MORAL and physical decay was a preoccupation consuming the minds of Victorians in the late 19th century. Many Britons harboured nagging doubts that the world’s foremost empire might be in decline? The fear manifested itself in the art and literature of the day, especially in Gothic novels such as Dracula and The Strange Case of Dr Jeckyll and Mr Hyde. Contemporary commentators, social campaigners, liberal imperialists and advocates of ”national efficiency” proffered a raft of varied explanations for the alleged condition of society. Blame was attributed to the rising crime rate, insanity, poverty, unemployment, immigration, radicalism, sexual deviance, feminism, VD, the transformation away from rural life to the disease-ridden towns and the very stresses of modern civilisation (labelled “the dark side of progress”) (‘Deviance, disorder and the self’, www7.bbk.ac.uk).
The Second Boer War in South Africa, breaking out in 1899, did nothing to ease concerns that, maybe, British manhood was not made of “the right stuff” after all…Imperial Britain’s early sub-par performance in the conflict against a “rag-tag” army of Afrikaner farmers fed into the rising tide of British fears of the degeneration of its racial stock. The first portends emerged even before the hostilities began – in the recruitment halls of Britain. The early Boer victories required British reinforcements from home leading to a manpower dilemma – the unhealthy British cities and slums churned out recruits from the working class who were “narrow-chested, knock-kneed, wheezing, rickety specimens” of men. At the time of the Boer War the average British soldier was of diminished stature, shorter than that of 1845…40% of those volunteering in Manchester recruitment halls were rejected as unfit for military service. By 1901 the percentage had increased even moreⓐ.
Afrikaner guerrilla warfare
Once the fighting began, the lacklustre efforts of the British soldiers struggling to gain the upper hand left their Australian and New Zealand counterparts with a negative impression of the home country’s martial capability. While British soldiery laboured, the Australasian contingents of soldiers equipped themselves quite well. Colonial troops from Australia and New Zealand possessed natural ability to shoot and ride, equipping them to perform well in the open war on the veldt…this plus their ‘bushman’ capacity to live off the land, meant that they clearly adapted to the South African conditions better than the British soldiersⓑ.
The Australian and NZ dominion soldiers’ take-home message from the South Africa affair was that the “old Britons” were in decline, and that they, the “new Britons”, represented the “coming man”. This view fed into earlier established myths and assumptions – Australia benefitted, it was said, from a climate infinitely better than Britain, a lavish land … making for a vigorous and healthy ‘race’. WK Hancock described the Australian ‘type’ of man as a harmonious blending of all the British types, nourished by a “generous sufficiency of food (good diet) …breathing space (vast countryside) and sunshine”. At the same time British voices were ominously warning of “racial suicide” and the waning of the nation’s “racial energy”, the self-styled “Better Britons” of Australia and New Zealand were talking up their own supposed “racial vigour”.
Reassuring symbolism: Britannia saving the world from barbarism (Source: teachmiddleeast.lib.uchicago.edu/)
Footnote:“Degeneracy” out of vogue As Victorian Britain evolved into Edwardian Britain, the fears of racial deterioration didn’t diminish, birth-rates which were already in decline going back decades had plummeted dramatically since the Victorians. However, by the time of World War I degeneration theory had lost favour, advances in the understanding of genetics and the vogue for psychoanalytic thinking had prompted its obsolescence (‘Degeneration theory’, www.artandpopularculture.com).
Source: Pinterest
Postscript: Decadence and decay “Decay” is closely related to the word “decadence” (Latin, decadentia, meaning ‘fall”. In 19th century imperialist thinking decadence and decay was a characteristic associated with the colonial anxieties of empire. The phenomenal success of the imperial powers, it was thought as in the case of past examples like Rome, made the elite complacent and weak, thus the seed of its downfall. The response of contemporary Europeans was a preoccupation with the morality and cultural values of their own societies (‘Decline and Fall’, William Rees, History Today, January 2023).
ⓐ one contemporary commentator, cricket writer Albert E Knight, thought the remedy for the physical and moral degeneration of Englishmen lay in cricket – advocating for the creation of more playing fields as an antidote to the decline of young working class men, so that they could be the beneficiaries of the ”cricket way of making honest and healthy Englishmen”
ⓑ a UK report conducted in 1904 with the title “Inter-Departmental Committee on Physical Deterioration” confirmed that Britons were even more physically unfit than the war had suggested
The legacy of the renowned and influential Swiss–French architect Le Corbusier is inextricably tied up with the Chandigarh project – on his résumé it stands out as “the only urban plan of substance he (ever) implemented” [‘Chandigarh, once the future city’, Architectural Review, 6th March 2003, www.architectural–review.com.]. Inspired by the 19th century Garden City Movement, Le Corbusier’s design and planning of this new and unique town in northern India (1951–65), has been frequently lauded as one of the 20th century Modernism’s greatest experiments in architecture and urban planning [‘Le Corbusier Rediscovered: Chandigarh And Beyond’, Raynish Wattas & Deepik Gandhi (Eds.), (2018)].
