 19th century landowner in what was originally called the Dobroyde Estate, David Ramsay𖤓. Ramsay’s son-in-law Alexander Learmonth and daughter Mary Louisa Ramsay commissioned architect John Bibb to design their Yasmar House as their family residence on a parcel of the estate land.

(source: Stanton & Son)

Yasmar House (1854–56), still extant today, is the sole remaining villa estate on Parramatta Road, Australia’s oldest and busiest road. The once grand building is U-shaped with rear wings (originally servants’ quarters and service rooms) and stables, the buildings set well back from the front entrance…architecturally, it is a Regency designed villa in the Greek Revival Style (John Bibb’s speciality). The classical gateposts, made of Italianate style sandstone with Gothic recesses and a ball motif atop them are connected to a high, ornate iron palisade fence. After Yasmar became a borstal the entrance was widened to accommodate prison trucks. The garden design of the arboretum and Georgian landscaping adhered to JC Loudon’s “Gardenesque” principles. During this period many exceptional and unusual species of flora were planted…to a large part this was the work of Mrs Learmonth’s brother Edward Ramsay who had a keen botanical interest. Among the rare or uncommon plantings that survive are palo blanco trees, Chilean wine/coquito palms, Pacific kauris and a Chinese midenhair tree [Jackson-Stepowski, Sue, Yasmar, Dictionary of Sydney, 2008, https://dictionaryofsydney.org/entry/yasmar, viewed 02 Nov 2024].

Yasmar House in its juvenile detention period

Yasmar House has had only three owners in its nearly 170-year history – the Learmonth family, the Grace family (co-founder of the iconic Grace Brothers Department Store Joseph Neal Grace and his wife Sarah Selina Smith) and the NSW state government.

.

Beyond these gates… (photo: Michael Wayne)

Yasmar House has bore many names and many uses over the course of its existence, including Yasmar Hostel, Yasmar Detention Centre, Yasmar Child Welfare Home, Yasmar Shelter, Yasmar Juvenile Justice Centre, Ashfield Remand Home. It also functioned as a Sunday school in the 1860s. At one point the site included a reform school facility for girls, the Sunning Hill Education and Training Unit.

Carpentry class, Yasmar Shelter, 1948 (source: www.findandconnect.gov.au/)

Currently, the complex operates as the Yasmar Training Centre (administered by the Department of Corrective Services). The state government acquired the villa in 1944 after it had served as army officers’ quarters during the war. In 1946 Yasmar House became a remand centre for delinquent boys, with its grand reception rooms serving as a children’s court and other rooms assigned for attending magistrates.To accommodate the increase in juvenile inmate numbers at Yasmar, timber structures were built on top of the property’s tennis courts and croquet lawns§ (Jackson-Stepowski).

183–185 Parramatta Road

 In 1991 Juvenile Justice relocated away from Haberfield and Yasmar House became vacant, leading to a marked deterioration in the condition of the heritage-listed villa and the gardens. Consequently, Yasmar has been described as “a landscape at risk”, prompting locals from the Haberfield Association to volunteer their labour to try to restore the garden to its comely former state.

𖤓 nearby the Yasmar site there is both a Ramsay Street and a Yasmar Avenue

§ former inmates of the Yasmar institution from decades ago paint a picture of harsh living conditions, brutal treatment, beatings at the hands of the guards and other abuses of authority [‘Yasmar – Ashfield, NSW’, Past/Lives of the Near Future, (Michael Wayne), www.pastlivesofthenearfuture.com]

Malvern Hill Estate, a “Choice Part” of Croydon in Early 20th Century Inner West Sydney

Built Environment, Social History, Town planning
Prior to the creation of the Malvern Hill estate, there were earlier subdivisions in Croydon which were unregulated, poorly planned and haphazardly implemented

In earlier (July 2018) blogs on this site I presented the backstory of two socially desirable but very different garden suburbs in Sydney – Daceyville in Sydney’s east, ‘Planning for a Working Class Lifestyle Upgrade, a Template for the Sydney Garden Suburb: Daceyville, NSW’, and Haberfield in Sydney’s inner west, ‘Planning for Suburban Bliss, a Template for the Sydney Garden Suburb: Haberfield, NSW’. Just a kilometre away from the centre of Haberfield is Croydon, contained within this small suburb is the Malvern Hill estate, known for “its salubrious residential streets” (Johnson, John, Malvern Hill, Dictionary of Sydney, 2008, https://dictionaryofsydney.org/entry/malvern_hill, viewed 10 May 2024) (including Edwin, Thomas, Walter, Reed, Murray, Tahlee, Dickinson, Lea and Highbury streets, Malvern Avenue and Paisley Road).

