London’s Worshipful World of Liverymen

Commerce & Business, Local history, Town planning

One of London’s most colourful traditions which continues to the present day is the veritable institution of livery companies, the city’s ancient and modern trade associations. The liverya⃞ companies (LC) are Medieval in origin, established in the 12th century by groups of tradesmen, craftsmen and merchants with similar skills and interests. Like the guilds before them they functioned as kinds of trade unions in an embryonic state before the establishment of unionised labour associations.


Boundary lines of the “Square Mile”

Photo: London Toolkit
Traditionally, the core role of the LCs has been to maintain standards and regulate prices in the various industries. The LCs fostered apprenticeships upon completion of which the apprentice became a “freeman” with licence to operate within the city walls (until the 18th century you couldn’t ply your trade within the city unless you
were a freeman). An increasingly important auxiliary role of LCs has seen them engage in benevolent and charitable activities aimed at livery members and their families who have fallen on hard times (‘The History of London Livery Companies’, Black Taxi Tour London, 12-Feb-2020, www.blacktaxitourlondon.com).

How one becomes a Livery freeman
There are two pathways to LC membership: serving a term of seven-plus years as an apprentice to a LC “master”; and patrimony, membership passed down from a parent who holds the status of freeman at the time of the child’s birth. There is in addition the entity of honorary freeman, mostly granted to celebrities and politicians by LCs…honorary Company members include Winston Churchill, Nelson Mandela, Margaret Thatcher and Stephen Fry.

Guiding the flock over the Bridge (Source: Metro UK)
With club membership comes privilege
A freeman is by definition a “Freeman of the City of London”, which carries certain privileges, one is the right to stand for election as aldermen or sheriff and if they get that far, even lord mayor. Another popular office open to freemen is ale conner, an elected official who gets to test the quality of new ales (somebody has to do it!). Another quirky privilege for freemen historically was the right to drive a flock of sheep over London Bridge without having to pay a toll. Recently some LCs—specifically the Worshipful Company of Woolmen—have revived this sheep herding exercise across the Thames. A key feature of livery activities is the ceremonial. LC membership affords an excellent opportunity to engage regularly in cosplay. All manner of Liverymen like to don ceremonial robes and march in processions like the Lord Mayor’s Show with no pomp or spectacle spared. Liverymen also indulge in other traditions such as pancake races and the Loving Cup ceremony (‘The traditions of the City of London and its Livery Companies’, CityandLivery, 27-Apr-2018, www.cityandlivery.blogspot.com).

Lord mayors from all walks of life
The office of Lord Mayorb⃞, the annually elected administrative boss of the fabled “Square Mile”, the City of London, has been filled by freemen from the broadest cross-section of vocational backgrounds. Recent lord mayors have been merchant tailors, solicitors, haberdashers, shipwrights, grocers and musicians.

Order of Precedence
As the number of LCs grew a hierarchy of companies evolved with each company designated the prefix “Worshipful Company of ________” and an “Order of Precedence“ established, headed by the Great Twelve Livery Companies – they are in order, Mercers, Grocers, Drapers, Fishmongers, Goldsmiths, Merchant Taylors, Skinners, Haberdashers, Salters and Ironmongers (due to a historic disputation over their place in the seniority, #6 and #7 swap places in the pecking order every 12 months!). The Great Twelve were determined on the basis that they were “the most powerful and influential companies controlling all sorts of aspects of daily life and trade” in the city at the time the sequence was settled (Inspiring City, 27-Jul-2013, www.inspiringcity.co).

Crest of Worshipful Company of Bowyers
The monumental changes in fashion and technology since the LC were in it’s infancy has led to many historic trades, crafts and professions withering away. Others haven’t disappeared entirely, like the Worshipful Company of Bowyers (AKA Longbowstring-makers), but their fundamental raison d’être has shifted markedly…despite the disappearance of the long-bow as a weapon used in war and hunting, the weapon retains a more limited usage today in the sport of target archery. Accordingly the Bowyers Co’s primary focus these days is on charitable workc⃞. In 2010 the LCs of London made benevolent gifts to the sum of nearly £42 million, the majority for education and welfare (‘British Institution: Livery Companies’, Matthew Engel, Financial Times, 22-Dec-2022, www.ghostarchive.org).

