Australian Cricket’s Modern ‘Lord of the Rings’ Saga

Sport

Ever since Keith ‘Nugget’ Miller retired from test cricket in 1956, Australia has searched for a replacement to fill the outstanding all-rounder’s shoes.

imageTo call Miller’s career (and life) ‘flamboyant’ seems a bit trite. World War II fighter pilot, journalist & man-about-town bon vivant, the Victorian scored almost 3,000 runs in tests (7 centuries, top score 147, averaging a shade under 37). His right-arm fast bowling was even more valuable to Australia (170 wickets at 22.97 with best figures of 7/60). The versatile sports star also found time to play 50 games for St Kilda in the VFL & represented both Victoria & NSW in the triennial national football carnivals.

After Miller exited the test arena, Australian cricket embarked on a seemingly never-ending quest to find another (genuine test standard) all-rounder. The mantle seemed likely to fall on Richie Benaud at one stage. Early on, Benaud’s batting appeared more promising than his bowling as he struggled to perfect the leg-spinner’s art. Later Benaud’s concentration on his bowling and on captaincy paid dividends – to the detriment of his batting, as his 24.45 overall test average illustrates. Benaud’s teammate, Alan Davidson, a superb left-arm fast-medium bowler, was more than a handy batsmen usually batting at 8, but his increasingly heavy workload with the ball (especially after Lindwall and Miller retired) took the edge off his batting performances.

Sir Garfield St Aubran
Sir Garfield St Aubran
Through the sixties the Australian cricket establishment watched with envy as Barbados’ Garfield Sobers developed into one of the greatest ever all-rounders for the West Indies. Similarly South Africa produced Mike Proctor, a test class all-rounder whose country’s Apartheid policy restricted his opportunities to just seven test matches and so denied him the chance to demonstrate the breadth of his all-round game at the highest level.

Players who Australia typically tried in the role at the time included Ken ‘Slasher’ Mackay and Tom Veivers – handy cricketers with both bat and ball, but not likely to dominate a test match with either. Australia’s forte seemed more to incline towards specialist batsmen who could turn their hand occasionally to spin like Bob Cowper and Bobby Simpson or batsmen who could bowl part-time medium pace like Doug Walters, Graeme Watson and much later Mark Waugh. At the same time, frontline bowlers capable now and then of a weighty contribution with the bat, were encouraged, eg, Ray Lindwall or more recently Mitchell Johnson and Mitchell Starc.

The emergence in the late seventies/early eighties of four great all-rounders on the international scene – Ian Botham (Eng.), Richard Hadlee (NZ), Imran Khan (Pak.) & Kapil Dev (Ind.) – was an added spur for Australia to find a genuine all-rounder. The success of these four emphasised to the Australia authorities the benefit of a more balanced team with an all-rounder to strengthen both the batting and bowling when required.

imageA combination of the difficulty in finding a competent replacement for Rod Marsh and the lack of success in finding a genuine all-rounder (and the desperation it engendered in Australian cricket), might account for the attempt in the early eighties to plant Wayne ‘Flipper’ Phillips into the role of an “all-rounder of sorts”, a batsman-wicketkeeper (long before it become standard practice that a keeper had to also be an accomplished batsman in his own right). With Phillips himself talking it up, the reality that his keeping was not up to the accepted mark did nothing for his batting confidence and that was the end of Flipper’s international career.

Greg ‘Mo’ Matthews, an orthodox off-spinner with an unorthodox, quirky personality in the midst of a staid 1980s Aussie cricketing fraternity, was the next hopeful the believers turned to. As it eventuated his batting (Ave: 41.08 over 33 matches) proved of more advantage to the test side. Matthews’ test bowling largely lacked penetration except on one memorable occasion, the famous 1986 tied test in Madras.

Similarly, leg-spinner and hard-hitting lower order batter, Peter Sleep, found himself regularly in and out of the Australian XI over a 12-year period as the Australian selectors strove to find the all-rounder missing link in the team. Ultimately, both Sleep’s bowling and batting lacking the consistency and penetration to hold down a permanent place.