Plan of grid sectors for “Chandigarh City Beautiful” (#13 was omitted because Le Corbusier was superstitious about the number)
The Chandigarh planned city captured the imagination of architects around the world. As a framework for the design Le Corbusier utilised the metaphor of the human body — head = Capitol Complex | heart = City Centre (commercial sector) | lungs = Leisure Valley (open spaces and green sectors) | intellect = Educational Zone | circulation system = network of different types of roads (the 7Vs). Le Corbusier’s Chandigarh also provided inspiration for later “utopian” city masterplans like Brasília, the new capital of Brazil𖤓 and it continues to draw praise from architects and planners both within and outside India.
Le Corbusier’s symbolic Open Hand monument, part of the Capitol Complex (photo: Fernanda Antonio/ArchDaily)
Nehru’s aspirations for a modern, forward-looking new city: The catalyst for what Le Corbusier created in Chandigarh came from India’s foundation prime minister ‘Pandit’ Nehru who envisioned the new city in an independent India as making a clear departure from the traditional model of India’s cities, overcrowded and dependent on agricultural life. In its place he wanted a modern, progressive and efficient city, one suited for a new democracy like India…and a green one, with open spaces, green landscapes and green belts①. Presented with this brief Le Corbusier produced a masterplan for Chandigarh which emphasised low-density, self-contained housing contained within an orderly grid pattern, abundant public spaces, buildings and structures which were intended to stand as symbols for freedom and aesthetic harmony as well as react well to the prevailing severe climatic conditions. His buildings in the Capitol Complex combined Brutalist elements—an opportunity to experiment with his favourite material beton brut (raw concrete)—with a sculptural form of architecture while striving for a purity of geometric form.
But has Chandigarh, Le Corbusier’s magnum opus, stood the test of time? Today, 70 years on, the once fresh and vibrant modernist city is looking its age, described by one writer as being “derelict” and “glorious” at the same time, and both “visionary and anachronistic” [Jared Green, ‘Chandigarh: Where Modernism Met India’, The Dirt, 4th April 2017, www.dirt.asla.org]. Another has described Chandigarh as “a museum piece in need of protection” (Sunil Khilnani). Le Corbusier’s Capitol showpieces are now noticeably the worse for wear after exposure to Indian heatwaves and monsoons. Moreover, it is significant that Chandigarh, intended to be a universal model for a radically new type of Indian city, has not fostered any subsequent attempts to replicate Le Corbusier’s bold experiment in modernist planning anywhere else in India.
Le Corbusier (left) on his artificial Chandigarh lake with his cousin, the project’s chief architect Pierre Jeanneret (photo: Suresh Kumar)
A failure to deliver for all Chandigarh residents: Le Corbusier’s housing solution and plan to cap the size of the city’s population to give Chandigarhians some breathing space have been subverted. An influx of internal migrants has exploded the population from a planned maximum of 500,000 to more than double that. Overcrowding has led to the proliferation of shantytowns, slums and illegal food stalls on the city’s fringes, encroaching on the showcase green belt. The architect’s low-density living ideal has been compromised by the emergence of multiple occupancy, four or more families sharing the same house. For the lower/working class residents of the city have found themselves isolated in urban villages, cutoff from their destinations (shopping, educational, entertainment, etc).
Chamber of the Chief Justice (source: chinmaye.com)
Two classes of Chanigarhians: The poor are the big losers in Le Corbusier’s would-be Indian utopia…trapped on the periphery, their capacity to connect with the centre and its services, to access employment, etc is severely curtailed…representing a failure of Le Corbusier’s planning in not accommodating the social, cultural and economic problems of the lower strata of society [‘Le Corbusier’s Failed Modernism’, CRIT Magazine, the American Institute of Architects, (Tanner), March 1979, www.cknl.eu]. As put into practice, Chandigarh, though built by the poorest workers, was never intended for their use, but for the Punjabi elite (Green).
Worsening traffic is another factor to further dampen the attraction of Chandigarh as a place to live…the city has the largest number of vehicles per capita in the country and the streets and the rectangular grid pattern are unmistakably meant for automobiles rather than walkers. These are all areas of urban development where Le Corbusier fell short of his stated aim of improving the human condition.
Chandigarh city traffic (source: dailyguardian.com)
Implanting western aesthetics: Cultural insensitivity is one theme of detractors who rail against the absence of “Indianness” in the experimental city and the disregarding of the existing traditions of the Indian people. The Le Corbusier modernist experiment has been condemned as “an act of western cultural imperialism” for imposing Eurocentric ideals and a western planning ideology on a population rooted in a very different, pluralistic culture② (the grid pattern of sectors, European-style parks, hierarchical road system, etc.)[Pratyush Sarup, ‘Le Corbusier’s Chandigarh: Bold Vision or a Modernist Failure?’, AD, 13th May 2024, www.admiddleeast.com]③④.
