Living on the Pointy End: Pole-Sitting and its Ancient Antecedent the Stylites

Leisure activities, Memorabilia, Performing arts, Popular Culture, Social History, Society & Culture

The first two decades of the 21st century have been witness to a raft of passing fads and rages, we’ve seen the likes of Planking, Twerking and Tebowing, etc ad nauseam, it makes me wonder whatever happened to the, by definition, sedentary craze of pole-sitting? Like most crazes, I guess, it is of its time and the shelf life is never infinite. It’s day, or its heyday, was in the 1920s up to around the early 1930s when the peak of the craze subsided.

‘Shipwreck’ Kelly at work

Pole-sitting
The initial exponent of pole-sitting or specifically flagpole-sitting, so far as we know, was New Yorker Alvin ‘Shipwreck’ Kelly. Prior to his preoccupation with pole-sitting, Kelly was a jack-of-all-trades, trying his hand as a steelworker, steeplejack⋖a⋗, high diver, boxer and movie double. He also was a naval ensign during WWI and held a pilot’s licence and performed aerial stunt flights. Opinions differ on how ‘Shipwreck’ got into the business of pole-sitting, one view goes that the habit came early, scrambling up a pole at the tender age of seven, others attribute it to a dare or to a publicity stunt for a Philadelphia department store [‘Body of ‘Shipwreck’ Kelly Lies Unclaimed in Morgue’, Sarasota Herald-Tribune, 13-Oct-1952, (Google News Archive)]. In January 1924 his ‘career’ took off with a record-setting sit atop a pole for 13 hours and 13 minutes to help promote a Hollywood film. Kelly’s best-ever effort was 49 days and one hour, Atlantic City 1930.

AK keeping up with the news at ground-level (Photo: Everett/Fine Art America)

At the height of his popularity Kelly was earning $500 a day, coming from charging money to people to watch his feats of endurance, from books about his life, from endorsements and personal appearances. His fame also led to a 28-day tour of the United States, sitting on poles in a different city on each day of the tour. But the glory days did not last, the onset of the Great Depression saw his popularity plummet rapidly, Americans quickly lost interest in spending precious money watching men sit on poles with more serious and urgent concerns taking centre stage in their lives (Saratosa Tribune).

‘Dixie’ Blandy (Source: Facebook)

Pole-sitting became competitive with Richard ‘Dixie’ Blandy challenging and even besting Kelly’s 49-day record. Brandy’s accomplishment, 77 days, was the stuff of legend, sustained as it was on a diet of bottles of whiskey and three packs of cigarettes a day [‘The Mad 1920s: Fad of Pole-Sitting’, Messynessy, 25-Sep-2020, www.chic.com]. Interestingly, prior to being bitten by the pole-sitting bug Blandy, like Kelly, tried an assortment of jobs including circus worker, boxer, house painter, steeplejack, riveter, merchant marine, salesman and (wait for it) flagpole painter. Unlike Kelly though, the Louisiana-born Blandy didn’t become inactive because of the Depression, continuing the activity and even breaking his 1933 record twice more, the second time in Stockholm, Sweden, added to Dixie’s legend – a sit of 125 days in a chair affixed to a pole 200-feet above the ground, while consuming 92 bottles of whiskey and his customary diurnal 3 packs of cigs⋖b⋗.[‘Richard Ernest “Dixie” Blandy’, Findagrave, www.findagrave.com]. Blandy actually died on the job, killed in 1974 when the flagpole supporting him collapsed.

Publicity shot: Dixie was popular with the ladies, married 6 times (all his wives met him via the phone at his pole-sitting events) (Source: Dayton Daily News)
Paalzitten (Noordwijkerhout)

Blandy notwithstanding, the fad had seen its day after the Depression bit hard. Since then there have been attempts from time to time to revive the pole-sitting caper. In the Netherlands for example pole-sitting became a competitive sport In the 1970s – the Dutch call it Paalzitten (literally “sit tight”). This is a world away from the pursuit that made Alvin and Dixie famous, the poles in the Netherland sit above not solid ground but water and nose-bleeds are uncommon as Dutch derrières are perched barely two arm lengths from the level of the water…“a tourist attraction more than a spectator sport”. [‘Paalzitten Is A Dutch Competitive Sport Where You Have To Sit On A Pole For Hours’, The Engineer, www.wonderfulengineering.com].

