Son of Flynn: Fatefully Following in the Footsteps of a Swashbuckling, Hellraising Legendary Father

Biographical, Cinema, Popular Culture
Errol Flynn (Source: New York Post)

Film star Errol Flynn was a larger than life character of mythic proportions, on-screen he was an authentic Hollywood legend. But his attention-getting off-screen personal life embellished his aura of notoriety and fame even more than the many Hollywood adventure film roles he played. On the silver screen Flynn embodied the heroic, swashbuckling celluloid figurepar excellence as Robin Hood, Captain Blood, Don Juan, General George Armstrong Custer, Gentleman Jim Corbett and Major Geoffrey Vickers, just some of his many celebrated roles. In his private life—most of it though was pretty public—the rebellious Tasmanian had a legendary playboy reputation for debauched behaviour and manoeuvrable morality…excessive drinking, brawling, drug-taking, wild partying, famously prodigious sexual exploits and a proclivity for underage girls culminating in rape trials. But even before his Hollywood period Flynn’s episodic life in New Guinea and New Britain was an incident-packed cavalcade of adventures that wouldn’t have been out of place in an Indiana Jones movie. Young Errol clearly had a compulsion to try different things, bouncing from one knockabout job to another – shipping clerk to tobacco planter to colonial agent to would-be gold prospector to tour guide, etc. During all this Errol escaped crocodiles and native headhunters, womanised indiscriminately, shot and killed a local for which he was tried for murder and subsequently acquitted. Damningly as well, Flynn was also an absconding serial debtor, an inveterate liar and an alleged slave-trader.

Father & son together

So, given Flynn’s Brobdingnagian reputation, any offspring of his, especially a male, would have a lot to live up to. Flynn’s three marriages produced only one male heir, Sean, born in 1941 to Flynn and his first wife Lili Damita. Almost inevitably as fate would decree it Sean Flynn, 6’ 3”, with a similar athletic build and inheriting Errol’s good looks, did attempt to follow in his far from model pater’s footsteps. Sean got an initial taste of acting in his teens appearing in Flynn Senior’s TV show The Errol Flynn Theatre𝕒. Sean inherited a small sum when his father died suddenly in 1959 and with it enrolled at Duke University but did not complete his degree. The beckoning call from Hollywood or “imitation” Hollywood was not far away.

Son of Errol

The Son of Captain Blood
In 1961 the highly predictable happened! Sean was cast as the swashbuckling lead in a sequel of sorts to his dad’s spectacular breakthrough role in Captain Blood which had catapulted Errol into instant, universal stardom in 1935. Son of Captain Blood, an Italian–Spanish–British co-production (with some of the action scenes shot in Spain). The script was penned by Casey Robinson, writer of the original 1935 film. Prior to production the neophyte Sean received instruction in how to fence, fight and fall safely and convincingly on screen from Tarzan actor and stuntman Jock Mahoney𝕓 (Gene Freese, Jock Mahoney: The Life and Films of a Hollywood Stuntman (2013). Unfortunately Sean’s foray into cinematic pirate territory didn’t reproduce the family sparks – as the LA Times pithily summarised the movie, “the old magic isn’t there.”

Sean with Pili…or is it Mili? (Source: briansdriveintheater.com)

Ephemeral B-movie star
Though Sean failed to set the screen alight in The Son of Captain Blood he did make a few more minor adventure films in Europe the mid-1960s, such as Duel at the Río Grande (as Zorro), followed by a couple of forgettable Spaghetti Westerns, the second playing opposite a popular Spanish teenage comic duo, Pili y Mili, AKA the Bayona Sisters (Sharp-Shooting Twin Sisters).