A man and his plan
Considering the aesthetics of Le Corbusier’s Chandigarh architecture—specifically the Capitol Complex—there’s a tendency among observers to see the functionalist buildings as cold, rigid and uninviting⑤ [Scott Harper, ‘Appetite for Construction: Le Corbusier’, The Rake, October 2024, www.therake.com]. Brutalist architecture and a preoccupation with concrete can be alienating for some people.
𖤓 for the story of Brazil’s experiment with modernist urban planning and architecture for the new capital of Brasília, go to https://www.7dayadventurer.com/2022/02/03/brasilia-brazils-modernist-capital-in-the-interior-an-unliveable-utopian-showcase/
① “a new town, symbolic of freedom of India unfettered by traditions of the past…(an) expression of faith in the future”
② Le Corbusier never stayed permanently in Chandigarh during the project’s lifespan and, most tellingly, never consulted with the local inhabitants about their needs and wants
③ this perspective also questions why outsiders and no native Indian architects were offered the project
④ Sarup: it was a planning failure because it “didn’t take into account the nation’s unique urban fabric”
⑤ and the large empty spaces between the key buildings conveys a sense of unconnectedness and a sterile atmosphere
THE modern history of Sweden has been one characterised by a state of continuous peaceful existence. No participation in any war since 1814, neutral in both world wars, no political assassinations in the country for nigh on two centuries following the murder of King Gustav III in an aristocratic coup attempt in 1792. This remarkable irenic run, free of political violence, was shattered on the night of 28th February 1986 with the seemingly unfathomable murder of Sweden’s incumbent Democratic Socialist prime minister, Olof Palme＊.
Sveavägen murder scene 🔻 (Photo: Anders Holmström/Svenskt Pressfoto)
“Clouseauesque” policing The Swedish PM’s shooting in Sveavägen, one of Stockholm’s busiest streets, by a single assassin, was followed by an amateurish investigation that was a complete shambles from the start. An initial mix-up over phone calls meant the police were slow to respond to the crime, losing precious minutes while the murderer made good his escape. On arrival, they failed to cordon off the murder scene properly, allowing onlookers to contaminate potential forensic evidence; key witnesses were allowed to leave the scene without being questioned. Established crime protocol—a street-by-street search of the area (ie, a dragnet)—was not implemented [“Olof Palme: Sweden believes it knows who killed PM in 1986’, BBC News, 100-Jun-2020, www.bbc.com/]. Another injudicious move on the police’s part was the ignoring of witnesses who had key information.
🔺Head of investigation, H Holmér (Image: www.news.sky.com)
The police investigation was headed by Chief Commissioner Hans Holmér who assumed more or less from day one that the crime was politically motivated, eventually becoming fixated on the Kurdish militant group the PKK as the likely perpetrators, to the neglect of other, more tangible leads. After a haul of locally-based Kurdish immigrants were arrested and then released for lack of solid evidence, the prosecutors and media turned against Holmér’s handling of the case, forcing him to resign [‘“Murder Most Foul” – the Death of Olof Palme’, (Jan Lundius), Inter Press Service,30-Jun-2020,www.ipsnews.net; BBC News]⦿.
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The cast of suspects and the conspiracy theories◘ In the 39 years since the Palme shooting the police have conducted 10,000+ interviews and more than 134 people have confessed to the murder. Aside from the PKK, another international suspect was the white South African regime. Palme was a charismatic figure in world politics but also a controversial and polarising one, as a foreign policy-minded social democrat he elicited criticism from both left and right, including from both superpowers. In addition, his high-profile anti-apartheid stance was a thorn in the side of the Pretoria government. One theory suggests a conspiracy between South Africa’s security and intelligence forces and right-wing extremist mercenaries within Sweden to execute Palme. The view gained some traction but Swedish investigators have never satisfactorily connected the dots between these elements. Not unexpectedly, CIA involvement in Palme’s murder was also suspected by some.
🔺 Stockholm: Intersection of Sveavägen and Tunnelgatan
Palme’s economic reforms, especially those geared towards promoting worker control, did not endear him to the capitalist class in Sweden. More specifically there was Palme’s strong stance against the Swedish arms manufacturer Bofors who was illegally selling weapons to several proscribed nations. When Iran was blocked from receiving a shipment one scenario advanced is that an Iranian hitman liquidated the Swedish PM [‘Sweden’s Bofors Arms Scandal’, Directorate of Intelligence, 04-Mar-1988, www.cia.gov/].
