‘Capability’ Brown, the Quiet Revolutionary of Eighteenth Century English Landscape Gardening

Biographical, Built Environment, Heritage & Conservation, Leisure activities, Natural Environment, Regional History


I first happened upon the name of ‘Capability’ Brown several years ago when I was researching the Kirkbride buildings complex in Sydney. I guess it was the jokey sounding name that first got my interest. I found his name historically associated with the popularising of Ha-Ha Walls (another hard-to-take-serious concept when you first encounter it without context) which is an architectural feature of Kirkbride. Brown acquired his nickname from his habit of telling clients that their land had capability for improvement [‘Highclere Castle: The real-life Downton Abbey’, (Steve McKenna), SMH, 17-Apr-2016, www.traveller.com.au].

Highclere


Capability (Christian name
Lancelot) Brown’s career as a landscape gardener and designer in the 18th century was a wildly successful one. Lofty accolades cast in his direction describe him as “England’s greatest gardener” and “the Shakespeare of Gardening”. He rose from humble origins to become master gardener to George III at Hampton Court Palace, receiving over 250 commissions in his lifetime and designing in excess of 170 parks (the majority of which survive) [‘Capability Brown’, Wikipedia, http:/:en.m.wikipedia.org]. His vast oeuvre stretches over 30 counties in England and Wales, greater London and even one garden project in Germany. As artistic creators of grand physical structures go, the fecund Brown was the landscaping and gardening equivalent of Frank Lloyd Wright of his day – minus the ego!

LCB

And like that prolific and seminal 20th century American architect he was very well remunerated for his efforts. From the 1760s Brown was earning £6,000 per annum (equivalent to £806,000 in 2018 money!) and £500 for a single commission [ibid.].

Classical v Romantic

As Brown was starting to learn the trade in the late 1730s, there was a fundamental change going on with landscape gardens England. The formally patterned garden with its strict geometrical order and adherence to the classical style (the embodiment of the Palladian ideal) was giving way to a new, more informal type of garden landscape…romantic, irregular, not conforming to order, the appearance of a natural landform [Bassin, Joan. “The English Landscape Garden in the Eighteenth Century: The Cultural Importance of an English Institution.” Albion: A Quarterly Journal Concerned with British Studies, vol. 11, no. 1, 1979, pp. 15–32. JSTOR, www.jstor.org/stable/4048315].

William Kent

The new style

In the forefront of this movement towards the natural and informal was William Kent (Brown’s mentor), Charles Bridgeman and others, as well as prominent literary figures of the day like Alexander Pope. What Kent et al started, Capability Brown would go on to elevate to a higher plane.

Typical features of the Brown garden

(see also “Ha-Ha Wall” in end-note) Brown honed his landscaping style while working under Kent at Stowe (Bucks). Trademark features: smooth, undulating grass running straight to the house; the grand sweeping drive (eg, Ashridge Estate, Berrington Hall, Wimpole Estate); the woodland belt (eg, Basildon Park, Dinefwr, Ickworth); clumps and scatterings of trees (eg, Petworth Park, Stowe, Croome); the picturesque stone bridge (eg, Prior Park, Wallington, Stowe): and serpentine lakes formed by invisibly damming small rivers (eg, Hatfield Forest, Stowe, Wimpole Estate); decorative garden buildings (monuments, temples, rotundas and follies) (eg, Clandon Park, Petworth Park, Stowe, Wallington); cedars of Lebanon🌲 (eg, Croome, Charlecote Park) [National Trust (#1) , www.nationaltrust.org.uk; ‘Brown’, Wiki, op.cit.]

Era of the picturesque

The picturesque was a 18th century movement in art and architecture which was a reaction to Neoclassicism with its fixation on order, proportion and exactitude. In Georgian England the picturesque influenced landscape designers like Brown (and his successor Humphry Repton) who sought to replicate the romanticised country scenes of Italian paintings in their garden projects. The features in Brown’s ‘natural’ garden landscapes – long vistas to lakes, bridges, lawns, ruins, groves of trees and Ha-Ha walls – were a case of real life imitating (sublime) art [‘Lancelot “Capability” Brown and Humphrey Repton and the Picturesque’, (Janice Mills Fine Artist), (Jan-Dec 2016), http://janicemillsfineartist.wordpress.com].

Social purpose

The new informal gardens in 18th century England, as typified in Brown’s landscapes, were created to underscore the growing affluence of the landowning classshowing England through their properties as they wished it to be seen, “a wealthy, educated and fertile centre of the Industrial Revolution and Enlightenment”. Thus Brown’s beautiful, idyllic estate gardens were intended to resemble a romantic painted scene through the “use of local natural elements and English architecture” [ibid.].