💢 💢 💢

Stylites
The fad of Pole-sitting originated in the 1920s as we have seen, but there are historical precedents for this curious pastime. In the early Christian period certain ascetic monks of a particularly fanatical bent practiced something broadly analogous to pole-sitting. These holy men of Late Antiquity were called  ‘Stylites’ (from Greek stylos, ‘pillar’). Stylites were “pillar-dwellers” not pole-sitters, and their motivation was spiritual salvation rather than money and fame which spurred on ‘Shipwreck’ Kelly and his ilk. Stylites’ also differed from the pole-sitters in modus operandi, standing on the pillars was their preferred position. Sitting was something they tended to resort to only when overcome by fatigue or perhaps sleep.

6th century depiction of Ur-Simeon Stylites

The ‘poles’ in question were in fact narrow columns or towers atop which were small platforms which housed the Stylite. The platform were usually encircled by a railing of sorts to prevent the hermit-preacher from falling off. The most famous of the practitioners—the ur-Stylite—was Simeon Stylites the Elder whose early zeal for Christianity led him to ascend a pillar in Syria in AD 423. Later he relocated to a second, nearby pillar more than 15 metres above the ground, apparently staying in it till his death 37 years later⋖c⋗.

Icon depicting both Simeon the Elder & Simeon the Younger

Simeon’s devotion to the practice made him quite a celebrity in the Christian world, he corresponded with the high and mighty including the Eastern emperors Theodosius II and Leo I, even exerting some influence on ecclesiastical matters, such was his standing. Visitors flocked to observe him praying, preaching and fasting on his high platform. Pilgrims and sightseers sought spiritual counselling, healing for the sick, intervention on behalf of the oppressed, etc. Simeon was too popular, a double wall had to be constructed around his pillar to keep the thronging multitudes from getting too close and disturbing his prayer sessions [‘St. Simeon Stylites’, Britannica, www.britannica.com].

Luke the Stylite

The pre-Medieval Christian lifestyle caught on among the more ascetically inclined of the early Byzantine clergy (including women) with many following the prototypical Stylite, some even adopting his name. The more notable of these include St Daniel of Constantinople, St Simeon Stylites the Younger (Antioch), St Alypius of Paphlagonia (north-central Anatolia) and St Simeon Stylites (III) of Lesbos. As this list shows, prominence in the Stylite calling was a passport to sainthood. The Stylites needed to be a stoical lot as they were exposed to all kinds of weather at the top (although some were fortunate enough to be furnished with a small hut to escape into in time of severe inclemency).

Georgian hermit headquarters (Source: Vintage News)

Footnote: If you think the Stylites were confined to the so-called “Dark Ages”, think again! The practice has not entirely been extinguished in the 21st century. A monk in Georgia (Maxime Qavtaradze) in 2013 celebrated 20 years of lofty solitude as a ascetic hermit atop a mountain pillar a la the Stylites⋖d⋗. The original Stylites however would not recognise their barest of existences in the Georgian pillar set-up…Maxime lives in a small cosy cottage with adjoining church house on the top of his pillar, and the monk descends twice a week to the village below to say prayers with his parishioners [‘Georgian Monk Renews Tradition, Lives Atop Pillar’, Radio Free Europe/Radio Liberty, 11-Sep-2013, www.rferl.org].

⋖a⋗ perhaps serving as a kind of altitude training for his later pole-sitting marathons

⋖b⋗ to avoid a calamitous outcome in marathon stints, the pole-sitters tied their legs to the vertical structure when wanting to sleep

⋖c⋗ meagre parcels of food were fetched to Simeon by his disciples

⋖d⋗ in this case a limestone rock pillar

The Limp Falling Funsters of Perth and the Artifice of Planned Spontaneity

Leisure activities, Media & Communications, Performing arts, Popular Culture
Python running rugby

When I first heard about the Limp Falling Club✪ and it’s fanatical penchant for bizarre, nonsensical public (and pub) antics, it sounded like the physical humour of a very silly Monty Python skit. It turns out I wasn’t the only person to make the association between the Limp Fallers’ shtick and the Surreal sketches of the legendary Monty Pythons. No less a practitioner of his own unique brand of cutting satire than John Clarke joined the dots between the Limp Falling Club and Monty Python … channeling John Cleese’s “Minister of Silly Walks” Clarke went on to advocate the formulation of a new ministerial office, an appropriately absurd (given the lunacy that is Canberra politics) “federal Minister of Limp Falling”.

