Launder and Gilliat: Prolific and Tradesman-like Collaborators of British Cinema

Posted on by Sloane Snodgrasse
Biographical, Cinema, Creative Writing, Literary & Linguistics

Frank Launder and Sidney Gilliat were two English film-makers who maintained a steadily consistent presence in the British cinema between the 1930s and the 1970s. Launder and Gilliat’s creative contribution to films, whether as writers, directors or producers (or as all three), contributed to over 100 British films in that era, including nearly 40 together as co-writers and producers.

The two co-wrote The Lady Vanishes, a 1938 mystery which was a breakthrough feature for Alfred Hitchcock❈. Interestingly both Launder and Gilliat (hereafter L & G) had their (separate) starts in the film business composing inter-titles (title cards) for silent movies in the late 1920s, the same industry beginnings undertaken by Hitchcock several years earlier. L & G combined their talents behind-the-camera together for the first time from the mid 1930s. The L & G partnership had a flexibility and a particular pattern to it … invariably they would jointly produce films and/or also co-write screenplays (although on other occasions either man would co-write films with various other collaborating screenwriters). But almost with very few exceptions one or the other would direct a specific film singly – this was done apparently to avoid confusing the actors[1].

A versatile¤ and fecund partnership
As well as being prolific contributors to the creation of British films for such a long period, L & G’s film output spanned a range of genres … from thrillers and ‘whodunits’ like Green for Danger (1956) and Secret State (1950) to WWII social-realism films such as Waterloo Road (1944) and Millions Like Us (1943) to romance/adventures like The Blue Lamp (1949) to historical dramas such as Captain Boycott (1947) to farces like The Green Man (1956) and light comedies such as The Happiest Days of Your Life (1950), a precursor to a popular series of movies set in a girls’ boarding school immobilised by riotous juvenile anarchy – starting with The Belles of St Trinian’s (1954) which spawned a string of increasingly predictable sequels.

“Journeymen auteurs?”
The Times of London described the Gilliat/Launder team as “one of the most sparkling writing, directing and producing partnerships in postwar British cinema”[2]. Notwithstanding such praise, L & G’s body of work has tended to be undervalued by the bulk of film critics … at times eliciting back-handed appraisals from critics such as “toilers in the British comic tradition”; (their films at best exhibiting) “unfailing good humour and the occasional brainy prankishness”[3]. Certainly, technical innovation and self-conscious artiness was not Gilliat and Launder’s style, but they never managed to garner anything remotely like the prestige or critical approval that was lavished on other contemporary British film-makers, eg, Powell and Pressburger, Carol Reed or the Boulting brothers. Bruce Babington has attributed this in part to L & G’s ‘reticence’ as film-makers, the way that they declined to project themselves forward and intervene in controversies and debates of the day, unlike say, their contemporaries the Boultings[4].

Enlistment in the production of propaganda vehicles
So closely did the personal film-making styles and interests of the two collaborators align, many people found it hard to distinguish between a Launder-directed picture and one directed by Gilliat … most L & G films tended to resemble the fruits of their combined efforts. Or as Adair and Roddick put it, “it would take a lynx-eyed buff to be able to distinguish one from the other”[5].

The war-time pictures, Millions Like Us and Two Thousand Women can be identified as reflecting in particular Frank Launder’s preoccupation with the portrayal of strong, defiantly independent women[6]. These films were commissioned by the UK Ministry of Information to counter the prevailing low recruitment and morale of women in war-time factory work. Millions Like Us, as Judy Suh has noted, conveyed the “double valence of women as productive workers and domestic symbols of national unity”. L & G’s social-realist films, though propagandist in purpose, posed questions of gender and class whilst depicting the routine of ordinary people at work. The necessities of war-time brought out the conflicting roles and identities of women in such an out-of-the ordinary circumstance, as well as the existence of crossings of class boundaries[7].

St Trini’s girls with their jolly hockey sticks (Ronald Searle cartoon, 1954)

After the war, witty and farcical comedies (albeit slight), were their forte (with the occasional thriller thrown in). Like other high-profile international film-makers L & G had their favourite performers that they liked to work with. L & G got the best performances out of British actors like Alastair Sim, Margaret Rutherford, Joyce Grenfell, Rex Harrison and George Cole. Of these luminaries it was Alastair Sim whose star shined most brightly under the direction of L & G. Sim appeared in at least ten L & G movies and his deliciously roguish star turns as a middle class word-spinning con-man were pure gold. George Cole, who also had a regular gig in the St Trinian’s cycle as the ultra dodgy spiv Flash Harry◘, described working with Gilliat and Launder (and Sim) … to Cole (later himself to find TV fame as consummate, malapropistic con-man ‘Arfur’ Daley in Minder) their films meant:

“Good scripts but terrible money. If Alastair was in the film it was even worse because he got most of it. But they were wonderful people to work with”[8].

