Filibustering in the USA: Quintessentially American but Not Exclusively American

Cinema, Comparative politics, National politics, Politics, Regional History

Anyone following contemporary US politics would likely be familiar with the term ‘filibuster’ – the spectacle conjured up is of a politician, bunkering down, holding the Senate floor to ransom in an endless monologue. The object of such stonewalling is to perversely delay the passage of some piece or other of legislation they are opposed to. Many movie fans of the “Golden Age of Hollywood” cinema will recall the idealistic young ‘greenhorn’ senator (played by James Stewart) engaging in an agonising 24-hour, non-stop talking marathon to try to block corrupt legislation being passed…the junior senator droning on about the Constitution and the Bible before dramatically collapsing, exhausted, on a ‘bed’ of protest letters and telegrams (Mr Smith Goes to Washington, 1939).

(Illustration: Diana Morales/MPA)

The right to ‘speechify’: Extraneous and unrelated to the legislative matter at hand
The principle on which filibustering is predicated—that any senator should have the right to speak as long as necessary—has seen real-life politicians resort to reading material just as prosaic as the fictional Mr Smith’s tedious ‘talkathon’. Louisiana demagogue Huey Long punctuated recitations of Shakespeare and passages from the Constitution with readings of his favourite recipes – especially fried oysters and pot-likkers. Ted Cruz read Dr Seuss to his daughters while trying to stymie Obamacare. The negativity of filibustering is neatly summarised in Senate historian Donald Ritchie’s definition: a filibuster “is a minority of Senators who prevent the majority from casting a vote, knowing otherwise the majority would prevail” [‘Whatever Happened to the Old-Fashioned Jimmy Stewart-Style Filibuster?’, (Aaron Erlich), www.hnn.us/].

Huey Long (Source: www.npr.com)

Reining in its excesses
The impediment of senatorial filibustering—legislation delayed is legislation denied—led to attempts to curb its disruptiveness. Under the Wilson presidency, the Senate accepted a rule whereby a filibuster could be ended on the achievement of a two-thirds majority vote. In DC-speak this device is called invoking ‘cloture’. In 1975 the requirement was amended, necessitating only a three-fifths majority vote (ie, 60 votes out of the 100 senators) [‘Filibuster and Cloture’, United States Senate, www.senate.gov].

The device of the political filibuster, though quintessentially American, is equally a feature of legislatures of other Western democracies such as the UK, Australia, France and Canadaand it’s a practice that goes way back to Ancient Rome and Cato the Younger’s all-day talk fests in the Roman Senate circa 60 BCE [‘The art of the filibuster: How do you talk for 24 hours straight?’, (12-Dec-2012, www.bbcnews.com].

The filibuster phenomena continues to provide political cartoonists in the US with endless inspiration
(Image: www.davegranlund.com)

 

The other type of filibuster  

The etymology of ’filibuster’ dates from the late 16th century, it is first used in the sphere of Spain’s imperial possessions in the “New World”. The Spanish term filibustero described the activities of freelance buccaneers and pirates who plundered the riches of Spanish America (typified by Sir Francis Drake and his raid on Panama in 1573). ’Filibuster’ re-emerges in 19th century United States to refer to North American adventurers and ‘chancers’ who organised schemes and private militias in an attempt to take over foreign countries and territories in Latin America [May, Robert E. “Young American Males and Filibustering in the Age of Manifest Destiny: The United States Army as a Cultural Mirror”.  The Journal of American History, vol. 78, no. 3, 1991, pp.857-886. JSTOR, www.jstor.org/stable/2078794. Accessed 10 Oct. 2020].

Pirate gold doubloons from the Americas

(Photo: NY Post)

Burr, godfather of US filibustering
The first tentative steps of US filibustering in the early period of the republic probably starts with Vice-President Aaron Burr in the first decade of the century. After Burr’s political career imploded in 1804 as a result of his killing of former Treasurer secretary Alexander Hamilton in a duel, the disgraced VP is believed to have hatched a plan to invade and seize Spanish territories in the west of the North American continent. The scheme was never implemented, however Burr was subsequently tried for treason but acquitted [‘The Burr Conspiracy’, National Counterintelligence Center, www.fas.org/]Other filibusters followed Burr’s lead…early American adventurers like James Long and Augustus Magee formed expeditions to try to wrest control of Texas from the Spanish colonialists.

