Scrivener: a copyist of documents; a clerk, scribe or notary [from OldFr. escrivein from L. scriba (“scribe”)]
Sebastomania: religious insanity or mania [ [Gk. sebastos, (“reverence”) + -mania]
Sermocination: the practice of making speeches; the habit of preaching constantly [from L. sermo (“speech”; “conversation”) + -ion]
Sermocination (photo: David Henry)
Sicarian: a murderer, especially an assassin; mercenary fighter [from Sicarii a group of Jewish zealots/insurrectionists opposing the Roman occupation of Judea; cloak-and-dagger assassination unit [from sicae (“small daggers (sickles) concealed in the sicariis’ cloaks”]
Sicarian (image: EBay)
Sillograph: writer of satires [from the book Gk.Sílloi by Timon of Phlius, (flourished ca.280 BC)+ -graphe]
Sillograph (Timon)
Smatchet: a small, nasty person or child; a contemptible, unmannerly person [Scot. Eng. probably from MidEng. smatch + -et]
Somatoparaphrenia: (Psych. ) a type of monothematic delusion where one denies ownership of a limb or an entire side of one’s body [from Gk. sôma, (“body”) + -para (“beside”) + –phrenia]
Staurophobia: pathological aversion to the cross or crucifix (eg, cinematic portrayals of Dracula) [Gk. staurós, (“cross”) + -phobia]
Stentorphonic: speaking very loudly [from Stentōr, a Greek herald in the Trojan War (Homer’s Iliad)]
Stentorphonic (image: tumblr.com)
Stramineous: strawlike; valueless; consisting of straw [L. stramineus (“of straw”) from sternere (“to strew”; “spread out”; “lay flat”)]
Subderisorious: mocking gently and with affection; ridiculing with moderation [L. sub (“below”; “under”) + L. –dērīdeō (“I deride”) + -ous]
Subintelligitur: a meaning or understanding (as of a statement) implied but not expressed [from L. sub- (“secretly”; “under”) + intelligere (“to understand”) + -al]
Succussion: the action or process of shaking the body or the condition of being shaken especially with violence [L. sucussio, from -cussus, (“to shake up”)]
Supernumerary: (person) in addition to usual or necessary number [L. super- (“above”) + number]
Susurrant: gently whispering and rustling [from L. susurrare (“to whisper”)]
Syncretistic: seeking to identify common features of different belief systems, philosophies or civilisations and assimilate them or merge them into a single system [from syncretise (“to attempt to unite and harmonise”), from Gk. synkrētismos (“joining together of Greeks”)]
Synethnic: of (or together with) same race or country [Gk. syn (“same”; “with”; “together”) + –ethno (“people”; “race”; “tribe”; “nation”)]
As part of the Denazification process (German: Entnazifizierung) after the Second World War and to facilitate the Nuremberg war crimes trial proceedings, the German people were classified into five discrete groups:
• Major offenders (Germ: Hauptschuldige)
• Offenders: activists, militants, or profiteers (Germ: Belastete)
• Lesser offenders (Germ: Minderbelastete)
• Followers (Germ: Mitläufer)
• Exonerated persons (Germ: Entlastete)
Of the five categories, Mitläufer is the most contentious…it absolves the person concerned from having committed any formal Nazi criminal activity but acknowledges that he or she participated in some form of loosely defined, indirect support of Nazi crimes, which might be as minimalist as passively sympathising with Nazi aims and goals [‘Mitläufer’, Wikipedia, en.m.wikipedia.org]. The extent of the offence actually perpetrated however didn’t always equate with the category description – as will clear from the examples below.
Nazi defendants at the International Military Tribunal (Nov. 1945) (source: National Archives and Records Administration)
The German term Mitläufer (fem: Mitläuferin)—literally meaning “with-walker” or “one walking with”—can be defined as “follower” or possibly a “passive follower”. Mitläufereffekt is derived from it, also called the Bandwagon-Effekt (effect), which refers to the effect a perceived success exerts on the willingness of individuals to join the expected success. A characteristic of the Mitläufer is he is not convinced by the ideology of the group followed but merely offers no resistance, such as for lack of courage or for opportunism (ie, giving in to peer pressure) (‘Mitläufer’).
Some observers make a further (slight) distinction from the Mitläufer typology, to allow for the Nazi Mitläufer, a fellow-traveller” (Mitreisende) who sympathised with the Nazis but only indirectly participated in Nazi atrocities such as genocide.
