Last year the US cable channel Comedy Central cancelled its totally left-field ‘reality’ program Drunk History after six seasons. On the surface it might seem improbable that a program with such a flimsy framework would have had such a good run in the cut-throat world of American TV. When the show started in 2013 I wouldn’t have put the ancestral home, or even the rustic “lean-to”, on its chances of surviving into a second season. My initial impressions—apparently mistaken, see below—were that the actors were pretending, not very convincingly and in fact somewhat ham-fistedly, to be drunk.
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It’s relative longevity aside, another thing that surprises me about Drunk History was that the show didn’t really attract much flak from the Temperance Society, AA, the Religious Right, the Puritan elders or other moral crusaders for its portrayal of people in states of intoxication bordering on the point of being ‘legless’. In the Australian version of ‘Drunk History’ there were some mild rebukes in the media, mostly a bit of tut-tutting from viewers about the dangers of “glamorising excessive binge drinking” in a country with an extensive history of problems with the Demon drink§(David Knox, TV Tonight, 2019).
The germ of the idea for Drunk History came from, of all things, a late night drinking session its co-creator Derek Waters had with a fellow actor (who’d have guessed!) It premiered under the name Funny or Die as a web series in 2008, the debut webisode featured a liberty-taking retelling of the famous Hamilton-Burr duel in 1804. From an unorthodox educational point of view Drunk History is a kind of adult version soulmate of the British children’s comedy series Horrible Histories, a similar serving of factually-based, humorously told anecdotes for junior viewers, which itself is a quantum leap forward pedagogically from 1950s children television fare of this ilk, eg, Peabody’s Improbable History, which consisted of an anthropomorphic cartoon dog who time travels with a naive and extremely annoying boy companion to earlier epochs to do a bit of history mangling.
The format’s opening gambit presents Waters in relaxed drinking mode with guest storyteller…with very little coaxing from Waters the narrator in no time descends into a boozy state and starts to unfurl a rambling, episodic, partially incoherent account of some historical event (the majority but not all from the pages of American history)…then it segues into a scene where actors in appropriate period costume act out the story while lip-synching the narrator‘s words with hilarious results. The narrators are usually stand-up comedians…possessors of the right skillsets for rambunctious story telling of course! Who better to do it than the dudes for whom off-the-lease manic ranting in booze-soaked establishments is second nature?
¹⁸⁰⁰ ᵖʳᵉᶻ ᵉˡᵉᶜᵗⁱᵒⁿ ⁽ˢᵒᵘʳᶜᵉ﹕ ᵖⁱⁿᵗᵉʳᵉˢᵗ⁾
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Given the cavalier narration and fabricated and anachronistic dialogue littered with liberal snatches of “hipster-speak” and “dude-speak”, you might suspect Drunk History to be sloppy as to historical accuracy. The producers however went to some pains to be accurate with dates and names and what actually happened in the stories. This can be put down to the efforts of hired UCLA PhD students who did the research heavy lifting to keep the history on the tracks. Special care was also taken with the narrators, tasked with getting sufficiently inebriated to capture the desired mood. As host Waters plies them with drink medics are on hand during the shooting—which took place within the familiar and safe milieu of the narrators’ own homes—just in case the alcohol was getting the upper hand over the comics (apparently this was the case on more than one occasion!) (Justin Monroe, ‘The Sober Reality of Drunk History’, Complex, 01-Sep-2015, www.complex.com).
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But from being initially sceptical about Drunk History, my opinion mellowed (perhaps helped by imbibing a snifter or two myself during viewing) and I slowly warmed to the series. Ultimately I came to appreciate the novel things it brought… introducing me to hitherto low-profile, perhaps minor historical figures and little known events from the past, eg, invention of Coca-Cola, the birth of Hip Hop, Nikola Tesla’s breakthroughs, Tunnel 57 (1964 Berlin Wall incident), “Dr Feelgood”, Lawnchair Larry flight, Typhoid Mary, “Night Witches” (German WWII military aviatrixes)✪. The storytellers raise a glass or three to forgotten women chauvinistically airbrushed from history, one such ‘minor’ figure unearthed in an episode was 16-year-old Sybil Ludington who made an heroic night-time dash by horse to alert New York citizens of the impending threat from the British forces during the American War of Independence (sound familiar?), and alerting us to the fact of how very differently history remembers Sybil and other females (or doesn’t remember!), compared to the immortal glory and reverence heaped on Paul Revere for his famous ride. Another female heroine getting her due recognition in history from Drunk History is Rose Valland, a Parisian art curator in WWII who thwarted the occupying Nazis’ heist of a huge haul of priceless first rank artworks.
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Giving an extra layer of lustre to the series are the various celebrities appearing in episodes of Drunk History – including “Weird Al” Yankovic as Adolf Hitler, Laura Dern as Nellie Bly, Jack Black as Elvis Presley, Will Ferrell as Abe Lincoln and Ben Folds as Nathan Cherry.
Postscript: Drunk History International
The runaway success of the US prototype has spawned a number of international versions, at last count the franchise has extended to the UK, México, Hungary, Brazil, Poland, Argentina and Australia.
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§ ʷʰⁱᶜʰ ᵖᵉʳʰᵃᵖˢ ᵖʳᵒᵐᵖᵗᵉᵈ ᵗʰᵉ ᵖʳᵒᵈᵘᶜᵉʳˢ ᵗᵒ ᵉⁿᵗʳᵉᵃᵗ ᵛⁱᵉʷᵉʳˢ ᵗᵒ “ᵈʳⁱⁿᵏ ʳᵉˢᵖᵒⁿˢⁱᵇˡʸ” ʷʰⁱᶜʰ ᵃᵖᵖᵉᵃʳˢ ⁱⁿ ᵗʰᵉ ᶜˡᵒˢⁱⁿᵍ ᶜʳᵉᵈⁱᵗˢ
✪ ˢᵖᵘʳʳⁱⁿᵍ ᵐᵉ ᵗᵒ ʳᵉˢᵉᵃʳᶜʰ ᵃⁿᵈ ᶠᵃᶜᵗᶜʰᵉᶜᵏ ᵗʰᵉ ʰⁱᵗʰᵉʳᵗᵒ ᵘⁿᶠᵃᵐⁱˡⁱᵃʳ ᵉᵖⁱˢᵒᵈᵉˢ ᵒᶠ ʰⁱˢᵗᵒʳʸ ⁱ ᵉⁿᶜᵒᵘⁿᵗᵉʳᵉᵈ ⁻