The last photo of Sean Flynn (left) & colleague on the day they disappeared (Photo: Perry Deane Smith/MCT/Tribune News Service via Getty Images)

Frontline Flynn, the Gonzo war photographer
When Flynn Junior became bored with acting, perhaps channeling Hemingway more than his father, he took himself off to Africa to work as a guide for safaris and big game hunting. Sean’s final movie was a 1967 French–Italian action picture Five Ashore in Singapore. By this time Sean had taken up a new career as a freelance photojournalist, basing himself in Vietnam with the Indochina war in full swing. This work was much riskier than anything Errol ever tackled in his tumultuous life…Sean went on patrols with the Green Berets, getting shot at by the Viet Cong (being wounded on one occasion), all in the name of getting the best pictures of the raging war𝕔. In 1970 Flynn went to Cambodia to cover the spread of the Vietnam War into that neighbouring country. Sean and another American photojournalist disappeared on 6th April 1970, never seen again, after they ventured into Communist-held territory in Cambodia. In 1984 Flynn was declared dead in absentia, his exact fate remains a mystery but most think that the two Americans were executed by either North Vietnamese guerrillas or the Khmer Rouge.

Sean Flynn on patrol (Photo: Tim Page)

Sean’s willingness to repeatedly put himself in the path of extreme danger in the Vietnam conflict led some observers to conclude that the combat photographer harboured a “death wish”. Certainly, Sean seemed to have inherited Errol’s reckless gene, always looking to push the envelope without regard for self. Both father and son seemed to be guided during their lives by a Byronic impulse, their lives inextricably linked to the romantic and the tragic (Jeffrey Meyers, Inherited Risk: Errol and Sean Flynn in Hollywood and Vietnam (2002).

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𝕒 hosting this British anthology series was one of the jobs the former matinee idol had to resort to after his Hollywood film career took a nose dive

𝕓 who had earlier stunt-doubled for the older Flynn

𝕔 Flynn was one of a group of Vietnam War “Gonzo” photographers including Tim Page and John Steinbeck IV who were committed to going anywhere, putting themselves into extreme risk situations to get the best combat photos

Slavery, the Elephant in the Room: Myth-making about the United States’ Uncomfortable Past

Cinema, Inter-ethnic relations, Popular Culture, Regional History

When human rights principles buttressed by international law took root, slavery in both its traditional and modern forms became ever more of a dirty word in First World societies like the US. Little wonder then that faced with the stark realities of such a repugnant and vilified practice staining their own country’s history, some might seek to lay a euphemistic guise over the unpalatable nature of the institution.

Texas, 1835-36 (Source: texashistory.unt.edu)

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“Involuntary relocation”, denial, whitewashing?
One topical example of this involves Texas and its long and vexed relationship with slavery. A conservative group of Texas educators in 2022 proposed that schoolchildren should be taught about the state’s history of “involuntary relocation”, which enables teachers to neatly avoid the dreaded word “slavery” altogether (on the pretext that references to slavery might be too confronting for the tender ears of small children). Needless to say this attempt “to blur out what actually happened in that time in history” has been heavily criticised by progressive historians (‘State education board members push back on proposal to use “involuntary relocation” to describe slavery’, Brian Lopez, The Texas Tribune, 30-Jun-2022, www.texastribune.org)ⓐ.

The Alamo, San Antonio (Photo: age fotostock)

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Texas creation myth
Conservative groups in Texas have good reason to try to bury the spectre of slavery as the institution is very much connected to the state’s most sacred historical symbol, the Battle of the Alamo in 1836. The traditional Alamo story—brave American freedom fighters against the far superior forces of tyrannical México, their heroism inspiring the (Anglo-led) Texians under Sam Houston to achieve independence—is ingrained on the consciousness of all Texans and all flag-waving Americans…it is in fact a story central to the creation myth of Texas. The defenders of the Alamo, so the conventional Anglo narrative goes, made the ultimate sacrifice for liberty. The heroic Alamo myth has been reinforced by fictionalised screen versions of the Alamo’s leaders: Davy Crockett, Jim Bowie and William Travis come across as courageous martyrs for the Texians’ cause (largely thanks to Walt Disney and John Wayne)…in reality they were far from lily-white, Crockett was a slaveholder and an unsuccessful politician who resorted to buying votes, and his glorified death at the Alamo as portrayed on the screen—going down valiantly fighting “evil” Méxicans to the very end—was a fiction (first-hand accounts verify that Crockett surrendered and was executed). Bowie and Travis were both slave traders and the morally dubious Bowie also made a living through smuggling. Hardly 19th century model citizen stuff (Bryan Burrough, Chris Tomlinson & Jason Stanford, Forget the Alamo: The Rise and Fall of an American Myth, (2021)).