The subdivision of the Malvern Hill estate proceeded in two phases (May and September 1909)

Gads Hill to Malvern Hill dress circle: The Malvern Hill estate came into being from a 1909 subdivision, prior to that the area was known as Gads Hill and already boasting a rich colonial architectural stock, famous for its stately 19th century villas…Gads Hill Villa, two-storey mid-Victorian home of Ashfield mayor Daniel Holborrow from 1873–1904, and ‘The Hall’, the residence of Samuel Dickinson (which with fellow publican George Murray owned an early estate in the suburb𝐚. The new estate was intended to a “quintessential Federation period “garden suburb”𝐛, with complex designs, multiple gables, tall chimneys and generous verandas. The estate’s growing affluence was reflected in a great number of the new buildings being architect-designed, a notable surviving example is the Malvern Hill Methodist (now Uniting) Church, a red brick Federation Gothic-style structure designed by prominent architect Alfred Newman (Johnson). A sense of what the estate was offering in prestigious residences can be gained from this description of a Federation house in the Crescent (2 Dickinson Ave) valued at in excess of £4,700 in 1917….”one of the finest houses in Croydon, interior fittings elaborate and costly, 8 rooms, including a billiard room, large area of land, beautifully laid out, having motor garage etc” (Johnson).

Uniting Church, cnr Murray St & Malvern Ave (Newman: red brick Fed style)

Acquiring an American taste in architecture: By around 1912 Californian bungalows started to be built alongside the Federation homes. In contrast to them the bungalows had low pitched roofs (and thus low ceilings), squat chimneys, dark brick roughcast walls and deep verandas supported by massive pylons [‘Malvern Hill Estate – Croydon, NSW, Australia – Australian Historical Markers’, www.waymarkers.com]. Attached to residential approval was a covenant requiring all buildings to be of high-quality brick or stone (or both), with slate or terracotta tiled roofs. Semi-detached and terrace dwellings were banned, with no commercial buildings within the estate (these were strictly confined to The Strand shopping strip [‘C29 Gads Hill, Croydon Heritage Conservation area’, Inner West Council, www.innerwest.nsw.gov.au].

Calif. bungalows: One-time homes of 1930s NSW premier Bertram Stevens in the MH estate (above) 15 Malvern Ave (below) 26 Malvern Ave

The Strand: The Strand, lined with Canary Island date palms, “was designed as a broad and elegant shopping street and promenade” running south from the train station, leading to the residential streets. The Federation-style post office was the first building construction on the Strand (1913), followed by a line of shops on the western side (the eastern side shops didn’t start to appear until 1917) (Waymarkers.com). A fruiterer, a florist, grocery, bakery, pharmacy, bottle shop, a couple of cafes, Italian, Thai, Japanese, Chinese, Indian/Sri Lankan eatery and spices shop, two pizza places, dance studio, art studio, hairdressers, Scottish speciality shop, but NO supermarket Goliaths!

1913 Fed style Post Office + dentist + chocolate shop

Due to the high-quality structure and distinctive character of many of the Malvern Hill dwellings the area was placed under heritage protection as early as 1983-86, this is in stark contrast to Croydon’s adjoining suburbs Ashfield and Burwood which are both characterised by an abundance of high-rise units and high density living. The desirability of living in the Malvern Hill estate makes it Croydon’s expensive pocket with realty prices soaring upward with a North Shore-like trajectory.