‘Pure Hell of St Trinians’ (1960)

In the 1940s Launder and Gilliat formed their own production company, aptly named Individual Pictures, at this time they were contractually engaged by Gainsborough Pictures … in 1958 the partners took charge of the production side of the struggling independent studio British Lion. By the 1960s both the quality and quantity of Gilliat/Launder productions had receded. In 1980 Launder went once more to the St Trinian’s well❃ with yet another sequel, Wildcats of St Trinian’s … unwisely so as the novelty of L & G’s feature films based on Ronald Searle’s charming cartoons of feral schoolgirls had long since lost their appeal.

PostScript: The Charters and Caldicott characters trope – antiquated, old school Englishness
L & G wrote into The Lady Vanishes two minor characters that were to become iconic, background characters in British cinema. Played by actors Basil Radford and Naughton Wayne, the two incidental supporting figures are singleminded cricket enthusiasts—or “cricket tragics” as one recent Australian PM was dubbed—trying to hurry back to England to see the last days of the Manchester test match. The popularity of the characters saw them reappear in other L & G movies (including Night Train to Munich, Millions Like Us and in the 1979 remake of The Lady Vanishes), and in several other non-L & G films, eg, the Boxs’ A Girl in a Million and (appropriately enough) It’s Not Cricket. Charters and Caldicott were also reprised for several radio series, and for a 1985 television series. Charters and Caldicott’s fame also extended to their inclusion in a series of Carreras Cigarette cards in the 1950s.

⏏︎ Charters & Caldicott

The starkly gormless personalities of Charters and Caldicott, a couple of blithering “Colonel Blimpish” snobs, was a comical throwback to a past England with ‘proper’ gentlemanly good manners and standards of dress[9]. Matthew Sweet saw the two blunderers (in their 1938 incarnations against a backdrop of appeasement) as symbols of “a peculiarly British obstinacy in the face of Nazi aggression” in Europe[10]. Their apathetic dispositions and complete lack of perspicacity about the momentous events happening around them also puts one in mind of Tom Stoppard’s two artless and aimless courtiers Rosencrantz and Guildenstern roaming through Elsinore, ‘Everyman’ figures in the play Rosencrantz and Guildenstern are Dead, but even more prosaic!

The L & G team

❈ The Lady Vanishes helped open Hollywood doors for Hitchcock … after ‘Hitch’ completed Jamaica Inn in 1939 (written by Gilliat et al) he set sail for America (for good), inviting Gilliat to join him however the Cheshireman declined the offer, preferring to stay in the smaller and infinitely less lucrative pond that was the British film industry (Babington, 2002)
¤ “Versatility” Gilliat once said, “was always our curse”, but as Gilbert Adair remarked in a 1994 obituary for the film-maker, “it was also their own form of individualism”
◘ Cole as well appeared in nine of L & G’s films
❃ this was twice too often to the well as the preceding Great St Trinian’s Train Robbery (1966) was also a lame effort at rehashing the by now decidedly stale formula

⊹ ⊹ ⊹

[1] although such was the working symbiosis between the two that the non-directing partner would in all likelihood make suggestions for improvements to the designated director where necessary, B Babington, Launder and Gilliat (2002)
[2] quoted in The Age (Melbourne), 08-Jun-1994
[3] G Adair & N Roddick, A Night at the Pictures: Ten Decades of British Film, (1985)
[4] Babington describes Launder and Gilliat as “modest auteurs”, Babington, op.cit.
[5] Adair & Roddick, loc.cit.
[6] ‘Launder and Gilliat’, BFI Screenonline, www.screenonline.org.uk
[7] J Suh, ‘Women, Work, Leisure in British Wartime Documentary Realism’, Literature/Film Quarterly, 40(1), 2012
[8] ‘Obituary: Frank Launder’, The Independent, 24-Feb-1997, www.independent.co.uk
[9] ‘Charters and Caldicott’, Wikipedia, http://en.m.wikipedia.org; ‘Charters and Caldicott’, www.chartersandcaldicott.co.uk
[10] M Sweet, ‘Mustard and cress’, The Guardian, 29-Dec-2007, www.theguardian.com

John Clarke, A Satirist for All (Australian) Seasons: To Daggdom and Beyond

Posted on by Bonza Rottwheeler
Biographical, Cinema, Media & Communications, Performing arts, Popular Culture, Society & Culture, Sport

John Clarke: Trail-blazing Parodist, Lodestar, Daggstar

John Morrison Clarke died, most unexpectedly, in the Victorian wilderness a day-and-a-half ago. An ordinary looking man with an ordinary (unremarkable and yet distinctive) voice, but an ‘Everyman’ with a towering gift for communicating parody and travesty with coruscating clarity!