A lot of the LCs are still identified by their historic name…the famous black taxi cabs ubiquitous in the city fall within the purview of the quaintly named Worshipful Company of Hackney Carriage Drivers which harks back to the horse-and-cart era. Likewise, the Worshipful Company of Scriveners represents London’s qualified notaries public. Professional practitioners of calligraphy, heraldry and genealogy also come under its ambit. The Worshipful Company of Carmen once represented the drivers of produce carts (carters), now obsolete, so like many in its modern form it devotes it’s energies and finances solely to charitable and ceremonial pursuits.

Tallow Chandlers Co dining hall (Source: tallowchandlers.org)
The Livery Halls
At the present time there are some 110 livery companies
d⃞, 39 of which possess their own premises and some of these have very lucrative property portfolios. Many LCs share with others, eg, the Master Mariners Co’s “hall“, appropriately enough a historical ship HQS Wellington moored in the Thames, is also a venue used by the Scriveners Co. One of the longest functioning livery halls is that of the Worshipful Society of Apothecaries in Blackfriars, parts of its building dates to the 13th century.

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a⃞ the word livery originally described the form of dress worn by retainers of noblemen and by extension was attributed to the specific attire for different trades or crafts

b⃞ not to be confused with the political office of mayor of London (Boris Johnson’s previous gig before Westminster beckoned) whose jurisdiction, Greater London (GLA), is much larger

c⃞ in 1371 London’s arrow-makers split off from the Bow-makers to establish their own distinct LC, the Worshipful Company of Fletchers

d⃞ with several other groups awaiting approval of their LC membership

Accounting for James Bond’s Enduring Mass Appeal

Cinema, Creative Writing, Literary & Linguistics, Media & Communications, Popular Culture

🇬🇧 🔫 🇬🇧
The phenomena of James Bond in both book and movie form was meant to be purely escapist entertainment, bereft of the slightest pretension that they were anything remotely cerebral. Interesting then that Bond has gleaned so much serious academic enquiry and analysis over the years. A sample of articles on JSTOR reveals a feast of scholarly entries on the subject of James Bond — “Shaken, Not Stirred Britishness: James Bond, Race, and the Transnational Imaginary”, “The Marketable Misogyny of James Bond“, “Paradoxical Masculinity: James Bond, Icon of Failure”, “Why James Bond Villains Prefer Post-Soviet Architecture”, “The Spy Who Loved Globalization”, ”How safe do you feel?: James Bond, Skyfall, and the Politics of the Secret Agent in an Age of Ubiquitous Threat”, and so on it goes.

The James Bond film franchise is certainly sui generis among English-language movie series. October 5 this year marked the 60th anniversary of the introduction of James Bond to cinema screen audiences (Dr No, 1962), and the cinematic sequence remains as yet unbroken, notwithstanding ”the elephant in the room” of last year’s No Time To Die in which the indestructible James Bond actually dies! Virtually all other elongated movie series have ultimately reached a natural (or unnatural) termination point – even the long-running, prolific and increasingly unimaginative Carry On comedy series ran out of steam by the Eighties 🄰.

Ian Fleming ‘Casino Royale’, 1st 007 novel (Image: bondfanevents.com)
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Box office El Dorado
Over a six-decade period the 25 movies🄱 constituting the James Bond industry made by Eon Productions (Broccoli and Saltzman’s production company) have earned a total somewhere north of US seven billion dollars. Boosted undoubtedly by the mass popularity of screen Bond🄲 the James Bond spy novels written by former WWII naval intelligence officer Ian Fleming, on which the cinema franchise is based, have themselves racked up sales of more than 60 million copies.

If you came anew to the Bond movies looking for a healthy dose of gritty social realism based on the world of espionage a la John LeCarre, you’d be sadly disappointed. The franchise’s entries are all about fantasy and high-adventure escapism. Unlike the shadowy cloak-and-dagger characters that the real world of spies and secret agents (apparently?) inhabit, James Bond 007 in his public persona is an open book, he doesn’t use a fake name, he doesn’t try to disguise his appearance or furtively hide in dark corners. He’s direct, brash, brutal and recklessly undisciplined in his actions and antics, with a propensity to be easily distracted from the assignment at hand by the happy prospect of a spot of horizontal folk-dancing.