The “spontaneous public theatre” of the LFC was the brainchild of Australian political cartoonist Paul Rigby, circa. late 1950s⍟. The ‘ritual’ proceeded like this, a group of neatly-dressed white collar workers (mainly journalist types) would convene, typically in a pub or a bar or perhaps a restaurant. After consuming copious quantities of beer, on a signal they would suddenly and ‘spontaneously’ drop to the floor singularly or holus-bolus in a collapsed heap, no doubt startling nearby onlookers. I found a slim handful of grainy You Tube videos on the internet demonstrating the technique (sic), including one which shows a score of Limp Fallers including Rigby tumbling haphazardly down a staircase with scant regard to their safety.

At the time Paul Rigby was living in Perth, WA, where the “art form” took off. The cartoonist’s favourite “watering hole”, the Palace Hotel in the Perth CBD became the epicentre of the performance art of limp falling, the epicentre of the activity in Australia at least. A 2013 article by Aleisha Orr suggested the spectacle of limp falling “swept across many parts of the world in the 1950s and 60s”. In the same article one of the few surviving, octogenarian members of the club had his own take on the mysterious origins of the art of limp falling, the result of a house party accident when one of the journos—well-lubricated at the time no doubt—fell through an asbestos wall❂

Palace Hotel, Perth

I don’t think that limp falling has ever quite reached the international heights of “fad-dom” of say the Rubik’s Cube or “Flash Mobbing”, but I can testify to the quirky practice having some degree of international currency. Going back some 30 years I remember seeing a story on the nightly news about the “All Fall Down Association”. A different moniker but dedicated to the same peculiar pastime – a group of respectable looking middle class ‘suits’ (all males again) from various parts of the compass coming together at London’s Heathrow Airport. On the intoning of a special code word, in synch all collapsed to the ground with dramatic effect.

‘President’ Rigby (Source: AMHF)

After Rigby’s death in 2006 the LFC’s presidency eventually passed to his son, although the Club (Perth chapter) appears to have been inactive for some years now.

✪ AKA the Limp Falling Association

⍟ according to the Australia Media Hall of Fame, the concept of “limp falling” was the result of a collective meeting of minds of Rigby and Ron Saw and Steve Dunleavy, two of his journalist colleagues from Sydney’s Daily Mirror

❂ the other partygoers found the incident hilarious and a new fad was thus born

GANEFO 1963, the Newly Emerging and Transient Alternative ‘Olympics’

International Relations, Politics, Regional History, Regional politics, Sports history

Currently we are watching, from a distance on television, the Olympics from Tokyo. This is the second time Tokyo has held the Olympic Games, although it is the third time that city has been awarded the Games{a}. The previous time Tokyo hosted the Olympics, 1964, Indonesia, North Korea and the People’s Republic of China, all boycotted the world’s premier sporting event{b}. This disharmonious development within the Olympic community had its origin in the 1962 Asian Games, host Indonesia refused entry to Taiwan (in deference to mainland China) and Israel (to appease Muslim Arab states).

GANEFO opening ceremony, 1963 (Photo from Amanda Shuman’s collection, published in Journal of Sport History)

Mixing sport and politics
The IOC criticised Indonesia for politicising the 1962 Asian Games, but it’s president, Sukarno, far from contrite, was emboldened to go further in his defiance of the IOC. Sukarno, determined that Indonesia plays a leadership role in the Non-Aligned Movement, enlisted sport in the task of furthering “the politics of anti-imperialism and anti-colonialism”. Sukarno set up GANEFO or the Games of the New Emerging Forces…an alternative Olympics-style event held in 1963 in Djakarta, complete with opening ceremony, giant torch, etc. Like his PRC counterpart Mao Zedong, Sukarno deliberately used sports “to display international prowess” which in turn was meant “to enhance global stature”{c}(Webster, David. “Sports as Third World Nationalism: The Games of the New Emerging Forces and Indonesia’s Systemic Challenge under Sukarno.” The Journal of American-East Asian Relations 23, no. 4 (2016): 395-406. Accessed August 1, 2021. https://www.jstor.org/stable/26549192). GANEFO represented “a Sino-Indonesian-sponsored challenge to the International Olympic Committee’s dominance in sport that also attempted to solidify China’s geopolitical position as a Third World leader“, Shuman, Amanda. “Elite Competitive Sport in the People’s Republic of China 1958–1966: The Games of the New Emerging Forces (GANEFO).” Journal of Sport History 40, no. 2 (2013): 258-283. muse.jhu.edu/article/525098.