John Clarke, born and raised in Palmerston North, New Zealand, but domicile in Melbourne, Australia, for the last 40 years, was a uniquely talented satirist, TV comedian, comic writer and actor. The word ‘genius’ gets carelessly bandied around way too much these days, but in appraising the oeuvre of Mr John Clarke it finds a true home.

Daggstar completely out of the box

Whilst in New Zealand Clarke developed and refined the character of Fred Dagg, a stereotypical, blunt-speaking farmer from the North Island, with long straggly hair and perpetually clad in a black singlet and gumboots. Fred Dagg got Clark’s idiosyncratic brand of humour into the spotlight of New Zealand television. By 1977 Clark had outgrown both NZ and (so it seemed) Fred Dagg and moved to the bigger canvas of Australia❈. Clarke wasn’t however quite done with Fred Dagg – in Australia Fred resurfaced as a real estate ‘expert’ with his guide for would-be home buyers providing the “good oil” on avoiding the pitfalls inherent in the spiel of property agents – as the following “bullshit-busting” sampler of his trenchant wit testifies:

• a “cottage” is a caravan with the wheels taken off

• “genuine reason for selling” means the house is for sale

• “rarely can we offer” means the house is for sale

• “superbly presented delightful charmer” doesn’t mean anything really, but it’s probably still for sale!

• “privacy, taste, charm, space, freedom, quiet, away from it all location in much sought-after cul-de-sac situation” means that it’s not only built down a hole, it’s built at the very far end of the hole

• “a panoramic, breathtaking, or magnificent view” is an indication that the house has windows, and if the view is “unique”, there’s probably only one window

Fred Dagg AKA John Clarke was no admirer of the realty and property game and the proclivity of estate agents to be “fast and loose with the truth”, and he gave us the following memorable job description of what they really do:

“The function of the agent basically is to add to the price of the article without actually producing anything” (gold!)

(and how to recognise an actual estate agent when you see one)
“If you’ve got gold teeth and laugh-lines around your pockets, you’re through to the semis without dropping a set”.

There was so much to the creative output of Clarke comma J, and so much variety too … screenplays, film acting, radio, stage work, television, songs, books. Clarke’s art didn’t fit into any one particular mould, he was, to use Martin Luther’s expression, an “irregular planet which cannot be fixed among the stars”, always inventing, moving on and reinventing, exploring something new that had piqued his interest.

My personal favourite John Clarke masterwork is the Complete Book of Australian Verse⌖. This nugget of gold is a series of early Nineties recordings in which Clarke audaciously and imaginatively reinvents the “Canon of Great British Poets”, relocating it to regional and outback Australia. Clarke ‘discovered’ the existence of an Aussie poet “laureate-hood” comprising “dinky-di” Australian poetry ‘greats’ with Antipodean-sounding names like ‘Shagger’ Tennyson, ‘Stumpy’ Byron V.C, ‘Gavin’ Milton and “Fifteen Bobsworth” Longfellow⊛.

Clarke’s sublime riff on these fictional masters of Australian poetry is incisively, deeply humorous, and both wise and pretentious-sounding at the same time! Absurdly funny stuff, especially when uttered in John’s wonderful flat, disinterested, monotone voice (“he was sentenced to three years jail for insulting a lobster in a Sydney restaurant”) … Clarke’s clinical dissection of (then) Leader of the Opposition John Howard is a devastatingly savage takedown the future PM…to paraphrase playwright Simon Gray, it “made me laugh so much that I was prepared to overlook its essential cruelty”. Clarke’s poem entreats Howard—who had failed twice to win the top job in Canberra—to change his vocation:

‘To a Howard’ by Rabbi Burns
Wee, sleekit, cowerin, tim’rous beastie,
I know tha’s probably doing thy bestie,
…………………….
Thou’ll try wi’ th’ gunnery up at the range,
Thou’ll no have much truible, thou’ve dun it afore,
Thou’s an expert for a’ that; look, ‘Wanted: Small Bore’.

With ‘A Child’s Christmas in Warrnambool’ Clarke produces a poetic tour de force by turning Dylan Thomas’ classic winter-scene ‘A Child’s Christmas in Wales’ on it’s head, transforming it into a children’s nostalgic celebration of Australian summers past:

“The smell of insect repellant and eucalyptus and the distant constant bang of the flywire door”/”the fridge of imperishable memory”/”the wide brown bee-humming trout-fit sheep-rich two-horse country”/”some middle-order nephew skipping down the vowel-flattening pitch and putting the ball into the tent-flaps on the first bounce of puberty”.