Though wildly successful at the box office over an extraordinarily long shelf life, James Bond is not everyone’s cup of tea. An early critic Judith Crist described the series’ first vehicle Dr No as “an updated comic strip of the Fu Manchu school, fast moving, faster shooting, utterly fantastic”. JB has been pilloried by feminists for his unrepentant chauvinism—especially in Sean Connery and Roger Moore’s interpretations of the character—and four decades of “Bond Girl“ objectification of women. The backlash against JB’s misogyny compelled producers to tone down the blatant sexism in the most recent incarnation of the most famous of all British secret agents played by Daniel Craig. Bond has also been excoriated as a “thug trained to wear a tuxedo”…007’s “license to kill” green-light unleashes the agent’s deep predilection for perpetrating extreme, lethal violence in cold blood.

Predictable Bondery
Then there’s the plots! The storylines are more than fanciful…James Bond’s arch-villains hatch mind-bogglingly ludicrous schemes which suggest that they have been maxing out on the Kool-Aid – such as nuking Fort Knox’s gold reserves; constructing a massive capsule-gobbling rocket to capture the space crafts of both superpowers; detonating explosives along the Californian fault lines to destroy Silicon Valley; ad nauseum. The franchise has also been lambasted for being BORING! Agent 007 has been called out for living “the same story over and over” (Elizabeth Winterhalter). Repetition is a constant motif…we see Bond right on cue rendezvous with a typically crotchety “M” to be briefed on his latest world-rescue mission, flirting with Miss Moneypenny in their regular tête-à-tête ritual, and getting a rundown on the very latest weapon gadgetry from an equally irascible “Q”. In every second scene, just about, JB is pursued by a posse of miscellaneous henchmen only to miraculously escape certain death by the barest of margins every time. The movies almost invariably end in the same formulaic fashion: Bond infiltrates the arch-villain’s impregnable lair, triumphs over the likes of Blofeld and Goldfinger and numerous assorted henchmen, and finishes by bedding his leading lady on an inflatable dingy, in space, a balcony, etc and signing off to “M” with a corny double entendre🄳.

Bond with “Jaws”, larger than life henchman turned ally

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Cultural relevance to the West
Some Bondphiles have an altogether different take on this Groundhog Dog trait in James Bond of repeating the same basic plot structure infinitum…they see it as a key ingredient of the franchise’s success: ”the simplicity of the plot arch allows the films to seamlessly transcend and become culturally relevant to the audience” (‘What is the Secret of James Bond’s Eternal Success?’, www.undandy.com). Another explanation of James Bond’s allure contends that the fictional MI6 spy instantly resonated with Western audiences in the climate of the Cold War, being seen as a kind of antidote to the prevailing morass of the social order (especially in the US). 007’s talent as a fixer of “global crises” casts him in the guise of a saviour salvaging the world from an inevitable downward spiral into chaos and discord (‘James Bond and America in the Sixties’, Drew Moniot, JUFA, Vol.28, No.3, 1976). Moniot also attributes JB’s popularity in America to the existence of a vacuum of real-life heroes in 1960s society, the emergence of 007, a mythological hero who was invincible, fulfilled that psychological need at that time.

British Bond and foreign Blofeld

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Vicarious🄴 charm of the bon vivant lifestyle
Part of the appeal lies in the character of James Bond. Fleming visualised 007 as fit, sensual, with superior grey matter and a technical wiz, a model of “red-blooded heterosexuality”. He also emphasises Bond’s “Britishness” in the novels, JB’s 100% success rate on missions and in the romance stakes presents Bond as representing the “Best of British”… Fleming’s idea of an antidote to the sad realities of a declining Britain denuded of empire. Leaving aside the ever-present mortal danger to his very existence, Bond leads “a ridiculously good lifestyle (by) any man’s standards”🄵(Undandy), his appearance is akin to a “GQ cover model”; an endless supply of the best alcohol (which the MI6 agent knocks back with worryingly frequency); the best cars (trademark Aston Martin DB5); his apparently irresistible sex appeal to women (‘Bond by rules’, Tim Brayton, 2012, www.alternateending.com). As crime doyen Raymond Chandler neatly put it, “Every man wants to be James Bond and every woman wants to be with him”.