Steve Waugh was the next “new great hope” for the role. Waugh was elevated very early to the Australian XI after a handful of state games. Waugh was retained in the Australian side despite struggling with the bat for the best part of four years before his first (breakthrough) century for Australia (177x v England in 1989) on the promise of his budding all-rounder credentials and handy medium pace bowling (especially effective in ODIs). His progress to test-quality batsman, his recurring back problems and the traditional reluctance of batting captains to bowl themselves, saw him bowl much less frequently, and eventually rarely, for the latter part of his test career.

imageThrough the 1990s up to the present time, Australia has continued with its “Holy Grail” like search for a genuine test all-rounder. Again, other countries have provided some of the impetus for Australia’s persistence. Dan Vettori, Chris Cairns, Shaun Pollock, Andrew ‘Freddie’ Flintoff, Ravi Ashwin and especially, Jacques Kallis, have all had test success with bat & ball in recent years.

The experiment has continued with Tony Dodemaide, Andrew Symons, Andrew MacDonald, Shane Watson and (briefly) Cameron White and Moisés Henriques all getting a tryout in the role – with mostly mixed results at best. Regularly the selectors would compromise by banking on good second-change bowlers who could contribute with the bat the occasional valuable knock … Paul Reiffel and Andy “Mr 12th Man” Bichel come into this category.

Steve Smith at the onset of his first class career was thought more likely to be a test leg-spinner in the making, until he found his batting compass and soon after ascended to the captaincy of the national team. Currently, the hopes of those advocating the virtue of all-rounders in the Australian test and limited over sides lie with the likes of Mitch Marsh, James Faulkner and Glenn Maxwell.

The Human Bowling Machine from Ladywell SE13

Biographical, Sport

Adil Rashid, currently displaying his bowling wares in the Big Bash League, recently took a five-wicket haul on test debut for England in the UAE. Nothing too sensational there you might say … except that he was the first English leg break bowler to bag a ‘Michelle’ (thank you Kerry O’Keefe!), five wickets in an innings, in a cricket test for 56 years! Its not that the English haven’t had any decent ‘leggies’ in that time – Robin Hobbs, Ian Salisbury, Chris Schofield, Scott Borthwick, have all been ‘capped’ for England – but when they have given them a go in the international arena they have done so ever so briefly, such is the closed mindset of the English establishment when it comes to leg-spinners!

imageEngland and Australia have diametrically opposed thought processes when it comes to assessing the value of leg-spinners. Everyone in Australia (and India) remembers Shane Warne’s test debut, 150-1 v India, grist for Ravi Shastri’s mill in 1992. And it didn’t get better in a hurry for Warne, after his first four tests he had taken precisely four wickets! But the Australian selectors, seeing the promise, persisted with Warne – and the rest was (leg spinning) history. The English authorities by contrast are neither brave or bold when it comes to encouraging and nurturing their young leggies, and it remains to be seen if England will persist with Rashid for longer than they have with other promising wrist spinners in the near past.

England invented the leg break and the ‘Bosie’ (the googly) and it is certainly not true that the country and its conditions are incompatible with good leg-spin bowling. Pakistan leggie Mustaq Ahmed in his legendary stint with Sussex took 478 wickets in five seasons of English country cricket (he remains the most recent bowler to take 100 wickets in an English FC season). Sussex won its first ever County Championship in 2003 and went on to win three in five years on the back of ‘Mushy’s’ persistent, penetrative leg breaks and wrong-uns! Indian leg-spinner Anil Kumble was similarly successful in his one (1995) season with Northamptonshire, topping the championship bowling list with 105 dismissals.

Tich Tich in action
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As to home-grown leggies, going deep into the history, England produced, among others, the most phenomenal, overachieving leg-spinner ever to grace an English ground! Alfred Percy Freeman, as his nickname (‘Tich’) implies, was tiny, 5’2″ (158 centimetres in the new language). Freeman achieved phenomenal success with Kent in the English County Championship in the inter-war years (see below). The attitude of the English selectors to Tich’s “class of his own” performances, emphasises what was to become the characteristic “head in the sand” reaction, a reluctance to embrace leg break bowling and give it a decent tryout.