Political pressure for “a result” Refocusing domestically on individuals, the spotlight turned to Christer Pettersson who had a criminal record including manslaughter. Pettersson was dubiously convicted of Palme’s murder in 1989, in part because Palme’s widow, prompted by police officers, picked him out in a police lineup. The seriously compromised verdict was easily overturned on appeal (lack of a murder weapon or motive) [‘Who killed Sweden’s prime minister? 1986 assassination of Olof Palme is finally solved – maybe’, (Andrew Nestingen),The Conversation, 11-Jun-2020, www.theconversation.com]. The investigation team’s eagerness to ‘fit’ Pettersson for the crime despite the absence of hard evidence, reflects the pressure exerted by the ruling Social Democratic Party on the police to secure a quick resolution of the crime “acceptable to the public” [‘Who killed the prime minister? The unsolved murder that still haunts Sweden’, (Imogen West-Knights), The Guardian, 16-May-2019, www.theguardian.com].
Another, more ‘political’ suspect to attract the police’s interest early on was Victor Gunnarsson. Gunnarsson was an activist with connexions to various right-wing groups, especially the European Workers Party which held grudges against Palme. Gunnarsson was briefly detained by Holmér but the case against him however dissolved when witnesses failed to locate him at the murder scene at the time of the crime. Gunnarsson later emigrated to the US where he himself ironically became a homicide victim [‘Victor Gunnarsson’, People Pill, www.peoplepill.com].
“Skandiamannen”✪ Another name on the person of interest list of police was Stig Engström. Engström willingly offered himself up to police as a ‘witness’ at the time of the assassination and though questioned, the police eventually discounted him as a serious suspect. But some 20 years after the murder, a new theory, originating in a book by Lars Larsson and developed by journalist Thomas Pettersson, gained traction. The case put by Pettersson that Engström was the killer rested on a conjunction of factors—the “right timing, the right clothing, (he had) unique information, he had close access to guns of the right type, he was right wing and Palme unfriendly” [‘After 34 Years, Sweden Says It Knows the Killer of Olof Palme’, (Thomas Erdbrink & Christina Anderson), New York Times, 10-Jun-2020, www.nytimes.com]. Petersson handed over his findings to the police in 2016, leading to a reopening of the investigation.
Palme, then Swedish communications minister, appeared in the controversial 1960s “erotic-drama” ‘I am Curious – Yellow’ (below with the film’s star, Lena Nyman)🔻
”Resolved” but left up in the air? In 2019 the state prosecutor announced that he had come to the conclusion that Engström was probably Palme’s killer, but, given that Engström himself died in 2000, he promptly closed the case. Not everyone in Sweden is satisfied by the conclusion to the Palme case, many questions remain unanswered about the inconclusiveness of the evidence…eg, no DNA match, where is the missing murder weapon and what was the motive? (BBC). To paraphrase one antagonistic perspective on the case resolution: “it settles none of the unanswered questions”, instead it “underlines the determination of powerful political forces to continue the cover-up surrounding Palme’s murder” [‘Decades-long cover-up continues of assassination of Swedish Prime Minister Olof Palme’, (Jordan Shilton), World Socialist Web Site, 13-Jun-2000, www.wsws.org/].
Endnote: Palmology and parallels with the JFK conspiracy saga The collective trauma felt by Swedes with Olof Palme’s 1986 assassination—many expressing a sense of lost national innocence, no longer immune from political violence◘—recalls the devastating effect the assassination of President Kennedy in 1963 had on the American psyche (Lundius). Both leaders’ violent deaths triggered a runaway train of conspiracy theories, some plausible and some highly implausible◕. In the years since 1986 Sweden’s national obsession with the unsolved murder, labelled Palmessjukdom (“Palme sickness”) has inspired a raft of plays, films, television and musical works on the topic. It has even been cited as a contributing “factor in the worldwide explosion of Scandinavian (noirish) crime fiction”. ‘Palmology’ has spawned a veritable Swedish industry of privatspanarna – a legion of private investigators (such as Thomas Pettersson) conducting independent inquiries into the baffling crime…some have been serious researchers, others espousing “crackpot theories” (West-Knights).
🔻 PM Palme (source: www.cnbc.com)
——𝄪——𝄪——𝄪——𝄪——𝄪——𝄪——𝄪——𝄪——𝄪——𝄪——𝄪 ＊ not however the country’s last political murder, in 2003 Swedish foreign minister, Anna Lindh, was assassinated by another “lone wolf” assassin ⦿ marginalising SÄPO (Säkerhetspolisen – the state secret police) from the investigation didn’t make the task any easier ✪ Engström was dubbed “Skandia Man” by Lars Larsson because he worked in the Skandia Insurance Co tower building which fronts on to Sveavägen-Tunnelgatan ◘ and perhaps in some measure jolting Swedes out of a lingering outlier complacency ◕ among the considerable number of suspects ‘fingered’ for the hit on the Swedish PM was the Swedish police, the Yugoslav secret service, even Palme’s own wife, Lisbet!
