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Shenyang’s House of the Marshal Zhangs
If you are touring Liaoning’s provincial capital and want a taste of Shenyang’a history, you will most probably have the no longer ‘forbidden’ (Mukden) palace on your itinerary. After doing Mukden, the Marshal Museum is your essential next stop. And conveniently its just a leisurely saunter from Gú Gōng in the middle of Shenhe District.
Chaoyang Street ⇣
You’ll find Marshal Museum in Chaoyang Street, a street worthy of exploring more widely while visiting Shenyang, its variety and interest extending well beyond Marshal Museum in itself. On the day we visited the museum it wasn’t drawing the same numbers of people who were swarming all over the Imperial Palace, but it certainly was attracting a very healthy sum of interested punters in its own right.
What is today a museum was the former home of a family of prominent Dongbei warlords in the first half of the 20th century – the Zhangs, a brace of Zhangs, father and son. During China’s turbulent “warlord era” following the overthrow of the Qing Dynasty, Generalissimo Zhang Zuolin established a power base in the Northeast region. This was his home and after he was assassinated in 1928, his son Zhang Xueliang assumed the mantle as Dongbei warlord and Chinese strongman.
In large part because the younger Zhang lived a very long life (to 100) and there are more resources on him, the personal artefacts, possessions, photos, etc. contained within the museum puts more focus on Xueliang than on his father.
The mansion-cum-museum’s layout comprises several separate building connected by a series of courtyards. While not as lavish or large an affair as the “Puppet Emperor” Pu Yi’s palace-museum in Changchun, the Marshal Mansion exudes a powerful sense of the power players in control of Chinese’s destiny before the ascent to power of the communist rulers.
The key architecturally piece, the standout of the museum is the mansion itself. The building is Neo-Gothic in style, not mega-large but substantially large. The curious thing was that in front of the facade was what looked like a random dump of very large rocks, collected together in a large pile. I thought it an odd juxtaposition but I realise it wasn’t merely happenstance and doubtlessly it held some deep cultural and perhaps even religious significance※.
The other buildings represent a hotch-potch of different architectural styles, ranging from traditional Siheyuan buildings to South China pavilions to habitable structures blending Western and Chinese styles.
A mansion temple and more of those sacred rocks ⇣
The interior displays have a predictably martial theme (befitting the military power-players the Zhang were) and there’s a section devoted to Zueliang’s exile and migration to Hawaii after his fall from grace – with lots of pictures and material.
A mic’d-up on-site tour guide ⇣
One of the rooms contains an inventive and spectacular war mural which is part painting and part sculpture, depicting a full-on visualised battle scene which is graphically very effective.
Two of the outdoor exhibits which caught my eye were of a transportation kind. The museum held two of the Zhangs’ vehicles: the Zhang family sedan (a horse-drawn carriage) and a motor truck, the sign for which makes the claim to be if not China’s earliest automobile (I doubted this!), at least one of the very earliest automobiles in the country.
⇡Marshal Zhang’s accountant
Like the nearby Imperial Palace, Marshal Zhang Museum makes much use of waxworks type mannequins to enhance the “historic atmosphere”. So we find different buildings ‘peopled’ by life-size dummies – the warlord’s administrators (accountants and such), his military staff and other functionaries of the mansion✦.
Next door to the Zhang museum❂ is another tiny (micro-) museum – the Shen Yang Financial Museum. Our tickets got us into this museum as well so I wasn’t sure if there was some formal nexus between the two museums.
Entry to the Marshal Zhang Mansion Museum (as of September 2019) is ¥60 adult and ¥30 concession (same fee structure as for the Mukden Palace).
Footnote: in my article on Shenyang’s Gú Gōng I mentioned the penchant Chinese officialdom have for flowery prose when it comes to public signage. Well, Marshal Mansion didn’t quite live up to the standard for tangentially romantic and imprecise language set by the Imperial Palace, but they came up with a more prosaic and down-to-earth sign for their lawns…one much more directly to the point: 远离绿草 “Move your step away from green grass”.