The Complete Verse‘s eclectic compilation includes a coruscating if excruciatingly painful piece by “Sylvia Blath” which is both riotously funny and disturbingly harrowing at the same time. Clarke weaves into the poem Sylvia’s harangue of her dead father who “danced upon my cradle, as I Annexed the Sedatenland” and ends with an unexpected and wicked twist (a crossed-phone line channelling of Germaine Greer!!!): “Daddy Daddy I’m through, Hello? Germaine … I can hardly hear you, this is a very bad line.”

Since the 1990s Clarke had been an on-screen constant feature with his famous series of mock political interviews (“two-handers” with Bryan Dawe as the straight-man ‘innocently’ asking questions which were fodder for Clarke’s witty retorts) … the one-liners just rolling off Clarke’s golden and acerbic tongue, skewing high-profile politicians left, right and centre:

(pricking at the bluster of an overbearing state premier)
“I’m not interested in doing the most intelligent thing … I’m JEFF KENNETT!

Prime Minister Hawke’s robust “Alpha male”, over-enthusiastic response to the question of how fit he was after a recent op:
(I’m so fit that)
“I’m a danger to shipping!”

Clarke was a wordsmith that other satirists and comic writers in Australasia must have looked at with a mixture of admiration and envy … he simply had such a razor-sharp, punchy, economical and hilarious way with words.

And there was much more to John Clarke’s stellar CV – such as his ‘invention’ of the cliché-ridden ‘sport’ of farnarkeling for The Gillies Report, and not to forget the manifold brilliant riffs on finance, business, the economy, the public service and the environment (“the front fell off (and) we towed the ship outside the environment”). Clarke was a trail-blazer in television comedy … his “on the money” take on the crazy, shambolic world of Olympics bureaucracy The Games was a template for other later projects which explored the thorny terrain of corporations and officialdom (such as Utopia) and it informed the BBC’s contribution to the 2012 London Olympics campaign.

John Clarke’s sudden, most untimely death leaves a Sydney Opera House-sized hole in Australian and New Zealand satire – and I shall never forget that voice – as with Billy Bragg’s, so distinctive, and as with Joe (Dragnet) Friday’s, so deadpan matter-of-fact … or his trademark mischievous grin and the sparkle in the eyes.

⚜⚜⚜
Vale John Clarke … thank you for entertaining and delighting us for so long and enriching the lives of so many people all the way from Palmerston North to Perth and far beyond. John’s song lyrics were wrong in one respect … there are countless people in the two Trans-Tasman countries that he lived and worked in who do know “how lucky” they were to have him, albeit for too short a time✥.

Footnote: I didn’t realise until now that Clarkey was responsible for introducing that quintessentially Australian term “budgie smuggler” into the vernacular lexicon of the nation, to the regret of one former PM (not Howard) and the joy of everyone else!

╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼╾╼
❈ his unusual accent didn’t really fit the clipped English speech pattern of “Nu Zillunders” anyway
⌖ the success of which was followed up by the Even More Complete Book of Australian Verse
⊛ other ‘Oz’ poet-luminaries include b.b.hummings, TS (Tabby Serious) Eliot, Ewen Coleridge, Ted Lear and many more
✥ one of the incomparable Fred Dagg’s best-known songs was entitled “We don’t know how lucky we are”

Bonaparte in America

Posted on by E Curb Nottus
Biographical, Regional History, Social History

The association of America with Napoléon Bonaparte for most people probably revolves round the US government’s bonanza real estate deal with Napoléon in 1803…the US cheaply acquired huge swathes of territory (the Louisiana Purchase) which the French emperor wanted to offload to build up France’s finances for war. Napoléon Bonaparte (Italian: Nabulione Buonaparte) never came to the United States or to anywhere in the New World –- although in the event of his grand scheme to conquer Europe going pear-shaped (as it ultimately and irrevocably did in 1815), his “Plan B” was just that, to make good an escape to the American Republic [1]. However it was Napoléon’s older brother Joseph (born Giuseppe) Bonaparte, formerly installed as king of Spain and the Indies, and before that, king of Naples and Sicily, who did come to the American continent and moreover lived in the US for some 17 or more years after the Emperor’s fall from power.

Sibling & HM King Joseph

Joseph succeeded in his getaway where Napoléon failed, slipping out of French waters and travelling incognito to New York, albeit narrowly avoiding detection by the British. In America Joseph styled himself the Comte de Survilliers … after living in New York and Philadelphia for a period Bonaparte purchased a palatial residence in Bordentown, New Jersey called “Point Breeze” – one of the finest country houses in the Delaware Valley. Joseph was able to afford (and subsequently vastly improve) one of the republic’s grand mansions because he had brought the Spanish Bourbons’ crown jewels with him which he had acquired when abdicating the Spanish throne. With his dubiously acquired riches Bonaparte made other land acquisitions in upstate New York on the Black River (a locale still known as Lake Bonaparte)[2].