By about 1200 BC the Late Bronze Age in the Eastern Mediterranean and Aegean world was in turmoil. War and the movement of peoples around the region abounded as international trade ceased, cities crumbling and civilisations collapsed. With a scarcity of hard evidence for a period of history so very distant from our own, the default explanation of many historians until recent times was that the large-scale collapse and destruction was down to one factor, the emergence of vast hordes of nomadic warriors, enigmatic and mysterious pirates and marauders which have been subsumed under the name “Sea Peoples”𝕒. Very little is known of the Sea Peoples outside of what the ancient Egyptians have recorded about these shadowy invaders of the Eastern Mediterranean littoral…which is problematic for historical enquiry in itself – having “the (hefty) disadvantage of being known only by their enemies” [Duke, T. T. The Classical Journal, vol. 65, no. 3, 1969, pp. 134–37. JSTOR, http://www.jstor.org/stable/3296263. Accessed 15 Feb. 2025]
Late Bronze Age (credit: Finn Bjørklid / creativecommons.org)
The assumption that the Sea Peoples were pretty much wholly responsible for the collapse of civilisations in the Eastern Mediterranean in the 12th century BC has been challenged by historians of recent time. This revisionist view maintains that other factors could equally have caused the carnage of that world…drought, grave food shortages leading to a state of famine, the effects of climate change. Research into early agro-economies indicates their vulnerability to drought and long-term temperature change owing to general cooling which truncates their crop-growing season [McCormack et al (2012) cited in Wiener, M. H., FISCHER, P. M., & BÜRGE, T. (2017). Causes of Complex Systems Collapse at the End of the Bronze Age. In “Sea Peoples” Up-to-Date: New Research on Transformation in the Eastern Mediterranean in 13th-11th Centuries BCE (1st ed., pp. 43–74). Austrian Academy of Sciences Press. https://doi.org/10.2307/j.ctt1v2xvsn.7].
Egyptian hieroglyphics
Historian and archaeologist Eric H Cline in particular argues that rather than being the perpetrators of the mega-devastation that befell the region by ca.1177 BC, the Sea Peoples were victims of the collapse as much as anyone else. Cline describes them as refugees fleeing from the drought and famine of cities and civilisations collapsing asunder [‘The Late Bronze Age Collapse and the Aftermath’, Eric H. Cline with Javier Mejia, YouTube interview 2024].
Medinet Habu: Ramesses III’s memorial temple
Primary sources illuminating the identity of the Sea Peoples:The first reference we have to the Sea Peoples is the Amarna Letters of Upper Egypt (ca.1345 BC), clay tablets mentioning, among other things, the existence of and contact with various foreign peoples named as the Sherden, Lukka and Danuna. The richest source of information on the activities of these mysterious seafaring tribes resides in Medinet Habu, Ramesses III’s memorial temple near Luxor. The inscriptions of the scribes tell the Egyptian version of the story of the Sea Peoples who having defeated all other city-states and settlements in their way, launched an armada and land force led by the kingdom of Ekwesh, attacking the Nile Delta with the objective of establishing settlements on its fertile farmlands𝕓. They launched three attempts at invasion of Egypt over a period of 30-odd years and three times they were defeated by the Egyptians. The temple walls reveal the death toll and punishments of the vanquished Sea Peoples and the enslavement of many of them (some of the captured Shardans were incorporated into the Egyptian army to defend the kingdom’s northern frontiers from the Hittites).
Pictorial depictions (above & below) of the Battle of the Nile Delta (ca.1178 BC) (Medinet Habu)
So, who were the Sea Peoples and where did they come from?: In regard to the identity of the Sea Peoples the extant records give us names but little understanding of who they were. There appears to have been at least nine culturally separate tribal groups–including the Sherdan, the Peleset, the Lukka, the Shekelesh, the Tjekker, the Denyen (or Danuna), the Ekwesh, the Teresh, the Meshwesh and the Weshesh—some much better known than others. They formed themselves into a warring confederation (Egyptian records give it the name the “Nine Bows Confederation” whilst under the leadership of King Meryey of Libya). The question of their origins is more problematic to scholars. The Lukka is associated with the region of Lycia (in Anatolia) although they were thought to be highly mobile. Historians have tended to identify the Peleset with the later Philistines (in the Bible also calledPhlishtim (“invaders”) and located vaguely in the region of the Aegean. The Shekelesh have been associated with the island of Sicily although this wasn’t necessarily their original homeland as it’s also speculated that they may have moved there some time during the Bronze Age. The origins of the Sherden (or Shardan) is equally mysterious, with some archaeologists placing them within the Nuragic civilisation of Sardinia. The Tjekker have been variously linked to Canaan, Eastern Crete and the Sicals of Sicily, but without any conclusiveness. The Ekwesh are thought to have been from or based in the land of Libya, as was the Meshwesh. The origins of other groups are even more shadowy, such as the Denyen (or Danuna), the Karkiya and the Weshesh. Balancing these theories, Cline and other noted scholars hypothesise that the Sea Peoples’ migration began from the Western Mediterranean.