In the historical record books of First class (FC) and English county cricket the nonpareil AP Freeman’s career include the following highlights:

:~ 3,776 wickets at 18.42 in FC career in 592 matches (6.38 wkts per match, strike rate: 40.9, economy rate 2.69) – second highest all-time wicket-taker to the great Wilfred Rhodes who took 4,204 wickets in 1,110 matches (ie, in 518 more matches)

:~ 304 wickets @ 18.05 in the 1928 English FC season – the highest of all-time & the only bowler to snare 300 in a single season (he also holds number 2 spot with 298 wkts @ 15.26 in 1933)

:~ in all FC matches: Five wickets in an innings, 386 times, & ten wickets in a match, 140 times! The next closest “five for” in an innings tally achieved in FC cricket is 287 instances (Rhodes), 99 in arrears of Tich. The next closest bowler for number of “ten fors” in matches made 91 (Charlie Parker)

:~ The only bowler to take 10 wkts in an innings thrice, the only bowler to take 17 wickets or more twice in a match

:~ Almost half of his 3,776 wkts were unassisted – the batsmen were either bowled, caught & bowled, LBW or hit-wicket

With such startling figures, leg-spinner or not, the selectors couldn’t ignore Tich forever. He was selected in an MCC ‘A’ tour to New Zealand in which he excelled on NZ pitches, followed by a full test tour to Australia in 1924-25 in which he made his debut at age 36. A combination of good, hard Australian wickets and the fact that Australian batsmen were brought up on a diet of leg spin meant that Freeman made very heavy weather of the series. Thereafter the national selectors choose the leg-spinner very irregularly. He did very well against South Africa and the West Indies, but was not considered for the tests against the Australians on either the 1926 or 1930 tours of the UK, despite getting a six for and a five for in the county games for Kent against the tourists. The selectors demonstrated a remarkable lack of perception in not showing a sustained faith in Freeman’s obvious talent and not backing him in tests, especially in English conditions. As things turned out, his record in tests suggest the magnitude of their error in judgement:

In just 12 tests, 66 wkts. ave: 25.86, strike rate: 56.5 BB: 71-7. Five wkts in inns: 5 times, Ten wkts in match: 3 times.

In the very limited opportunities afforded Freeman to represent his country, 66 wickets in tests at an average of 5.5 per match is more than respectable as returns go. In any form and at any level of the game, he was an out-and-out wicket-taking machine!

What accounts for the diminutive, right-arm Kent leggie’s exceptionality? Firstly, he was unswervingly consistent as a bowler … and he improved with age. In the eight seasons after he turned 40 in 1928, he took 2,090 wickets at 17.86, making him the leading wicket-taker in county cricket eight years in a row! Glenn McGrath has been described as ‘metronomic’ as a bowler, but it was Tich Freeman first who whirled them down with unerring accuracy like an automaton for 20 plus years. He commanded fantastic control of line and length. Although Tich was small, he was strong of hand and he had seemingly endless reserves of stamina, going on and on and on at the bowling crease. Freeman loved nothing more than to bowl and bowl and bowl. And he just hated being taken off. Regularly he would open the bowling in county games and bowl right through the innings!

Tich Freeman’s standard bowling strategy was one of relentlessly attacking the stumps. The line of his leg break (his “go-to” ball) was directed towards making the right-handed batsman play at the ball, rather than being able to just let it spin by harmlessly. He had an unorthodox leg-spinner’s grip and tended to not overuse the googly, but had an extremely hard-to-pick top-spinner.

imageSome cricket pundits, in contrasting Freeman to later generations of bowlers, have tried to explain away or diminish his extraordinary success by predictably referring to the poor state of uncovered wickets in his day. Or to the fact that he sent down such a sheer weight of numbers of balls in his career. It is undeniable that bad wickets were an advantage for bowlers in that era, but in response I would ask what was it, given the even playing field prevailing, that made Freeman so much more successful than his contemporary counterparts? This comparison accentuates the point: in that English season when he took 304 wickets, the entire Derbyshire team in the Championship by comparison took just 324 wickets! The next closest individual county bowler to his 304 victims in 1928 managed only 190 wickets.

And while it was true that Freeman bowled a hell of a lot of balls in FC cricket, 154 thousand plus, the point remains that at the same time he maintained an outstanding career strike rate, less than 41, which is right up there with the very best of bowlers. Tich Freeman was a seriously great English wrist spinner whose fame was largely restricted to his home county of Kent. But for the timidness and blinkered vision of the national selectors in truncating his test career, Freeman’s bowling feats could be as well celebrated and lionised internationally as they are today among the Kent faithful and in pockets of the county cricket fraternity.