Pres. Sukarno (Image: globalsecurity.org)

The IOC was hostile to what it viewed as a challenge to its rules and authority, Djakarta’s breach of the Olympic ideal that sport and politics should remain separate. Sukarno responded by calling out the IOC for hypocrisy, pointing out that the IOC by ejecting the Asian communist countries of PR China and North Korea from the Olympics fold, itself was playing politics. In the prevailing Cold War climate Sukarno characterised Brundage’s organisation as “a tool of imperialists and colonialists”. Predictably, the US and the Western media labelled GANEFO as a ‘Red’ event, citing Sukarno’s links to the Indonesian Communist Party (PKI) and communist China’s weighty involvement in the games as well as the USSR and Eastern Bloc’s participation (‘A Third World Olympics: Sport, Politics and the Developing World in the 1963 Games of the New Emerging Forces (GANEFO), Russell Field, Verso, 09-Aug-2016, www.versobooks.com).

“Onward, no retreat”, GANEFO motto

The establishment strikes back
In IOC chief Avery Brundage’s mind it was more than just a case of defending the ‘official’ games as the IOC’s proprietorial brand, his purpose in trying to deflect the challenge from emerging Third World leaders like Sukarno has been seen as an attempt to “buttress the Olympic movement as a First World institution in a rapidly decolonising world” (Field). The IOC’s retaliatory response was quick: the Indonesian Olympic Committee was turfed from the Games (communist China had already withdrawn from the IOC). Later, in 1964, the IOC readmitted Indonesia for Tokyo but decreed that individual athletes who participated in GANEFO 1963 were barred from selection for Tokyo. Sukarno rejected these conditions, demanding that “all or none” of the country’s athletes be eligible for the 1964 Games. Consequently, with the IOC and Indonesia at loggerheads, Djakarta unilaterally withdrew from Tokyo in protest (‘GANEFO I: Sports and Politics in Djakarta’, Ewa T. Pauker, Rand Paper, July 1964, www.rand.org).

Who went to GANEFO 63 and who ‘won’?
Around 2,700 athletes participated representing about 50 countries – mostly from Asia but many from Africa and the Middle East (including a team representing “Arab Palestine”, whereas Israel was again excluded); the communist eastern bloc states; South America; and curiously for an event comprising “New Emerging Powers” there were contingents from France, Italy, Finland and Netherlands (the presence of Dutch athletes in Djakarta from the ex-colonial power in the East Indies seemed baffling!). China had the biggest team and easily won the ‘unofficial’ gold medal count with 68. Olympic stadium, Djakarta (antaranews.com)

Almost all of the delegations of attending athletes were not sanctioned by their countries’ Olympics committees for fear of reprisal from the IOC. Accordingly, most of the athletes participating were “not of Olympic calibre”. It was especially tricky for the vacillating Méxicans whose participation it was feared might jeopardise México City’s bid for the 1968 Olympics. As soon as México City got the nod from the IOC, a Méxican team was hastily cobbled together to attend{d}.

Beyond GANEFO
Sukarno saw the realisation of GANEFO and the forging of close ties between Third World countries in sporting and cultural endeavours, as a pathway to something bigger than sport, an institution that might challenge the existing international order. GANEFO was meant to foreshadow the creation of CONEFO (Confederation of the New Emerging Forces), a new world body which would appeal to left-nationalist and neutralist states emerging out of colonialism. CONEFO Sukarno hoped might come to stand as an alternative, Third World-focused United Nations (Webster){e}.