The Sea Peoples wearing distinctive feathered headdresses – as depicted on Ramesses II’s temple (source: Texas A&M University)
As Prof. Cline summed up the enigmatic Sea Peoples story: “the simple answer is that there is no simple answer. It remains an archaeological mystery that is the subject of much debate even today, more than 150 years after the discussions first began”.
𝕒 “Sea Peoples” was not a term used by contemporaries—Egyptians called them simply “Northerners”—but arose out of convenience to describe disparate groups of peoples thought to have come from islands and coastal areas of the Mediterranean (in reality, ironically, some came not from the sea at all!). What is established is that the Sea Peoples pursued a systematic pattern of invading and defeating the smaller empires and states of the region (Hittite kingdom, Mycenae (Greece), Syria, the Levant), culminating in a series of invasions of Egyptian Empire between ca.1213 BC and ca.1177 BC. They were repulsed and routed by the Egyptians (according to the Egyptian inscriptions) during the reigns of three succeeding pharaohs. The final Egyptian victory under Pharaoh Ramesses III was a Pyrrhic one. The war weakened the Egyptian economy to the point of bankruptcy, the empire was greatly diminished in size and by ca.1250 BC the Egyptian New Kingdom was finished.
𝕓 the Sea Peoples were atypical invaders, accompanying the fighting men was an entourage that included the families of the raiders and their livestock. The phenomena was a complete package, it’s objective included migration and the settlement of good farming lands…all of this added weight to the theory that the Sea Peoples were refugees in search of a permanent home
ONE of the many memorable paragraphs of Herman Melville’s classic allegorical work of American fiction, Moby-Dick, is when the narrator/character Ismael speculates on what remuneration he might receive for signing on to the voyage of the whaler Pequod:
❝ I was already aware that in the whaling business they pay no wages; but all hands, including the captain, receive certain shares of the profits called lays, and that these lays were proportioned to the degree of importance pertaining to the respective duties of the ship’s company… I made no doubt that from all I had heard I should be offered at least the 275th lay—that is, the 275th part of the clear net proceeds of the voyage…what they call a rather long lay, yet it was better than nothing ❞.
As Elmo P Hofman elaborated in a 1926 essay, “the whaleman was not paid by day, week or month, nor was he allowed a certain sum of every barrel of oil or for every pound of bone captured” …his earnings came from a “specified fractional share” (a lay) of the net profits of the trip (cited in ‘How Profit Sharing Sent Captain Ahab in Search of Moby Dick, Joseph Thorndike, Forbes, 15-Dec-2015, www.forbes.com). Rather than being wage-earners the entire crew including the skipper were sort of joint shareholders in the commercial venture.
The 1956 film (with Gregory Peck as Ahab)
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The experiences of real-life whaling boats of the era of Melville’s novel offers insights into the synchronic system of divvying up the profits – if we look at the profits of the 1843 whaling voyage of the Abigail of New Bedford⚀, it reveals a 70/30 split of the dividends, 70% to the owners and partners and 30% sub-divided between the captain and crew (Lance E. Davis, Robert E. Gallman, Karen Gleiter, In Pursuit of Leviathan (1997)). This was pretty typical for the period of what has been described as “an oddly denominated profit-sharing scheme” (‘The Whaleman’s Lay’, Ahab Beckons, 04-Feb-2018, www.ahab-beckons.blogspot.com). A captain might score a lay of ⅛th whereas a ‘green’ hand might only net a ¹⁄₃₅₀th lay or worse, so the novice sea-hand Ismael was perhaps over-optimistic about his likely share (in the novel Ismael is offered an exceptionally long lay which after haggling hard he manages to have reduced to a more acceptable lay of ¹⁄₃₀₀th). So, like the unknowables or “known unknowns” of the stock exchange, a crew member of a whaling vessel engaging in this pelagic industrial arena, even if he knows what lay he had scored, still won’t have any idea of how much he’ll earn for his months and months of hard ship work. Everything hinged on the voyage’s profitability.
Then on top of all this there were deductions from a crew member’s lay when he did finally get the money… anything an ordinary whaleman purchased from the ship’s store during the voyage—tobacco, boots, clothes, etc—was subtracted from his lay. The same if he was given an advance to send to his family. A crew member, especially one with a very long lay, could easily end up in debt to the ship’s owners at voyage’s end (‘Life Aboard’, New Bedford Whaling Museum, www.whalingmuseum.org).