Photo: Wisden

Scotland’s Celebrity Rectors: The Chosen Ones of the Undergrad Vox Pops

Popular Culture, Tertiary Ed

A Rector is a type of office-holder pertaining to both the ecclesiastical and the academic realm. It is in this second context of the term, that of academe, that is the focus of this blog. The word ‘rector’ itself derives from the Latin regere (Ruler), and in the 17th century it signified one who governed a city, state or region. In the contemporary world of universities it is widely employed in Europe, Latin America, Russia, Pakistan, Philippines, Indonesia and the Middle East. Its meaning varies from place to place, in some of these the term ‘rector’ is used in the sense of chancellor, ie, the executive head of a university, but much more likely it denotes the ceremonial head (in a British University the real power would usually reside with the vice-chancellor rather than the chancellor).

The Ancient Universities of Scotland (Aberdeen)

In the English speaking world the rector is not a common office in the university hierarchy, the exception to this being Scotland where the post dates back to the 16th century. Each of the four ‘ancient’ universities of Scotland (St Andrews, Glasgow, Aberdeen and Edinburgh) plus Dundee – all have the office of rector, in some cases it is called, more grandly, lord rector. Scottish rectors are elected by the student body for a three year term, although at the University of Edinburgh rectors are still elected by both students and staff.

In the sphere of higher education the duties of rectors vary from institution to institution but broadly they are there to represent the interests of students in the wider university context on various governing bodies, eg, in Scotland they might also chair the University Court, the highest governing council of the university. One way they directly represent students is in an ombudsmen’s role, being a forum for students to air their grievances and complaints and a conduit to have their issues addressed within the university. Other duties of a rector might include participating in convocation ceremonies [‘What does the Rector even do?’, http://queensu.ca/rector/blog/].

In past centuries the Scottish tradition was for noblemen as rectors, titled gentlemen with a assortment of names sounding like variations on the “8th Earl of Cumbleyheathwaite”. By the 20th century the post tended to be filled by high achievers from business, politics, the civil service, the military, and the occasional notable clergyman. In the interwar period St Andrews set a precedent, by electing inventor Guglielmo Marconi, North Pole explorer Fridtjof Nansen and writer Rudyard Kipling to the post. After WWII Edinburgh University followed suit by electing the popular British actors Alastair Sim and James Robertson Justice, having earlier given the post to Churchill and a host of other MPs.

Nero as Rector

By the late sixties and the seventies celebrity rectors were starting to become a feature of the academic landscape. Students at Dundee University elected actor and “Renaissance Man” of letters Peter Ustinov for a second term which seems a measure of his popularity … perhaps this was not universally the case however. In his memoirs Dear Me, the rector emeritus expressed stinging criticisms of the arts students at Dundee for having the temerity to protest vociferously against the Vietnam War and militarism and authoritarianism in general, whilst under his watch. The peeved thespian compared them unfavourably to the University’s political and socially apathetic but scholastically conscientious engineering students.

Other colourful rectors followed at Dundee. Actor and omnipresent TV personality Stephen Fry was a popular rector in the 1990s, a popularity apparently not tarnished by Fry’s recent admissions that he used cocaine and Ecstasy during his rectorship at the University [Reported in The Courier (UK, 14 Oct. 2014) www.thecourier.co.uk ]. NB: the good burghers of the Dundee University community, if perturbed by this revelation, should take comfort in Fry’s disclosure in his memoirs that he also snorted coke on a visit to Buckingham Palace, so Dundee is in lofty company. The incumbent rector of Dundee University in 2015 is another celebrated Hollywood actor, Brian Cox, a Dundee local whose two terms are incident free to this point.

Dundee students may have expressed a preference for actors as their rectors but this has not exclusively been the case. In the 1970s they selected chef, broadcaster and politician Clement Freud (grandson of the father of Psychobabbling, Sigmund Freud). Clem Freud later had a second turn as rector, this time at St Andrews University where he edged out polarising feminist icon Germaine Greer in the ballot for the job.