Dinefwr Castle (Carmarthenshire) – in this Welsh estate LCB was engaged as a visiting consultant, making recommendations to the landowners

(Photo: National Trust)

Multitasker extraordinaire

Capability Brown was able to complete a vast sum of landscape projects in this career. On average, at any one time he had six projects going simultaneously, this testifies to Brown being able to work fast…an accomplished horseback rider, he could ride from site to site, survey it and knock up a rough design, all within a couple of hours. Of course even with his exceptional capacity he could only spread himself so far, when he couldn’t personally oversee projects, he would delegate to his hand-picked team of foremen, assistant surveyors and landscapers to be “hands-on” on-site and ensure that his designs were implemented properly [‘Our great ‘Capability’ Brown landscapes’, National Trust, (#2), www.nationaltrust.org.uk; ‘Brown’, Wiki, op.cit.].

Brown’s success as a landscape architect owed a lot to different factors…one of his virtues was his ability to choose assistants for his projects – he had a knack of picking the right people to work with, such as William Donn, John Hobcroft and Nathaniel Richmond. Brown also kept himself informed of the latest technologies. His awareness of hydraulic devices led him to utilise steam pumps employed in mining for the water features of his landscapes [Shields, Steffie. “’Mr Brown Engineer’: Lancelot Brown’s Early Work at Grimsthorpe Castle and Stowe.” Garden History, vol. 34, no. 2, 2006, pp. 174–191. JSTOR, www.jstor.org/stable/25472339].

Dissenting voices – ‘Culpability’ Brown

Despite the popularity Brown attracted for his landscape work, the Northumberland garden designer had his detractors… both from contemporaries and from critics after his time. Typical among these was Uvedale Price who criticised Brown for sweeping away all of the older trees and formal garden features in wholesale fashion (destroying the aesthetic of the classical of earlier landscapes). Similarly, architect William Chambers thought the “new manner of gardens” (code for Brown’s work) as little improvement on “common fields and vulgar nature” [‘Brown’, Wiki, op.cit.]. Certainly for these critics, the subject of their censure may have better been labelled ‘Culpability’ Brown!

Some of the invective aimed on Brown’s direction however would have derived from a more base source. Class snobbery would have been a motive for some given Brown’s modest origins – the language often used was a giveaway, detractors like architect Reginald Blomfield disparaged him as “a peasant slave from the melon ground” and having once been (allegedly) a “kitchen gardener” [Shields, loc.cit.]. Some of the opprobrium also was no doubt born out of sheer jealousy at Brown’s immense fame and financial success.

In 2016 a collection of Royal Mail stamps were issued to mark the tercentenary of LCB’s birth

A “single shaping hand”

For the many true believers though, no praise for the man known as ‘Capability’ seems high enough…one observer noted of his Highclere Castle (Hants) gardens: the location has been a designed landscape for over 1,200 years, yet Brown’s stamp is so much on the place. The remarkable result of one person imposing “his vision with sufficient force for it to have endured indefinitely” [Phipp, loc.cit.].

So successful was Capability Brown in popularising the informal garden, and so imitated was he, that he played a revolutionary role in changing the face and character of English gardens forever. In creating naturalistic landscapes he ‘copied’ nature so skilfully that “his work is often mistaken for natural landscapes” [‘How to spot a Capability Brown landscape’, [National Trust, (#1), loc.cit.].

The English Ha-Ha

End-note: The Ha-Ha: “Invisible boundaries”

The Ha-Ha Wall (AKA the sunken wall) was a defining features of a typical Capability Brown landscape garden. The Ha-Ha (French in origin) was devised to keep grazing animals out of the more formal areas of a garden, doing away with the need for a fence while creating the illusion of openness. Brown et al used it to provide unbroken vista views – from the house and garden to the parkland or countryside beyond (eg, Petworth Park, Charlecote Park, Stowe) [‘Garden Features: What are Ha-Has?’, The English Garden, 29-Oct-2014, www.theenglishgarden.co.uk].

PostScript: The test of time Remarkable also are the number of country gardens sculpted by Brown that have remained intact (or at least partly so). Around 150 survive – including Alnwick Castle (Northumberland), Blenheim Palace (Oxfds), Basildon Park (Berks), Croome Park (Worcs), Stowe House and Stoke Park (Bucks), Berrington Hall (Hertfds), Milton Abbey and Abbas (Dorset), Clandon Park (Surrey), Charlecote Park (Warws), Chatsworth House (Derbys), Petworth Park (Sussex), Warwick Castle (Warws), Wimpole Estate (Cambs), Wallington (East Yorks), Hatfield Forrest (Essex), Harewood House (West Yorks), Ashridge Estate (Hertfds), Appuldurcombe House (Isle of Wight), Ickworth (Suffolk), Belvoir Castle (Leics), Dinefwr Castle (Wales), Kew Gardens (Lond) and of course Highclere, these days more famous for the location of the TV series “Downton Abbey”. Brown’s penchant for lakes & bridges (Photo: National Trust)

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‘Callan Park: The Kirkbride Experiment, a Microcosm of “Good Intentions” ‘, December 2015 blog

this trend had a paradoxical component to it…as the born-to-rule gentry were opting for country homes which were smaller, the gardens were becoming larger [Bassin, loc.cit.] – which of course suited landscape gardeners like Brown given to broad canvasses

follies are decorative, usually non-functional, buildings that enhance the planned landscape, Brown used mock Roman villas, Medieval ruins, etc

🌲 evergreen conifers

Brown’s gardens were of course not natural in any organically occurring sense, but carefully and meticulously contrived to both look natural and to convey “a sense of informality” [‘Capability Brown’, Britain Express, www.britainexpress.com

Brown’s vistas contained no clear delineation between house, parkland and natural environment giving the landscapes a seamless appearance [Mills, op.cit.]