Aaron Burr (Image credit: Bettmann/Getty Images/HowStuffWorks)

Manifest Destiny west and south
The activity really took off after US territorial gains at Mexico’s expense stemming from the 1846-48 war and the discovery of gold in California. In the 1850s filibuster expeditions became a regular occurrence as ambitious US citizens, schemers and “soldiers of fortune”, launched raid and raid mainly on northern Mexico but also Central American lands in an attempt to appropriate territory for themselves or in the name of the US. Venezuelan-born Narcisco López was one of the first, trying unsuccessfully with the assistance of American southerners to capture Cuba from the Spanish on three separate occasions. Most of these filibusters were inspired by (or found legitimacy for their actions) in the emerging credo of Manifest Destiny, the belief that Americans possessed  a kind of “quasi-divine Providence” to expand into new territories (be they held by native populations or Mexicans), annex them and thus spread American democracy to them [‘Manifest destiny’, Wikipedia, http://en.m.wikipedia.org].

 

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by no means is it confined to Western democracies

filibustero – from the Dutch vrijbuiter, meaning ‘freebooter’, ‘pirate’ or ‘robber’

 Burr was also largely responsible for the introduction into the Senate of the above form of filibuster, the procrastination ploy

 

Sifting the Devil from the Dragon: Dracula versus Vlad Ţepeş

Biographical, Cinema, Creative Writing, Literary & Linguistics, Popular Culture, Regional History

(Image: Lonely Planet)

Romanians, especially those from the region of Transylvania, must view Bram Stoker’s 1897 novel Dracula with at best mixed feelings. On the one hand, the immense popularity of Stoker’s imaginative work of fiction helped put Transylvania on the international tourist map…on the other hand, its dark and ghoulish tale of chilling evil with its genesis in the mountains and forests of trans-silvae (“the land beyond the forest”), projects a negative and deceptively gloomy picture of the country. The association of one of the greatest heroes in Romanian history and a defender of Christianity, the Medieval ruler Vlad Ţepeş III, with the fictional Dracula, would be displeasing to many patriotic Romanians.

Dracula’s transformation into a classic of the Gothic horror genre captured the imagination of film-makers, inspiring numerous silver-screen interpretations of Dracula – from the silent German feature Nosferatu to countless Western film versions which made actors such as Bela Lugosi and Christopher Lee famous – and typecast. The Dracula character’s pervasion of especially American popular culture has seen the trope extend to parody cartoon versions on TV (Duckula), to female teen “vampire-slayers” (Buffy) and even to “blaxploitation” movies asserting the emergence of a self-conscious black culture in the US (eg, Blacula).

Vlad’s signature punishment
In some screen interpretations of the novel, like the 1992 Francis Ford Coppola movie Bram Stoker’s Dracula, the identities of Dracula and Vlad Ţepeş are presented as if they are one and the same person! (see also PostScript). Entirely fanciful of course but Stoker’s character did draw inspiration from the real-life Vlad Ţepeş III (or Vlad Împalatul). Vlad was the voivode of Wallachia in the mid-15th century, infamous for impaling victims such as his own troublesome boyars or foreigners captured in conflicts (Ottomans, Bulgarians, Saxons, Hungarians). Such an horrific torture technique earned him the nickname “the Impaler”.