Rector for “Silly Walks”

St Andrews’ most high-profile rector in recent history was comic actor John Cleese (1970-73), the “Minister for Silly Walks” himself. Cleese proved a popular rector at St Andrews and his staunchly anti-Vietnam War speeches struck a receptive cord among politicised students of the day. Cleese was an active participant in University activities and allayed any fears there may have been about his whacky persona bringing discredit on the office with any “Monty Python” antics [Cinema St Andrews , ‘John Cleese elected Rector of University of St Andrews’, www.cinemastandrews.org.uk]. Actors and television personalities have been the preferred flavour of the St Andrews’ student body, numbering Tim Brooke-Taylor, Frank Muir and Nicholas Parsons amongst their “media-sourced” rectors.

Edward Snowden (Image: NY Review of Books)

Whereas Dundee University’s preference has been for actors as rectors, Glasgow University students in recent times have made more bolder political choices. The Glasgow rectors have ranged from ANC (African National Congress) anti-Apartheid activists, Albert Lutuli and Winnie Madikizela-Mandela, to establishment vilified ‘whistleblowers’ Mordechai Vanunu and Edward Snowden (the current rector). The selection of these individuals were only symbolic choices as rectors (meant as a student statement of support and solidarity with international figures and causes) as none of the people were free to travel to Scotland to take up their posts. Accordingly the office of rector has been effectively unoccupied during these tenures.

A recent working(sic) rector voted in by matriculated Glasgow students was the actor and journalist Ross Kemp. Kemp’s term was truncated as a result of an abysmal performance in the post (repeated failure to attend important university events like the “freshers’ welcome”). The Students Representative Council at Glasgow carried a vote of no confidence in him and forced his resignation[‘Kemp quits university post’, BBC News, http://news.bbc.co.uk].

Aberdeen University students have been a little more restrained than their southern Scottish university counterparts in seeking out the very famous for rector, opting in the main for locally known identities. The University hasn’t steered clear entirely of rectors with celebrity status. In the early 2000s it had Clarissa Dickson Wright, TV cook and writer, one half of the popular “Two Fat Ladies” series, as its rector (though perceptive gender equality enumerators would have already noted that women have been numerically disadvantaged in the bestowing of the post of rector across all the institutions❈).

The ambitious & frugal young Mr Brown – his first leg on the political ladder

Overall, opinion north of the River Tweed has been mixed about the merits of celebrity rectors. Those who support the trend and try to explain its appeal, point to the growing dissatisfaction of students with party politics, and the perception that politicians are bland and dour and lacking in dynamic, like recent British PM Gordon Brown who was rector of Edinburgh University back in the early 1970s – having been elected to the office whilst still being a student (unusual). Entertainers and media personalities on the other hand, the theory goes, can add cache to the university, attracting positive publicity and much-needed funding … and they can bring a fresh, outsider’s perspective to what are traditional organisations.

Of course how successful or otherwise the celebrity rector is comes down to the individual. A factor in how much benefit the celebrity can be as rector is how much time (and energy) the incumbent can give to the position. Rectors with heavy demands on their time due to their full-time “day jobs” will be restricted in what they can give to the office. Also, if a rector attracts adverse publicity during his or her tenure (eg, Fry and Kemp), by association it could reflect badly on the institution [‘After this soap, your next role will be a rector’, Times Higher Education, (22 Jun. 2001) www.timeshighereducation.co.uk/feature].

The process for the election of Scottish rectors is open and quite democratic. Only 20 signatures are required to nominate someone for rector, which can give rise to surprising nominations. For example a Dundee student nominated his pet rat for the post, which might be viewed by some as trivialising and ridiculing the office. A nominee in 1928 for rector of St Andrews, coming clear out of right field, was Italian Prime Minister Benito Mussolini. Had the Fascist head of state been successful in his bid it might have been interesting to see what if anything he would have done with the office[ibid.].

Billy Connolly (Source: The Independent)

So, an academic post with the potential to maximise publicity for financially-struggling universities in Scotland, I am left to ponder the obvious thought that comes to me … why isn’t Billy Connolly on anyone’s short-list when they were putting forward the next round of nominees for rectors?

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❈ this comes as no surprise but women have been under-represented as university rectors even in more socially-inclusive, recent times

Medlow Majestic in the Wilderness: Transforming a White Elephant into a White Palace?