The Alamo according to the John Wayne movie

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Slaveholder rebellion, Manifest Destiny, American exceptionalism?
Similarly, the traditional view of why the American colonists revolted—because they were supposedly being oppressed by a tyrannical regime in Mexico City—is at variance with the inconvenient facts. American colonists came to Mexico’s Tejas with the purpose of making money through from cotton, the only viable cash crop in the territory at that time. For this to happen, black slave labour was a necessityⓑ. Once the Texians declared their independence in 1836, the centrality of slavery in the new republic became even more apparent with the institution being enshrined in the Texas constitution. Numbers of slaves in the republic grew exponentially, doubling every few years in the period from 1836 to 1850ⓒ. By 1860 slaves made up nearly one-third of the state’s population. As James Russell noted, rather than being “martyrs to the cause of freedom” as claimed, the defenders of the Alamo could more truthfully be tagged “martyrs to the cause of freedom of slaveholders”(‘Slavery and the myth of the Alamo’, James W. Russell, History News, 28-May-2012, www.historynewsnetwork.org)ⓓ.

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Slavery, mythology and the Civil War
When I went to school in the 1960s I learned that slavery was the cause of the American Civil War, clear and simple, the Southern states wanted to retain the practice and the Northern states wanted to end it. But in the US itself there has been no such consensus. As early as 1866 the defeated South had cobbled together its own, alternate narrative for America’s most costly war.

The post-bellum myth portrayed a society of happy, docile slaves and benevolent masters as conveyed in the classic film Gone With The Wind

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“Lost Cause of the Confederacy”
Southerners depicted the Civil War as a noble “lost cause”, romanticised its soldiers (Robert E Lee the chivalrous Christian gentleman) and constructed a pseudo-historical myth that the war was all about states rights, not slavery, the South was just protecting its agrarian economy against Northern aggression, trying to defend its way of life against the threat posed by the powerful industrial North. In reality, when South Carolina, the first of the Southern states to secede, did so in 1860, it complained that the national government had refused to suppress the civil liberties of northern citizens (ie, its failure to halt Northern interference in the South’s slave industry) (Finkelman, Paul (2012) “States’ Rights, Southern Hypocrisy, and the Crisis of the Union,” Akron Law Review: Vol. 45: Iss. 2, Article 5.
Available at: https://ideaexchange.uakron.edu/akronlawreview/vol45/iss2/5).

Confederacy based on the principle of white supremacy
The Confederacy’s (CSA) philosophical underpinnings rested on an unquestioned sense of white supremacy and black subservience, bolstered by pseudo-scientific ideas of race gaining traction at the time. Suffrage was a right afforded only to CSA’s white males. The South fought to safeguard its “right to hold property in persons”, and to do so in perpetuity (‘The Confederacy Was an Antidemocratic, Centralized State’, Stephanie McCurry, The Atlantic, 21-Jun-2020, www.theatlantic.com).

Slaves in the cotton field (Artist: John W Jones)

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ⓐ it didn’t go without notice that this development is occurring at a time that Tejanos (Texas Latinos) are poised to become the majority in the Lone Star state

ⓑ the government for its part had originally invited American migrants to Méxican Texas to populate the vast province and to counter the indigenous peoples, especially Comanches and Apaches, who freely raided and plundered Méxican settlements and ranches

ⓒ fulfilling the founder of Anglo Texas Stephen F Austen’s prediction that the Texas Republic would become “a slave nation”

ⓓ Burroughs et al dismissed the Texas Revolt as “a sooty veneer of myth and folklore”

Japan’s Pioneering Entry in the Heroic Age of Polar Exploration: Shirase in the Tracks of Scott and Amundsen

Natural Environment, Regional History

THE race to be first to reach the Geographic South Pole in the early 20th century was, as is well known, a race between two explorers, Amundsen versus Scott, and two expeditions, Norwegian versus British. But not anywhere near as well known is the fact that there was a third country vying at the same time for the honour of being first to Antarctica’s centre – Japan.