1499 woodcut, Vlad the Impaler

Vlad Ţepeş, voivode and resident of Wallachia, not Transylvania
Stoker did get the name ‘Dracula’ from the Medieval Romanian prince, or at least from his family. Vlad’s father—Wallachian voivode before him—was Vlad II, also known as Vlad Drâcul…Drâcul (or Drâc) was a word for ‘dragon’ in the 15th century, today in Modern Romanian it means “the devil” – something noted by Stoker in his research for the book as an apt descriptor for his fictional arch-nemesis. There is however a great deal of the character of Count Dracula that Stoker didn’t derive from the circumstance of Vlad Ţepeş. The Impaler had nothing to do with vampires or any supernatural beings and his associations with Transylvania were largely peripheral and tenuous. Vlad was supposedly born within Transylvania in Sighişoara although there are some doubts about this (an alternative view has his birthplace in Wallachia). Bran Castle, a Transylvanian tourist attraction identified with Stoker’s Dracula, has no connection with Vlad at all [Florin Curta, referenced in ‘The Real Dracula: Vlad the Impaler’, (Marc Lallanilla), Live Science, (2017), www.livescience.com].

Bran Castle (Photo: Daniel Mihailescu/AFP/Getty Images)

Constructing the Ur-vampire
Transylvania, being to outsiders, “a mysterious land of vampires and other supernatural things”, handed down a long tradition of folklore and legends, it’s not surprising that Stoker drew on this source for inspire and inform his vampire story. Superstitions and beliefs of Romanian peasants in Stoker’s time fuelled a plentiful supply of tales about vampiri (vampires), vârcolaci (werewolves) and other supernatural monstri. Stoker’s library research would also have acquainted him with the strigol, a Romanian figure of legend—“a reckless spirit that returns to suck the lifeblood from his relatives”—the type of vampirish “undead souls” that would find a place in Stoker’s horror novel [‘The Use of History in Dracula Tourism in Romania’, (Tuomas Hovi), www.folklore.ee].

Whitby, England (Image credit: www.visitwhitby.com)

Non-Romanian influences on Dracula
In the Dracula novel the undead Count travels to Britain in search of more victims, journeying to Whitby in Yorkshire. This echoes Stoker’s own earlier visit to Whitby in which the author was reportedly quite taken with the town, its colony of bats circling round the churches, its whole creepy atmosphere, all of which he would have found good material for a Gothic novel [‘How Dracula Came to Whitby’, English Heritage, www.english-heritage.org.uk]. Stoker apparently found more inspiration in Port Erroll (these days, Cruden Bay) in Aberdeenshire – Slains Castle with its “fang-like rocks” is thought to have also inspired the Transylvanian Dracula castle home in the book [‘Slains Castle’, www.visitabdn.com].

Vampires: not the exclusive preserve of Transylvania⦿
Bram Stoker was Irish and never visited Romania in his lifetime, prompting some to speculate that the Dracula story may equally have been influenced by the author’s own experiences growing up in Ireland. Stoker would have been exposed to homegrown myths of the supernatural (such as those involving the sidhe, the fairy people of Irish folklore), as well as to the nightmarish ordeal of living through a cholera epidemic [‘How Bram Stoker creates Dracula with the aid of Irish Folklore’, (Leonie O’Hara), Irish Central, 04-Oct-2020, www.irishcentral.com].

PostScript: Vampire tourism
Vampire tourism in Transylvania has not been waylaid by coronavirus, tourist operators in Romania are still offering up a raft of tour packages—with titles like “7-Day Dracula Highlights Tour” and “Fun With Fangs: Vampire Tours in Romania”—to lure the “vampire-curious”. The tours, tend to wallow in all the predictable cliches and stereotypes, milking the prevailing craze for all things vampire, staying in Dracula-themed hotels, etc. Vampire tourism is an intriguing admixture of history, tradition and fiction…taking a leaf from Hollywood some of the tours indulge in considerable conflating of the historic Vlad Ţepeş with the fictional Count Dracula (Hovi).

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ruler, a sort of military governor of a region

Prince Vlad’s political fortunes generally hovered in the vacuum between the two regional powerhouses Hungary and the Ottomans, who he fought both with and against at different times

 Drâculeşti is the patronymic – Vlad Ţepeş was also known as Drâculea, “son of the dragon”

descendants of Saxon (German) merchants and craftsmen who migrated to Romania, commencing in the 12th century

⦿ though the tradition is a strong one in the Balkans and Eastern Europe, eg, Greece vrykolakas, Albania shtriga