Built Environment, Bushwalking, Commerce & Business, Social History, Travel

The Hydro Majestic Hotel stands on the upper slopes of the Megalong Valley in the Blue Mountains, about 116 kilometres west of the Sydney CBD. Last December it re-opened for business six years after it’s resale and interim closure in 2008. The new owners, the Escarpment Group (a consortium of Sydney developers headed by Huong Nguyen and George Saad), have an ambitious vision for the Medlow Bath hotel, including an extension to its facilities and services, and a major renovation of the once great Blue Mountains landmark to restore some of its past glory. About four years passed before construction work even commenced on the site. Initially the new owners had to undertake a big clean-up job of the vacated property as a very large amount of assorted clutter was left behind by the previous occupants [‘Saving a grand old beauty’s soul’, Peter Munro, Traveller, 7 January 2013, www.traveller.com.au].

The Hydro Majestic through the agency of a renovation that cost $30 million has been transformed—from its erstwhile state of dishevelment and disrepair—to again rise seemingly phoenix-like in 2015. The new exterior makeover resulted in the complex’s buildings being painted uniformly white, clearly the developers are hoping that the anticipated returns will repay the investment (all up a reported $40.5 million including the purchase price) so that the venture doesn’t end up a ‘white elephant in all senses!’

Mark Foy’s Liverpool St store

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The Majestic’s current incarnation however is only the latest of many manifestations and reinventions that the hotel has undergone over its long, colourful history. The Hydro Majestic’s genesis lies in the overseas travel experiences of retail baron Mark Foy around the turn of the twentieth century. Foy was co-owner with his brother Francis of the large Sydney department store, Mark Foy’s (named after his father Mark Foy Sr) in Oxford Street, Sydney, later relocated to Liverpool Street in a famous
piazza building. The young entrepreneur’s experience of health spas on the Continent gave him the idea for starting a hydropathic therapy operation in Australia. In 1902 Foy purchased several large blocks of land in the Blue Mountains to re-create a similar spa resort to the highly-popular sanatoriums he had visited in Europe. The site chosen at Medlow Bath was supposedly located on natural mineral springs that incorporated the earlier Belgravia Hotel [John Low, ‘Palace in a Wilderness: Hydro Majestic Medlow Bath’, www.bmcc.nsw.gov.au].

Foy’s Blue Mountains ur-health resort
Upon completion in 1904 Foy opened his Medlow Bath hydropathic sanatorium (the first health resort in NSW) which he named the Hydro-Majestic. By this time whatever springs were present (if they ever existed) had dried up. Consequently Foy imported large quantities of mineral water from Germany for use in his establishment [
www.hydromajestic.com.au (Wikipedia entry)]. He also introduced a German-manufactured generator to supply the Hotel and the surrounding township with electricity (purportedly four days before the city of Sydney achieved electricity!) [www.hydromajestic.com.au, ibid.].

A series of spa pools connected by springs to the hotel generator were constructed in the nearby bush for the use of guests. Foy advertised that the Hydro would provide cures for nervous, alimentary, respiratory and circulatory ailments. Foy from the establishment’s start was also intent on trying to broaden the Hydro’s appeal, advertising it as “the most enjoyable place to spend one’s holidays” [Elaine Kaldy, ‘Medlow 1883 and Now’ (1983), cited in ‘Mb002 : Hydro Majestic’, NSW Office of Environment and Heritage, www.environment.nsw.gov.au]. To coordinate the therapeutic programs Foy brought out a Dr Bauer from Switzerland to introduce guests to his “diets of weird and wonderful treatments” [www.hydromajestic.com.au].

Playboy business tycoon
Mark Foy, to all accounts, was not particularly hands-on in his business pursuits, leaving it to a host of managers and agents. The Hydro for instance was apparently leased to influential hotelier and parliamentarian James Joynton Smith in 1913 [‘K032 : Carrington Hotel’, NSW Office of Environment and Heritage,
www.environment.nsw.gov.au]. Foy’s conspicuous affluence and delegation of tasks to others allowed him the leisure to pursue outdoor activities. The business baron also had a reputation of being something of a playboy-about-town in the ‘Great Gatsby’ mould, legendary for throwing lavish parties for his friends at the Hydro and at his other homes at Bellevue Hill and Bayview.