New Bedford Whaling Museumℭℭℭℭℭℭℭℭℭℭℭℭℭℭℭℭℭ
⚀ 50 miles south of Boston, from the early 1820s on it supplanted Nantucket as America’s foremost whaling port
I happened upon the remarkable, daring exploits of Lt. Edgardo Simoni—the Italian prisoner of war who made a habit of repeatedly escaping from various Australian POW camps during WWII—while reading the non-wartime story of another (very different) ace escape artist, Kevin John Simmonds, a con on the run from NSW cops who bamboozled an extensive manhunt comprising 500-odd police and 300 volunteers in 1959, leading them on a long, fruitless chase through harsh and rugged bush land before being finally being recaptured. To their embarrassment the state’s police officers found themselves lagging far behind the solo fugitive in a catch-up game of “Where’s Wally”, with Simmonds making them at times look like “right” (and not very bright) “Charlies” (They’ll Never Hold Me, by Michael Adams (Affirm Press, Melbourne, 2024).
Kevin John Simmonds
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The theme of valiant escape and valiant escapees from POW camps is a standard trope of cinema and television that has been done to oblivion over the years. This sub-genre has been a recurring feature in cinema for the past seven or eight decades, including a raft of classic war (WWII) features like Escape from Stalag 17, The Colditz Story, The Bridge on the River Kwai, Von Ryan’s Express, The Wooden Horse, The Mackenzie Break and of course the most lauded of all movies subscribing to the sub-genre – 1963’s The Great Escape.
But for me my favourite POW screen vehicle is the antithesis of these largely stark and grim dramas. No, not Hogan’s Heroes but another TV war sitcom, an episode from the Seventies TV series Ripping Yarns (created by two-sixths of the “Monty Python” team, Michael Palin and Terry Jones) called ‘Escape from Stalag Luft 112B’. The protagonist played by Palin (Major Phipps) is a serial escape attempter…during the war to date he has attempted over 560 escapes, 200 of them before he had left England, as a consequence he is transferred to Germany’s most infamous prison camp. At Luft 112B he continues his escape attempts 24/7, all of them ludicrously impossible. Meanwhile the rest of the British POWs frustrate Phipps no end by being perfectly content to sit out the war in their cosy and comfy little gentleman–officer confinement. By the show’s end the other POWs and German guards have all scarpered, leaving Phillips as the only man to never have escaped the “inescapable POW camp”. In his life after the war we learn that escaping is so intrinsically part of Maj. Phipps’ DNA that two years after his death and burial, locals discovered a tunnel dug from his grave to the cemetery fence: his final and “greatest” escape! A gem of a send-up of both the unrelentingly solemn POW film and British upper-middle class and upper class twits𖤓.
Michael Palin, ‘Escape from Stalag Luft 112B’
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Back to the real life POW escapologist Signoré Simoni. Simoni was one of more than 18,000 Italian military personnel captured by the Allies and transported to Australian POW camps, in his case assigned to the Murchison Camp # 13, near Shepparton, Victoria. Unlike the fictional Maj. Phipps’ fellow prisoners and the great majority of his fellow Italian POWs, Edgardo Simoni never content to stay put behind barbed wire and high fences paralleled the fictional Phipps in trying to escape whenever the opportunity presented itself.
Italian prisoners of war arriving at Circular Quay wharf, Sydney, 1941 (source: coasit.com.au)
Simoni’s first shot at freedom failed but undaunted he soon tried again. Swapping uniforms with an Italian private in the prison was his passport to the outside POW work detail. From there he easily managed to slip away from the Murchison guards and head for metropolitan Melbourne. Once there, he took the alias “George Scoto” and got a job selling door-to-door cosmetics (very successfully) which lasted for ten months. Afterwards, Simoni moved to Mildura in country Victoria where he found work on a farm. Here he was recaptured by Australian military police and despatched to a higher security goal in the isolated town of Hay, NSW. Simoni was not intent to accept captivity in Hay and in no time he had escaped by painstakingly filing through the bars of his cell window, becoming the only POW to escape from that supposedly escape-proof incarceration facility. Simoni then walked 300km to Bendigo where he caught a train to Melbourne. His second sojourn in Melbourne was cut short by a stroke of rotten luck when he was spotted and arrested by the same policeman who had arrested him on the previous occasion! (‘Italian POWs in Australia’ by Frank O’Rourke, Newsletter # 580, 02–07–2021, www.melbashed.com.au)✦.
Italian POWs at Myrtleford Camp (photo: Geoffrey McInnes/Aust War Memorial)
Myrtleford, Victoria, was the next POW camp (# 5) to accommodate the peripatetic Signoré Simoni. Edgardo had been an anti-fascist in Italy and had joined Mussolini’s army only after swearing allegiance to the monarchy, but in Australia he started to embrace communism which led to the authorities placing him under special surveillance. Not very successfully it seems because Simoni was still able to regularly abscond from the Myrtleford facility at night-time without much effort to moonlight as an unofficial organiser for the local tobacco sharefarmers exhorting them to agitate for better working conditions (‘Edgardo Simoni oral history interview by Dan Connell’, 06–11–1986, http://archival.sl.nsw.gov.au).