Man V Sheepdog: A Sample Bag of Life on a South Island Sheep Farm

Leisure activities, Local history, Travel

499338BA-95AD-403A-B893-242D9EF65207We booked into Rydges Hotel in Queenstown✲, New Zealand’s capital of adventure tourism. Whitewater rafting, bungy jumping and Jet Shotovers beckoned, but as our hotel was handily situated in proximity to the wharf on picture perfect Lake Wakatipu, something more sedate – a leisurely boat trip across its glistening waters – was what took our immediate fancy.

E16783A6-F9D2-426E-B332-BF85E2B073AEFrom the Queenstown wharf we caught the vintage twin screw steamboat TSS Earnslawthe journey was a complete step back in time…a slow and leisurely ride across Lake Wakatipu with the boat chugging along at a 1924 pace. No one on board much minded the pedestrian progress we were making. The only downside to the trip was trying to avoid inhaling the vessel’s toxic nasties, trying to survive the vile fumes of black smoke emitted from the steamer’s coal-fired boilers pervading the air inside the Earnslaw.

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Once at Walter Peak High Country, we were immediately taken on a guided tour of the working farm. We got up close with the farm’s various livestock – Scottish Highland cattle, red deer, lambs and some adaptable llamas. My favourite critters on the farm were the “hairy coos” as they are called in Scotland. These Erse ‘Heilan’ cows, sandy-golden-tan in colour and rather soporific in nature, were a delight with their full coats of shaggy hair endearingly covering their eyes.

DD45E9C1-E7EF-47A1-A9B9-3BC104E38816My highest highlight of the tour however was the demonstration of rounding up and penning a drove of sheep. This was made memorable by the antics of the leathery-faced old shepherd guy and his “Abbott and animal Costello” routine with the farm’s working border collie. The old farmer was a real joker, entertaining us with his dry commentary which bore more than a touch of the John Clarke quippery – and the same flat deadpan delivery. To start the show, he barked out instructions to the collie to tear madly all over the top paddock fetching the grazing sheep. After terrorising and cajoling the sheep into one cowering bunch, the dog efficiently corralled them into the enclosure at the south end. Then, with mission accomplished, the farmer, with comic timing and mock annoyance, remarked of the still heavily panting dog, “I don’t know why he’s so tired! I’m the one who does all the work”!

6F569C86-99F7-47AD-811F-EC3E624150E5The one-liners didn’t stop when the farmer donned his “shearing kit”, the blue and red overalls of his defleecing trade, to do some serious bladework. With a couple of hand-picked Romneys, he demonstrated (with accompanying audio) how to give a sheep the “Full Monty” crew cut! I’m not sure if the sizeable cohort of Japanese tourists on hand were sufficiently au fait with ‘Kiwised’ English to get the gist of the demonstrator’s jokey spiel and all the nuances of his wry humorous asides, but they generally seemed to sense the comic implications of the situation and enthusiastically laughed accordingly.

62FF7232-11DB-4D28-8A53-C00105DC42DAThe other stand-out feature of the visit, the afternoon tea, was held in the Colonel’s Homestead, an elegant turreted terracotta red and white building set against the  impressive backdrop of the towering Walter Peak. The high tea worked a treat with very generous servings of scones and pikelets and the obligatory jam and cream, all washed down with a nice cuppa. Afterwards, a leisurely lakeside stroll through the homestead’s très picturesque English-style gardens set the seal on a great day’s outing.

03984AB5-8FAE-44DA-B52C-4C3A4FA4FD48Time passed at the right pace on the return journey in the Earnslaw to Rydges – the tour operator organised a traditional sing-a-long to the accompaniment of the boat’s period-piece piano. We were given a complimentary “NZ Song Book” and encouraged to join in. The songs were every bit as vintage as the 1912 vessel and only a bit cringeworthy, but hey it was all part of setting an authentic mood for a momentary step back into yesteryear.04D360EC-404A-4029-B3D4-D6300DA0FECE