Mark Foy Jr

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The Hydro Majestic owner was a keen sportsman, yachtsman and motor-car enthusiast. He was such a car enthusiast that he would periodically have sales of bulk numbers of his vehicles on site at his Bellevue Hill property [“MARK FOY’S MOTORS” (Advertisement),
Sydney Morning Herald, 3 September 1910 – an adroit coupling of business with pleasure on his part; cited in Pittwater Online News, Issue 102 (17-23 March 2013), http://www.pittwateronlinenews.com/mark-foy-history.php]. Foy used his fleet of cars to ferry guests on trips from Medlow Bath to nearby Jenolan Caves. He also kept horses on the grounds for guests to explore Megalong Valley by horseback [Office of Heritage and Environment (Hydro Majestic), www.environment.nsw.gov.au].

Majestic skylineMajestic skyline

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Network of bush walks and sustainable agriculture
Foy had a series of bush walk tracks built on the cliffs below the Hydro Majestic. The walking tracks provided spa guests with a physical outlet that would complement Dr Bauer’s therapeutic programs. Guests were encouraged to exercise in the fresh mountain air as part of their recovery. These tracks with local physical features with names like Tucker’s Lookout, Sentinel Pass and the Colosseum offer breath-taking cliff views of the Megalong Valley, and are still explored by bush walkers today.
As well as the hotel site itself Mark Foy purchased a considerable amount of land in the Megalong Valley to grow food for the Majestic hotel dinner tables. Foy built a large rural holding at Megalong which he called the Valley Farm, on it was a racecourse, stables, diary farm and a piggery. The farm grew corn, turnips and oats [‘Mark Foy – Retail Tycoon and Megalong Valley Farm’, www.megalongcc.com.au]. The produce grown in the valley was transported up to the resort by a flying fox Foy had rigged up.

The business tycoon also maintained personal properties on the Medlow Bath complex, including a cottage in the Valley known as the Sheleagh Cottage. This property with its great views of the valley, now called “Mark Foy House”, is today listed as a mountains getaway available for rental. It is unclear how much time the constantly on-the-go Foy spent at Sheleagh, or for that matter at any of his Sydney properties, as the newspapers of that day regularly reported him as embarking with his family on yet another world or European tour [cited in Pittwater Online News, op.cit.]. I can easily imagine Foy’s name cropping up constantly in the Vice-Regal column that used to appear in the Sydney Morning Herald.

‘The Lost World’

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Resort’s luminaries
At the height of its popularity, in the twenties, the Hydro-Majesty was THE fashionable venue to visit, “the place to be seen” by the denizens who grace Sydney’s social pages. Over the years it has had more than its fair share of VIP guests, such as Sherlock Holmes creator Sir Arthur Conan Doyle whose novel
The Lost World was inspired by the vast wilderness environment that the Hydro was set in. Other guests include Indian rajahs, Australia’s first Olympic swimming gold medal winner Freddie Lane, and the Commonwealth’s inaugural Prime Minister Edmund Barton, who died whilst staying at the resort in 1920. Boxer Tommy Burns set up a training camp at the hotel where he prepared to fight Jack Johnson for the World Heavyweight Championship in the most famous bout in Australia boxing history at Sydney Stadium in 1908. The entertainment and amusements provided by Mr Foy at the Hydro Majestic took various forms. In its heyday when it was a luxury tourist resort, balls and concerts were regular events. Singers such as the soprano queens Dames Nellie Melba and Clara Butt were hired to perform at these concerts. A curious feature was the cross-dressing costume parties of well-to-do guests in which the husband and wife swapped clothing with each other for the event [‘Saving a grand old beauty’s soul’, op.cit.].

An architectural mixed bag
Taken at its broad scope the Hydro-Majestic is an impressive if a bit discordant sight, a long line of arranged buildings, albeit positioned in a somewhat higgledy-piggledy fashion stretching for some 1.1 kilometres across the Megalong escarpment. The Hotel’s architecture is hybrid in character, with buildings being added in an
ad hoc fashion over time and in a novel mixture of styles: Victorian, Edwardian, Belle Époque and a blend of Art Deco and Art Nouveau interior design.