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※ another take on the seemingly patternless clump of rocks is that they suggest a kind of prehistoric countenance
✦ I don’t recall seeing mannequins of either Zhang among those featured at the mansion. This is in sharp contrast to the clay and wax facsimiles of Pu Yi which seem to pop up all over the Changchun palace
❂ in Shaoshuaifu Alley, just off Chaoyang Street
Exploring Shênhé Qū: Beyond Mukden Palace
Tourists to the Northeast city of Shenyang looking to absorb some of the history of the place tend to head for Mukden (or Fèngtiān) Palace 奉天宫 (these days perhaps better known as Shenyang Imperial Palace or Chényáng gùgōng)❋.
Although Shenyang’s fame resides with the only other Chinese imperial palace outside of Beijing, the old city of Shenhe has other attractions in the neighbourhood worthy of a diversion away from the palace and Shenyang Street. I have already touched on Marshal Zhang Mansion (and museum) and Chaoyang Jie (the subject of separate blog pieces).
But if you want to explore other places in Shenhe District (Shênhé Qū) celebrating Chinese history and culture, you could start just across the road from Gù Gōng. I happened upon this fairly new monument site to China’s past set in a wide plaza running from Shenyang Jie to Shengjian Lú. The monument, typically Chinese in design, comprises a busy ‘canvas’ of numerous bronze relief sculptures crammed together and mounted on to two long walls which face each other. The monument’s subject matter represents various threads drawn from China’s long and turbulent history of empire and war (no thematic shortage of martial figures on horseback with weapons) .
While you are in the immediate vicinity, if you exit the monument-laden square at the western end you’ll end up in Shengjing Road. This is another street of interest worth a saunter down it. It contains a good mix of new and older architecture.
Another interesting digression can be had by following Shenyang Jie south for several blocks. There are are some splendid examples of modern buildings borrowing from the traditional styles of Chinese architecture. Eventually you will arrive at a rather magnificent Chinese arch at a major intersection in the road. A pagoda-style structure – dwarfed by comparison – sits atop the massively proportioned arch (this human-made icon is best viewed at night when luminously lit up)$. 
∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞
❋ in the same way as tourists seeking the Shenyang ultimate shopping experience make a beeline for Middle Road (Zhōng Jiē) and its very long commercial pedestrian plaza
$ no less a triple-tunnelled arch – with a dominant central tunnel bookended by two smaller, subordinate tunnels
Gù Gōng, a Cut-down version of the Beijing Archetype
If you’ve been to Beijing and trekked the city’s tourist trail, you will inevitably see, et al, the Forbidden City (Zǐjìnchéng) 顾功. If you subsequently also find yourself as a visitor in the principal city of Liaoning province, Shenyang, you’re almost equally inevitably going to include the Northeast version of Beijing’s imperial gem on your “to see” list.
For some, seeing the provincial version of the Forbidden Palace with the image of the monumental original in mind, might prove somewhat of a letdown. Shenyang Imperial Palace (Gù Gōng) 顾功❋ is a mere one-twelfth the size of the fabled Forbidden Palace, yet it would be very harsh to write off Gù Gōng as a pocket edition of the Beijing prototype. The architects have condensed a great deal of real estate into the >60,000 square metres of the palace grounds at Shenyang. There are more than 300 rooms and around 20 separate courtyards in the complex.
Note: The cost of a ticket to enter the Shenyang Imperial Palace and Museum is set at parity with the nearby Marshal Zhang Mansion (60 CN¥ for adults).
Gù Gōng was built in the 1630s under the directions of Nurhachi and Abahai (the two founding emperors of the Qing Dynasty from 1644). Shenyang Palace’s layout comprises three sections, an eastern, middle and western section (this latter section was constructed by a later Qing emperor). The eastern section includes a component known as the “Ten Kings’ Pavilion” – a group of pavilions where the Qings determined imperial policy for the internal affairs of the country.
The architecture of Gù Gōng is interesting in itself. Stylistically, Gù Gōng is a blend of different building styles. The many buildings and structures comprise an architectural amalgam – among these, Han, Manchu, Mongolian and Tibetan styles can be readily discerned within the palace’s four walls.