‘Point Breeze’, Bordentown, NJ

Joseph AKA the Count of Survilliers largely led a quiet, uneventful and comfortable life in the US, taking no interest in a political role … when Mexican rebels and expat French supporters gave their backing to him to be made emperor of Mexico (1820), he demurred at the offer. In 1832 Bonaparte returned to Europe (although he did return briefly to the US and his much loved mansion ‘Point Breeze’❈ in 1839), living for a while in London and in Italy where he died in 1844. The ineffective, former ‘puppet’ king of Spain was never permitted to return to his native France again because of the French government’s concern that it might provoke a groundswell for a Bonapartist restoration[3].

Joseph was not the only Bonapartist to flee to America following his brother’s downfall in 1815. The return of the Bourbons with the ascension of Louis XVIII prompted a “witch-hunt” of Bonapartists in France. Many followers of Napoléon escaped to America to avoid arrest and recriminations … once there some of Napoléon’s loyal soldiers set up Bonapartist colonies in Alabama (Vine and Olive Colony) and Texas (Champ d’Asile) – which were uniformly unsuccessful and short-lived[4].

Joseph’s (Spanish) Royal Monogram 👑

PostScript: Napoleon’s “life in America”
A) Rescue plans – before exile and on St Helena
In the aftermath of the disaster of Waterloo rumours abounded about various plots and attempts to rescue Napoléon. One plot involved a mega-wealthy French-born banker Stephen (Étienne) Girard living in the US who supposedly hatched an elaborate plan to transport the deposed emperor to Virginia (a claim made in the Baltimore American, 1902). According to some sources Girard also played a role in the Louisiana Purchase machinations[5].

Napoléon’s island prison
By far the most bizarre plot involved a Brit of Irish parentage Tom Johnson, who as well as being a recidivist smuggler had a bit of a reputation as an escape expert. Johnson’s claim was that in 1820 he was offered £40,000 to rescue Napoléon from St Helena, using two primitive types of submarines he had designed as the “getaway” vessels. Johnson’s colourful account reads as highly fanciful and the plot was in any case never implemented … the one plausible element of the story being that Johnson’s underwater crafts (for which designs did exist) were inspired by Robert Fulton’s 1806 submarine -–the American engineer and inventor had earlier worked for both Napoléon and the British government on armed maritime vessel projects (what is less certain is whether Johnson had actually met Fulton as he claimed)[6].

B) Exploring the “What If …” scenario for Napoléon
Devotees of alternative history have speculated lyrically about what might have happened had Napoléon made good his escape to the Americas. One of the early imaginative conjectures (1931) came from British historian HAL Fisher who hypothesised that the exiled emperor might have established a base in New York and then gone on to Spanish America to liberate the masses, before finally drowning at sea whilst attempting to conquer India[7].

Outlawed in Europe after Waterloo, it would have been logical for Napoléon to gravitate towards America … the US had only recently engaged in hostilities with Britain (War of 1812), so the locals would probably have been disposed or at least neutral towards him, he would have been able to live as a free man. The US was a new country born of revolution (and one inspiring a revolution in his native France which promoted his own rise). An American base would position the ambiguous ex-monarch well to marshal his resources and launch an invasion of Central and South America which was ripe for revolution against the Spanish conquerors. One of Napoléon’s aides-de-camp in fact made the suggestion to him that he should make himself “emperor of Mexico”[8] (anticipating what transpired with a later Habsburg royal).

A recent alternative history (Shannon Selin, Napoléon in America) postulates three possible theoretical courses of action for Napoléon – settling on the eastern (Atlantic) seaboard, living peacefully, probably near his favoured brother Joseph (possibly biding his time, building up the necessary support for another go at overthrowing the French Bourbons and reclaim the throne either for himself or for his son); establishing a colony within the US peacefully (in fact Bonapartists later attempted to forge colonies in Alabama and Texas – both then controlled by Spain); and as with Fisher’s supposition, invading Spain’s American colonies and thereby securing a new throne[9].