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✲ Kiwi anecdote # 579 – No double entendres please, we’re New Zealanders! The Queenstown Rydges’ street entrance unusually is on the building’s fourth floor, owing to a bit of a ridge in the landscape where it was built. Our room was on the sixth floor. Returning to the hotel on the first night of our stay, I decided to walk up the stairs (only two flights) to our floor. Perplexingly though when I reached the top of the stairs on the fifth floor, I couldn’t see the staircase which led to the next floor, our floor! It was not where it should (logically) have been. I scouted around level 6 for a bit but weirdly the staircase couldn’t be sighted. So, puzzled, I went back to the fourth floor to ask reception. The attractive young Pakeha woman on duty responded to my query in a slightly patronising tone reserved I imagine for the utterly clueless…she said to me firmly: “Sir-r-r, we are a very normal hotel in Queenstown, we always have sux here between five and seven”. Realising that the immediate implication I had drawn from what she had said, had not for one scintilla dawned on her, I was sorely tempted but managed to restrain myself from replying, thanks very much for telling me when, all that’s missing now is where! Ba-boom!

❁ the Earnslaw briefly popped up in the movie Indiana Jones and the Kingdom of the Crystal Skull (2008) as an Amazon River boat(sic)

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Franklin’s Ill-fated 1840s Arctic Misadventure: A Story with a Remarkable Shelf Life

Geography, Natural Environment, Regional History, Science and society

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Christopher Columbus’s 1492 voyage to the islands of the Caribbean and the opening up of the “New World” provoked a Pan-European search to find an ocean route through the American continent to reach the rich trading ports of the Orient. Within a few years efforts were being focused on locating the North-West Passage, the Arctic archipelago at the top end of Canada. Over the following few centuries various names in exploration – John Cabot, John Davis, Martin Frobisher, Francis Drake, Henry Hudson, William Baffin, James Cook, George Vancouver, William Parry, James Knight and others – tried without success to navigate a route through the elusive passage.

By the 19th century “the Cape” trade route to East Asia was in full swing, but the prospect of finding a shorter route, the Northwest Passage, still beckoned to the explorer nations of the “Old World”. As mid-century approached the British Admiralty under the driving force of Sir John Barrow launched plans for yet another attempt on the Passage, this was to become the most talked-about and most tragic of all of the Arctic expeditions. Forebodings about the 1845 expedition began perhaps with the Admiralty’s choice of leader. Rear Admiral Sir John Franklin, despite a long career as a naval officer and prior experience in Arctic exploration, was not the preferred man✱. With other, more highly thought of candidates like Sir James Clark Ross and William Edward Parry declining, Franklin was perhaps as high as fourth or fifth choice! Moreover, the crews selected, though numerically sufficient for such a mission, had some question marks about them…they were mostly inexperienced in polar regions, only a few of the men had been to the Arctic before [‘Erebus and Terror – John Franklin. In Search of the North-West Passage’, Cool Antarctic, www.coolantarctic.com].9DBA385E-A689-4ADB-AC65-C41A29595DA5

Exploration vessels supplied to the max
Misgivings about the expedition commander aside, the expedition did not lack for preparation – provisions intended to last three years were taken, along with equipment for hunting and fishing. Given the extreme trials and tribulations that the voyageurs were forced to endure when things ultimately went horribly wrong, the practicality of some of the inclusions might raise a query. Room was made on the expedition’s ships (‘Erebus’ and ‘Terror’) for, among other cargo items, 9,000 lbs of chocolate, 3,600 gallons of spirits, nearly 5,000 gallons of ale and porter✦ and 7,088 lbs of tobacco [‘Franklin’s Provisions’, (Arctic Passage), www.pbs.org].

A massive floating library
The expedition members had no shortage of reading material, each ship was laden with well over a thousand hard-bound books plus numerous journals … one estimate puts the total at 2,900 volumes, ‘Terror on the Ice: How Obsession Doomed Franklin’s Arctic Expedition’, (Martyn Conterio), History Answers, 27-Apr-2018, www.historyanswers.co.uk]. Religious volumes of Christian instruction formed much of the library (each of the 128 crewmen⌖ were issued with a Book of Common Prayer), but variety was provided with various works of literature popular in the day (novels of Charles Dickens, Goldsmith’s The Vicar of Wakefield, etc), volumes of Punch (a weekly magazine of humour and satire), as well as a host of technical volumes [‘The Library of the Erebus and the Terror’ (Russell A Potter), Visions of the North, 26-Apr-2009, www.visionsnorth.blogspot.com].

Luxury and comfort on a pro-rata class basis
The two ships were equipped and furnished in quite a luxurious fashion. The officers’ quarters (however not the crew’s) were decorated elaborately with the finest curtains and furniture, and kitchens stocked with beautiful ceramic plates and the like. The rear-admiral’s own special fiddle-pattern cutlery lined the drawers. Even more impressively, the Erebus and the Terror had built-in comforts – to counter the Arctic cold the converted bomb-vessels were equipped with hot water and heating systems, something that later proved consequential in how the story ended up. The ships were well-equipped for the task at hand with scientific instruments, navigational tools and daguerreotype cameras.