Burwood’s “toweropolis” (photo: Issuu)

Endnote: Mystery of the name The name “Malvern Hill” is not locally significant, and its origin is not known. Topography offers no real clues as the only elevation in the estate is no more than the mildest upslope running from the rail line to the Liverpool Road ridge. Possibly the name references Malvern Hills, a rural district in Worcestershire, UK (Johnson).

𝐚 both men have streets named after them in the estate, as was the practice with early landowners

𝐛 spaning the years 1909 to the 1920s

“F” & “G” Words from Left Field II: Redux. A Supplement to the Logolept’s Diet

Built Environment, Creative Writing, Memorabilia, Natural Environment, Popular Culture, Society & Culture

<word meaning and root formation>

Facinorous: exceedingly wicked [L. facinorōsus, from facinus (“deed”; “bad deed”), from facio (“to make”; “to do”)]

Facundity: eloquence [L. facunditas, from facundus + -itas (“-ity”)

Fascia: band of colour; a name-board over a shop entrance; a dashboard [L. fascia (“band”; “door frame”)]

Fatidic: foretelling the future; prophetic [L. fātidicus, from fātum (“fate”) + dico (“I speak”)]

Fatidic (source: Diamond Art Club)

Fideism: relying on faith alone; epistemological view that faith is independent of reason [ L. fidēs (“trust”; “belief”; “faith”) + -ism]

Flagitious: grossly criminal; utterly disgraceful; shamefully wicked [L. flagitium (“shameful thing”)]

Forisfamiliate: (Scot. law) to disinherit; to shed parental authority [Medieval Latin. forisfamiliatus, forisfamiliare, from L. foris (“outside”) + -familia (“family”)]

Fungible: (Legal.) replaceable by or acceptable as a replacement for a similar item [L. fungi (“to perform”)]

Fustian: ridiculously pompous, bombastic or inflated language [Anglo-Fr. fustian (“a kind of fabric”), prob. from L. fustis (“tree trunk” or “club”; “staff”)]

Fustigate: to criticise severely; to cudgel, ie, to beat with a stick [L. fustis + –igare ]

Fylfot: “Saxon” swastika; a type of swastika associated with medieval Anglo-Saxon culture (cf. Gammadion)

Fylfot (source: the Golden Dawn Shop)

<word meaning and root formation>

Gabion: a cagecylinder or box filled with rocks, concrete, or sometimes sand and soil used as a retaining wall in civil engineering, road building, military applications and landscaping [from It. gabbione (“big cage”) from It. gabbia from L. cavea (“cage”)]

Gabion (source: oceangeosynthetics.com)

Galactophagous: milk-drinking [galaktophágos, (“milk-fed”) from gálaktos (“milk”) + –phagos (“eating”)] 🥛

Galliardise: great merriment; gaiety [from Fr. galliard + -ise, from Transalpine Gaulish gal- (“strength”) +‎ -ard, from Proto-Celtic galā (“ability”; “might”)]

Gambrinous: full of beer; an icon of beer [named after Gambrinus, a mythical Germanic or Flemish king who is supposed to have invented beer]

Gambrinus (statue of Gambrinus, Falstaff Brewery, New Orleans)

Gelogenic: provoking laughter; laughable [Gk. gélōs, (“laughter”)]

Genarch: (also sp. Genearch) head of family; a chief of a family or tribe [Gk. géniteur (“genitor”) + -arch ]

Genial:¹ diffusing warmth and friendliness; cordial [L. geniālis (“relating to birth or marriage”; from genius (“tutelary”; “deity”)]

Glycolimia: (also sp. Glycaemia) a craving for sweets;  presence or level of sugar (glucose) in the blood [from NewLat. glyco- (“sugar”) + -emia (“condition of the blood.”)]

Gormandise: eat greedily or voraciously [from MidEng. gourmaunt, gormond, gromonde, from OldFr. gormant (“a glutton”) + -ise]

Gormandise

Gracile: slender [L. gracilis (“slender”)]

Gramercy: used to thank someone; an exclamation of surprise [Fr. from grand merci (“a special thank you”)]

Graminivorous: grass-eating [L. gramin-, gramen (“grass”) + -vorus + -ous (“eating”)]

Grammatolatry: the worship of letters or words Gk. grammato, from grammat-, gramma) + -latry (Grammatolatry could be the motto for this whole project!)