The Japanese expedition had its genesis in the aspirations of one individual, an army reservist, Lt Nobu Shirase. His “Boys Own” adventure dreams of being first to reach the North Pole thwarted by news of claims by two separate American explorers Peary and Cook of having reached the Arctic pole, Shirase turned his attention to Antarctica. Notwithstanding a lack of enthusiasm from the Japanese government Shirase mounted an expedition with the patronage of a former prime minister Count Okuma and private donations.

Japanese expedition team (Source: coolantartica.com)

A race from behind
At the outset the Japanese Antarctic expedition was acutely at a disadvantage. The scheduled end of November departure for the expedition (actually didn’t leave Tokyo until 1st December 1910) was too late for the Antarctic. The vessel chosen, the Kainan Maru (meaning “Opener-up of the South” or “Southern Pioneer“) was half the size of Amundsen’s ship and only one-third that of Scott’s one. While the Kainan Maru‘s captain Naokichi Nomura was an experienced seafarer the crew of 27 contained no one with polar experience. The expedition’s dietary provisions for the trip were paltry and questionable, lacking pemmican, a high-energy mix of meat and lard preferred by the European expeditionaries.

After refuelling in Wellington, New Zealand, the expedition ship made its way through wild and stormy conditions to Antarctica where it found itself unable to land. With winter closing in and the ship in danger of being icebound and stranded, the Kainan Maru turned around and headed for Sydney to wait out the winter.

Making camp in Sydney harbour
The Japanese ship underwent repairs at Jubilee Dock in Balmain during its Sydney winter sojourn and the crew members themselves were permitted to quarter at Parsley Bay (photo – right) on the Wentworths’ Vaucluse Estate. The men established a camp there comprising a demountable wooden hut and canvas tents. The Japanese presence caused a bit of disquiet in the “Harbour City”…the Sydney press raised suspicions about their “real”motives, suggesting that it may be a cover for a spy mission, especially given that the encampment was not far from the South Head military establishmenta . Feelings antipathetical to the visitors subsided however after eminent Sydney scientist Prof Edgeworth David praised the Japanese men and formed a strong friendship with expedition leader Shirase.

The following season, reinforced by new provisions and resources including new personnel and a new team of Siberian sled dogs, the expedition returned to Antarctica with the stated aim of surveying and scientific discovery. This time a landing on the southernmost continent was successful. Shirase sent the the majority of his team off to explore King Edward VII Land, while he led a five-man “dash patrol” towards the Pole itself. Shirase’s party battled blizzards and reached the point 8 5′ S before running low on supplies and abandoning the attempt in late January 1912. The expedition finally completed their return journey to Japan, in June 1912, a trek of 13,000-plus km.

Endnote: 15 minutes of fame and no fortune

Lt Shirase (centre) (Source: coolantartica.com)

Although Shirase briefly received a hero’s reception on return, the fame was ephemeral. The expedition was noteworthy in being the very first polar exploration by non-Europeans and in its managing to avoid any loss of life or serious injury to its personnel. It didn’t however come close to achieving its objective of reaching the South Pole, nor did it contribute much to polar science. The experience did not yield fortune for Lt Shirase, on the contrary he found himself burdened for the rest of his life with having to pay off the expedition’s outstanding debts.

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a against a backdrop of growing western concerns that Japan was entering a phase of military expansionism following earlier foreign policy aggressions (wars with China and Russia)

Works consulted:

‘Scott, Amundsen… and Nobu Shirase’, Stephanie Pain, New Scientist, 20-Dec-2011, www.newscientist.com )

Hanna, Kim, Japanese Antarctic expedition camp at Parsley Bay 1911, Dictionary of Sydney, 2021, http://dictionaryofsydney.org/entry/japanese_antarctic_expedition_camp_at_parsley_bay_1911, viewed 29 Mar 2023

Woollahra Library Local History Centre ‘Japanese Antarctic Expedition’, https://www.woollahra.nsw.gov.au/

The British Fin de siècle Obsession with National Degeneracy: the Anglo-Boer War, “New Men and Better Britons’”

Regional History, Social History, Society & Culture, Sport
figcaption class=”wp-element-caption”>Turn-of-the-century “degen” lit

MORAL and physical decay was a preoccupation consuming the minds of Victorians in the late 19th century. Many Britons harboured nagging doubts that the world’s foremost empire might be in decline? The fear manifested itself in art and literature, especially in Gothic novels such as Dracula and The Strange Case of Dr Jeckyll and Mr Hyde and Dracula. Contemporary commentators, social campaigners, liberal imperialists and advocates of ”national efficiency” proffered a raft of varied explanations for the alleged condition of society. Blame was attributed to the rising crime rate, insanity, poverty, unemployment, immigration, radicalism, sexual deviance, feminism, VD, the transformation away from rural life to the disease-ridden towns and the very stresses of modern civilisation (labelled “the dark side of progress”) (‘Deviance, disorder and the self’, www7.bbk.ac.uk).