‘Erebus on Ice’ (FE Musin) NMM Greenwich
The expedition ships made slow but steady progress over the course of two years, getting as far as King William Island and Victoria Strait, where in deteriorating conditions ice entrapped the ships. After Franklin died (1847), Captain Francis Crozier, skipper of the Terror took over command of the expedition. A year later Crozier abandoned the ships to their icy graves and led the remaining men (recent archaeological findings and forensic testing suggests that four of the crew were in fact women!) on foot south to try to reach the nearest established Canadian outpost…in the process all crew members perished, possibly from starvation or other (unknown) causes.

The hunt for Franklin’s expedition
Back in London, unaware of the expedition’s end-game the Admiralty prevaricated and only really launched a serious attempt at rescue after a media campaign launched by Lady (Jane) Franklin. Over a period of more than 20 years, the lost polar expedition prompted what has been described as “the greatest rescue operation in the history of exploration”[Marsh, J., & Beattie, O., Franklin Search (2018) in The Canadian Encyclopedia. Retrieved from https://www.thecanadianencyclopedia.ca/en/article/franklin-search]…more than 30 missions (most by sea, one from the opposite direction, some by land) were launched to try to locate the vessels’ whereabouts [‘Uncovering the secrets of John Franklin’s doomed voyage’, (Robin McKie), The Guardian, 02-Nov-2014, www.theguardian.com].

The “shock and horror” of white cannibals
By the early 1850s no one bar perhaps Lady Franklin in her most optimistic moments thought the expedition crew still alive. With public interest in Franklin’s fate at a peak the British government eventually offered a reward of £20,000 to anyone who ‘assisted’ the lost expedition. In 1854 Dr John Rae’s mission (under the aegis of the Hudson’s Bay Company) unearthed the key to the mystery while bringing upon himself great controversy and hostility. Rae learned of the missing men’s fate from local (Nunavut) Inuits who told him that members of the expedition had resorted to cannibalism, eating dead crewmen in an attempt to avoid starvation. Such a notion was abhorrent to Lady Franklin and scandalised polite society in England…Charles Dickens endorsed Jane’s view that the word of “Esquimaux savages” should not be trusted and actively propagandised to refute the accursed idea [‘How Lady Franklin led Charles Darwin to disgrace himself’, (14-Sep-2014), www.kenmcgoogan.blogspot.com].

In the fullness of time John Rae’s viewpoint was vindicated. Archaeologists examining the remains of sailors found that they had flesh and even marrow removed from their bones to feed those of the expedition who were still alive. Far from being isolated occurrences, the cannibalism committed was of several stages of the practice [“‘Pot Polish’ On Bones From Franklin’s 1845 Arctic Expedition Is Evidence Of Cannibalism”, (Kristina Killgrove), Forbes, 01-VII-2015, www.forbes.com].

Lady Franklin on the counter-offensive
In the face of the accusations of cannibalism, Franklin’s widow, horrified at its association with the expedition and with Franklin’s name, devoted the rest of her life to salvaging his reputation⊡. Lady Franklin lobbied politicians, enlisted the help of prominent and influential citizens✪, raised funds for a succession of new search parties, even consulted clairvoyants! [‘Finding HMS Terror: the Franklin Expedition and making sense of the past’, (Andrew Lambert), History Extra, 28-Sep-2016, www.historyextra.com].

Discovery – unravelling some of the mystery
The Admiralty officially called a halt to the search for the Terror and Erebus in 1859, though Franklin’s indefatigable widow continued to promote recovery attempts until her death in 1875. In the modern era the Canadian government and other organisations revived the search for Franklin’s vessels. Since the 1980s a raft of relics associated with the ships and crews have been retrieved from the Canadian tundra and subjected to new forensic scrutiny, then finally a Parks Canada mission made the dramatic discovery that had eluded around 90 previous expeditions – the two ships were located using Sonar (Erebus in September 2014/Terror in September 2016). A bonus to the great discoveries was that both vessels, preserved by the ice, were still significantly intact!

What killed the expedition’s crew members?
With a lot more information unearthed now, a lot more is known of what happened. There has much speculation over the years as to how the sailors perished – the extreme climatic conditions, pneumonia, disease (TB), scurvy✣, starvation, have all been put forward to greater or lesser degrees, and all seem to have been contributory factors to the tradegy[‘Cool Antarctic’, loc.cit.]. The reality though is that the exact nature of how the voyageurs died remains a mystery and possibly may never be resolved.

Tinned poison?
Other theories have focused on the tins of canned food on board the exploration vessels. Proportionate to the anticipated length of the journey the Terror and the Erebus was loaded with 8,900 lbs of canned vegetables and 33,289 lbs of canned meats, all up comprising an estimated quantity of 8,000 tins [‘Food on board an Arctic expedition – The Franklin Expedition’, Parks Canada, www.pc.gc.ca]. The contribution of the tinned food to the sailors’ diet has led some to speculate that the dead crews were victims of botulism or possibly a form of lead poisoning contracted from the harmful type of lead soldering used on the tins [ibid.]. This explanation gained widespread currency at one time, however others have pointed out deficiencies and inconsistencies in the argument…tinned food consumed in the earlier James Ross Antarctic expedition involving the same two vessels did not have anything remotely like the harmful effect suffered on the Franklin voyage [‘Identification of the Probable Source of the Lead Poisoning Observed in Members of the Franklin Expedition’, (William Battersby), Journal of the Hakluyt Society, Sept 2008, www.hakluyt.com].