Grampus: a blowing, spouting, whale-like sea creature; a cetacean of the dolphin family [grampoys, from graundepose (“great fish”)]

Grampus (image: facebook.com)

Grandgousier: someone who will eat anything and everything [Fr. grand gosier, (“Big throat”) a fictional character in the story of Gargantua by François Rabelais]

Grandgousier from Gargantuan (source: loc.gov)

Graphospasm: writer’s cramp [Gk. grapho (“writing”) + –pasmós”; “spasm”; “convulsion”)] ✍️

Grassation: the act of attacking violently; living in wait to attack [L. grassatio, from grassatus, grassarito (“go about”; “attack”; “rage against”) + -ion]

Graveolent: having a rank smell; fetid; stinking [L. graveolent-, graveolens, from gravis (“heavy”) + -olent-, -olens ]

Gravid: pregnant (-a: pregnant woman); full of meaning [L. gravidus (“laden”; “pregnant”), from gravis (“heavy”)] (cf. Gravific: that which makes heavy)

Groak: to watch people silently while they’re eating, hoping they will ask you to join them (OU)

Grobianism: rudeness; boorishness [from Middle High Ger. grob or grop (“coarse or vulgar”). 1. a Grobian is an imaginary personage known for boorish behaviour, appearing in works of 15-16th century writers 📑 2. a fictional patron saint of the vulgar and coarse, St Grobian

Gyrovagues: wandering or itinerant monks devoid of leadership. Having no fixed address they were reliant on charity and the hospitality of others [Late Latin. gyrovagus from L. gȳrus (“circle”) + vagus (“wandering”)]

Gyrovagues (image: Deviant Art)
¹ genial’s a word that gets bandied round a lot in casual conversation and on the net, however there seems some haziness about the term’s meaning…perhaps a homophonic issue through some confusion with “genius?”)

Key: OU = origin unknown

Castlecrag After the Griffins, Modernism and the Sydney School

Built Environment, Environmental

Castlecrag is an affluent suburb on Sydney’s lower North Shore with an abundance of bushy vistas and water views. The other thing Castlecrag has in abundance is architectural heritage, and the foundation of that heritage was laid by Walter Burley Griffin (WBG), the suburb’s American planner, early in the 20th century.

Griffin’s Guy House (Source: Walter Burley Griffin Society) . . .
. . .

WBG’s bold experiments in living
The 15 houses that Griffin completed in the northern peninsula suburb (>30 more remained on the drawing board) are low-rise dwellings constructed in concrete, sandstone or brick, mainly locally sourced. Most of the houses are modest dwellings, small and squat, and for the most part the exteriors could be said to be aesthetically challengeda⃞. WBG’s credo was “designing for nature”, his enunciated goal—subordinating the Castlecrag houses to the surrounding landscape thus preserving the natural features—was realised…WBG left a legacy that inspired the projects of later architects in Castlecrag, notwithstanding that much of post-war Castlecrag housing development has not however been sympathetic with the Griffins’ architectural vision (‘Sydney — Castlecrag’, Walter Burley Griffin Society, www.griffinsociety.org).

Glass House (Source: Sydney Living Museums)

. . .
The Glass House
Two architects drawn to Castlecrag in the 1950s to create Modernist residential buildings that are both innovative and in synch with the bush environment are Bill Lucas and Peter Muller. Lucas, a WWII veteran, with his wife Ruth, also an architect (cf. Walter and Marion Griffin) designed the “Glass House”…built in 1957 by Bill and his brother Nev and a friend and financed by Bill’s war service loan. The Glass House is like no other dwelling in Castlecrag, open plan in design, all four walls are of glass and thus the house is open to the landscape on all sides. The Lucas House (which was constructed as the Lucas family home and a studio for Bill’s practice) has been lauded for its economical design, providing the bare essentials while maintaining its sustainability…its “featherweight structure float(ing) miraculously about the tree canopy”b⃞ (with rocks and creek below) (‘Revisited: ‘Glass House by Bill and Ruth Lucas’, Peter Longeran, Architecture Australia, 17-Aug-2022, www.architectureau.com). The Glass House has been described as an “excellent seminal example of the shelter-in-nature minimalist composition constructed in Northern Sydney post World War II by architects of the ‘Sydney School’” (’Aus_Modern_House_Lucas_GL’, Docomomo International, 2003, www.docomomoaustralia.com.au).