The museum component of Gù Gōng includes a raft of Qing imperial art treasures. Among the items on display, direct from the Qing emperor’s pantry are many peerless examples delicate and beautifully glassware, together with enamel vases and gourds, ivory utensils. Not to forget the other such irreplaceable knickknacks from the erstwhile royal household.
Apart from visiting the palaces’s artworks and artefacts and it’s pavilions, another thing you can do at Gù Gōng, if you really want to get into the decadent spirit and sense of privilege of the Qing lifestyle, is costume hire! For not too many shekels✫ you can physically transform yourself into a Qing emperor or empress…for a few fleeting moments. Once you’ve traded your civilian garb for some over-the-top, fake imperial clobber (the colour red is non-negotiably mandatory), the vendor will snap a series of photos in various poses against an appropriate backdrop, ie, astride a mock Chinese imperial throne! 
When in non-English speaking countries, I must admit I do derive a wickedly almost schadenfreude-like buzz from seeking out colourfully inaccurate but humorous attempts at rendering public signs into English (AKA ‘Chinglish’). And my experience in China over three visits is that these translation concoctions are among the most wildly unrestrained, off-the-page and imaginative going – they are almost invariably, pure gold! And I’m pleased to report that Shenyang Imperial Palace did not let me down in this regard. The pick of the palace signs was this gems adorning (or guarding) the palace lawn: “Splash tears when stepping on. After stepping grass heart-wrenching”, a very roundabout way of conveying the direct, standard message “Please keep off the grass”⚀. And yet, as mangled syntactically and grammatically as it is, you can not but admire the very idiosyncratic but nonetheless quite poetic nature of it! Very Chinese to be sure!
PostScript: Shěnyáng lù 沈阳路 and that arch!
If you make your way to Shenyang Imperial Palace from North Shenyang (Zhongjie) subway station (in Shenhe district), it’s but a short walk (less than three blocks) but one itself of interest, even before you reach the palace. At the major cross-street just down from the station exit, an imposingly massive grey archway with a terracotta pagoda roof marks the start of the street, and in a way announces that you are passing into the precinct of the palace. Upon seeing the ‘imperial’ arch the first time I reasonably but erroneously assumed it was the palace entrance itself, which is actually another two blocks further east! Aside from the symbolic arch there are several other interesting buildings in this street, again presenting a contrast of traditional and more modern Chinese building styles.
Shenyang lu
⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢⇢
❋ sometimes referred to as the Mukden Palace (perhaps of archaic use now). ‘Mukden’ was the Manchu name for the city
✫ about 60 to 100 yuans depending on how regal you want to get!
⚀ in a similar bent, posted on another lawn (perhaps more abstrusely) was “Looking at flowers and plants outside the garden and laughing”
Tài Yáng Dâo: A Verdant Green Island, a Russian Themed Park, a Disneyfied Castle and a Surplusage of Squirrels
Our ultimate day in Harbin, what to do? My own leaning, on surveying the options, nudged me towards a trip to Unit 731 (AKA Detachment 731), a museum established in a multi-building complex which was used by the Japanese military and scientists to carry out heinous biological experiments on the local population during the Thirties and Forties. My travelling companion’s inclination however was for spending a less sombre and more genteel day at Tai Yang Dao (Sun Island). In the end what swayed it for Sun Island was proximity, it being a short boat distance from Central (Z.Y.) Street, compared to Unit 731 which was located in the city’s back blocks, requiring a long train trip from the centre.
We decided crossing the river by boat would be the optimal way to get to Sun Island. The other but considerably more expensive way to get to Sun Island is by cable car, which certainly provides a bird’s-eye level vantage point during the crossing (you can also get there circuitously by taxi, crossing a series of bridges). There is no charge to visit Sun Island but access to amusements, rides, activities, etc attract a charge.
The water transport to Sun Island departs from the wharves at Sidalin Park✹. Boats run pretty much continuously all day✥ to the island, so popular is the venue. Although it’s just across the Songhua River we didn’t make straight for Sun Island. The three-quarter full charter boat took a left once out in the channel and headed down the river for a view of the city south skyline behind Stalin Park down to the bridges. We also got to see some of the nearby uninhabited islands overrun by the reeds and wild grasses of the wetlands. I say ‘uninhabited’ but this is only 99 per cent factual. As we make a bee-line for 太阳岛, coming up on your left is the local branch of the men’s nude bathers’ club (fortunately, some might say for sake of aesthetically considerations, the Harbin naturalists are a discreet distance away).