Chinese ‘MO’
China played a key supporting role in getting GANEFO up in 1963. It was the principal financial backer for the event and the Djakarta games got great coverage from the Chinese state media. Like Indonesia, PRC saw good propaganda value in the games, its participation in ‘goodwill’ games purported to foster solidarity and understanding between Third World countries across the globe was intended to show it in a good light vis-á-vis the Capitalist West. Beijing was eyeing off the prospect of becoming rivals with both Washington and Moscow, it was looking for avenues to exert influence with Indonesia and the Afro-Asian world and the GANEFO opportunity nicely suited its purposes (Pauker).

 End-note: GANEFO 66 and finis
The GANEFO games were intended to be an ongoing affair but the impetus could not be maintained. A second GANEFO games had been scheduled to be held in Cairo in 1967 but were subsequently cancelled due to rising Middle East tensions. Instead, the follow-up games (“Asian GANEFO”) took place in Phnom Penh, Cambodia, in 1966, which tried with less success to replicate the original sporting event in Djakarta. Subsequently GANEFO quickly faded away. The main factors for the GANEFO games’ demise were the overthrow of its driving force President Sukarno and the steep costs of hosting the event (Russell).

◰◱◲◰◱◲◰◱◲◰◱◲◰◱◲◰◱◲◰◱◲◰◱◲◰◱◲◰◱◲

{a} Tokyo was awarded the 1940 Olympics but was stripped of its hosting rights after Japan invaded Chinese Manchuria

{b} in addition South Africa was banned from competing due to its racialist Apartheid policy

{c} now even more important to China as their stand-out performance in the current Games in Tokyo indicates

{d} many of the European participants were from leftist student organisations and workers’ sporting clubs. Military personnel were a component of several nation‘s teams

{e} in 1965 Sukarno pulled Indonesia out of the UN

City Lights Bookshop: Shakespeare and Company’s “Symbiotic Sister”

Creative Writing, Literary & Linguistics, Old technology, Popular Culture, Regional History, Social History, Society & Culture

In 1953, two years after George Whitman resurrected Sylvia Beach’s famed Shakespeare and Company in Paris, the bookshop that was to become its trans-Atlantic soul mate, City Lights, opened its doors in the North Beach area of San Francisco🄰.

(Photo: Bancroft Library, UC Berkeley)

Two landmark ‘indie’ bookshops
The story of Shakespeare and Company’s evolution into an legendary bookshop has been sketched in a previous blog piece: ‘Hanging Out at Shakespeare and Company’, 21-July-2021. On the other side of the Atlantic another distinctive stand-alone bookshop was staking it’s undeniable claim for iconic status in the world of independent booksellers.

A literary community
Lawrence Ferlinghetti envisaged City Lights as “a literary meeting place”—just like Whitman and Shakespeare and Company—a haven for aspiring writers to hangout and find creativity. A poet himself, Ferlinghetti attracted an emerging group of fiction writers and poets that coalesced into the “Best Generation”, including Jack Kerouac, Allen Ginsberg, Gary Snyder and Gregory Corso. The Beat writers and poets found themselves a comfortable niche hanging out together in the basement reading room of City Lights.

(Image: Bancroft Library, UC Berkeley)

Not only that, Ferlinghetti was proactive in his support for the Beats’ budding careers by starting a publishing arm at City Lights, bringing to the public collections of poetry, offbeat and radical books ignored by the mainstream press. Ferlinghetti’s disavowal of the commercial mainstream saw him promote alternative newspapers and magazines as well (‘Lawrence Ferlinghetti, poet and founder of City Lights bookshop, dies aged 101’, Sian Cain, The Guardian, 23-Feb-2021, www.theguardian.com).

(Image: citylights.com)

Maverick bookseller 
City Lights was always an innovator in the bookselling biz. It arose with the onset of the paperback revolution, a wave that the San Fran bookshop happily rode. Hard covers were expensive so City Lights became the first all-paperback bookshop in the US (co-founder Paul Martin’s idea). The bookstore bucked the bookselling status quo – before City Lights came along readers could only buy paperbacks from drugstores, bus stations and newsstands (‘The Beat Generation in San Francisco’, Bill Morgan, www.citylights.com). Ferlinghetti’s store was a democratising force in US bookselling, City Lights’ paperbacks were cheap, all budgets could afford their quality pocket books. City Lights’ innovativeness extended to opening hours. Unlike the bulk of mainstream American bookshops who usually closed early in the Fifties, City Lights stayed open seven days a week and late into the night.