⌒⌒⌒⌒⌒⌒⌒⌒⌒⌒⌒⌒⌒⌒⌒⌒⌒⌒⌒⌒
❈ as boys Frank and Charles Woolworth (the future retail empire giants) lived close to ‘Joe’ Bonaparte’s abandoned Bordentown mansion, spending lots of their leisure time playing at ‘Point Breeze’

۵~۵~۵

[1] originally Napoléon and Joseph had laid plans for the two of them to seek refuge together in America in the likelihood of a worst-case scenario. A location in New Jersey was picked out as the optimum place for settling but Napoléon missed a real chance to escape to the US by stealth, having prevaricated too long waiting for anticipated passports which did not come, and then making the fateful decision to give himself up to the British authorities, CE Macartney & G Dorrance, The Bonapartes in America, (1939), www.penelope.uchicago.edu (see also PostScript above)
[2] R Veit, ‘Point Breeze (Bonaparte Estate)’, (2015), www.philadelphiaencyclopedia.org; ‘Joseph Bonaparte at Point Breeze. New Jersey’s Ex-King and the Crown Jewels’, Flatrock, www.flatrock.org.nz
[3] ibid.
[4] ‘Bonapartist Refugees in America, 1815-1850’, www.napolun.com
[5] L Weeks, ‘What if Napoleon Had Come to America’, NPR, 10-Feb-2015, www.npr.org. Girard also underwrote the American war effort in the War of 1812.
[6] M Dash, ‘The Secret Plot to Rescue Napoleon by Submarine’, Smithsonian Magazine, 08-Mar-2013, www.smithsonian.com
[7] H.A.L. Fisher, ‘If Napoleon had Escaped to America’, (Scribner’s Magazine, Jan. 1931), www.unz.org
[8] M Price, ‘How Napoleon Nearly Became a U.S. Citizen’, History News Network, 28-Dec-2014, www.historynewsnetwork.org
[9] Weeks, op.cit.

Zog, King of the Zogus: A Balkan ‘Tinpotocrat’, Part 2

Posted on by E Curb Nottus
Biographical, International Relations, Regional History

As has been described in Part 1, Zog’s attainment of the kingship paved the way for him to step up his autocratic rule over the Albanian citizens. Zog was now politically more secure against his internal rivals, but the broader reality of the plenipotentiary’s (and Albania’s) position was still that of a very small fish in a large and increasingly volatile European lake.

King Zog in his finest regalia
King Zog in his finest regalia

Dicing with the Devil
Given the backwardness and poverty of an Albania that was still essentially feudal, Zog realised that the country needed large injections of external finance to achieve modernisation. Zog’s government had approached the newly formed League of Nations but to no avail (although Yugoslavia provided an early loan). Needing more money to develop Zog eventually turned to fascist Italy and the two countries entered into talks. As a result of the 1926 Pact of Friendship and Security Albania secured loans of around 20 million lira from Mussolini – but in exchange for the loss of its independence in foreign policy. A second Tiranë Pact in 1927 netted Zog a further £140,000 at the cost of a further diminution of Albania’s sovereignty, Italy negotiated more influence over Albania’s militia (including control of its training). Consequently the Italians ended up with a “virtual protectorate over Albania”[1].

Follow up bilateral treaties tied Albania to Italy economically by monopolising its trade. Albania granted Italy new petroleum concessions¤ and the right to build military fortifications on Albanian soil. These pacts kept Albania in a subordinate position vis-à-vis Mussolini’s Italy. Its economic development was hamstrung, industrialisation was stagnant, having achieved little headway, by 1939 production was still predominantly agricultural and the state was forced to rely on imports from Italy, a situation that Rome was perfectly content to see persist[2].

Shqipëria
Shqipëria “Land of the Eagles”

Roadblocks to Reform
Education in Albania during Zog’s rule was state-controlled but made slow progress due to a combination of factors, eg, lack of national educational infrastructure, shortage of teachers, resistance from religious institutions and communities, (Greek) Orthodox, (Italian) Catholic, Ottoman/Muslim. By 1939 the literacy rate was only 15% (only marginally up from 10% in the early 1920s)[3].

Some scholars have placed stress on Zog’s distinctiveness as a European Muslim monarch (eg, JH Tomes, King Zog of Albania: Europe’s Self-Made Muslim Monarch, (2004)) but in reality the footprint of Islam didn’t feature in his policies. Once entrenched in power Zog legislated to ensure the primacy of secular law. Islamic law was supplanted by Western civil (Swiss/French), criminal and commercial codes[12]. Zog’s government in 1923 put an end to polygamy and the wearing of the hijab[4]. However for purposes of political unity he still endeavoured to appeal to the diversity of communities within Albania, eg, his oath of allegiance at his coronation was sworn on both the Bible and the Koran, a further manifestation of Zog’s dualism.

With the rise of European fascism in the 1930s Mussolini had become more emboldened in his foreign policy, engaging in widespread colonial adventurism, eg, Ethiopia, Balearic Islands. Zog, perturbed that Albania was becoming more and more a client state of Italy, tried to counterbalance Rome’s excessive influence by forging trade treaties with Greece and Yugoslavia. But Albania (and Zog) were in a very difficult situation from either direction, both Italy and Serbia were attracted to its territory and the lure of unfettered access to the Adriatic.