Tropeville central
Aside from JB’s personal magnetism, the series’ catalogue of recurring tropes helps to cement the franchise’s appeal. Familiar ingredients include the default opening sequence depicting 007 in action through the prism of a gun barrel; over-the-top hi-tech gadgets; a smorgasbord of diverse exotic locations; a brisk cocktail of action stunts (car chases, boat chases, ski pursuits, etc); the centre-stage presence of the Bond Girls and of a megalomaniacal arch-villain mastermind; all eagerly anticipated by James Bond‘s legion of rusted-on fans. Also adding value and lustre to the films are the high quality title-songs – like the utterly unforgettably iconic Goldfinger theme, and not far behind that Shirley Bassey classic, Live and Let Die, Diamonds Are Forever, and You Only Live Twice, etc, etc.

Bond, tapping into the zeitgeist of the day
One (insider) view on the longevity of James Bond comes from those at the helm of the multi-billion dollar franchise today, Cubby Broccoli’s daughter Barbara and his step-son Michael Wilson. Broccoli’s heirs attribute the success to the family having managed to keep hold of the franchise’s reins throughout its entire history, and to JB’s and the franchise’s adaptability, 007 being able to change with the times🄶 (‘Why James Bond Has Endured For So Long, According to the Franchise Producer’, Joshua Meyer, Film, 8-Dec-2021, www.slashfilm.com).

Footnote: James Bond, books v films
The early
James Bond movies kept pretty faithful to the plots of Ian Fleming’s crime thrillers, however as the series went on, the screen adaptations bore increasingly less resemblance to the novels (eventually everything except the Fleming titles were jettisoned). Other differences relate to the protagonist himself, 007’s proclivity for terminating with extreme prejudice (and without a skerrick of compunction) the various henchmen aligned against him increases tenfold from the books to the movies, as does his appetite for sexual conquests whilst on the job. Another point of departure from the novels for the films is the lack of story continuity from one picture to the next (eg, Bond in a grieving state at his wife’s murder at the end of On Her Majesty’s Secret Service doesn’t get a mention in the follow-up Bond feature).

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🄰 probably the closest to it is the Star Wars franchise (1977 to the present)

🄱 there was in addition one non-Eon Bond film, Never Say Never Again, a Taliafilm production

🄲 even Bond’s snobbish swipe at the Beatles in Goldfinger at the height of Beatlemania in 1964 didn’t dent his appeal with the public

🄳 with one or two notable exceptions…On Her Majesty’s Secret Service ends with the death of Mrs James Bond and No Time To Die ends with the death of 007 himself

🄴 in creating the overachieving superspy Fleming was in fact acting out his own vicarious impulses…endowing 007 with the sort of ideal, action-man hero lifestyle that the writer dreamt of

🄵 one writer characterised it as “elegant lifestyle porn” (Brayton)

🄶 one example: in the rebooted Skyfall (2012), the film and JB concern themselves with the very real and very contemporary threat of the ubiquity of the internet and cyber-terrorism

The Chautauqua Movement, a Pioneer American Institution in Life-Long Learning

Adult education, Social History, Society & Culture

Chautauqua Lake (Image: cullencartography.com)

On August 12 this year Booker Prize-winning novelist Salman Rushdie was stabbed multiple times while giving a lecture in the lake resort community of Chautauqua in western New York State. It remains unclear to what extent Rushdie’s assailant was motivated by the Iranian fatwa against the Anglo-Indian author who suffered serious if not life-threatening injuries in the attack. The attempt on Rushdie’s life for engaging in free speech occurring at the Chautauqua Institution is ironic, given that organisation’s long tradition of the free exchange of ideas. [‘Chautauqua, where Salman Rushdie was attacked, has a long history of promoting free speech and learning for the public good’, Charlotte M. Canning, The Conversation, 25-Aug-2022, www.theconversation.com].