Martin Heidegger: one of the 20th century’s greatest philosophers for his pioneering work on existentialism and phenomenology, all of which has been overshadowed by his controversial association with the German Nazi Party. Heidegger joined the Nazi Party in 1933 – prior to this the philosopher was fundamentally apolitical. As rector of Freiburg University he delivered a number of speeches extolling the Nazi cause and publicly expressed antisemitic opinions. At the end of the world war the knives came out for Heidegger, he was forbidden to teach and lost his West German chair of philosophy (the ban was overturned just three years later). Heidegger, perhaps because of the lofty esteem he was held in as a leading intellectual, was never submitted to any harsher retribution (such as a term of incarceration). Critics have noted Heidegger’s complete failure after 1945 to “honestly reckon with the realities of Nazi Germany’s crimes, including the Holocaust, and his own role in lending support to the regime” [Jürgen Habermas in ‘Heidegger’s Downfall’, Jeffrey Herf, Quillette, 22-Feb-2023, quillette.com]. A very full account of Heidegger’s involvement with National Socialism makes it abundantly clear that he was neither a reluctant fellow-traveller nor (…) a nonpolitical scholar, a ‘child’ who got caught by the juggernaut of hideous political events [‘Heil Heidegger’, J.P. Stern, London Review of Books, Vol. 11 No.8, 20-April-1989 (Review of Martin Heidegger: Unterwegs zu seiner Biographie, by Hugo Ott), lrb.co.uk].
Heidegger, intellectual backing for the Nationalist Socialists (image: simplycharly.com)
Leni Riefenstahl: a Berlin-born actress-turned-filmmaker, one of the few German women to direct a motion picture during the Weimar period. A favourite of Hitler, Riefenstahl was an important instrument of the Nazi propaganda machine, producing highly successful propaganda documentary films like Triumph of the Will and Olympia for the Third Reich. After the war Riefenstahl was arrested and found to be a Nazi fellow-traveller, sympathetic to the Nazi movement but not a party member[ᗩ] She however avoided being charged with any crime. Riefenstahl claimed she was an “apolitical naïf” and denied any knowledge of Nazi racial policies or the Holocaust, describing a concentration camp she had visited where the Roma and Sinti were detained as “a relief and welfare camp”[ᗷ] [‘Burying Leni Riefenstahl: one woman’s lifelong crusade against Hitler’s favourite film-maker’, Kate Connolly, The Guardian, 09-Dec-2021, amp.the guardian.com].
Leni: “My favourite dictator”
Wilhelm Stuckart: to the casual observer Wilhelm Stuckart’s steady progress up the Nazi hierarchy corresponds with that of the classic career Nazi. The Nazi lawyer and senior Interior Ministry official’s fingerprints were on some of the most nefarious Nazi concoctions against humanity (eg, co-author of the Nuremberg Laws, involved in the planning of the Final Solution). For someone involved fundamentally in the framing of genocidal policies Stuckart was absurdly classified as category IV (follower), copping a sentence of just three years from the tribunal. The leniency shown to Stuckart and other accomplices, Gruner attributes to the sophisticated defence strategies employed by former Nazis and their lawyers. Only a short time after Stuckart regained his freedom he was back drafting provincial German laws, one of which ended Denazification in Lower Saxony [Gruner, Wolf. The Journal of Modern History, vol. 86, no. 3, 2014, pp. 727–29. JSTOR, https://doi.org/10.1086/676745. Accessed 10 July 2024].
Wilhelm Stuckart on his SS uniform. (source: Yad Vershem)
Footnote: As illustrated above, classifying someone as Mitlaüer was a good way of allowing them to avoid the more serious categories and their consequences. Some high-profile unofficial servants of the Nazi regime managed to avoid being categorised as a Mitlaüer altogther. One was famous Austrian conductor Karl Böhm. Böhm was never a member of the NSDAP and never brought before the Denazification tribunal. However, as the historian Oliver Rathkolb has remarked, he was the artist who “had presumably been the most active (non-party) member to provide propaganda for the (Nazis)” and was lavishly rewarded with plumb conducting positions, culminating in his appointment as director of the Vienna State Opera [‘Karl Böhm – Salzburg Festival’,salzburgerfestspiele.at].