As the ageing journeyman ferry chugs across the water we take videos of the approaching island and the cable cars being pulled back and forth. I remind myself that in just a few months time this trip won’t be possible…the clear aqua-turquoise surface of the river will become solid frozen with the onset of Harbin’s winter. Amusingly, we pass a line of swimmers in single file. These, older men mainly, are slowly swimming, or more accurately half swimming, half dog-paddling, their way from an island to the mainland. Each of them is carrying a rucksack of belongings attached to them by rope like an umbilical cord✧.
As the boat approaches the island wharf, one or two landmarks catch the eye from the river. The first, from a distance looks like a light-hearted sculpture of a very large white swan or is it a goose? When we got to the wharf we realised it wasn’t a pop culture artwork, but the comical masthead on a pleasure vessel for visitors (and especially children) to ride on.
The second, much more visible landmark getting the attention of the boat passengers looks like a historic European castle rising up out the treetops, something you might find on the Danube – in Budapest for instance. Once ashore, on closer inspection, it’s historical pedigree is found wanting. It is of more origin and seems to be inspired by the logo figurehead castle you see at Disneyland! The ‘castle’ turns out to be the central administrative and amenities building for the island’s commercial operations.
Getting around the island by foot is possible but it covers a large expanse of land and the attractions are quite spread out. So from the wharf we decided to use the “people mover” or the mini-bus to get-about (¥20 each). This made logistical sense but our experience was that it proved a very poor service provider. I was expecting it to operate as a flexible “hop-on, hop-off” arrangement (a lá the Big Red Bus in capital cities globally), but we were not able to hail down one of the many vehicles continually circling the park (every though we had purchased tickets). Each time we tried the bus driver refused to stop for us even when the vehicle was virtually empty (great PR Sun Island!). Apparently our ticket permitted us to use certain passenger service vehicles only (not explained at point of sale).
That said, the island park did not lack for attractions and points of interest. The various, quaint bridges around the ponds makes for nice “eye-candy”. A Russian-style village garden added to the theme park feel of Sun Island. The section containing the waterfalls and accompanying rock caves were a real highlight for photography manic-obsessives❂ (tip: the pick of the pix is an angled one capturing both the rock-face waterfalls and the big balloon in the shot).
Many of the island fixtures are well worth a close-up inspection. The mega-scale, modernist monument (a combination of white ovals and arches) near the Greenway is an interesting feature in itself. Another white structure with two storey viewing towers of the water is similar appealing in its design. I was also taken by the supersized “organic sculpture” that we stumbled upon. This creation was another popular point for visitors to mill round and snap endless selfies. The mainly green and red bird (of paradise?)◙ is entirely a floral construction in the familiar style of Jeff Koons (the gigantic floral puppy that once graced Sydney’s Circular Quay, now in Bilbao, Spain).
And if nature encounters with fauna are your bag, then Sun Island will not disappoint. You can visit a section of the park with fenced off animals of the more gentle kind like deer and caribou. Here for a fee you can pat and feed members of the Cervidae family inside an enclosure. I noticed that with the deer, familiarity brings a singular expectation on their part. Far from being reticent and shy, the creatures can sniff out a food-toting human from 60 feet.
But the one member of the animal kingdom that seems most at home on Tai Yang Dao are small rodents from the Sciuridae clan. The island abounds with the common acorn-addicted squirrel, plentiful on the ground and in the trees. So numerous they are, they have been designated their own section, “Squirrel Lake”, but you don’t need to go here to find them, they inhabit the entire wooded area of Sun Island. While walking around the island, at the back of the Russian model gardens, I spotted a ginger cat in hot pursuit of a squirrel, desperately but hopelessly trying to diminish the fleet-footed Sciuridae population by one.
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✹ the return boat trip to and from Taiyangdao wharf costs 35 RMB per person and includes a “grand tour” of the riverfront
✥ well to late-ish afternoon anyway, the Pingfang attraction closes about five o’clock
✧ I don’t think they were heading for the nude men’s beach (carrying too much baggage for a start!)