Source: the guardian.com

For all the wrong reasons the crime has shone a light on the Chautauqua Institution with its nearly 150-year-old history. The organisation was the brainchild of a Methodist minister and a Midwest businessman, initially established in the 1870s to provide training to Sunday school teachers and church workers. The first Chautauqua ”event” organised was at Lakeside, Ohio (1873), quickly followed the next year by Chautauqua, New York. Although founded by Methodists the Chautauqua concept was from the start non-denominational in spirit [‘Chautauqua‘, Wikipedia, http://en.m.wikipedia.org]. In the tranquil lakeside outdoor setting of Chautauquaⓐ, the roots what would grow into an institution of seasonal (summer) education and culture programs for adults took shape.

Source: the attic.space

Non-sectarian Chautauqua
From its parent base in western New York a movement soon spread across the US with “Daughter Chautauquasas” springing up everywhere…at the movement’s peak, around 1915, there were about 12,000 such rural-based communities, all independent of the parent institution. While some Chautauquas remained religious-oriented, the movement as a whole became more secular and wider in its scope, coinciding with the Progressive Era (circa 1890–1920), a time in which political and social reforms were flourishing in America (Canning). A factor in this was that Chautauquas tended to foster free thinking which was incompatible with the strain of evangelical Christianity permeating the organisation. Chautauqua philosophical emphasis was on life skills, self-improvement and transformation of lives, ‘What is Chautauqua, the site of the Rushdie attack has a long history’, Kelsey Ables, Washington Post, 13–Aug–2022, www.washingtonpost.com).

Redpath Chautauqua, “circus like promo” (Source: Culture Under Canvas, Harry P Harrison)

Chautauquas under ”the Big Top”
By the early 1900s Chautauquas were evolving away from permanent independent assemblies to a new variant (aided by the expansion of railways), the spawning of itinerant Chautauquas, where promoters took the Chautauqua idea on the road, travelling to different country regions and setting up temporary “circuit” or “tent” Chautauquas with an itinerary of week-long programs packaged as “culture” experiences. A host of “performers” would be engaged to appear on the circuit at these events—lecturers and speakersⓑ, showmen, singers, musicians and dancers, politicians, opera stars, magicians, preachers—comprising a series of “travelling talent circuits”ⓒ. These Chautauquas added entertainments to the traditional serving of education and religious instruction intended to be “morally uplifting” and culturally enhancingⓓ [‘“The Fourth American Instiution” Understanding Circuit Chautauquas‘, Brittany Hayes, U.S. History Scene, www.ushistoryscene.com]. The tent Chautauquas, the most prominent of which were the Redpath Chautauquas, were in competition with the popular entertainment of the day, vaudeville. The Chautauqua circuit sought to elevate itself above vaudeville which it viewed as a baser and more vulgar form of entertainment (Wikipedia). The tent Chautauqua circuit catered for a wide variety of entertainment, resulting in a wide gulf in quality…at the lower end its engagement in animal acts and slapstick comedy blurred the line with the vaudevillian world [The Chautauqua Movement’, The Colorado Chautauqua, (2020), www.chautauqua.com. Some observers in fact characterise the tent circuits as “Chautauqua” in name only, having appropriated it to add cachet to their business enterprise [‘The Lingering Magic of Chautauqua’, Paul Hendrickson, Washington Post, 01-Jul-1978, www.washingtonpost.com.

Kansas Tent Chautauqua, 1906

Chautauquas made a contribution at the local level to the enrichment of rural Americans‘ social lives and fostered individual self-improvement. Some observers also saw the movement as a buffer against the effects of rapid urbanisation in that period by giving support to local communities and their traditional values…a counterweight to the centripetal forces luring especially the young to the cities, emphasising the virtues of small town “good life” in rural America (Canning).

Source: joplinglobe.com

Decline of the Chautauqua
The 1920s was the last great decade of Chautauquas. By the Thirties with the devastating economic impact of the Depression taking its toll, the movement’s popularity was on the wane. Hastening its fall was a combination of factors – the rise of the car culture made extended travel more accessible for rural dwellers; other forms of entertainment were supplanting the Chautauquas’ appeal, especially the advent of sound movies and commercial radio; new educational opportunities for women were opening up; etc [‘Chautauqua in Santa Barbara’, Michael Redmon, Santa Barbara Independent, 14-Sep-2016, www.independent.com; Ables].