Lead poisoning from another source?
A recent counter-argument has suggested that, rather than the soldering on the tins that was the deadly ingredient on the forlorn Franklin expedition, the poisoning of the men (abnormally high levels of lead were detected in forensic examinations) emanated from the specific boat modifications added to make the polar voyage more tolerable. Battersby has argued that the lead infusion came from the “unique distilled water systems fitted to the ships” [ibid.].

EB6DE332-F941-4FCB-9F43-5247086CCAE9
Model of HMS Erebus

Footnote: One curious caper that continue to fascinate
Franklin’s polar expedition struck a resounding chord with the popular imagination. Search party after search party trying to unravel the mystery of the explorers’ disappearance, the tragic aftermath and the anthropophagus undertones, have held an enduring fascination for people on both sides of the Atlantic. The peculiar mystique of the Franklin story has provided inspiration for the great writers of fiction such as Verne, Dickens, Wilkie Collins, Twain, Conrad and Atwood, as well as numerous retellings of the narrative in book form, several TV series and popular songs. All captivated by a story which as characterised by Andrew Lambert is “a unique, unquiet compound of mystery, horror and magic” [Franklin: Tragic Hero of Polar Navigation, (2011)].

34AF9F9E-C489-4B7E-A10A-D8A8868B5D81PostScript: The reason for the mission – “discovery and science”, geographical curiosity, terrestrial magnetism?
The raison d’être of the Franklin Expedition, according to the standard interpretation, was to chart a path through the Arctic archipelago to the Pacific. Franklin’s brief therefore was to find the passage that had eluded at least 60 earlier expeditions going back as far as the 1600s. This emphasis on navigating a feasible route has been challenged by some historians. Andrew Lambert for instance has refocused the mission’s objective on its scientific and geomagnetic observations. He argues that the expedition was part of a big project⋇ that sought to advance oceanic navigation by enhancing science’s understanding of the Earth’s magnetic field. According to Lambert, John Franklin was chosen not for his exploration prowess but as a leading magnetic scientist, his agenda was to get as close to the Magnetic North Pole as possible (if this was his task, judging by where the two expedition vessels were found, he got quite close) [‘Finding HMS Terror’, loc.cit].

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✱ at 59 many considered the portly Franklin too old for such an arduous and hazardous mission. Franklin had recently come off an unhappy tenure as Lt-Governor of Van Diemen’s Land (Tasmania) which had resulted in his being recalled early to England
✦ including extra strong West Indian rum, 35% overproof
⌖ forensic testing of recent discoveries of remains suggests that four of the crew were in fact women!
⊡ remembering also that John Franklin had been keen to accept command of the expedition in 1845 to try to restore his reputation after the events of his Tasmanian governorship left it somewhat tarnished
✪ Victorian Britons seemed to have had a soft spot for Franklin…even prior to the tragic voyage he was viewed as a hero despite being involved in two earlier unsuccessful Arctic expeditions! Much like the later Scott of the Antarctic Franklin appears to have been lionised by the public for undertaking a “noble quest” in the field of exploration albeit being a failure
✣ the sailors definitely suffered from a scorbutic disorder – the vitamin C contained in the supply of lemon juice intended to counter scurvy was rendered ineffective after the liquid became frozen, [Lambert, loc.cit]
⋇ the 1830s and’40s British scientists (with Irish geomagnetic pioneer Edward Sabine in the forefront) were instrumental in promoting a campaign to launch expeditions to establish geomagnetic observatories around the globe (labelled the Magnetic Crusade by historian John Cawood), J Cawood, ISIS, 1979, 70 (No 254), History of Science Society].

Levittown: The Attainment of an Affordable, Socially Upwardly Mobile Home and Lifestyle – for Some! (Part II)

Built Environment, Commerce & Business, Popular Culture, Racial politics, Regional History

The first Levittown housing development on a former potato farm on New York’s Long Island (1947-1951) was seen as a ‘godsend’ by GIs returning from the war. Two-bedroom homes in the suburbs at a cost of only $6,990 with a minimal amount of money down (zilch down if you were a GI), seemed an opportunity too good to miss. The only catch was you had to be White as well as a veteran to get one! William Levitt’s planned housing development was intended for Caucasians only, restrictive covenants were inserted into sales contracts barring African-American families from membership of these new, model suburban communities.