Endgame for Albania’s independence
By the late 1930s Zog was baulking at Mussolini’s demands for even greater Italian incursions into Albania. The linchpin for Mussolini’s decision to invade its Adriatic neighbour was Nazi Germany’s sudden, unexpected takeover of Czechoslovakia … Mussolini, peeved at Hitler’s unilateral move without informing his Italian allies, immediately launched his action as a tit-for-tat gesture[5].

'Daily Express' April 8, 1939 ‘
Daily Express’ April 8, 1939

The military conflict was short-lived, the meagre, poorly equipped forces of Albania’s army (trained by Italians, itself a factor compromising its will to resist) put up a feeble fight (although small pockets of the resistance did fight valiantly if briefly). In the middle of the ‘defence’ Zog and his retinue fled the country, slinking off with him a significant chunk of the nation’s gold reserves. The Albanian people he left behind were absorbed into the Italian empire, the country was made nominally autonomous with Albania’s largest landowner, Shefqet Verlaci (onetime Zog’s prospective father-in-law), appointed as prime minister. This was for appearances though as control of Albania was entirely in Italian hands (until the fall of Italy in 1943), and Mussolini set about implementing an Italian colonisation program in ‘Greater Albania'[6].

House-moving with the Zogu family
In exile Zog (and his family including heir to the throne Prince Leka) led a peripatetic life which took them to Greece, Egypt, the south of France, England (living in London, Berkshire and Buckinghamshire), returning to Egypt as guests of King Farouk until the deposition of Farouk himself. Zog spent the final part of his life living quietly in Paris.

Zog's Long Island Palace
Zog’s Long Island Palace

An intriguing side story of Zog’s exile was the grand castle and estate he purchased in New York in 1951. Zog intended to inhabit the 60 room mansion (the Knollwood Estate in Muttontown, NY) and turn it into his palace-in-exile, complete with Albanian retainers and servants. The Zogus never carried through with the planned relocation to the US and the property was sold in 1955, the mansion eventually fell into disrepair and decay, and was later demolished[7]. The scattered remnants of the Zogu estate (in what is known as the Muttonwood Preserve) such as they are, are a curiosity piece today for hikers and other visitors.

Moderniser? Harbinger of Nationalism?
A perception of Zog as being a comical figure in history, not to be taken too seriously and the sense of him being of at best minor importance, obscures whatever Zog may have achieved as head of state for Albania and Albanians. The exaggerated pomp and ceremony of his monarchical style didn’t help to elevate him in the opinion of those outside of the country. Even when he announced his kingship to the world in 1928, the international response was more or less universally underwhelming. Hardly anyone, certainly none of the major powers, rushed to recognise the event. There were those who publicly rebuked him, such as the Turkish president, Mustafa Kemal Atatürk, who refused to recognise Zog’s kingdom and ridiculed the Tiranë royal court as being like a scenario from an operetta[8].

Tiranë, 1930s Tiranë, 1930s

Notwithstanding all of this, Zog was a leader who made a genuine attempt at modernising. Modernisation for a backward, hidebound country like Albania entailed Westernisation. Zog introduced a Western state apparatus and constitution and secular legal system. Under Zog Albania made some progress in education and other areas of society (albeit starting from a very low base!), but his accomplishments were only partial or often heavily qualified. This can be attributed to a number of factors. Albania suffered badly from a chronic lack of financial reserves and limited resources, hence the ill-advised reliance (as it turned out) on fascist Italy to provide the shortfall. Some of the projects (eg, public works in the new capital) involved extravagant waste. And like everywhere else at that time, Albania ran smack bang into the Great Depression and the catastrophic economic dislocation that ensued would have had a retarding impact on Zog’s programs and reforms. Corruption and misappropriation, predictably for a despotic regime, also played its part in hindering Albania’s progress.

A by-product of Zog’s consolidation of power was the formative development of nationalism in Albania, a consciousness already kick-started by his prime ministerial predecessors. At the uncertain beginnings of Albanian independence which was born out of the upshot of the Balkan Wars, conditions were far from propitious for engendering nationalist sentiments – the many obstacles included:

⌲ the Albanian language had not been widely disseminated because the Ottomans had forbidden its teaching in school
⌲ because of aggressive designs by Greece and Serbia on its territory, many Albanians viewed Turkey positively as it provided protection to small and vulnerable Albania. Moreover the Ottoman Empire provided a defined path for career advancement for Albanians – either in the army or in the civil service
⌲ the bonds of clanism and localism were very entrenched in Albania
⌲ the churches were not a unifying force because there was no one, dominant religion in the country (spiritual instruction was spread between the four coexisting faiths – Orthodox, Catholic and two separate strands of Islam)[9]

Zog managed to get round most of these handicaps and foster a measure of nationalist feeling among Albanians through several state strategies … using the education system to inculcate a nationalist consciousness and desire for national independence; creating autocephalous churches to block the sources of external authority and bring the clerical leadership under national control; shaping the tiny national army into a “melting pot” of recruits drawn from all parts of Albania; by achieving some improvements in communication and transport infrastructure (eg, extending the road network) the police and tax collectors gained greater access to the far-away northern tribes in their mountain retreats. There is an irony in the extent to which Zog made inroads into the sectionalism of Albania and achieved an element of unification and nationalist consciousness … he laid part of the groundwork for communist strongman Enver Hoxha later on to set up a very different brand of nationalism[10].

