Our visit to the Mortuary Temple of Queen Hatshepsut, AKA the Deir el-Bahri (“Northern Monastery”) was the highlight of the visit to Luxor, a happy wrap to a long day mostly spent peering into a raft of dark, underground Egyptian burial tombs in the nearby Valley of the Kings. 
From the Queen’s monastery entrance gate near the West Bank of the Nile we were ferried out to the site in “people-movers”, open transit E-vehicles. This sublime gem of a temple stands out from the others for several reasons! First of all – the fun-sounding name, we were informed by Bakr that it is correctly pronounced “Hat-cheap-suit” which is a pretty good memory device to resort to, but the quipsters in our tour party were quick to translate it into “Hot n’chicken-soup” or even more absurdly “Hot-chip’n’soup”! (in the dusty air and baking heat of the Valley, lunch was never far from our minds!). It was special too because remarkably Queen Hatshepsut was only one of two female pharaohs in Ancient Egyptian history (d.1458 BCE, 18th Dynasty). 
The first, Sobekneferu (d.1802 BCE, 12th Dynasty) was a more shadowy figure and a much less substantive ruler. Hatshepsut first ascended the imperial throne as co-regent with her half-brother but assumed full pharaonic powers after his death. Her reign was notable for its building projects, especially around Thebes (her crowning glory this memorial temple, Deir el-Bahri, built in Western Thebes) and for extending the kingdom’s trading links possibly as far as Punt (Eritrea) in the Horn of Africa. 
In the contemporary images, statues and sculptures of Hatshepsut✱, she is depicted (on her own orders) as a man, eg, the free-standing colonnade sculptures of the Queen in her showcase Thebes temple show her with a manly build and a characteristic pharaoh’s beard and attire. Lastly there is its peerless aesthetic appeal. Most of the other mortuary houses in Luxor’s valley look drab and unprepossessing by comparison. The temple is magnificently set in a natural valley against a towering backdrop of massive craggy mountains. Though upward of 3,500 years old in some ways it looks strangely modern with its ramps, two-tired terraces and the simplicity of clean, white, sharp lines of the colonnades and facade…the simplicity of the building and the way it blends into the landscape reminds me a bit of the architecture of Chicago’s Prairie School. Hatshepsut’s pet name for the temple was Djeser Djeseru (“splendour of Splendours”), in the ancient era the elegant simplicity of Deir el-Bahri was enhanced by a number of aesthetic features and elements that haven’t survived to the present day (eg, an avenue of sphinxes, fountains, lines of myrrh trees from the land of Punt) [The Rough Guide to Egypt (2007 Ed.)]. 
The distressing, tragic contemporary association with this sublimely beautiful monument is that it was here that 58 international tourists as well as four Egyptians were massacred by terrorists in 1997, a further 26 visitors or more were injured in the onslaught (the worst-ever terrorist atrocity involving tourists in Egypt). The terrorist group, suspected to be a splinter arm of al-Jama’a al-Islamiyya (Egyptian Sunni Islamist organisation)✥ entered the complex in the guise of security guards, trapping the victims inside the temple and setting on them with knives and guns. The murderers later fled and committed suicide in the surrounding hills. The largest proportion (>60%) of the murdered tourists came from Switzerland (later on Swiss intelligence ‘determined’ that Osama Bin Laden had bankrolled the operation). A direct consequent of the Luxor massacre was both a beefing up of tourist security and a drop in Egypt’s tourist numbers. Subsequent terrorist attacks elsewhere within the country has ensured the maintenance of high levels of security by the Egyptian authorities to this day.
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✱ the statues of Hatshepsut that survive that is, many at the temple were predictably decimated by later male pharaohs in a chauvinist attempt to erase her from the annals of Egypt’s pharaonic ‘pantheon’
✥ although this charge has continued to be denied by al-Jama’a al-Islamiyya itself
Inside the temples
Footnote: elsewhere at El Alamein, located separately, there are two other, tiny military cemeteries commemorating combatants on different sides who lost their lives in World War II – a Greek war memorial (its portal taking the form of an ancient Greek temple) and cemetery containing the remains of that nation’s soldiers who died in the two battles of El Alamein. There is another ossuary memorial to Libyan troops who fought for Fascist Italy in the campaign. Bakr didn’t mention either of these war cemeteries and I certainly didn’t spot them on our travels.