Building comfortable White enclaves?
With Black veterans of WWII turned away from Levittown,
Bill Levitt was forced to defend his exclusivist policy. Despite avowing (rather hollowly) that “as a Jew, I have no room in my heart for racial prejudice”, Levitt sought to justify his position on the grounds that a White-only community was best for business. He argued that if he sold “to one Negro family, 90 to 95 per cent of White customers would not want to buy into the community”. Levitt was clearly not prepared to be an agent of social change if it meant a diminution of business profitability…self-interestedly and rather lamely he protested that it was unreasonable to saddle one builder with “the entire risk and burden of a vast social experiment” (even though the particular “one builder” in this case had been recognised by Time magazine as one of the 100 most influential people in America) [‘When the Niggers Moved into Levittown’: Review of David Kushner’s Levittown: Two Families, One Tycoon, and the Fight for Civil Rights in America’s Legendary Suburb, Journal of Blacks in Higher Education, 63 (Spring 2009): 80–81; Schuyler, D. (2003), ‘Reflections on Levittown at Fifty’, Pennsylvania History: A Journal of Mid-Atlantic Studies, 70(1), 101-109]. The FHA (Federal Housing Administration) was complicit with Levitt and other developers in the perpetuation of the practice of segregation, despite its clear violation of federal housing laws [‘Levittown, New York’, Wikipedia, http://en.m.Wikipedia.org]. Little wonder then that African-Americans saw the housing market as tainted, a “symbol of racial inequality”.

ef=”http://www.7dayadventurer.com/wp-content/uploads/2018/10/image-22.jpg”> The Myers[/cap
Levitt received a phalanx of criticism for the racially restrictive clause…the NAACP (National Committee for the Advancement of Colored People) and the ACLU (American Civil Rights Union) campaigned against it, a Committee to End Discrimination for formed to specifically take on the task of fighting housing segregation. In 1957 a Black family moved into one of the homes in Levittown Pennsylvania. After Daisy and William Myers (and their children) arrived in the Dogwood Hollow section of the estate, they were subjected to ongoing harassment and intimidation by White bigots nightly outside their home. Some Levittowners called in “professional supremacists”, the Ku Klux Klan to coordinate the protest (jeering crowds milling on the front lawn, cross burnings, Confederate flags, rocks thrown through the Myers’ windows, petitions to force the family out). After the local police failed to protect the family, the protesting crowds were eventually ended only after intervention by state troopers [‘White Riot in Response to Arrival of First African American Family in Levittown, PA’, www.historyengine.richmond.edu; ’60 years later, the Levittown shame that still lingers’, (Jerry Jonas), Bucks County Courier Times, 12-Aug-2017, www.buckscountycouriertimes.com].

Desegregation of Levittown
Levitt resisted the criticism and made his third mass-produced settlement,
Willingboro/Levittown in New Jersey, another Whites only community (no Blacks but it did permit White ‘ethnics’ – Hispanics/Latinos and Jews). By 1960 Willingboro had its first African-American family residing there (by 1970 it was 11 per cent Black). Only in 1968, after the assassination of Martin Luther King, did Levitt come out and announce that Levittown housing developments would no longer be racially segregated. Pointedly this occurred at the same time as the federal government enacted the Fair Housing Act into law [Kushner].

Over the years many sociological studies and much cultural criticism has focused on the Levittown housing model. An early take on Levittown described the housing project in aspirational working class terms as “the dream come true of the skilled mechanic in the blue dungarees” [‘Levittown U.S.A.’, A. Miller, Phylon Quarterly, 19(1), 1st Quarter 1958, 108-112]. Many observers have portrayed Levittown as a double-edged sword…”Levittown embodied the best and worst of the postwar American story”, some saw Levittown’s achievements symbolising America’s can do” spirit, its ingenuity and entrepreneurship, but for many liberals it symbolised violent prejudice, unthinking conformity and race-based exclusion [‘Levittown: The Imperfect Rise of the American Suburb’ (C Galyean), US History Scene, www.ushistoryscene.com].

Sanitised homogeneity of Levittown
From the time of Levittown’s first outing in New York in 1947, some critics were concerned than the large-scale experiments in housing may turn into mass slums of suburban sprawl. If they weren’t thought of as slums, they were characterised as bland and unoriginal. Sociologist Lewis Mumford depicted the developments as comprising a “low-grade, uniform environment from which escape is impossible” [‘Suburban Legend William Levitt’, (Richard Lacayo),
Time, 07-Dec-1998, www.time.com]. A common perception of Levittown from the outside looking in that has become generic is of an over-sanitised suburb consisting largely of identical housing [‘Levittown, New York’, Wikipedia, http://en.m.wikipedia.org]. Standardised houses produce standardised people was a popular view of critics at the time. Some went further and labelled Levittown a “social failure and an environmental disaster” [Steven Conn].