[ᗩ] Nazi party membership of itself didn’t necessarily result in a more serious classification than Mitläufer…in the case of the celebrated Austrian conductor Herbert von Karajan joined the NSDAP twice (membership nos. 1607525 and 3430914), he was exonerated of illegal activity during the Nazi period at his Denazification tribunal hearing and classified as a Mitläufer
[ᗷ] trenchant critics in the West take an unflinching and unforgiving view of her role, labelling her an “unindicted co-conspirator” (Simon Wiesenthal Center), “a Nazi by association” (Sandra Smith) and “the glib voice of ‘how could we have known?’ defence” (Bach, Steven. “The Puzzle of Leni Riefenstahl.” The Wilson Quarterly (1976—), vol. 26, no. 4, 2002, pp. 43–46. JSTOR, http://www.jstor.org/stable/40260668. Accessed 11 July 2024)
The turmoil and political upheaval in the wake of the sacking of Constantinople by crusaders in 1204 fragmented the unity of the vast Byzantine Empire into a patch-quilt of separate parts. Epirus«𝕒», a region which encompassed parts of modern Greece, Albania, Bulgaria and northern Macedonia, formed itself into one of these independent states, known by modern historiographic convention as the Despotate of Epirus✴︎. Its founder and first despot was Michael I Komnenos Doukas (a member of the deposed Byzantine imperial house of Angelos) with the state’s capital initially (and mainly) situated at Árta in N.W. Greece. Michael’s reign saw some expansion by conquest into neighbouring Thessaly at the expense of the Lombard lords and for a brief time, control over the Lordship of Salona. Michael’s realm also became a refuge and centre of resistance for Greeks opposed to the intrusions of the Latin Crusaders [‘Michael I Komnenos Doukas’, Wikipedia, en.m.wikipedia.org].
Epirus (source: world history.org)
✴︎ for accounts of the history of other Byzantine successor states see also the earlier articles on this site: Byzantine-Lite: The Empire of Trebizond under the Komnenos Dynasty and The 13th Century Empire of Nicaea: An Empire in Exile and the Restoration of Imperial Byzantine
Epirus imperial dreams – the Empire of Thessalonica: The Epirote State rulers soon found themselves embroiled in conflict with several of the other regional players, namely the other successor states, the Bulgarians (their former allies) and the Latins (Franks, Italians, etc). Michael I was assassinated in 1218 and replaced by his half-brother, Theodore Doukas, who extended the “empire” eastward, capturing Thessalonica from the Latins in 1224. Theodore duly established the “Empire of Thessalonica” and had himself crowned as emperor.
Battle of Klokotnitsa and aftermath: Theodore’s dream of ensconcing himself in Constantinople at the head of a greater Epirus-centred empire came crashing down at the Battle of Klokotnitsa in 1230. Theodore’s forces were attacked by both Bulgaria (under Tsar John Asen II) and the Nicene Empire (under John II Vatatzes) and comprehensively beaten. Theodore was captured, Bulgarian troops poured into Epirus and the despotate–cum–empire was reduced to vassal status vis-a-vís the Bulgarians. With Theodore imprisoned for seven years, the Epirote imperial leadership passed to his brother Manuel Komnenos Doukas, under whose reign the downslide continued, much of the earlier conquests in Macedonia and Thrace were lost. Meanwhile, in Epirus, Michael II, illegitimate son of the founder of Epirus Michael I, assumed control of a diminished Epirus and was recognised as despot (1230–ca.1267/1271). During Michael II’s rule the Epirote state was progressively reduced in size and power…in 1264 Michael was forced to recognise the suzerainty of Michael VIII Palaeologus whose rival successor state had ousted the Latins from Constantinople and restored the Byzantine Empire under the Nicene emperors.
Theodore Doukas
Deposed Theodore returns as king-maker: In 1237 Theodore returned to Thessaloniki and deposed Manuel and installed his son John as emperor of Thessalonica. However, under pressure from the Nicaean Empire John was forced to abdicate in 1242 in favour of John III Vatatzes, the Nicaean emperor. In 1246 Thessalonica was lost to Nicaea for keeps. Over in Epirus Michael II was succeeded by his son Nikephoros I whose sovereign power was challenged by Charles I of Anjou and Sicily with whom he eventually entered into an alliance (Nikephoros acknowledged himself as Charles’ vassal). Later, Nikephoros allied himself with Charles’ son and successor Charles II, which led to conflict with the Byzantines.
Map of Epirus, ca. 1250 (source: anistor.gr)
Epirus’ fragile autonomy: Thomas I followed the same perilous path as his father Nikephoros after succeeding him in ca. 1297. Thomas clung precariously to power as Epirus lunged from alliance to conflict with both the Angevins and the Byzantines. Ultimately, Thomas was assassinated by his Italian-Greek nephew Nicholas Orsini, Count of Cephalonia (Ionian islands) in 1318. Nicholas, in control of southern Epirus, conspired with the Republic of Venice to retake the north including the city of Ioannina but was unsuccessful. In 1323 he was in turn usurped by his brother John II Orsini. The pattern of instability persisted…Epirus lost its independence to the Byzantine Empire in 1338 before briefly winning it back (with the assistance of Catherine I, Latin empress), only to lose it yet again to Byzantium, all within the space of two years. In 1348 it was the turn of the Serbs under (King) Stefan Dušan who incorporated Epirus and Thessaly into the Serbian Empire. After the Serbs came the Albanians…in 1367 the Despotate of Árta, an Albanian clan led by Pjetër Losha, attacked and besieged the Despotate of Epirus’ capital Ioannina.
