Why So Few African–Americans Play Elite-Level Ice Hockey?

Regional History

Non-white names and faces in North American ice hockey are conspicuously absent from the sport at the highest level. Just over five percent of players in the North American men’s National Hockey League (NHL)—the world’s premier ice hockey league—are blacks or people of colour. Compare this to basketball or American football, eighty and seventy-five percent respectively, coloured player participation at elite-level⧼a̼⧽. The absence of non-whites in the sport goes further than that. Participation in ice hockey of non-playing staff including management is similarly heavily skewed towards whites. NHL club owners and coaches have been predominantly white, in 102 years of the League only one coach has been black. The lack of diversity is reinforced by the composition of the NHL’s fan base – over seventy-seven percent are white (cf. basketball, forty-five percent), and the white supporters of ice hockey are more conservative and wealthier than non-white fans (“The NFL Says ‘Hockey Is For Everyone’. Black Players Aren’t So Sure”, Terrence Doyle, FiveThirtyEight, Upd 19 October 2020, www.fivethirtyeight.com).

Why have non-whites in American and Canadian ice hockey always been outliers in the sport? The lack of participation by players of colour starts at the beginner’s level with youngsters not taking up the game in great numbers. The prohibitive cost is a real factor. A recent survey indicates that sixty percent of the parents of young players were forking out more than US$5,000 a year on equipment, competition fees and travel. This alone immediately disadvantages many black parents whose family finances are absorbed by the basic necessities of day-to-day living. Another significant allied factor is that blacks lack prior exposure and access to the game of ice hockey…so, unlike say with basketball or ‘gridiron’, there is for them a disconnect, an absence of cultural affiliation with the sport. With the game’s full-on physical impact aspect, playing ice hockey has long been considered the epitome of “white machismoism”. Budding non-white players tend to find this stereotype of an “affluent white culture” unwelcoming and a deterrent to the majority from progressing with the sport (“Why The Ice Is White”, Wes Judd, Pacific Standard, 14 June 2017, psmag.com). Those who do make it to the NHL (only 70-odd black players in the League’s entire history), often report a feeling of isolation and alienation from the rest of their team and the club.

Underlying all of this is the basic explanation for the out-of-kilter status quo – the persistent, overarching LCD spectre of racism. Those black players who take up the sport, starting at the junior level and proceeding to the senior leagues, have consistently found themselves the targets of racial abuse – from white fans, from opposing players, from their own white team-mates, and from their own coaches and support staffs…in recent years coaches from two NHL teams Carolina Hurricanes and Toronto Maple Leafs were sacked for racially vilifying their coloured players⧼b̼⧽. 

With the impulse for diversity and inclusion embracing modern sport as a whole today, the NHL has come under increasing pressure from wider North American society to reform its sport. The response from the governing body so far has been at best tokenism, bereft of any substance, the League’s ”Hockey is for everyone” sloganeering is seen as merely hollow rhetoric when there is follow-up efforts from the League’s administrators to make meaningful reforms to rectify the imbalance. The pressure for reform in ice hockey has In fact come from non-white players within the NHL — such as Matt Dumba (left) from the Minnesota Wild who have come out on record, putting the spotlight on the racial discrimination pervading the sport, in so doing trying to drag a reluctant NHL still digging its heels in towards real action to remedy the inequitable situation (Doyle). Willie O’Ree

Footnote: in 1958 Willie O’Ree, was the first black player to break into the NHL, which meant the Canadian winger was also the first non-white major league hockey player to experience the avalanche of racism hurled in his direction from fans and players alike during his two seasons with the top-flight Boston Bruins side before being traded initially to the Montreal Canadiens and then back to the minor leagues. In his post-playing days O’Ree has become a diversity ambassador for ice hockey.

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⧼a̼⧽ this is not to presume that ice hockey is “Robinson Crusoe” in the exclusion of non-whites from specific sports…sports like golf (take out Tiger Woods) and swimming (often contrasted with athletics) have been massively disproportionately lite-on for black and coloured participation at the highest professional levels

⧼b̼⧽ one of the coaches even physically assaulting their black playing staff

Strangelove and his Cold Warrior Comrades, Art Imitating Life

Cinema, Comparative politics, Futurism, International Relations, New Technology,, Popular Culture, World history,

Stanley Kubrick’s 1964 dark satire Dr Strangelove is a classic of the genre which comically probes the collective anxieties triggered in the West by the Cold War at its height in the early 1960s. Kubrick hammers home the utter absurdity of the prevailing nuclear standoff between the US and the Soviet Union and the consequential existential threat to the planet from the doctrine of Mutually Assured Destruction (MAD) and “Doomsday bombs”. The movie’s plot involves the unilateral unleashing of a preemptive strike on Moscow by a deranged US Air Force general and the Pentagon’s shoddy attempts at “management” of the crisis.