From an aerial or from a panoramic view, Levittown did leave itself susceptible to satire…the clear-cut “cookie-cutter” pattern of little boxes and white picket-fence wholesomeness invited comparisons with the world of the 1950s as portrayed on American television. The neighbourhood houses and their neat configurations resembled the sets of Leave It To Beaver and Father Knows Best: images of irenic and idyllic communities of harmonious middle class suburbia…in other words, they looked like the cruel parodies of the American dream detached from realities – as depicted on the small screen [Review of Diane Harris (Ed), Second Suburb: Levittown, Pennsylvania, (2010), (DR Contosa)].

Customising a Levittowner
The view of the Levittown landscape as fixed and immutable has been rejected by some observers who point out that the owners themselves were the agents of change and non-conformity…after they settled in some of the residents altered the nature of their tract-houses to suit themselves and their lifestyle – extending a standard utilitarian Cape Cod or a Rancher to express the individuality of their homes. They also converted car ports into garages or additional rooms for new children, and the like [Schuyler]. Furthermore, Richard Lacayo argues that Levitt homes were
made to be customised, the original structures were basic and over time homeowners added features such as porches, dormers and new wings [Lacayo].

Un-Americanism, McCarthyism and Levitt
The formative days of the first Levittown projects coincided with the McCarthyist period of political witch-hunts aimed at exposing supposed communists within America. By a curious convergence of mutual interests,
Senator Joe McCarthy joined up with fellow illiberal Bill Levitt in promoting the virtues of Levittown (“a model of the American way” McCarthy declared). In one of his incendiary speeches McCarthy equated public housing (Levitt’s competitors) with communism [‘The Levittown Legacy’, (Ellen Leopold), Monthly Review, 01-Nov-2000, www.monthlyreview.org]. Levitt returned the favour by vilifying anyone who opposed his segregationist practices as ‘communist’, linking Levittown to the McCarthyist cause, and by endorsing the Levittown way of housing as a more American and capitalist alternative to public housing [Galyean].

In 1968 Levitt sold Levitt & Sons to telecommunications goliath ITT for a cool $92M. Subsequent attempts by Levitt to replicate the glory days of Levittown in overseas housing projects (Nigeria, Iran, Venezuela) floundered, and then a big project in Orlando, Florida, also went “belly up”, with dire personal consequences for the realty developer. Levitt misused funds belonging to customers and from his charitable trust [‘Tough Times for Mr. Levittown’, (MT Kaufman), New York Times Magazine, 24-Sep-1989, www.nytimes.com]. The once great ‘King of Suburbia’ – whose multi-multi-million dollar business at its height was constructing 12 houses a day on its construction sites – died in debt, still dreaming of pulling off one more mega-housing triumph.

FN: By the late 1980s there were high taxes imposed on individual Levittown properties due to the absence of a commercial tax base. Levitt recognised, all-too belatedly, that this was a weakness of his developments (the estates were designed without adjacent industrial/commercial complexes)… which also deprived residents of a local employment source [Kaufman]. Another ironic twist for Levitt whose marketing mantra always invoked the affordability of a Levitt home, in 1988 homes in Levittown Philadelphia had a $200,000 price tag on them! [‘It Started With Levittown in 1947: Nation’s 1st Planned Community Transformed Suburbia’, (JF Peltz), Los Angeles Times, www.latimes.com]

PostScript: “Little Boxes”
The period from the mid/late Fifties to the early Sixties saw a heightening of criticism of Levittown (and its clones) in literary and cultural forms. US novels of the period presented a downbeat, unappealing and even bleak view of life in a Levittown style environment, especially John C Keats’s
The Crack in the Picture Window and Richard Yates’ Revolutionary Road. Social critic Keats wrote of the postwar suburban ‘solutions’, “find a box of your own in one of the fresh air slums”, Yates spoke of an era dominated by “a general lust for conformity”. The takeaway message of these works was that the tract-home buyer was entering a stultifying world of social alienation, the anonymity of suburbs, impersonal supermarkets, inane ‘mod’ gadgetry and mortgage servitude…bleak stuff indeed! To William H Whyte these were the “new package suburbs” whose residents (were) “transient, interchangeable cogs in the engine of corporate America” [Schuyler]. The critique of the Levitt house also extended to pop music of the day, Malvina Reynolds’ song ‘Little Boxes’ added a similar disparaging note to the Levittown commentary.

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even after the removal of racial exclusion covenants in the 1960s, the 2000 Census revealed that Caucasian residents of Levittown, Bucks County, still comprised 98 per cent of the population
Kenneth Jackson has argued that the problem would have been avoided had Levitt simply made Levittown available to all from the start, he asserts that the demand for houses after the war was so great that White buyers wouldn’t have been put off by the prospect of having some Black neighbours [quoted in Schuyler]
it had been sold to the African-American couple by the home’s original owner (Levitt was legally powerless to prevent the re-selling of Levittown properties)
the 2017 George Clooney movie Suburbicon is a fictionalised interpretation of the Myers Levittown incident
the acerbic (other) Mr Keats followed up The Crack in the Picture Window with The Insolent Chariots (1958), a comparable hatchet job on the automobile and Americans’ problematic relationship with it