Neapolitan ambitions for the Hellenes: Árta as a mainly autonomous despotate and then lordship persisted until 1416 when the incumbent despot’s rule was terminated by another Italian incursion. Neapolitan count, Carlo I Tocco (hereditary count palatine of Cephalonia and Zakynthos) took Arta as part of a systematic territorial expansion in Greece«𝕓». Carlo reached the limit of his expansion in the 1420s when the Byzantine emperor John VIII Palaiologos’ army cut short Carlo’s attempts to expand his influence into the Despotate of the Morea (the Peloponnese).
Carlo I, Cephalonia and Epirus coat-of-arms
Epirus, the final chapter: Under Carlo I’s successor, Carlo II, the Tocco dynasty lost Ioannina in 1430 to the encroaching Ottoman conquest of Byzantine lands, as well as almost all of their possessions in Eripus by ca.1448«𝕔». At this time the fate of Epirus and the other post-1204 successor states of the Byzantine Empire had been well and truly sealed by an ongoing preoccupation with civil wars, conflict between themselves and religious disputes to the neglect of the greater threat posed by their common enemy from Asia Minor«𝕕».
Michael I Komnenos Doukas
Epirus, manoeuvring between east and west: Epirus, perched centrally between the east (Byzantium and Anatolia) and the west (western Europe), was in a special position, trying to carve its own niche in the region while competing for advantage and influence against the vested interests of more powerful players (namely Anjou, Venice, Sicily, Bulgaria, Serbia, Nicaea, Ottomans). The Epirote state’s despots through this era pursued two strategies for survival: it sought to protect its power base from its Latin enemies, while at the same time maintaining its independence from the rest of the Byzantine states. In a Byzantine world in which loyalty was a fluid commodity, Eripus found itself compelled by the power imbalances it faced to constantly swap its allegiances between the Latins and the Byzantines [Evangelos Zarkadas, ‘The Despotate of Epirus: A Brief Overview’, Mapping Eastern Europe, Eds: M.A. Rossi and A.I. Sullivan (accessed October 14, 2023), http://mappingeasterneurope.princeton.edu].
Ioannina (photo: theplanetd.com)
Postscript: Paucity of sources on Epirus Historians have long lamented the scarcity of surviving sources on Epirus, especially from the depostate itself. Probing this medieval Byzantine-Greek chapter has been hampered by an absence of historical narratives and biographies of the despots. The chronicles that do survive are those of Byzantine historians from Constantinople such as George Pachymeres (13–14th centuries) [Donald M Nichol, in Zarkadas].
«𝕒» or in the form some prefer, “Epiros”
«𝕓» adding it to Corinth and Megara captured by him earlier
«𝕔» Carlo II’s son Leonardo III ruled as the last Despotate of Eripus up to Epirus’ ultimate coup d’grâce by the Ottoman Empire
«𝕕» the last remnant of Epirus, Vonitsa, fell to the advancing Ottomans in 1479
Film star Errol Flynn was a larger than life character of mythic proportions, on-screen he was an authentic Hollywood legend. But his attention-getting off-screen personal life embellished his aura of notoriety and fame even more than the many Hollywood adventure film roles he played. On the silver screen Flynn embodied the heroic, swashbuckling celluloid figurepar excellence as Robin Hood, Captain Blood, Don Juan, General George Armstrong Custer, Gentleman Jim Corbett and Major Geoffrey Vickers, just some of his many celebrated roles. In his private life—most of it though was pretty public—the rebellious Tasmanian had a legendary playboy reputation for debauched behaviour and manoeuvrable morality…excessive drinking, brawling, drug-taking, wild partying, famously prodigious sexual exploits and a proclivity for underage girls culminating in rape trials. But even before his Hollywood period Flynn’s episodic life in New Guinea and New Britain was an incident-packed cavalcade of adventures that wouldn’t have been out of place in an Indiana Jones movie. Young Errol clearly had a compulsion to try different things, bouncing from one knockabout job to another – shipping clerk to tobacco planter to colonial agent to would-be gold prospector to tour guide, etc. During all this Errol escaped crocodiles and native headhunters, womanised indiscriminately, shot and killed a local for which he was tried for murder and subsequently acquitted. Damningly as well, Flynn was also an absconding serial debtor, an inveterate liar and an alleged slave-trader.