Sellers as Dr Strangelove

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Kubrick and his film co-writers Terry Southern and Peter George give us three dangerously over-the-top, lunatic fringe characters – two gung-ho hawkish military types, generals Turgidson and Ripper, and the eponymous “Dr Strangelove”𝟙. The central figure in the nuclear nightmare scenario, Dr Strangelove (played by Peter Sellers), is a former German Nazi technocrat turned US strategic weapons expert and scientific advisor to the US president Merkin Muffley (also Sellers). Strangelove is creepily sanguine about the prospect for humanity post-nuclear Holocaust, expanding on his vision of a 100-year plan for survival (for some)…a male elite ensconced in an underground bunker where they can sire a selective breeding program with a plurality of desirable females [‘Dr Strangelove (character)’, Kubrick Wiki, www.kubrick.fandom.com].

Wernher Von Braun (Photo: Mondadori via Getty Images)

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Strangelove a composite of various personages

Though characterised by caricature and satire, the film’s three wildest characters are recognisable among the actual political, military and scientific figures of the day in America. The heavy Middle European accent of Dr Strangelove, his authoritarian-Nazi mannerisms and regular references to “Mein Führer”, has led some observers to conclude that the character was based on German aerospace engineer Wernher von Braun, instrumental in the Nazis’ V-2 rocket project and after 1945 in the US designing space rockets for NASA (a view given countenance by one of the screenwriters Terry Southern). Others have added émigré Hungarian scientists John von Neumann and Edward Teller as models for Strangelove. Both men worked on the Super-bomb projects (A-Bomb, H-Bomb, C-Bomb) for the US government in the 1940s and 50s, and both were rabidly anti-communist and anti-Russian [P.D. Smith, Doomsday Men (2007)]. Teller in particular shared a number of Strangelove’s traits, eg, volatile nature, Soviet-fixated and obsessed with bombs, possessed of a prosthetic limb. It’s probably a reasonable bet that the there was something of the personality of all three men in Dr Strangelove, but other individuals were also sources of inspiration for the character.

Herman Kahn (Source: Alchetron)

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A Megadeath influencer from RAND
Another real-life figure widely associated with the Strangelove character is Herman Kahn, who was a physicist and military strategist with the RAND Corporation𝟚. Kubrick got the idea of a “Doomsday Machine” from Kahn whose 1960 book On Thermonuclear War posited the possibility of a winnable (sic) nuclear war. Kahn has been described as a “Megadeath Intellectual” with his robust insistence that the dangers of nuclear war were exaggerated (this also accords with the outlier position of General Buck Turgidson – see below)𝟛.

Gen. Jack Ripper (Photo: Columbia Pictures)

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Military madness
Maverick general in the Strategic Air Command Jack D Ripper (played by Sterling Hayden) is gripped by the all-consuming communist conspiracy hysteria. His belief in the loony notion that the Soviets have been fluoridating American water supplies to pollute the “precious bodily fluids” of Americans leads him to initiate a H-Bomb onslaught on the USSR without consulting the Pentagon. Ripper’s wild rhetoric and blustery style has been compared to Robert Welch, the rabid anti-communist founder of the ultra-conservative and reactionary John Birch Society. Ripper’s loopy claim about Soviet water contamination echoes Welch’s baseless anti-fluoridation allegations (‘How I Learned to Stop Worrying’).

Gen. LeMay (Image: Mort Kunstler / Stag)
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Expendable dead
Gen. Buck Turgidson (played by George C Scott) was largely modelled on four-star air force general Curtis LeMay𝟜. Turgidson is an unrepentant war hawk who wants to escalate Ripper’s nuclear attack on the Soviets, justifying it with the outrageous claim that it will result in only “limited” casualties from the ensuing superpower war, which in his estimate equates to 10 to 20 million dead! Like Turgidson LeMay danced to the beat of his own drum, he was well disposed towards a preemptive strike on the Russians and vociferously advocated nuclear strikes on Cuba during the Cuban Missile Crisis and on North Vietnam during the Indo-China War.

Gen. Turgidson (Scott) in the War Room (Columbia Pictures)

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The actions and statements of the clearly psychotic Ripper and morally reprehensible Turgidson convey insights into the level of paranoia gripping the real-life military commanders in the climate of the nuclear arms buildup in the Sixties. [Fred Kaplin, “Truth Stranger than ‘Strangelove‘“, New York Times, 10-Oct-2004, nytimes.com].

Fail Safe (1964)

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Footnote: Satirical Dr Strangelove v Serious Fail Safe
Intriguingly, at the same time Kubrick was making Dr Strangelove there was a separate film in the works also about an American nuclear attack on the USSR. Fail Safe dealt with the same subject but as a straight-up drama. In this second film about nuclear Armageddon the trigger to the catastrophic event however is not rogue generals but a technical glitch. Strangelove’s equivalent morality-free scientist character in Fail Safe is Professor Groeteschele (played by Walter Matthau) who draws similar comparisons with Herman Kahn.


𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝄪𝟙
Dr Strangelove is broadly based on George’s novel Red Alert (1958), although the character of Dr Strangelove doesn’t appear in the novel
𝟚 mimicked in Dr Strangelove as the BLAND Corporation
𝟛 another Strangelove comparison is Henry Kissinger…suggested by a shared “eerie poise, lugubrious German accent and brutally pragmatic realpolitik” [Gary Susman, ‘Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb’, Time, 11-Feb-2013, www.entertainment.time.com]
𝟜 although behaviourally the Ripper character (“cigar-chomping, gruff-talking”) also resembles LeMay’s style