❂ ie, mostly everybody on an overseas junket!
◙ it looked like a chicken to me but I’m going with the Chinese bird of paradise which would be more emblematic
Zhaolin Park, Bridges and Canal: Harbin’s Green Chill-out Zone
From Harbin’s tourism centro, Zhongyang Jie, you can find your way to Zhaolin Park by heading north one block. This succulently lush green park with its verdant plant life is a great place to retreat to, getting away from all the people, all the hustle and bustle of Zhongyang Street. And it’s very reachable via a short walk down Shangyou Street from Z.Y. Street.
Zhaolin Park, attractively set on a large block of public land (more than 8 hectares), is roomy yet it is also compact…it fits quite a lot of things into its space while still allowing you the freedom to roam around. What defines the essence of the park is the canal that snakes it’s way through the park and gardens. It is the thread that connects the various parts of green Zhaolin. By walking in concentric circles around the park you can acquaint yourself with the various quaint and charming bridges which cross the canal at different points.
Zhaolin Park is well resourced, little wonder then that families tend to flock there. It especially caters for the juvenile visitor. Exotic birds in large cages in one part. Several different amusements for children are contained within the park perimeter, plenty of gentle rides for the younger child. For the family as a whole, the most popular element are the paddle boats. You can hire a colourful boat and paddle a course up and down the canal.
Being on the lookout for traces of the Russian presence that once pervaded Harbin, I particularly noticed the old entrance gates and buildings on my way in and out (in Senlin and in Shangzhi streets). The structures project a distinctly Russian dome character in the design. It is refreshingly and perhap surprising to report that Zhaolin Park is adequately equipped with toilets, but if I had one quibble it is the same one I have with most many public parks. Given the constant and steady stream of visitors Zhaolin receives, it could do with a lot more seats for the punters distributed right across the park.
FN: at the peak freeze-point of the northern hemisphere (January-February each year), Zhaolin Park transforms from green to ice and snow white. It is one of the places you can take in the spectacle of ever-more imaginative ice sculptures that Harbin is internationally famous for (home of the winter Ice Festival and Ice Lantern Show)
PostScript: Name derivation
Zhaolin Park was originally called Lam Kam Road Park✽. It was renamed in the late 1940s in honour of a Chinese communist guerrilla leader and Dongbei political organiser. Li Zhaolin organised and led the Northeast Anti-Japanese United Army in its resistance to the Japanese invaders in the Second Sino-Japanese War. In 1946 Li was assassinated in Harbin by Kuomintang agents. Zhaolin Park can be entered from Shangzhi Street, which is named after another Northeast communist commander in the war against the Japanese, Zhao Shangzhi.
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✽ or Daoli Park
Zhongyang Street: A Little Night Music, A Bit of an Arty Cosmopolitan Vibe, Residual Russianness and a Smokin’ Hutong
Zhongyang✽ Street (to insiders Z.Y. Street for short) proclaims itself in the elaborate, neon-lit arch that spans the start of the street. A small plaque hanging from the arch announces: 中央大街建筑艺术博物馆 -Architectural Arts Museum of Central Avenue, a tag that is a bit pretentious for what is Harbin’s high tourism pedestrian street.
The commercial hub of the street comprises restaurants, eateries, souvenir shops and hotels. The further you go down the street towards the river, the grander the buildings become. This is where many of the city centre’s older and grander Russian buildings are, including several palatial structures in the Baroque style (alas, some of these grand old mega-buildings have suffered the ignominy of being sub-divided to accommodate KFC and other fast food operators). 
Although Z.Y’s Russianness can be glimpsed everywhere. Place names, shop and restaurant names for the most part are present in both Russian and Chinese. But he Russian imprint on Zhongyang is more profound than this. At many of the street’s corners you can see the Russian architectural influences in the onion domes, minarets and spires sitting atop many buildings. 