Col. Edgardo Simoni (ret.) in 1974: revisiting his travels around SE Australia
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Endnote: All in all Lt. Simoni—who earned the nickname La volpe (“the Fox”) for his war-time escapades—made 13 escape attempts in the three years he was a POW in Australian detention. At the end of the war, upon release, Simoni returned to Italy and resumed his career in the military, rising to the rank of colonel. In 1974 La volpe re-visited Australia, this time on happier terms, to retrace the steps of his fugitive odyssey around NSW and Victoria.
𖤓 the 2000 Aardman film animation Chicken Run also mines the escape from prison trope, freely parodying WWII POW movies (especially The Great Escape) by exploiting all the familiar cliches
✦ the press closely followed Simoni’s escapades in Australia as if they were tracking “Public Enemy # 1”: ‘Search For Italian’ MELBOURNE. June 10. Police and military authorities searching for Lt. Edgardo Simoni, 25, the Italian who escapedon a bicycle from a prisoner ofwar camp in Gotiburn Valley on Saturday, believe that he has crossed the Victorian border. Detectives and railway enquiry officers are checking; every interstate and country train. and interstate detectives have joined the search ~ Adelaide Advertiser, June 11 1942”
Leaving aside the small percentage of the population who are by nature petracolous𖤓, who in the West hasn’t heard something described as a “Trojan Horse” at some time or other, even if they may not grasp that its a reference to the fabled Trojan Horse of Greek mythology? Its usage in the modern world—signifying a trick or stratagem that causes a target to invite a foe into a securely protected bastion or place—makes it one of the great, storied metaphors of human interaction and existence. In the age of IT the term has also crossed over into computing jargon to describe any malicious computer program that fools users into willingly running it (often called simply a “Trojan”). But let’s get back to the origin story, the literary-mythical “Trojan Horse” (Troia hippos or douráteos hippos) of antiquity upon which its metaphorical longevity of currency rests.
The Greeks’ gift(sic) of the gigantic wooden horse
The ancient sources of the classical world—principally Virgil’s Aeneid, Quintus of Smyrna’s The Fall of Troy and Homer’s Odyssey (but not the Iliad!)—gave us the legendary Trojan Horse story, an audacious ruse by the Achaeans§ to penetrate the impenetrable walls of Troy with the crafty “gift” of a deceptive and catastrophe-bringing equine decoy. The master-scheme, masterminded by Odysseus, the king of Ithaca, succeeded spectacularly, bringing the ten long years of a Hellenic-Trojan war, hitherto thought to be utterly inconclusive, to a swift and definitive conclusion.
Unsurprisingly in a story about great heroic warriors, all of the kudos for the triumph of the wooden horse gets lavished on Odysseus’ head, with the wily king of Ithaca being described by tradition as “the architect of the Trojan Horse”. The problem with this exalted tag being ascribed solely to Odysseus is that it completely glosses over the vital role of Epeius of Phocis who can stake a comparable (and literal) claim to the title in the Trojan Horse episode. The germ of the idea was the genius master-stroke of Odysseus, yes, but he still needed a highly skilled artisan–builder to bring the oversized horse decoy into being. Epeius, a soldier and pugilist in the Achaean ranks had been a master carpenter in his civilian life before the war, and the task was down to him, not Odysseus, to make the Wooden Horse a reality. Epeius designed and built the gigantic super-sized model of a horse with a hollow belly large enough to hold 30 warriors and their armour and weapons, making his creation a plausible structure, well-constructed and finely detailed…and he did all this in just three days – apparently with some help or inspiration from the goddess Athena. Without Epeius’ Herculean labour of monolithic scale carpentry, Odysseus would not have the Trojan Horse which is synonymous in Greek mythology with his name, the very instrument which proved a total game-breaker ending the stalemate in the decade-long war between Agamemnon’s Achaeans and Priam’s Trojans.
Commercialised modern Troy
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𖤓 ie, living under a rock
§ the name Homer (or “Homer”) used in referring to the ancient Greeks
As Elmo P Hofman elaborated in a 1926 essay, “the whaleman was not paid by day, week or month, nor was he allowed a certain sum of every barrel of oil or for every pound of bone captured” …his earnings came from a “specified fractional share” (a lay) of the net profits of the trip (cited in ‘How Profit Sharing Sent Captain Ahab in Search of Moby Dick, Joseph Thorndike, Forbes, 15-Dec-2015, www.forbes.com). Rather than being wage-earners the entire crew including the skipper were sort of joint shareholders in the commercial venture.
The 1956 film (with Gregory Peck as Ahab)
Then on top of all this there were deductions from a crew member’s lay when he did finally get the money… anything an ordinary whaleman purchased from the ship’s store during the voyage—tobacco, boots, clothes, etc—was subtracted from his lay. The same if he was given an advance to send to his family. A crew member, especially one with a very long lay, could easily end up in debt to the ship’s owners at voyage’s end (‘Life Aboard’, New Bedford Whaling Museum, www.whalingmuseum.org).
New Bedford Whaling Museum
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