Criticism of Chautauqua
Chautauqua’s cachet at its high water mark was undeniable—President Theodore Roosevelt described the movement as ”the most American thing in America”—however it was not without its detractors. Famed novelist and Noble laureate Sinclair Lewis was dismissive of the Chautauquas’ educational merit and intellectual pretensions. Lewis’ Main Street describes the movement as a “combination of vaudeville performance, Y.M.C.A. lecture, and the graduation exercise of an elocution class…” (Hayes). Chautauquas in their heyday effected positive change in the lives of people, helping working class and middle-class women in particular to acquire the educational and vocational training to allow them “to launch ‘real careers’ (‘Chautauqua Movement’). The movement nonetheless had its limitations. Chautauqua enunciated freedom of expression and thought but did not have an overt political stance. It never challenged the White Protestant hegemony in American society…(it) was “not revolutionary and never led the charge on issues like suffrage or civil rights” and racial inequality (Canning).

Still in the business of providing adult education today, the Chautauqua Institution was a pioneer of the principle of what we call life-long learning, which takes many worldwide forms such as TED Talks, University of the Third Age, and a raft of other continuing education programs.

Photo: oldsite.chq.org

Endnote: the Chautauqua circuit movement was to some degree a throwback to the earlier Lyceum movement which flourished before the American Civil War. Public lyceums anticipated the Chautauquas by organising circuits of adult public education programs involving travelling lecturers and teachers – featuring 19th century American luminaries such as Ralph Waldo Emerson, Henry David Thoreau and even Abraham Lincoln.

Chautauqua (pronounced “Shuh-TAW-Kwa”) etymology: believed to be an Iroquois (Seneca) word, possibly meaning either or both “a bag tied in the middle” and/or ”two moccasins tied together”.

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ⓐ the idea of an outdoor setting was gleaned from camp meetings in rural South and West

ⓑ giving literary readings and drama recitals

ⓒ speakers who featured on the Chautauqua circuit included the women’s suffragette leader Susan B Anthony, inventor Thomas Alva Edison and national politician William Jennings Bryan

ⓓ “look up and lift up” was a slogan of Chautauqua

Indonesia, Malaysia and the Philippines, 1960s: ‘Konfrontasi’ and ‘Maphilindo’

Comparative politics, International Relations, Regional History

When the assortment of Malay Peninsula states and the British colonies in Singapore and Borneo joined together to form the Federation of Malaysia in 1963, it’s large neighbour to the south, Indonesia responded by launching a policy of Konfrontasi (“Confrontation”) against the newly-formed state. The Konfrontasi took the form of both a diplomatic offensive and acts of military aggression against Malaya/Malaysia, targeted at it’s territory in northern Borneo.

An Asian subset of the Cold War
Various outside countries took sides in the Konfrontasi in an East/West alignment of powers transforming the conflict into yet another local arena for a proxy playing-out of the Cold War
▪ Malaysia was backed militarily by Britain and the Commonwealth (Australia and New Zealand), and diplomatically and materially by the US and Canada
▪ Indonesia got support from the two major communist powers, the USSR and mainland China, and from the Philippines and North Vietnam

Bung Karno rhetoric in full flight (Source: indoleft.org)

Indonesia’s initiation of the Confrontation with Malaysia should be seen in the context of nation-building and the regional ambitions of the former Dutch colony‘s leader. President Sukarno, father of Indonesian independence, AKA Bung (“Brother“) Karno, saw the new Malaysian state as a neo-colonial appendageⓐ, a plot by the British to destabilise Indonesia (The Philippines held a similar view of Malaya). Sukarno’s own brand of socialism and his anti-western bent was sharpened by western complicity in sectional insurrection movements against the Indonesian state (giving aid to Permesta and Darul Islam rebels in their struggle against the government). Sukarno-inspired invective spoke of “crushing Malaysia” (Indon: Ganyang Malaysia).