🔺 the ’emperor of City Lights

Bookshop outreach
The bookshop extended outreach activities to the local community. The store maintained a community bulletin board, disseminating info for the North Beach literary set, thus helping to foster the local counterculture community. Ferlinghetti also furnished the City Lights store with letter racks for itinerants who frequented the triangular storefront to collect their mail.

The ‘Howl’ episode
In 1956 Ferlinghetti published and distributed a poem by an unknown Beat poet Allen Ginsberg. Police in an undercover sting operation confiscated Ginsberg’s ‘Howl’🄱 collection and arrested Ferlinghetti who was charged with selling “obscene material and corrupting America’s youth”. The subsequent trial became a cause celeb in the industry. The judge found that the publication had “redeeming social significance” and therefore was not obscene🄲. The trial publicity was great for Ginsberg’s poetry and for City Lights. ‘Howl’ became an underground best-seller and a symbol of both the counterculture and the Beat Generation🄳 (Morgan).

🔺 Ferlinghetti outside City Lights, 1950s

Political poetics
The character of City Lights reflected Ferlinghetti’s own political and social activism. The “philosophical anarchistwas a bulwark for left causes, eg, using the bookshop venue to host many sit-ins and protests against the Vietnam War (“books, not bombs”). Ferlinghetti believed that poetry was a social force capable of raising the consciousness of the people.

Ferlinghetti & Ginsberg (Source: SFist)
Precarious business model? 
Profitability was not City Lights’ raison d’être. Staying out of “the red” was a constant challenge. To stay afloat sometimes the publishing side needed to bail out the retail sales which was losing money and at other times it was vice versa (Cain). What didn’t help matters financial were the activities of shoplifting gangs in the Seventies which targeted the bookshop. And if it wasn’t them it was insiders like poet Gregory Corso helping himself liberally to the till (Morgan).

Whitman & Ferlinghetti (seated) in 2002 (Photo: Mary Duncan/Paris Writers Press)

Footnote: the extent to which Shakespeare and Co and City Lights can be called sister bookshops comes down largely to the personal visions of their founders Whitman and Ferlinghetti🄴 who were both lifelong book tragics🄵, “(sharing a) love of literature and poetry (and a) devotion and commitment to the power of words” (‘The Beats go on…’, Alix Sharkey, The Guardian, 02-Mar-2002, www.theguardian.com). For Whitman and Ferlinghetti however, the bookshop was more than a receptacle for selling books, it filled the roles of haven and incubator in nurturing new writers as well as a hub for the local literary community. Sister bookstores they may be but they are clearly not identical twins when it comes to the interiors and decors of the two bookshops…City Lights’ book displays are neatly-ordered and arranged whereas Shakespeare and Co is clutter central to the max!

City Lights (Photo: Literary Hub)

Lawrence Monsanto Ferlinghetti, poet, painter, social activist, and co-founder of City Lights. The New York born, Paris educated, bookseller and publisher, died on 22nd February 2021, aged 101.

🄰 City Lights’ address, 261-271 Columbus Avenue, San Francisco 94133, places it technically within Chinatown but the store identifies with the adjoining precinct of North Beach

🄱 ‘Howl’, ‘I saw the best minds of my generation destroyed by madness…’ was a thunderbolt against the conservative poetry establishment of Fifties America, the prototype for a new poetry which immersed itself in “wide-eyed truth-telling”

🄲 the basis of the acquittal was a precedent called on in later attempts to overturn bans on works like Tropic of Capricorn and Naked Lunch

🄳 although often associated with them, City Light’s publishing arm never confined itself to the beat writers, it also publishes the work of non-Beat luminaries like Charles Bukowski, Sam Shepard and Malcolm Lowry

🄴 strictly speaking Ferlinghetti wasn’t the founder of City Lights, that was sociology academic Paul D Martin but Ferlinghetti got into the business on the ground floor in 1953 and took sole charge of the bookshop within two years after Martin left

🄵 Whitman literally slept in a room in the store overflowing with books