The Hydro – in its down-market days

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The Majestic’s most distinctive external feature is the
Casino building with its imposing Chicago-manufactured dome (this ‘casino’ has been used as an entertainment hall or pavilion rather than as a gaming house). The changing fortunes of the Hydro Majestic as a whole over the decades was symbolised in the fate of the Casino itself: going from the scene for grand balls and concerts in the 1920s and 1930s to a repository for (how the mighty have fallen!) pinball machine entertainment in the 1980s!

A ZimmermanA Zimmerman

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Resident artist with obsessive-compulsive tendencies
One of the most intriguing interior features of the Hydro Majestic is the so-called
Cat’s Alley, a long corridor whose windows back in the day were draped with peacock feathers. Scone-and-cream afternoon tea visitors to the hotel would stroll down the corridor strewn with puff-pillowed lounge chairs and a set of bizarre panelled scenes, hunting scenes from different historical periods, the work of a Swiss artist called Arnold Zimmerman. Panel after panel comprised Prehistoric cavemen hunting wooly mammoths, Assyrian warriors slaughtering lions, British Raj mounted horsemen hunting tigers in India, Roman soldiers killing elephants, and so on and so on. The first time I ever visited the Hydro I marvelled somewhat bemused at Zimmerman’s paintings, finding them slightly disturbing in their obsession with the monumental struggle between man and beast, terrible but also engaging in a visceral way. Visitor access was blocked to the Alley for some years but it is pleasing to note that it is opened again after the refurbishment with additional seating.

The immediacy of a vast wilderness of National Park bushland has regularly posed a danger to the Hydro Majestic. In 1905 fire destroyed the Gallery building and in 1922 did the same to the original Belgravia wing. There have been several other close calls, the latest in 2002 when Medlow Bath’s “Gothic tourist pile”, as one article described it, narrowly avoided a spot fire blaze [Margaret Simons, ‘Majestic tourist icon survives ordeal by fire’, Sydney Morning Herald, 9 December 2002].

The Hydro-Majestic over the course of its century-plus existence has undergone a number of transformations. What started off as a hydropathic spa pretty soon morphed into a luxury tourist retreat after 1909 (“Mr Foy’s Private Lodge”), only to revert more modestly to a family hotel for ordinary guests and day-trippers. In WWII the Hydro was converted into the 118th US General Hospital to care for convalescing American soldiers, some of which showed their “gratitude” by inflicting damage on the hotel’s decor during their stay. After the War the Hydro reverted to a hotel and guesthouse. By the 1980s the buildings had declined alarmingly despite receiving a heritage preservation order in 1984, business had dropped off and the very visible signs of wear and age eventually necessitated a revamping in the 1990s and again in the last few years.

In keeping with the hybrid nature of the hotel, parts of the new Hydro Majestic exude a distinctly oriental flavour. The Salon Du Thé features a Shanghai chic tea room and bar and both it and the Cat’s Alley reprise many of the oriental traits of the original 1900s Medlow hotel which featured a Chinoiserie style favoured by Mark Foy. The Majestic’s original Salon Du Thé displayed ornaments and furnishings  which included large Chinese vases and porcelain vessels, bamboo-look furniture and silk umbrellas [www.hydromajestic.com.au].

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Footnote: Regaining its past glory? Will the refurbished Hydro Majestic rise again to the exalted heights it attained in the inter-war period? Will patrons flock to it again as they once did? Will it be able to attract the higher socio-economic clientele associated with a luxury resort? It is far too early to tell, but it should be noted that there is a lot more choice now in Sydney with high-class hotels and resorts. Nonetheless, the Hydro’s traditional high tea is back, the complex has more restaurant options than ever before, though the guest rooms are still on the small side! What also hasn’t changed to its advantage are the magnificent panoramic views of the Megalong Valley, they remain one of the Hotel’s strongest magnetic attractions.

Above: Flagship of the Mark Foy’s retail empire. The city department store opened in 1885, moving to the Liverpool Street site in 1909 where an ice skating rink was installed on the 5th floor in 1950 for “Fashion Fantasy on Ice” parades. In 1980, having been earlier acquired by Waltons it ceased trading permanently. Today the monolithic heritage building renamed the Downing Centre functions as a state courthouse.