The radical Glass House was a reaction by the Lucases to WBG’s restrictive covenants and building controls in force in Castlecrag. WGB’s covenant forbid housing construction in materials other than stone, concrete or brick, but the all-glass Lucas House somehow circumvented the stringent building restrictionsc⃞.

Lucas House,
80 The Bulwark
Castlecrag, NSW

Audette House

. . .
Audette House
Muller’s House (built for an American client in 1952) was the 24-year-old rookie architect’s first completed commission. Intended as an American colonial house, however Muller won the client over to something more Antipodean, devising a technique for the walls which became known as “snotted brick” – mortar oozing out the grout lines between the bricks (‘Striking a chord: Peter Muller on Audette House and why architecture is like music’, Architecture and Design, 17-Sep-2014, www.architectureanddesign.com.au. Muller drew on his recent experience studying in the US for his project which bears the strong influence of Frank Lloyd Wright’s iconic ‘Fallingwater’ and Muller’s liking for traditional Japanese motifs in residential architecture.

Audette House
265-267 Edinburgh Rd
Castlecrag NSW

Gowing House [Gruzman] (Photo: Max Dupain)
. . .

Sydney School v International School: “Nature-responsive” v purist “white painted walls” Lucas and Muller were part of a loosely-connected group of Australian architects in the mid-20th century labelled the “Sydney School”. The group rejected the prevailing trend in architecture, the International School of Le Corbusier, Gropius and Van Der Rohe (whitewashed masonry, steel framed glass houses) as unsuitable in an Australian context. Sydney School architects, influenced by Frank Lloyd Wright‘s organic (“natural”) principles for designing houses, and WBG’s Castlecrag project which was visually sensitive to the natural bushland, “displayed distinctive choices that were driven by the natural environment and employed simple, ‘minimally processed’, low-cost materials”. ‘Sydney School, the virtuous case of Australian modernism’, Tommaso Picciioli, Domus, 27-Mar-2020, www.domusweb.it. The School was sometimes referred to as the “Nuts and Berries” Style for its preference for rustic materials (stone, brick, timber).

Buhrich House II (Photo: Eric Sierins 2000)

. . .

Footnote: Modernist Castlecrag
Castlecrag architecture is interesting in that it contains examples of both of these rival Modernist styles. In addition to Lucas and Muller, many of the leading local architects of the second half of the 20th century (quite a number of them émigrés from Nazism) including Neville Gruzman, Harry Seidler, Hugh Buhrich and Andre Porebski, contributed to the residential profile of the suburb. The variety of architecture sitting under the umbrella of Modernism can be seen in houses as different as Gruzman‘s ”organic” monolithic Gowing House (8 The Bulwark) (1969) and the two Hugh Buhrich family homes, 315 and 375 Edinburgh Road (No. I constructed 1940s, No. II constructed 1968-72)d⃞. Both Buhrich Houses are in the European Bauhaus style, the later one rated by architect Peter Myers as “the finest modern house in Australia“, and an example of Brutalist domestic architecture (‘Brutalist Architecture in Sydney’, Sydney Morning Herald, 29-Sep-2017, www.smh.com.au). Architect and urban designer Glenn Harper extends the Brutalist tag to include the Lucas Glass House, despite Lucas eschewing the use of one of Brutalist architecture‘s key materials, raw concrete, in his Glass House (”How the ‘Sydney School’ changed postwar Australian architecture”, Davina Jackson, The Conversation, 28-Jun-2019, www.theconversation.com).

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a⃞ with the exceptions of Fishwick House and Grant House

b⃞ the house has been described as being “barely there” (www.archinform.net)


c⃞ one explanation is that the construction being engulfed in dense bush was overlooked by Willoughby Council (Longeran)

d⃞ Buhrich also designed the Duval House at 2 The Tor Walk