By Boat to Philae, Visiting an Ancient Egyptian ‘Treasure Island’

The island containing the Temple of Philae and other significant, associated monuments from antiquity is a definite starter on the list of essential things to see when in the Nubian region of Egypt. So, after the tour guide had taken us to the Aswan High Dam to get a sighter from the bridge of the vast reservoirs of water, we made for the island✱. The temple and other monuments we were going to see were originally on Philae island, but by the 1960s the Egyptian government, concerned at the harmful effect the periodical flooding of the island was having on the monuments and its archaeological relics (a by-product of the Aswan Low Dam), decided to relocate them to a more optimal place – mirroring the story with the Abu Simbel Tow Temples and the Aswan High Dam. The nearby island of Aglika was chosen as the new site and in a logistics exercise that consumed virtually all the seventies, Philae’s temples and monuments “island-hopped” to Aglika. There was some inexplicable delay (becoming quite the norm) when we got to the wharf in getting a boat to ferry us to the new island. One of the random fellow passengers on the boat ride was perhaps the most exotic ‘apparition’ we had encountered in all our time in Egypt. I say ‘apparition’ because although she was real, so oddly and eccentrically was she decked out in extravagant garb and paraphernalia, she was totally out-of-place with everyone else in the sweltering heat of the day. The image that occurred to me when I saw her was of a kind of Egyptian “Mary Poppins”. She was covered from head to foot in multi-layers of gaily coloured clothing, fancy “Sunday-best” gloves, etc, the whole kit! Yes and of course the obligatory umbrella as well! She also looked like she could seamlessly slot into the cast of Agatha Christie’s Death on the Nile, no problems. We were all melting in the oppressive tropical heat in our thin cotton T-shirts, shorts and sandals, so I can’t imagine how she was feeling it. As it transpired, ‘Maryam’ Poppins had an eccentric personality to match her flamboyant attire. She tried to blame us for the boat’s delay and then wanted to use us as money-changers. I couldn’t quite fathom what exactly the proverbial bee in her over-veiled bonnet was! As the boat neared the island the vision was an enchanting one, the central complex of buildings seemed to be growing out of the lush green band of trees and bushes which surround it! It was easy to spot the distinctive twin pylons of the Temple of Isis. Philae was one of the strongholds for the cult of worshipping the all-empowering Egyptian goddess. Once you set foot on the island you find its full of fascinating monuments and artefacts which reveal a rich and varied history and an assortment of diverse cultural influences. The earliest religious structures reach back to the 4th century BCE and the Pharaonic era. Others date to the Ptolemaic Kingdom (Alexander the Great’s Graeco-Egyptian successors from Ptolemy I up to Cleopatra). A number of the buildings still extant were erected under the aegis and command of Roman emperors, eg, the Kiosk of Trajan (above). Even the early century Byzantine rulers have left an imprint on Philae as did the Coptic Christians. Most impressive of all perhaps is the forecourt of the main temple with its splendid colonnaded, the courtyard is an irenic atmosphere-evoking space. Also calming and softening the setting was the afternoon sunlight filtering in between the temple’s columns and reflecting on the still waters of the river in the background. The temple’s stand-out for me remains the striking reliefs of Egyptian deities (especially) on the Second Pylon (above), sharply defined sculptures which have been exceptionally well-preserved (or restored) bearing in mind that the temple walls had been half-submerged for considerable periods when it was still located on the vulnerable Philae island. In addition to the Temple of Isis and the Kiosk of Trajan, the island contains five lesser temples, two Roman gates, the Portico of (Emperor) Augustus and the Pavilion or Vestibule of (Pharaoh) Nactanebo I. The site’s various buildings are rich in the representation of pictographic narratives…the trained eye of Egyptologist Biko drew our attention to other, unauthorised markings on the monuments – various graffiti inscriptions is left by past visitors from the Roman epoch through to the Napoleonic period…which is visual confirmation – if we needed it – that graffiti has been around for just about forever (‘How Old is Graffiti?‘, www.wonderopolis.org).