With Zhongyang’s cornucopia of niteries and gift shops, the street flows with people ever-so slowly ambling up and down the old cobblestone pavements. They are present from first thing in the morning through to and beyond nightfall. But it is at night that Z.Y. Street really comes alive. The street is a thriving heartbeat, and the night beat is a musical one! The melodic sounds of old-fashioned small bands and trios can be heard all along the central thoroughfare. This recurring feature gives Harbin its nickname of Music City (although Harbinites tend to render it in English as ‘Muisic’ City). The musical highlight for me was a solo guitarist playing with great gusto from an upstairs Z.Y. balcony. This ‘muso’ who wasn’t Chinese (possibly he was Russian) was really going off, strutting his stuff for the gathering of visitors below with Jimi Hendrix-like zeal and vigour! 
The evening is also the right time to explore Zhongyang Jie’s artists’ nook at the river end of the street. Around dusk every night a contingent of bohemian-looking❇ artists set up their chairs, boards, frames and utensils to drum up some passing business. The crayon-fingered artists, predominantly badly dressed males with straggly long-hair and unkempt beards, invite curious passers-by to have their portrait drawn during a short sitting. The street artists seem to do solid, steady business although there’s always a lot more watchers than there are models willing to fork out the 60-80 CH¥ plus 20 CH¥ for the plastic cylindrical container to keep it safe in. While my partner was having her likeness recreated in pencil and crayon, I checked out the ‘live’ handiwork of the other artists…some were of course better than others (although this might be a matter of taste) but I thought that the quality of drawing along the strip was consistently fairly good.
A discus throw’s distance from the artists’ niche was another, not to be missed attraction, again best visited at night. In a side lane off Z.Y., lit up like Christmas, is one of the busiest, noisiest food hutongs you are likely to experience. Stretching 100 plus metres down the lane are a long line of street food stalls (mostly selling much the same stuff, kebabs it seemed to me). The hutong produced a spectacular light show of colour and a throbbing vibe of noise from competing soundtracks and the din of the stall-holders hawking their fast food ‘delicacies’. But it was the first food stall on the corner bearing the name “Food Supermarket of Quidelia” that attracted the most attention. It was more boisterous than the others, and this was down to the antics of one particular vendor. Taking centre stage was this zany, hyperactive dude in sunglasses and conspicuously large colourful wrist beads (a bit of a fashion trend for young Chinese males). His ‘routine’ consisted of a sudden launch into corybantic dancing❅ to the pulsating street music while twirling a fan (or several fans) in a 360° arc…then seamlessly he would swap the fan for some food tongs, flip a couple of kebabs and then resume his over-the-top, campish dance performance with an undiminished degree of furibund intensity. Quite mesmerising in a WTF way!
Heading westerly up Z.Y. towards the river you will come to a heavy traffic cross-street. The town planners’ solution to this impediment to pedestrian progress was to build an underground pathway which allows those on foot to by-pass the dense vehicular traffic overhead. Known as the “Pedestrian Tunnel under Zhongyang Street”, the tunnel has the additional function of being a secure space for the city’s youth to congregate. Here, the local kids hang-out, skate-board or play ti jianzi (the popular game of foot shuttlecock that many Chinese especially in Beijing are obsessed with). A couple of passageways funnelling off from the tunnel lead to a small U-shaped shopping arcade which caters mainly for tourists. 
Footnote: If you get past all of the shops and other vibrantly alive distractions that Zhongyang Street throws at you, there’s a very pleasant riverine park awaiting you at the end. The path cutting through the park provides an enjoyable stroll for those in no rush to go anywhere fast. Neat garden edge-boxes, strategically positioned trees of the Weeping Willow variant and several tasteful marble works of sculpture add to the aesthetic appeal of the park. The other feature of the park worthy of comment is the monument to those Harbinites whose lives were profoundly impacted by the 1957 flood catastrophe in Harbin (honouring both the victims and the heroes of the disaster). The monument, the Flood Memorial Tower, is augmented by a more modern structure, a large semi-circular, columned arch which, in the way popular with contemporary Chinese town planners, produces a nightly kaleidoscope of alternating colours intended to dazzle onlookers.
ڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡڡ
✽‘Central’ in Chinese
❇ looking the part with a full ration of “starving artist” street cred
❅ for ‘dancing’ read gyrating wildly in a frenetic manner