Father & son together
So, given Flynn’s Brobdingnagian reputation, any offspring of his, especially a male, would have a lot to live up to. Flynn’s three marriages produced only one male heir, Sean, born in 1941 to Flynn and his first wife Lili Damita. Almost inevitably as fate would decree it Sean Flynn, 6’ 3”, with a similar athletic build and inheriting Errol’s good looks, did attempt to follow in his far from model pater’s footsteps. Sean got an initial taste of acting in his teens appearing in Flynn Senior’s TV show The Errol Flynn Theatre𝕒. Sean inherited a small sum when his father died suddenly in 1959 and with it enrolled at Duke University but did not complete his degree. The beckoning call from Hollywood or “imitation” Hollywood was not far away.
Son of Errol
The Son of Captain Blood In 1961 the highly predictable happened! Sean was cast as the swashbuckling lead in a sequel of sorts to his dad’s spectacular breakthrough role in Captain Blood which had catapulted Errol into instant, universal stardom in 1935. Son of Captain Blood, an Italian–Spanish–British co-production (with some of the action scenes shot in Spain). The script was penned by Casey Robinson, writer of the original 1935 film. Prior to production the neophyte Sean received instruction in how to fence, fight and fall safely and convincingly on screen from Tarzan actor and stuntman Jock Mahoney𝕓 (Gene Freese, Jock Mahoney: The Life and Films of a Hollywood Stuntman (2013). Unfortunately Sean’s foray into cinematic pirate territory didn’t reproduce the family sparks – as the LA Times pithily summarised the movie, “the old magic isn’t there.”
Sean with Pili…or is it Mili? (Source: briansdriveintheater.com)
Ephemeral B-movie star Though Sean failed to set the screen alight in The Son of Captain Blood he did make a few more minor adventure films in Europe the mid-1960s, such as Duel at the Río Grande (as Zorro), followed by a couple of forgettable Spaghetti Westerns, the second playing opposite a popular Spanish teenage comic duo, Pili y Mili, AKA the Bayona Sisters (Sharp-Shooting Twin Sisters).
The last photo of Sean Flynn (left) & colleague on the day they disappeared (Photo: Perry Deane Smith/MCT/Tribune News Service via Getty Images)
Frontline Flynn, the Gonzo war photographer When Flynn Junior became bored with acting, perhaps channeling Hemingway more than his father, he took himself off to Africa to work as a guide for safaris and big game hunting. Sean’s final movie was a 1967 French–Italian action picture Five Ashore in Singapore. By this time Sean had taken up a new career as a freelance photojournalist, basing himself in Vietnam with the Indochina war in full swing. This work was much riskier than anything Errol ever tackled in his tumultuous life…Sean went on patrols with the Green Berets, getting shot at by the Viet Cong (being wounded on one occasion), all in the name of getting the best pictures of the raging war𝕔. In 1970 Flynn went to Cambodia to cover the spread of the Vietnam War into that neighbouring country. Sean and another American photojournalist disappeared on 6th April 1970, never seen again, after they ventured into Communist-held territory in Cambodia. In 1984 Flynn was declared dead in absentia, his exact fate remains a mystery but most think that the two Americans were executed by either North Vietnamese guerrillas or the Khmer Rouge.
Sean Flynn on patrol (Photo: Tim Page)
Sean’s willingness to repeatedly put himself in the path of extreme danger in the Vietnam conflict led some observers to conclude that the combat photographer harboured a “death wish”. Certainly, Sean seemed to have inherited Errol’s reckless gene, always looking to push the envelope without regard for self. Both father and son seemed to be guided during their lives by a Byronic impulse, their lives inextricably linked to the romantic and the tragic (Jeffrey Meyers, Inherited Risk: Errol and Sean Flynn in Hollywood and Vietnam (2002).
𒈝𒈝𒈝𒈝𒈝𒈝𒈝𒈝
𝕒 hosting this British anthology series was one of the jobs the former matinee idol had to resort to after his Hollywood film career took a nose dive
𝕓 who had earlier stunt-doubled for the older Flynn
𝕔 Flynn was one of a group of Vietnam War “Gonzo” photographers including Tim Page and John Steinbeck IV who were committed to going anywhere, putting themselves into extreme risk situations to get the best combat photos