Postscript: Enter the pretenders
After Zog I died in 1961 his only son and heir Leka had himself consecrated ‘King Leka I of Albania’, notwithstanding the fact that the Hoxha communist regime of Albania abolished the monarchy in 1946. Leka married an Australian teacher and, being an admirer of Franco, lived in Spain where he worked as a commodities broker. Some of those ‘commodities’ it transpired were weapons and armaments (prompting the post-Franco authorities in Madrid to move the Zogus on)❦. They moved to Rhodesia (later Zimbabwe) but clashed with Robert Mugabe, necessitating another move, this time settling in South Africa.

Leka, throughout his life, sincerely campaigned for his restoration as King of the Albanians (and for Kosovo’s integration into Albania). An attempt to return to the country of his birth in 1995 was stopped at Tiranë airport when authorities barred his entry because his passport (issued by the Albanian Government-in-Exile, ie, by himself) listed his occupation as “King of Albania”.

Leka I - celebrated return amid controversy 1997 Leka I – celebrated return amid controversy 1997

He was more successful two years later when the Albanian (Berisha) Government found itself under pressure from the public for its part in failed financial schemes and was forced to allow both Leka’s return and a referendum on the question of the monarchy’s restoration in Albania. Only 30-35% however voted for the monarchy. Leka responded by alleging that the ballot was rigged by the government, and a shoot-out erupted at the electoral centre between Leka’s personal militia and the police before Leka’s entourage fled in a private jet. ‘Colourful’ would be an apt description for Zog’s son who enjoyed shooting and hunting and was given to swanning round in military fatigues.

The pretender to the throne was subsequently sentenced in absentia to three years imprisonment – which was later overturned with Leka being pardoned. Surprisingly in 2002, after support was mustered within the Albanian parliament by right-wing monarchists, the government permitted the return of Leka to his homeland[11].

Leka and his wife, ‘Queen’ Susan, had one son (Zog’s grandson), also named Leka, who had born in Johannesburg. After Leka I died in 2011 in Albania the crown prince was declared to be the successor to the Albanian throne. Prince (or King) Leka II, as he is known to some Albanian émigré monarchists, has initiated no active role in promoting the Zogu restoration in Albania. In fact he has been co-opted into the machinery of government in Tiranë, representing the Fourth Republic in various diplomatic posts.

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¤ Albania had earlier granted Anglo-Persian Oil (partly British owned) extensive prospecting rights.
❦ Leka’s fascination with guns maintained the family tradition as Zog was famous for resorting to the use of weapons when needs be.

[1] ‘Tirana Pact’, (Papers Past – Press – 1 April 1927), www.paperspast.natlib.gov.nz
[2] The Great Soviet Encyclopedia, (3rd Edition, 1979) “Italian-Albanian Treaties and Agreements” Retrieved 20 July 2016 from http://encyclopedia2.thefreedictionary.com/Italian-Albanian+Treaties+and+Agreements ; BJ Fischer, ‘King Zog’s Albanian Interwar Dictator’, in Fischer (Ed.), Balkan Strongman: Dictators and Authoritarian Rulers of South Eastern Europe, (2007)
[3] E Sefa, ‘The Efforts of King Zog I for Nationalization of Albanian Education’, Journal of Educational and Social Research, 2(2) May 2012, www.mcser.org ; Fischer, ibid
[4] ‘Albanian Kingdom 1928-39’, (Wikipedia), http://en.m.wikipedia.org
[5] ‘Zog I of Albania’, (Wikipedia), http://en.m.wikipedia.org
[6] ‘Italian colonists in Albania’, (Wikipedia), http://en.m.wikipedia.org
[7] ‘King Zog’s Ruins’, (2008), Bygone LI, www.lioddities.com/Bygone/zoo.htm
[8] JH Tomes, King Zog: Self-Made Monarch of Albania, (2007)
[9] BJ Fischer, ‘A Brief Historical Overview of the Development of Albanian Nationalism’, paper delivered www.wilsoncenter.org
[10] ibid.
[11] ‘Leka I Zogu’, The Telegraph (London), 30-Nov 2011, www.telegraph.co.uk