Indonesia Raya, a Pan-Malay Union?
Indonesia’s nationalists had long nurtured a dream of Indonesia Raya, the creation of a “Greater Indonesia” uniting all the territories of ethnic Malays (see Endnote)… Sukarno’s objective was to wreck the Malaysian Federation and drive the British forces out, the realisation of which, it was hoped would allow Djakarta to establish a Greater Malay hegemony in the region led by Indonesia [Hindley, Donald. “Indonesia’s Confrontation with Malaysia: A Search for Motives.” Asian Survey 4, no. 6 (1964): 904–13. https://doi.org/10.2307/3023528]. An allied objective was territorial expansion, having earlier secured Irian Jaya through assertive brinkmanship diplomacy, Djakarta also harboured designs on adding northern Borneo to the republic [DVA (Department of Veterans’ Affairs) (2021), The Indonesian Confrontation 1962 to 1966, DVA Anzac Portal, accessed 24 May 2022, https://anzacportal.dva.gov.au/wars-and-missions/indonesian-confrontation-1962-1966].

Australian combat troops in Borneo (Photo: National Museum of Australia)

An undeclared war
The Indonesia-Malaysia conflict never broke into open warfare but remained a limited engagement, a series of low-intensity border actions between the combatants. The military strategy adopted by the Indonesians comprised campaigns of infiltrations across the (Kalimantan/Borneo) border to make sorties on the Malaysian side. The Sultanate of Brunei—also viewed by Indonesia as a British puppet—was another target of Djakarta‘s subversive measures. Eventually the British retaliated with ”Operation Claret”, a sequence of counter-raids by small forces penetrating Indonesian Kalimantan which managed to keep the Indonesian forces on the back foot. Later Indonesia extended the conflict to the southern Malaysian mainland with a series of paratroop and seaborne raids.

Suharto (Source: Indonesia at Melbourne)

Removing Sukarno
The conflict drifted into a stalemate through 1964 and 1965 while Japan, Thailand and the Philippines strived unsuccessfully to broker a peace deal [‘Konfrontasi (Confrontation) Ends’, HistorySG, www.eresources.nlb.gov.sg]. The ultimate circuit-breaker was domestic in origin, an ongoing power struggle involving the president trying to juggle the growing demands of the Indonesian Army on one side and the PKI (Indonesian Communist Party) on the other came to a climax in October 1965 with a failed palace coup. Army leaders used the incident as a pretext to carry out a mass purge of PKI (communist) members and leftist sympathisersⓑ – at least half a million were liquidated! President Sukarno was consequently discredited owing to his alleged close association with the PKI and eventually forced to relinquish power to General Suharto. Sukarno’s downfall took the heat out of the conflict…by August 1966 with Suharto’s “New Order” running the shop in Djakartaⓒ, Malaysia and Indonesia settled their differences with a peace treaty, bringing the Konfrontasi to a close with the sweetener of of desperately-needed US aid for the Indonesian state.

Endnote: Maphilindo, a still-born S.E. Asian association
The eruption of the Konfrontasi in 1963 killed a promising regional initiative stone dead. Filipino president, Diosdado Macapagal, convened a summit in Manila that year to propose a non-political confederation of Malaysia, Indonesia and the Philippines called “Maphilindo“…a long-held dream of Filipinos for union of states in the Malay Archipelago (Melaya irredenta – cf Indonesian aspirations)ⓓ. Suharto’s unilateral and uncompromisingly aggressive move squashed any hopes for close fraternal relations and mutually-advantageous cooperation in the region but Maphilindo did signpost the way to ASEAN which became a reality in 1967 [Pauker, G. J. (1964). Indonesia in 1963: The Year of Wasted Opportunities. Asian Survey, 4(2), 687–694. https://doi.org/10.2307/3023576].

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ⓐ when attempts were made to reach a resolution of the conflict Djakarta refused to negotiate directly with the “ puppet state“ of Malaysia
ⓑ a task facilitated for the army by invaluable CIA assistance (supplying communications equipment and lists of suspected communists to Sukarno) [‘What the United States Did in Indonesia’, Vincent Bevins, The Atlantic, 21-Oct-2017, www.theatlantic.com]
ⓒ and well and truly Cold War-aligned now with America in the anti-communist camp
ⓓ in the tri-state agreements Djakarta secured a coup getting Kuala Lumpur and Manila to agree that any Western bases (of which there were some on both Malaysian and Filipino soil) would not be be an indefinite fixture (Pauker)