The Second Boer War, erupting in 1899, did nothing to settle these concerns. Imperial Britain’s early sub-par performance in the conflict against a “rag-tag” army of Afrikaner farmers fed into the rising tide of British fears of the degeneration of its racial stock. The first portends emerged even before the hostilities began – in the recruitment halls of Britain. The early Boer victories required British reinforcements from home leading to a manpower dilemma – the unhealthy British cities and slums churned out recruits from the working class who were “narrow-chested, knock-kneed, wheezing, rickety specimens” of men. At the time of the Boer War the average British soldier was of diminished stature, shorter than that of 1845…40% of those volunteering in Manchester recruitment halls were rejected as unfit for military service. By 1901 the percentage had increased even moreⓐ.

Afrikaner farmer-soldiers

Once the fighting began the lacklustre efforts of the British soldiers struggling to gain the upper hand left their Australian and New Zealand counterparts with a negative impression of the home country’s martial capability. While British soldiery laboured, the Australasian contingents of soldiers conversely equipped themselves well. Colonial troops from Australia and New Zealand possessed natural ability to shoot and ride, equipping them to perform well in the open war on the veldt…this plus their ‘bushman’ capacity to live off the land, meant that they clearly adapted to the South African conditions better than the British soldiersⓑ.

The Antipodean soldiers’ take home message from South Africa was that the “old Britons” were in decline, and that they, the “new Britons”, represented the “coming man”. This view fed into earlier established myths – Australia benefitted, it was said, from a climate infinitely better than Britain, a lavish land … making for a vigorous and healthy ‘race’. WK Hancock described the Australian ‘type’ of man as a harmonious blending of all the British types, nourished by a “generous sufficiency of food (good diet) …breathing space (vast countryside) and sunshine”. At the same time British voices were ominously warning of “racial suicide” and the waning of the nation’s “racial energy”, the self-styled “Better Britons” of Australia and New Zealand were talking up their own supposed “racial vigour”.

Britannia saving the world from barbarism (Source: http://teachmiddleeast.lib.uchicago.edu/historical-perspectives/middle-east-seen-through-foreign-eyes/islamic-period/image-resource-bank/image-07.html)

Footnote: “Degeneracy” out of vogue As Victorian Britain evolved into Edwardian Britain, the fears of racial deterioration didn’t diminish, birth-rates which were already in decline going back decades had plummeted dramatically since the Victorians. However, by the time of World War I degeneration theory had lost favour, advances in the understanding of genetics and the vogue for psychoanalytic thinking had prompted its obsolescence (‘Degeneration theory’, www.artandpopularculture.com).

Source: Pinterest
Postscript: Decadence and decay “Decay” is closely related to the word “decadence” (Latin, decadentia, meaning ‘fall”. In 19th century imperialist thinking decadence and decay was a characteristic associated with the colonial anxieties of empire. The phenomenal success of the imperial powers, it was thought as in the case of past examples like Rome, made the elite complacent and weak, thus the seed of its downfall. The response of contemporary Europeans was a preoccupation with the morality and cultural values of their own societies (‘Decline and Fall’, William Rees, History Today, January 2023).

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ⓐ one contemporary commentator, cricket writer Albert E Knight, thought the remedy for the physical and moral degeneration of Englishmen lay in cricket – advocating for the creation of more playing fields as an antidote to the decline of young working class men, so that they could be the beneficiaries of the ”cricket way of making honest and healthy Englishmen”

ⓑ a report conducted in 1904 with the title “Inter-Departmental Committee on Physical Deterioration” confirmed that Britons were even more physically unfit than the war had suggested

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